The Squid's Ear Magazine

  Rapid SSL

  PayPal

  Mastercard

  Visa

  Discover

  American Express



© 2002-2018, Squidco LLC


Schlippenbach Quartet: Three Nails Left [VINYL] (Cien Fuegos)

Essential reissue of pianist Alexander von Schlippenbach's 1975 FMP album with his quartet of free jazz legends Evan Parker on soprano & tenor saxophones, Peter Kowald on double bass, and Paul Lovens on percussion, in a live concert at New Jazz Festival Moers in Germany, 1974, and at Berlin's Quartier Latin in 1975; creative, unpredictable, cathartic, masterful free jazz.
 

Price: $28.45
Price Was: $29.95
Squidco Harvest Sale:
Save $1.50


Quantity:

In Stock


Shipping Weight: 16.00 units

Quantity in Basket: None

Log In to use our Wish List
product information:


UPC: 9120036682962

Label: Cien Fuegos
Catalog ID: CF 019LP
Squidco Product Code: 27787

Format: LP
Condition: New
Released: 2019
Country: Austria
Packaging: LP
Side A recorded live at the 3. New Jazz Festival Moers, in Moers, Germany, on June 2nd, 1974, by Michael Krause.

Side B recorded live at the 'Quartier Latin' in Berlin, Germany, on February 2nd, 1975, by Jost Gebers. Originally released in 1975 on the FMP label as catalog code FMP 0210.


Personnel:

Evan Parker-soprano saxophone, tenor saxophone

Alexander von Schlippenbach-piano

Peter Kowald-double bass

Paul Lovens-percussion

Click an artist name above to see in-stock items for that artist.

Highlight an instrument above
and click here to Search for albums with that instrument.

Artist Biographies:

"Evan Parker was born in Bristol in 1944 and began to play the saxophone at the age of 14. Initially he played alto and was an admirer of Paul Desmond; by 1960 he had switched to tenor and soprano, following the example of John Coltrane, a major influence who, he would later say, determined "my choice of everything". In 1962 he went to Birmingham University to study botany but a trip to New York, where he heard the Cecil Taylor trio (with Jimmy Lyons and Sunny Murray), prompted a change of mind. What he heard was "music of a strength and intensity to mark me for life ... l came back with my academic ambitions in tatters and a desperate dream of a life playing that kind of music - 'free jazz' they called it then."

Parker stayed in Birmingham for a time, often playing with pianist Howard Riley. In 1966 he moved to London, became a frequent visitor to the Little Theatre Club, centre of the city's emerging free jazz scene, and was soon invited by drummer John Stevens to join the innovative Spontaneous Music Ensemble which was experimenting with new kinds of group improvisation. Parker's first issued recording was SME's 1968 Karyobin, with a line-up of Parker, Stevens, Derek Bailey, Dave Holland and Kenny Wheeler. Parker remained in SME through various fluctuating line-ups - at one point it comprised a duo of Stevens and himself - but the late 1960s also saw him involved in a number of other fruitful associations.

He began a long-standing partnership with guitarist Bailey, with whom he formed the Music Improvisation Company and, in 1970, co-founded Incus Records. (Tony Oxley, in whose sextet Parker was then playing, was a third co-founder; Parker left Incus in the mid-1980s.) Another important connection was with the bassist Peter Kowald who introduced Parker to the German free jazz scene. This led to him playing on Peter Brötzmann's 1968 Machine Gun, Manfred Schoof's 1969 European Echoes and, in 1970, joining pianist Alex von Schlippenbach and percussionist Paul Lovens in the former's trio, of which he is still a member: their recordings include Pakistani Pomade, Three Nails Left, Detto Fra Di Noi, Elf Bagatellen and Physics.

