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From Wolves To Whales (Rempis / Wooley / Niggenkemper / Corsano): Strandwal [2 CDs] (Aerophonic)

The 2nd release from the quartet of cutting edge improvisers--Nate Wooley on trumpet, Dave Rempis on saxophone, Pascal Niggenkemper on bass, and Chris Corsano on drums--presents a complete concert during their Fall 2017 European tour, performing in the city of Haarlem near Amsterdam in a wide-ranging concert of incredible technique and intrepid playing.
 

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product information:


UPC: 5902249001846

Label: Aerophonic
Catalog ID: AR023
Squidco Product Code: 27976

Format: 2CDS
Condition: New
Released: 2019
Country: USA
Packaging: Cardboard Gatefold 3 Panels
Recorded live at De Pletterij, in Haarlem, Netherlands, November 14th, 2017 by Arno Duivestein.


Personnel:

Nate Wooley-trumpet

Dave Rempis-alto saxophone, tenor saxophone

Pascal Niggenkemper-bass

Chris Corsano-drums

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Artist Biographies:

"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.

Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.

Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".

In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.

Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."

-Nate Wooley Website (http://natewooley.com/about)
11/13/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Dave Rempis was born in Wellesley, Massachusetts on March 24th, 1975. He began his musical studies at the age of 8, inspired by a family friend who played clarinet in local Greek bands, and by Zoot, of the Muppets Band, to pick up saxophone. During high school he performed in his town, district, and all-state bands and wind ensembles, as well as in a jazz combo at a local music school.

In 1993, Rempis began a degree in classical saxophone at Northwestern University with Frederick Hemke. Finding this environment stifling, Rempis quickly ditched the music degree to pursue studies in anthropology and ethnomusicology. As part of these studies, he spent a year at the International Centre for African Music and Dance at the University of Ghana, Legon, studying African music and ethnomusicology. He also continued to perform with many different types of groups, ranging from highlife and reggae bands while in Ghana, to jazz, free jazz, funk, and contemporary music ensembles at home. He graduated from Northwestern in 1997.

Upon graduating, Rempis decided to focus on performing, and in March of 1998 at the age of 22 was asked to replace veteran saxophonist Mars Williams in the well-known Chicago jazz outfit The Vandermark Five. This opportunity catapulted him to notoriety as he began to tour regularly throughout the US and Europe playing clubs, concert halls, and festivals on both continents.

During his tenure with The Vandermark Five, Rempis also began to develop the many Chicago-based groups and international collaborations for which he's currently known, including The Rempis Percussion Quartet, The Engines, Ballister, Rempis/Abrams/Ra, Wheelhouse, The Rempis/Rosaly Duo, and The Rempis/Daisy Duo. Many of these groups have been documented on the Okkadisk, 482 Music, Not Two, Clean Feed, Solitaire, and Utech record labels. Past collaborations have included performances with Paul Lytton, Axel Dörner, Peter Brötzmann, Hamid Drake, Steve Swell, John Tchicai, Roscoe Mitchell, Fred Anderson, Kevin Drumm, Paal Nilssen-Love, Nels Cline, Tony Buck, and Joe McPhee. Rempis has been named regularly since 2006 in the annual Downbeat Critics's Poll as a "rising star" on alto saxophone, and as a "rising star" and "established talent" on baritone saxophone.

Aside from performing, Rempis is also active as a presenter. Since 2002, he's curated a weekly Thursday-night concert series for the Elastic Arts Foundation. The series has featured over 500 concerts by some of the best improvisers from around the world, while maintaining a focus on up-and-coming local musicians. In late 2005, Rempis helped form the presenters' collective Umbrella Music, working with a small group of musicians and presenters in Chicago to provide better playing opportunities for creative and improvising musicians. As part of this group, he organized the annual Umbrella Music Festival from 2006-2014.

Rempis is also one of the main organizers of the indie-rock Pitchfork Music Festival, a 60,000-person event which takes place in Chicago's Union Park every July."

-Dave Rempis Website (http://daverempis.com/bio/)
11/13/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"New York City-based German-French bassist, composer and improviser Pascal Niggenkemper is a performing and recording artist active on the creative music scene in the US and in Europe.

From 1999-2005 he was musicaly active in Cologne having studied jazz & classical double bass at the Hochschule für Musik. In 2005 he received the DAAD award and moved to New York.

From 2008 to 2010 Pascal led the PNTrio with Tyshawn Sorey and Robin Verheyen. (CD "pasàpas" Konnex 2008 & "urban creatures" JazzHausMusik 2010). The trio toured extensively in Europe performing at the Jazzcologne Festival, Jazzherbst Konstanz and at the Kennedy Center in Washington. Recordings for the WDR and the BR Radio.

In cooperation with Jazzdor Strasbourg-Berlin, Pascal formed the septet vision7 that performed at Jazzdor Strasbourg-Berlin, Vive le Jazz in Cologne, Jazz à la Cité in Paris and at the Pori Jazz in Finland. (CD 'Lucky Prime' clean feed records Sept 2013)

In September 2011 Pascal released with Simon Nabatov and Gerald Cleaver the CD/LP upcoming hurricane on NoBusiness Records which is listed among 'Albums of the year' 2011 in the 'The New York City Jazz Record'. The trio performed in Canada and the USA.

