Recording in electric harpist Zeena Parkin's office at Mills College in Oakland with Jon Leideker, aka Wobbly, performing on mobile phones, tablets, booper, and mixer, their output run through a series of simple listening devices, machines designed to sing along with the melodies they believe themselves to be hearing, though they are often wrong; singular and surprising!
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Zeena Parkins-electric harp
Wobbly-mobile phones, tablets, booper, mixer
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UPC: 5902249001624
Label: Relative Pitch
Catalog ID: RPR1086
Squidco Product Code: 27794
Format: CD
Condition: New
Released: 2019
Country: USA
Packaging: Digipack
Recorded at Office Studios, in Mills College, Oakland, California, on May 11th, 2014.
"Triplicates is a series of improvisations between Zeena Parkins, playing her singular electric harp, and Jon Leidecker, aka Wobbly, playing an instrument that generates electrical feedback. Their outputs are routed to a series of simple listening devices, machines designed to sing along with the melodies they believe themselves to be hearing, although they are often fascinatingly wrong. It quickly becomes difficult to determine the boundaries of each participant's contribution: acoustic source, electronic conductor, or triplicate."-from the liner notes
The Squid's Ear!
Artist Biographies
• Show Bio for Zeena Parkins "Multi-instrumentalist/composer/improviser, Zeena Parkins, pioneer of contemporary harp practice and performance, reimagines the instrument as a "sound machine of limitless capacity." Parkins has built three versions of her one-of-a-kind electric harp and has extended the language of the acoustic harp with the inventive use of unusual playing techniques, preparations, and layers of electronic processing. Inspired and connected to visual arts, dance, film, and history, Zeena follows a unique path in creating her compositional works. Through blending and morphing of both real and imagined instruments, crafting, recombining, and layering mangled, sliced, massaged or possibly disengaged sounds, drawing from extra-musical sources for unusual scoring and formal constructions as well as utilizing multi-speaker environments, Zeena remains in process with sound as material and music, engaged in translations of sonic states in the concert hall, the black box theater, the dance studio, the recording studio, the classroom, the cinema, the skyscraper, the ocean and the gallery. Zeena has a particularly strong commitment to making scores for dance and continues to re-evaluate the nature and issues of the body's imprint on sound and sound/music's imprint on movement. Parkins's compositions have been commissioned by NeXtWorks Ensemble, Merce Cunningham Dance Company, Roulette Intermedium, The Eclipse Quartet, William Winant, Bang on a Can, The Whitney Museum, The Tate Modern, Montalvo Arts Center, The Donaueschinger Musiktage and Sudwestrundfunk/SWR. Parkins has released four solo records featuring her electric and acoustic harp playing and has released her compositions and band projects on six Tzadik recordings, with a new Tzadik CD with Ikue Mori and Phantom Orchard Orchestra, Trouble in Paradise, to be released in November 2012. As a sought-after collaborator Zeena has worked with: Fred Frith, Björk, Ikue Mori, Dame Evelyn Glennie, Maja Ratkje, Hild Sofie Tafjord, John Zorn, Butch Morris, Chris Cutler, Elliott Sharp, Nels Cline, Alex Cline, William Winant, Anthony Braxton, Pauline Oliveros, Yoko Ono, Christian Marclay, Matmos, Yasunao Tone, So Percussion, Bobby Previte, Carla Kilhstedt, Tin Hat, James Fei, Kim Gordon, Lee Renaldo and Thurston Moore. Awards: The Foundation for Contemporary Arts Fellowship, NYFA Music Fellowship, Meet the Composer Commission, NYSCA Composer Commission, Multi-Arts Production Fund Grant, American Music Center, BAFTA award for best interactive media with visual artist Mandy McIntosh and sound artist Kaffe Matthews, Peter S. Reed Fellowship, Mary Flagler Cary Charitable Trust Commissions, Arts International, Prix Ars Electronica Honorary Mention for Phantom Orchard in the Digital Music category. Curatorial: Guest curator for The Music Unlimited Festival in Wels, Austria, co-curator of the Movement Research Festival: Sidewinder, in NYC and curator for a month + a week of shows at The Stone in NYC Residencies: Civitella Ranieri Foundation Fellowship, Oxford University, Harvestworks, Steim, Paf: Performing Arts Forum, Wooda Arts Residency, Montalvo Arts Center, RPI/iEAR and The Watermill Center. Teaching: Zeena has given lectures at Oxford and Princeton Universities and has taught at the School of the Museum of Fine Arts in Boston, Bard and Mills College. Currently, Zeena is a Distinguished Visiting Professor, at Mills College Graduate Music Department." ^ Hide Bio for Zeena Parkins • Show Bio for Wobbly "Wobbly is the moniker of Jon Leidecker (born 1970) a San Francisco-based musician/composer of experimental electronic music. He has released works on Tigerbeat6, Illegal Art, Alku, Phthalo, and others. He has been producing music since 1987 and ongoing studio and live projects involve collaborations with People Like Us, Thomas Dimuzio, Kevin Blechdom, Tim Perkis, Matmos, The Weatherman of Negativland, and Dieter Moebius & Tim Story (composer). He is also a member of the Chopping Channel and Sagan. In 2002, Leidecker was responsible for the first montage and final cleanup of the Keep the Dog album, That House We Lived In (2003). In 2011, Leidecker joined the multimedia collective Negativland. With Negativland's Mark Hosler and Peter Conheim along with Doug Wellman, Leidecker produced "There Is No Don", a live tribute to the late Don Joyce and his work, on July 23, 2015. Jon continues to produce and host Don's Over the Edge weekly radio program. In 2015, he joined Splendor Generator with Bill Thibault, Tim Perkis and Xopher Davidson (of ANTIMATTER)." ^ Hide Bio for Wobbly
4/10/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
4/10/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Extreme Center 7:17
2. Ambiguous Figures 6:21
3. Least Action: Alone And In Relation To Their Surroundings 6:36
4. Sing Themselves 4:58
5. Plankton Interregnum 1:10
6. De-Storied 6:13
7. Circle Dance 0:50
8. No Observer 2:34
9. More Apparent Than Real: A Quite Different Kind Of Thing 3:32
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Electronic Forms
West Coast/Pacific US Jazz
Duo Recordings
West Coast/Pacific US Jazz
Search for other titles on the label:
Relative Pitch.