Parker pursued other European links, too, playing in the Pierre Favre Quartet (with Kowald and Swiss pianist Irene Schweizer) and in the Dutch Instant Composers Pool of Misha Mengelberg and Han Bennink. The different approaches to free jazz he encountered proved both a challenging and a rewarding experience. He later recalled that the German musicians favoured a "robust, energy-based thing, not to do with delicacy or detailed listening but to do with a kind of spirit-raising, a shamanistic intensity. And l had to find a way of surviving in the heat of that atmosphere ... But after a while those contexts became more interchangeable and more people were involved in the interactions, so all kinds of hybrid musics came out, all kinds of combinations of styles."

A vital catalyst for these interactions were the large ensembles in which Parker participated in the 1970s: Schlippenbach's Globe Unity Orchestra, Chris McGregor's Brotherhood of Breath, Barry Guy's London Jazz Composers Orchestra (LJCO) and occasional big bands led by Kenny Wheeler. In the late 70s Parker also worked for a time in Wheeler's small group, recording Around Six and, in 1980, he formed his own trio with Guy and LJCO percussionist Paul Lytton (with whom he had already been working in a duo for nearly a decade). This group, together with the Schlippenbach trio, remains one of Parker's top musical priorities: their recordings include Tracks, Atlanta, Imaginary Values, Breaths and Heartbeats, The Redwood Sessions and At the Vortex. In 1980, Parker directed an Improvisers Symposium in Pisa and, in 1981, he organised a special project at London's Actual Festival. By the end of the 1980s he had played in most European countries and had made various tours to the USA, Canada, Australia, New Zealand and Japan. ln 1990, following the death of Chris McGregor, he was instrumental in organising various tributes to the pianist and his fellow Blue Notes; these included two discs by the Dedication Orchestra, Spirits Rejoice and lxesa.

Though he has worked extensively in both large and small ensembles, Parker is perhaps best known for his solo soprano saxophone music, a singular body of work that in recent years has centred around his continuing exploration of techniques such as circular breathing, split tonguing, overblowing, multiphonics and cross-pattern fingering. These are technical devices, yet Parker's use of them is, he says, less analytical than intuitive; he has likened performing his solo work to entering a kind of trance-state. The resulting music is certainly hypnotic, an uninterrupted flow of snaky, densely-textured sound that Parker has described as "the illusion of polyphony". Many listeners have indeed found it hard to credit that one man can create such intricate, complex music in real time. Parker's first solo recordings, made in 1974, were reissued on the Saxophone Solos CD in 1995; more recent examples are Conic Sections and Process and Reality, on the latter of which he does, for the first time, experiment with multi-tracking. Heard alone on stage, few would disagree with writer Steve Lake that "There is, still, nothing else in music - jazz or otherwise - that remotely resembles an Evan Parker solo concert."

While free improvisation has been Parker's main area of activity over the last three decades, he has also found time for other musical pursuits: he has played in 'popular' contexts with Annette Peacock, Scott Walker and the Charlie Watts big band; he has performed notated pieces by Gavin Bryars, Michael Nyman and Frederic Rzewski; he has written knowledgeably about various ethnic musics in Resonance magazine. A relatively new field of interest for Parker is improvising with live electronics, a dialogue he first documented on the 1990 Hall of Mirrors CD with Walter Prati. Later experiments with electronics in the context of larger ensembles have included the Synergetics - Phonomanie III project at Ullrichsberg in 1993 and concerts by the new EP2 (Evan Parker Electronic Project) in Berlin, Nancy and at the 1995 Stockholm Electronic Music Festival where Parker's regular trio improvised with real-time electronics processed by Prati, Marco Vecchi and Phillip Wachsmann. "Each of the acoustic instrumentalists has an electronic 'shadow' who tracks him and feeds a modified version of his output back to the real-time flow of the music."