He recently recorded a new solo program called: 'look with thine ears' music for bass & preparations was premiered at the Jazzdor Festival in Strasbourg in November 2013. The CD was released in March 2015 on clean feed records. He performed for the France Musique radio broadcast by Anne Montaron called 'a l'improviste'.

In 2014 he presented the double trio 'le 7eme continent' with the program 'talking trash' at the Vive le Jazz festival in Cologne, Germany and the concert was broadcast by WDR3 radio. Their CD was released in May 2016 on clean feed records and the group performed in France, Belgium and Germany.

Pascal is co-leading the groups baloni with Frantz Loriot viola and Joachim Badenhorst clarinets (CD 'fremdenzimmer' 2011, 'Belleke' 2014 & 'Ripples' 2015 clean feed records) PascAli a duo for two prepared basses with Sean Ali (CD 'suspicious activity' creative sources 2012) and Miner's Pick with Thomas Heberer. (CD 'miner's pick' FMR records 2014)

With friends, he curates in NY the house concert series ze couch, where every month artists meet to present their work.

Festival presence includes: Jazzdor Strasbourg-Berlin, Vision Festival New York, Umbrella Festival Chicago, Banlieues Bleues Paris, Strade del Cinema Aosta, météo Mulhouse, Jazzcologne, JIGG Lisbon, Taktlos Zurich, Jazz à la Cité in Paris, ESCUCHA Madrid, Washington DC Jazz Festival, Pori Jazz Festival, Middelheim Antwerp, Grenzenlos Köln, undead Jazzfest NYC, D'Jazz Nevers, NewAdits Klagenfurt, Font New York, Music Unlimited Wels, Vive le Jazz Cologne, GONG Aarau, Konfrontationen Nickelsdorf, Ljubljana Jazz Festival etc...

He received the following scholarships/grants: DAAD, Henry Mancini Institute, North Rhine-Westphalia composition stipend."

-Pascal Niggenkemper Website (http://www.pascalniggenkemper.com/bio_english.html)
11/13/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"First spellbound by freely improvised music in the mid-1990s after witnessing performances by TEST, William Parker, Cecil Taylor, and others, Chris Corsano began a long-standing, high-energy partnership with Paul Flaherty in 1998. A move from western Massachusetts to the UK in 2005 led Corsano to develop an expanded solo music of his own, incorporating sax reeds, violin strings and bows, pot lids, and other everyday household items into his drum kit. In February 2006 he released his first solo recording, The Young Cricketer, and toured extensively throughout Europe, USA, and Japan. He spent 2007 and '08 as the drummer on Björk's Volta world tour, all the while weaving in shows and recordings on his days off with the likes of Evan Parker, Virginia Genta, and C. Spencer Yeh. Moving back to the U.S. in 2009, Corsano returned focus to his own projects, most notably a duo with Michael Flower, Rangda (with Sir Richard Bishop and Ben Chasny) and solo work, now revamped to include synthesizers and contact microphones in addition to his drum set and home-made acoustic instruments.

In addition to the those mentioned above, he's also worked with, among others: John Edwards (released by: Clean Feed/Dancing Wayang), Jim O'Rourke & Akira Sakata (Drag City/Family Vineyard), Paul Dunmall (ESP-Disk), Nels Cline (Strange Attractors), Jessica Rylan (Load Records), Jandek (Corwood), Sunburned Hand Of Man (Manhand), MV&EE (Eclipse/Time-Lag), Vampire Belt (Open Mouth), Joe McPhee (Roaratorio), and Wally Shoup (Leo/Columbia Japan)."

-Chris Corsano Website (http://www.cor-sano.com/bio.html)
11/13/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


CD1



1. Hook And Cod 29:24

2. IJ 9:51

CD2



1. Spaarne 28:48

2. For Kenau 12:49

sample the album:








descriptions, reviews, &c.

"Following up on 2015's eponymous debut, Strandwal is the sophomore release by From Wolves To Whales, a band comprised of four noteworthy mid-career improvisers from the US and Europe. This two-cd set documents an entire live concert by the quartet during their Fall 2017 European Tour, performing just outside of Amsterdam in the city of Haarlem. And it captures the amazing tension of four players transcending their significantly different musical aesthetics to produce a uniquely cohesive group sound.

The result never feels like a negotiation though - this band feels unwavering in its sense of purpose. But along the way they visit some of the energetic spaces that Rempis and Corsano are known to favor, dig deep into some of the timbral spaces that Wooley and Niggenkemper are masters of, and they don't forget to throw in some starkly beautiful melodies here and there for good measure.

Whatever these individual musicians tend to gravitate towards in other settings, each of them maintains a full arsenal of tools which may in fact be that much sharper for not always being used. And when they put them to work, the results are both surprising and compelling. Listen to Wooley's burning solos in the higher energy sections of the record, or Rempis burying himself quietly behind Corsano and Niggenkemper as an added color in some of the more austere sections. T

his music raises a celebratory middle finger to those who might try to pigeon-hole individual improvisers into a particular box. These four know how to come together in the service of an ensemble music, and their mutual respect pays off in a band and a music that fearlessly tackles new territory."-Aerophonic

See Dead Leaves Drop
Related Categories of Interest:


Improvised Music
Free Improvisation
Jazz
NY Downtown & Metropolitan Jazz/Improv
Chicago Jazz & Improvisation
Quartet Recordings
Nate Wooley
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New in Improvised Music
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