 | Phantom Orchard (Ikue Mori / Zeena Parkins) Hit Parade of Tears (Tzadik) |
| Distilling their ensemble to its original duo configuration, New York improvisers Zeena Parkins and Ikue Mori reflect on the stories of Japanese author Izumi Suzuki through ten mysteriously eclectic and beautifully developed compositions of harp (acoustic and electric), electronics, percussion, harmonium, ondes martenot, and much more; wonderful, imaginative and evocative work. | |
 | Cutler, Chris Compositions And Collaborations 1972-2022: In A Box [10 CD / DVD / BOOKLET BOX SET] (Recommended Records) |
| An amazing collection and reflection on the work of percussionist, composer and connector Chris Cutler of Henry Cow fame and founder of the highly influential Recommended Records label and distribution service, through 10 CDs, 1 DVD and two books of documentation, artwork, photographs, published and unpublished texts in a sturdy box, with over five hours of unreleased materials. | |
 | Laubrock, Ingrid (w/ Jon Irabagon / Zeena Parkins / Tom Rainey) Monochromes (Intakt) |
| Saxophonist & composer Ingrid Laubrock's quartet with Jon Irabagon on sopranino sax, Zeena Parkins on electric harp and Tom Rainey on drums, in a work of conventional and graphic notation with text instructions, accompanied by fixed media tape pieces (monochromes), from Nate Wooley, Adam Matlock, Tom Rainey, and by JD Allen, David Breskin & Ingrid Laubrock manipulating Harry Bertoia sculptures. | |
 | Cochrane, Chris / John Thayer Excavation [VINYL] (Astral Editions) |
| The core duo of guitarist & bassist Chris Cochrane (No Safety) and drummer & electronics artist John Thayer dig deep into a bag of aural tricks in eight compelling tracks that blur rock, jazz and experimental approaches to upbeat rhythmic music, assisted on various pieces by an excellent cast including Zeena Parkins, Graham Haynes, Gelsey Bell, and Kato Hideki. | |
 | Parkins, Zeena To Dusk (Black Cross Solo Sessions 8) (Corbett vs. Dempsey) |
| Sidelined by the pandemic in June of 2020, Downtown New York electric harp improviser Zeena Parkins began daily recordings in her home studio exploring new approaches to solo electric harp performance using pedals, objects & percussions, selecting ten of the most interesting improvisations for her contribution to Corbett vs. Dempsey's Black Cross Solo Sessions. | |
 | Sharp, Elliot: Tectonics Field & Stream (Knitting Factory) |
| Elliott Sharp's 1998 Knitting Factory album finds the saxophonist, guitarist & electronic artist in a solo setting of rhythmic works using MAX/MSP and DSP applications to create rhythmic and sonic environments over which he improvises, with assistanceÊon one track each from Zeena Parkin on "little green drone guitar" and Frank Rothkamm providing drums sequences. | |
 | Various Artists State of the Union 2.001 [3 CD BOX SET] (Electronic Music Foundation) |
| Originally released in 2001, Elliott Sharp's production of this 3-CD set collects 171 1-minute pieces from international artists over a vast field of musical approaches, with contributors including Christian Marclay, Eric Mingus, Fred Frith, Harry Smith, Henry Kaiser, Ikue Mori, Jack Womack, Jad Fair, Joey Baron, Marc Ribot, Merzbow, Phill Niblock, Zeena Parkins, &c. &c. | |
 | Sharp, Elliot / Orchestra Carbon Radiolaria (zOaR Records) |
| An algorithmic composition for Elliott Sharp's Orchestra Carbon modeled on biological paradigms of growth and reproduction, recorded at Tonic in 2001 with a large ensemble of instrumentalists including Ned Rothenberg, Steve Swell, Jim Pugliese, Andy Laster, &c. and programmers and sampler performers including David Weinstein, R. Luke Dubois, and Zeena Parkins. | |
 | Mayas', Magda Filamental (w / Davies / Caddy / Theriot / Davies / Parkins / Thieke / Abdelnour) Confluence (Relative Pitch) |
| Composed by pianist Magda Mayas for an octet of superb avant improvisers including Rhodri Davies, Zeena Parkins, Michael Thieke, Angharad Davies, &c. and performed live at the 2019 Music Unlimited 33, in Wels, Austria, this extended work uses a graphic score to interpret 12 photographs taken over an hour observing the merging waters of the Rhone and the Arve rivers. | |
 | Laubrock, Ingrid Dreamt Twice, Twice Dreamt (Music For Chamber Orchestra And Small Ensemble) [2 CDs] (Intakt) |