The late 80s and 90s brought Parker the chance to play with some of his early heroes. He worked with Cecil Taylor in small and large groups, played with Coltrane percussionist Rashied Ali, recorded with Paul Bley: he also played a solo set as support to Ornette Coleman when Skies of America received its UK premiere in 1988. The same period found Parker renewing his acquaintance with American colleagues such as Anthony Braxton, Steve Lacy and George Lewis, with all of whom he had played in the 1970s (often in the context of London's Company festivals). His 1993 duo concert with Braxton moved John Fordham in The Guardian to raptures over "saxophone improvisation of an intensity, virtuosity, drama and balance to tax the memory for comparison".

Parker's 50th birthday in 1994 brought celebratory concerts in several cities, including London, New York and Chicago. The London performance, featuring the Parker and Schlippenbach trios, was issued on a highly-acclaimed two-CD set, while participants at the American concerts included various old friends as well as more recent collaborators in Borah Bergman and Joe Lovano. The NYC radio station WKCR marked the occasion by playing five days of Parker recordings. 1994 also saw the publication of the Evan Parker Discography, compiled by ltalian writer Francesco Martinelli, plus chapters on Parker in books on contemporary musics by John Corbett and Graham Lock.

Parker's future plans involve exploring further possibilities in electronics and the development of his solo music. They also depend to a large degree on continuity of the trios, of the large ensembles, of his more occasional yet still long-standing associations with that pool of musicians to whose work he remains attracted. This attraction, he explained to Coda's Laurence Svirchev, is attributable to "the personal quality of an individual voice". The players to whom he is drawn "have a language which is coherent, that is, you know who the participants are. At the same time, their language is flexible enough that they can make sense of playing with each other ... l like people who can do that, who have an intensity of purpose." "

-Evan Parker Website (http://evanparker.com/biography.php)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"One of Europe's premier free jazz bandleaders, pianist Alexander von Schlippenbach's music mixes free and contemporary classical elements, with his slashing solos often the link between the two in his compositions. Schlippenbach formed The Globe Unity Orchestra in 1966 to perform the piece"Globe Unity, which had been commissioned by the Berliner Jazztage.

He remained involved with the orchestra into the '80s. Schlippenbach began taking lessons at eight, and studied at the Staatliche Hochschule for Musik in Cologne with composers Bernd Alois Zimmermann and Rudolf Petzold. He played with Gunther Hampel in 1963, and was in Manfred Schoof's quintet from 1964 to 1967.Schlippenbach began heading various bands after 1967, among them 1970 trio with Evan Parker and Paul Lovens and a duo with Sven-Ake Johansson which they co-formed in 1976. Schlippenbach has also given many solos performances. In the late '80s, he formed the Berlin Contemporary Jazz Orchestra,which has featured a number ofesteemed European avant-garde jazz musicians including Evan Parker, Paul Lovens, KennyWheeler, Misha Mengelberg and Aki Takase. During the 90`s Duo work with Tony Oxley, Sam Rivers and Aki Takase. 1999 started performance and radiorecording of Thelonius Monks complete works, (all the compositions) with Rudi Mahall and his group "Die Enttäuschung"."

-Alexander von Schlippenbach Website (http://www.avschlippenbach.com/)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born 1944 in Germany, died 21 September 2002 New York City; double bass, voice, tuba.

Peter Brötzmann (Corbett, 1994) recounted that 'there was this young guy trying to play the bass, who was Mr Kowald, at that time seventeen years old. Peter lived with his parents. I had my little studio, so he was always hanging out at my place. But he had to be at home at 10.00, he was drinking milk. But we changed that, very soon. His parents were always very angry with me, because he never showed up at home anymore, he dropped studies of ancient languages, Greek and all that.' By this time (1962) Peter Kowald had been playing bass for two years and, with different drummers the two Peters were playing Mingus, Ornette, and Miles Davis things as well as listening to Coltrane, Stockhausen, Cage et al. Kowald was part of the European tour undertaken by the Carla Bley/Michael Mantler band in 1966 (also featuring Brötzmann) and then came work with other German musicians, membership of the Globe Unity Orchestra and the first recordings: Globe Unity, For Adolphe Sax and Summer 1967, recorded during a brief vacation in London. In particular, Evan Parker credits this visit to London for his invitation to play in the Pierre Favre/Irene Schweizer quartet and his subsequent longstanding involvement with German (and other European) musicians. Kowald's work with Brötzmann continued - on and off - on record at least, to the time of Kowald's death and included the Cooperative Trio with Andrew Cyrille, a duo on the Duos project and a recent mix of free jazz, hip-hop and rap.

Peter Kowald was a member of Globe Unity Orchestra for 12 years (1966 to 1978) and for much of this time played less of a side-man role and more of an equal partner - for example, conducting the band - with the person to whom the group has become most associated, Alex von Schlippenbach. His influence is particularly noticeable on Jahrmarkt/Local fair where the two sides of composition are by Kowald (as is the second side of Live in Wuppertal and he is also credited, along with Paul Lovens as 'producing' the record, presumably sorting out the sprawling theatricality and poor sound into two 'meaningful' fragments. In his notes to 20th anniversary, Schlippenbach emphasises the importance of Kowald in creating a programme that became a lot more 'colourful'; while further pointing out that he and Kowald gradually drifted further apart 'until one fine evening after lengthy discussions which resulted in a fight in a pub in Wuppertal, this chapter also closed'. However, before this ending, from 1973 to 1978, Kowald also worked with the Schlippenbach trio (Schlippenbach/ Parker/Paul Lovens), turning it for much of this time into a regular quartet.

Throughout his career, Peter Kowald worked with a wide variety of improvising musicians worldwide and in many considered and unusual situations. He recorded bass duets with Barry Guy, Barre Phillips, Peter Jacquemyn, Maarten Altena, Damon Smith and William Parker, released two solo bass recordings, and had regular groups with Leo Smith and Günter Sommer; with Joëlle Léandre and dancer Anne Martin (Trio Tartini); with dancers Cheryl Banks and Arnette de Mille and cellist Muneer Abdul Fataah (Music and Movement Improvisation); a trio with pianist Curtis Clark; a trio with Canadian alto saxophonist Yves Charuest and Louis Moholo; and Principle Life with Jeanne Lee, Klaus Hovman, and Marilyn Mazur. During the period 1980 to 1985 he was a member of the London Jazz Composers' Orchestra. He has spent periods in the US and in Japan and recorded three duo LPs (two CDs) with US, European and Japanese musicians. He also lived in Greece and similarly played and recorded with the Greek musicians Floros Floridis and Ilias Papadopoulos. By contrast, the 12 months May 1994 to May 1995 was designated Kowald's 'Year at home' project which comprised a mixture of solo works - out of which, to some extent, the last solo CD grew (Was da ist) - and group performances.

In addition, Peter Kowald collaborated extensively with poets and artists and with the dancers Gerlinde Lambeck, Anne Martin, Tadashi Endo, Patsy Parker, Maria Mitchell, Sally Silvers, Cherly Banks, Arnette de Mille, Sayonara Pereira, and Kazuo Ohno. Specific works included Die klage der kaiserin (1989) with Pina Bausch, Short pieces (since 1989) with Jean Sasportes, The spirit of adventure (1990) with Anastasia Lyra, Wasser in der hand (1990/91) with Christine Brunel, and Futan no sentaku/The burden of choice (1990/91) with Min Tanaka and Butch Morris."

-European Free Improv (http://www.efi.group.shef.ac.uk/mkowald.html)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in Aachen, Germany, 6 June 1949; Drums, percussion, musical saw, etc.