| The 2nd orchestral album from saxophonist Ingrid Laubrock, two very different but complementary sets of compositions using electronics in mostly acoustic settings: the 1st with the larger EOS Chamber Orchestra and guests including Cory Smythe, Tom Rainey, & Sam Pluta; the 2nd a smaller group of Laubrock, Smythe & Pluta + guests Adam Motlock, Josh Modney, and Zeena Parkins. | |
 | Sharp, Elliott / Zeena Parkins >Blackburst< (Les Disques Victo) |
 | Musique Action #4 (Marclay / Jauniaux / Minton / Yoshihide / Parkins / Weston / Vatcher / Luc Ex) Madame Luckerniddle - Tribute to Tom Cora (Vand'Oeuvre) |
| The fourth of a collection dedicated to the French Musique Action Festival, here in a tribute to Tom Cora recorded in 1998 with Catherine Jauniaux, Phil Minton, Zeena Parkins, Christian Marclay, Otomo Yoshihide, Veryan Weston, &c. &c. | |
 | Frith, Fred Stone, Brick, Glass, Wood, Wire (Graphic Scores 1986-96)(2CDs) (Angelica) |
| RESTOCKED: Fred Frith's 1999 box set, presenting a large, flexible ensemble project using marked photographs and rules as scores while Frith directs and conducts as well as performing; permanent members are Ikue Mori and Zeena Parkins, otherwise the balance of the 44 strong ensemble changes; recordings here are taken from 5 concerts, including the first in 1992 at AngelicA. | |
 | Glass Triangle (Zeena Parkins / Rasmussen / Sawyer) Blue and Sun-lights (Relative Pitch) |
| Recorded after a three-day series of concerts at New York City's venue The Stone, the trio of Zeena Parkins on electric harp & objects, Mette Rasmussen on saxophone, objects & voice and Ryan Sawyer on drums & objects brought their dynamic and far-ranging approach to collective free improv into Brooklyn's Figure 8 studio to capture these 10 extraordinary recordings. | |
 | Parkins, Zeena / Jeff Kolar Scale (Two Rooms Records) |
| Commissioned by choreographer Jennifer Monson, the collaboration of Downtown NY electric harpist and sound artist Zeena Parkins and Chicago sound artist Jeff Kolar explore the intersection of acoustic phenonema against electronic, synthetic & radio sounds, inspired by the timing of natural phenomena like ocean currents and daylight emergence; fascinating. | |
 | Estamos Trio (McDonas / Escobar / Tamez) Dire Warning (Relative Pitch) |
| Highlighting issues between the US & Mexican borders, Thollem McDonas' Estamos Trio presents their 2nd album, here with Carmina Escobar (vocals, electronics, guitarron), Milo Tamez (percussion, found objects, electronics) and Thollem (keyboard, vocals, clay pot) in a work commissioned by and recorded at the 2018 "Casa Tomada" (House Taken Over) in Santa Fe for SITE. | |
 | Hook, Line & Sinker (Tristan Honsinger / Antonio Borghini / Axel Dorner / Tobias Delius) Fishy Business (Relative Pitch) |
| A truly unique album of free improvisation and unusual narrative from the Berlin-based quartet of Tristan Honsinger on cello, Antonio Borghini on double bass, Axel Dorner on trumpet, and Tobias Delius on tenor saxophone, clarinet, a mix of Honsinger compositions and collective improv, since 2010 a working band combining music, movement and theater; masterfully idiosyncratic. | |
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 | Schindler, Udo / Jaap Blonk Hillside Talks (Relative Pitch) |
| Performing in Krailling-Munich at Udo Schindler's Salon fur Klang+Kunst in 2018, Netherland free improvising, brilliantly mad vocalist Jaap Blonk joins the reed master for ten acoustic improvisations with Schindler on a variety of reeds and brass instruments, the dialog authoritatively informed, masterful, slightly deranged, and continuously captivating. | |
 | Pavone, Jessica In The Action (Relative Pitch) |
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 | Richards, Stephanie Full Moon (Relative Pitch) |
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| A pairing of two innovative players, Berlin-based pianist Magda Mayas and Australian sound and wind artist Jim Denley, Mayas playing inside and out of the piano and Denley on alto sax and bass flute, both providing field recordings adding unexpected elements in a set of extremely balanced recordings that entrance the listener with unlikely and captivating settings. | |
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