Paul Lovens played the drums as a child. Self-taught, from the age of 14 he played in groups of various jazz styles and popular musics and from 1969 has worked almost exclusively as an improvisor on individually selected instruments. He has worked internationally with most of the leading musicians in free jazz and free improvisation, among whom have included the Globe Unity Orchestra, the Berlin Contemporary Jazz Orchestra, the Schlippenbach trio, Quintet Moderne, Company, and a duo with Paul Lytton. He has undertaken concert tours in more than 40 countries, is a founder member of a musician's cooperative and has produced recordings for his own label, Po Torch Records since 1976. He has worked with painter Herbert Bardenheuer. Despite very rare solo performances, and although giving occasional concerts with ad-hoc groups and an involvement in projects with film, dance and actors, Paul Lovens' main interest and work is musical improvisation in fixed small groups. In the mid-1990s these small groups numbered around 16, of which a few were part of a special selection, called 'vermögen'.

Paul Lovens somehow epitomises the free drummer/percussionist who is not there to lay down the beat and kick everyone else into action but to listen, colour, contribute, guide, and occasionally direct, the overall cooperative sound. In concert one cannot fail to be moved by his intensity and concentration and there is an overiding feeling that even the most random events are somehow planned in time. In this respect, there is a nice irony that on the Nothing to read CD with Mats Gustafsson, Lovens describes his kit as consisting of 'selected and unselected drums and cymbals'. Miking seems to be a problem at times with some recordings giving him undue prominence and others insufficient. Good recordings are Elf bagatellen, Nothing to read, Pakistani pomade, and ,stranger than love."

-European Free Improv (http://www.efi.group.shef.ac.uk/mlovens.html)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


SIDE A



1. Range (23:40)

SIDE B



1. Black Holes (12:00)

2. Three Nails Left; for P.L. (4:11)
sample the album:






descriptions, reviews, &c.

"Cien Fuegos present a reissue of Schlippenbach Quartet's Three Nails Left, originally released on FMP in 1975. Side A was recorded live at 3rd Jazz Festival Moers June 2nd, 1974 by Michael Krause. Side B was recorded live at the Quartier Latin Berlin, February 2nd, 1975 by Jost Gebers with the FMP Mobile Recording Unit."-Cien Fuegos



"On all 3 'live' pieces, one experiences the unrelenting intensity (even during quiet sections) that this quartet exudes. Schlippenbach is in sublime form, his two-fisted attacks pushing the pianos to their limits. Parker rips, tears and growls. His feature piece, "Black Holes", being an early example of his circular breathing techniques on soprano sax, which he uses to create piercing split tone walls. And Kowald and Lovens thrust and push, laying down textures as well rhythms." - Milo Fine, Sweet Potato

Related Categories of Interest:


Vinyl Recordings
Improvised Music
Jazz
Free Improvisation
European Improvisation and Experimental Forms
Quartet Recordings
Schlippenbach
Jazz Reissues
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers


Other Releases With These Artists:
Brotzmann / Schlippenbach / Bennink
Fifty Years After... Live at the Lila Eule 2018
(Trost Records)
Parker, Evan / Lotte Anker / Torben Snekkestad
Inference
(Listen! Foundation (Fundacja Sluchaj!))
Morris, Joe / Evan Parker
The Village
(Listen! Foundation (Fundacja Sluchaj!))
Parker, Evan / Matthew Wright / Trance Map+
Crepuscule in Nickelsdorf
(Intakt)
Parker, Evan / Kinetics (Anderskove / Melbye / Vestergaard)
Chiasm
(Clean Feed)
Bailey, Derek / Han Bennink / Evan Parker
Topographie Parisienne [4 CDs]
(Fou Records)
Spring Heel Jack / Wadada Leo Smith
The Sweetness of the Water [VINYL]
(Treader)
Takase, Aki
Hokusai Piano Solo
(Intakt)
Parker, Evan / Eddie Prevost
Tools Of Imagination
(Listen! Foundation (Fundacja Sluchaj!))
Frith, Fred
All Is Always Now (Live at the Stone) [3 CDs]
(Intakt)
Kaucic, Zlatko (w/ Evan Parker, Agusti Fernandez, Rafal Mazur, Lotte Anger, Artun Majewski, Phil Minton, Johannes Bauer)
Diversity [5 CD BOX SET]
(Not Two)
Glasgow Improvisers Orchestra (feat. Marilyn Crispell / Evan Parker)
Parallel Moments Unbroken [2CDS]
(FMR)
Fox, Christopher (w/ John Butcher / Thomas Lehn / Paul Lovens / Axel Dorner)
Topophony
(Hat [now] ART)
Cherry, Don / Marion Brown / Evan Parker / John Stevens
Free Jazz Meeting Baden Baden '67
(Hi Hat)
Schlippenbach, Alexander von / Aki Takase
Live At Cafe Amores [VINYL]
(NoBusiness)
Schlippenbach, Alexander von / Aki Takase
Live At Cafe Amores
(NoBusiness)
Parker, Evan
Evan Parker With Birds - For Steve Lacy [VINYL]
(Treader)
Holland, Dave Feat. Evan Parker / Craig Taborn / Ches Smith
Uncharted Territories [VINYL 3 LPS]
(Dare2 Records)
Leandre, Joelle
A Woman's Work [8 CD BOX SET]
(Not Two Records)
Bailey, Derek / Evan Parker
The London Concert [VINYL]
(Otoroku)
Brotzmann, Peter The Octet
Machine Gun - Alternate Takes [VINYL]
(Cien Fuegos)
Tippett's, Keith Ark
Frames (Music For An Imaginary Film) [2 CDs]
(Ogun)
Maneri, Mat / Evan Parker / Lucian Ban
Sounding Tears
(Clean Feed)
Takase, Aki / Alexander von Schlippenbach
So Long, Eric! Homage to Eric Dolphy
(Intakt)
Anemone (John Butcher / Peter Evans / Frederic Blondy / Clayton Thomas / Paul Lovens)
A Wing Dissolved in Light [VINYL]
(NoBusiness)
Kowald, Peter / Daunik Lazro / Annick Nozati
Instants Chavires
(Fou Records)
Bailey, Derek / Joelle Leandre / George Lewis / Evan Parker
28 Rue Dunois Juillet 1982
(Fou Records)
Parker, Evan / Daunik Lazro / Joe McPhee
Seven Pieces. Live At Willisau 1995
(Clean Feed)
Parker, Evan / Pat Thomas / John Russell / John Edwards / Alex Ward / Alison Blunt / Benedict Taylor / David Leahy / Kay Grant
Mopomoso Tour 2013 | Making Rooms [4 CD BOX SET]
(Weekertoft)
PaPaJo (Hubweber / Lovens / Edwards)
Spiela [2 CDs]
(Creative Sources)
Gustafsson, Mats And Friends
MG 50 - Peace & Fire [4 CD BOX SET]
(Trost Records)
Hawkins, Alexander / Evan Parker
Leaps in Leicester
(Clean Feed)
Foussat, Jean-Marc / Les Autres
Alternative Oblique [4 CD Box Set]
(Improvising Beings)
Kowald, Peter / Damon Smith
Mirrors, Broken - But No Dust [CASSETTE + DOWNLOAD]
(Balance Point Acoustics)
Guy, Barry / Eddie Prevost / Evan Parker / Keith Rowe
Supersession [REMASTERED, REPACKAGED, ADDITIONAL TEXT]
(Matchless)
Chadbourne, Eugene
Eddie Chatterbox: The Sound Of Genius
(Chadula)
Parker, Evan / Joe Morris / Nate Wooley
Ninth Square
(Clean Feed)
Frith, Fred / Evan Parker
Hello, I Must Be Going
(Les Disques Victo)
Perry, Frank
Temple Of The Ancient Magical Presence
(FMR)
Schlippenbach / Parker / Edwards / Prevost
3 Nights at Cafe Oto
(Matchless)
Eneidi, Marco / Damon Smith / Peter Kowald
Ghetto Calypso
(Not Two Records)
Parker, Evan / Derek Bailey / Han Bennink
The Topography of the Lungs [VINYL]
(Otoroku)
Parker, Evan ElectroAcoustic Septet
Seven
(Les Disques Victo)
Parker, Evan & Sylvie Courvoisier
Either Or And
(Relative Pitch)
Yoshihide, Otomo / Sachiko M / Evan Parker / John Edwards / Tony Marsh / John Butcher
Quintet/Sextet/Duos
(Otoroku)
Brotzmann Trio, Peter
For Adolphe Sax [VINYL]
(Cien Fuegos)
Mehta, Rajesh (feat. Paul Lovens)
Orka
(Hatology)
Red Dhal Sextet (Jeffery / Schubert / Dunmall / Schlippenbach / Majkowski / Dimitriadis)
Red Dhal Sextet
(FMR)
Parker, Evan
The Ayes Have It
(Emanem)
Parker, Evan & Joe Mcphee
What / If / They Both Could Fly [VINYL]
(Rune Grammofon)
Parker, Evan / Barry Guy / Paul Lytton
Live at Maya Recordings Festival [VINYL 2 LPs]
(NoBusiness)
Parker, Evan / Barry Guy / Paul Lytton
Live at Maya Recordings Festival
(NoBusiness)
Quat Quartet (Fred Van Hove, Els Vandeweyer, Paul Lovens, Martin Blume)
Live at Hasselt
(NoBusiness)
Schlippenbach, Alexander Von
The Living Music [VINYL]
(Cien Fuegos)
Sudo Quartet (Leandre / Zingaro / Tramontana / Lovens)
Live at Banlieue Bleue
(NoBusiness)
Schlippenbach, Alexander Von
Schlippenbach Plays Monk
(Intakt)
Parker, Evan / Georg Graewe
Dortmund Variations
(Nuscope)
Various Artists
13 Miniatures For Albert Ayler
(RogueArt)
Parker, Evan & GGRIL (Grand Groupe Regional d'Improvisation Liberee)
Vivaces
(Tour de Bras)
Hemphill, Julius and Peter Kowald
Live at Kassiopeia [2 CDs]
(NoBusiness)
Parker / Neal / Sorbara
At Somewhere There
(Barnyard)
Parker / Guy / Lytton + Peter Evans
Scenes in the House of Music
(Clean Feed)
Parker, Evan & Sten Sandell
Psalms
(psi)
Parker, Evan / Leimgruber, Urs
Twine
(Clean Feed)
Boeren, Eric 4tet
Song for Tracy the Turtle - Live in Brugge 2004
(Clean Feed)
Lazro / Zingaro / Leandre / Loves
Madly You
(Potlatch)
Pierrepont / Ladd
Maison Hantee (Haunted House)
(RogueArt)
Townhouse Orchestra (E.Parker/ Sandell / Flaten / Nilssen-Love)
Belle Ville
(Clean Feed)
Stevens, John / Evan Parker
Corner to Corner + The Longest Night
(Ogun)
McGregor, Chris' Brotherhood Of Breath
Live At Willisau
(Ogun)
Angeli / Parker / Rothenberg
Free Zone Appleby 2007
(psi)
Parker, Evan / John Edwards / Chris Corsano
A Glancing Blow
(Clean Feed)
Parker, Evan / Rothenberg, Ned
Live at Roulette
(Animul)
Parker, Evan
Hook, Drift & Shuffle
(psi)
fORCH
Spin Networks
(psi)
Schlippenbach, Alexander Von
Twelve Tone Tales Volume 2
(Intakt)
Schlippenbach, Alexander Von
Twelve Tone Tales Volume 1
(Intakt)
Parker Octet, Evan
Crossing the River
(psi)
Nilssen-Love, Paal
Townorchestrahouse
(Clean Feed)
Tracey, Stan & Evan Parker
Crevulations
(psi)
Sandell, Sten / David Stackenas with Parker / Guy / Lytton
Gubbrora
(psi)
Parker, Evan Trio & Peter Brotzmann Trio
The Bishop's Move
(Les Disques Victo)
Tracey, Stan / Evan Parker
Suspensions and Anticipations
(psi)
Parker, Evan / Sainkho Namtchylak
Mars Song
(Les Disques Victo)
Chadbourne, Eugene / Paul Lovens
Patrizio
(Les Disques Victo)
Recommended & Related Releases:
Brotzmann / Schlippenbach / Bennink
Fifty Years After... Live at the Lila Eule 2018
(Trost Records)
Parker, Evan / Lotte Anker / Torben Snekkestad
Inference
(Listen! Foundation (Fundacja Sluchaj!))
Morris, Joe / Evan Parker
The Village
(Listen! Foundation (Fundacja Sluchaj!))
Parker, Evan / Matthew Wright / Trance Map+
Crepuscule in Nickelsdorf
(Intakt)
Parker, Evan / Kinetics (Anderskove / Melbye / Vestergaard)
Chiasm
(Clean Feed)
Bailey, Derek / Han Bennink / Evan Parker
Topographie Parisienne [4 CDs]
(Fou Records)
Takase, Aki
Hokusai Piano Solo
(Intakt)
Parker, Evan / Eddie Prevost
Tools Of Imagination
(Listen! Foundation (Fundacja Sluchaj!))
Frith, Fred
All Is Always Now (Live at the Stone) [3 CDs]
(Intakt)
Kaucic, Zlatko (w/ Evan Parker, Agusti Fernandez, Rafal Mazur, Lotte Anger, Artun Majewski, Phil Minton, Johannes Bauer)
Diversity [5 CD BOX SET]
(Not Two)
Glasgow Improvisers Orchestra (feat. Marilyn Crispell / Evan Parker)
Parallel Moments Unbroken [2CDS]
(FMR)
Fox, Christopher (w/ John Butcher / Thomas Lehn / Paul Lovens / Axel Dorner)
Topophony
(Hat [now] ART)
Cherry, Don / Marion Brown / Evan Parker / John Stevens
Free Jazz Meeting Baden Baden '67
(Hi Hat)
Schlippenbach, Alexander von / Aki Takase
Live At Cafe Amores
(NoBusiness)
Parker, Evan
Evan Parker With Birds - For Steve Lacy [VINYL]
(Treader)
Leandre, Joelle
A Woman's Work [8 CD BOX SET]
(Not Two Records)
Tippett's, Keith Ark
Frames (Music For An Imaginary Film) [2 CDs]
(Ogun)
Maneri, Mat / Evan Parker / Lucian Ban
Sounding Tears
(Clean Feed)
Takase, Aki / Alexander von Schlippenbach
So Long, Eric! Homage to Eric Dolphy
(Intakt)
Kowald, Peter / Daunik Lazro / Annick Nozati
Instants Chavires
(Fou Records)
Bailey, Derek / Joelle Leandre / George Lewis / Evan Parker
28 Rue Dunois Juillet 1982
(Fou Records)
Parker, Evan / Daunik Lazro / Joe McPhee
Seven Pieces. Live At Willisau 1995
(Clean Feed)
Parker, Evan / Pat Thomas / John Russell / John Edwards / Alex Ward / Alison Blunt / Benedict Taylor / David Leahy / Kay Grant
Mopomoso Tour 2013 | Making Rooms [4 CD BOX SET]
(Weekertoft)
PaPaJo (Hubweber / Lovens / Edwards)
Spiela [2 CDs]
(Creative Sources)
Gustafsson, Mats And Friends
MG 50 - Peace & Fire [4 CD BOX SET]
(Trost Records)
Hawkins, Alexander / Evan Parker
Leaps in Leicester
(Clean Feed)

Search for other titles on the Cien Fuegos label.