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Perelman, Ivo / Mat Maneri / Nate Wooley: Strings 3 (Leo Records)

The 3rd album of NY-based Brazilian tenor saxophonist Ivo Perelman's Strings series with Mat Maneri on viola adds trumpeter Nate Wooley, an unusual instrument for a string series, but in the adaptable creative intent of Wooley's playing the trumpet is found intertwining with the strings and Perelman's cello-like sax runs to create a remarkable complement in their collective voice.
 

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product information:


UPC: 5024792085927

Label: Leo Records
Catalog ID: LEO 859
Squidco Product Code: 27338

Format: CD
Condition: New
Released: 2019
Country: UK
Packaging: Jewel Case
Recorded at Parkwest Studios, in Brooklyn, New York, in February, 2018, by Jim Clouse.


Personnel:

Ivo Perelman-tenor saxophone

Nate Wooley-trumpet

Mat Maneri-viola

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Artist Biographies:

"Born in 1961 in São Paulo, Brazil, Perelman was a classical guitar prodigy who tried his hand at many other instruments - including cello, clarinet, and trombone - before gravitating to the tenor saxophone. His initial heroes were the cool jazz saxophonists Stan Getz and Paul Desmond. But although these artists' romantic bent still shapes Perelman's voluptuous improvisations, it would be hard to find their direct influence in the fiery, galvanic, iconoclastic solos that have become his trademark.

Moving to Boston in 1981, to attend Berklee College of Music, Perelman continued to focus on mainstream masters of the tenor sax, to the exclusion of such pioneering avant-gardists as Albert Ayler, Peter Brötzmann, and John Coltrane (all of whom would later be cited as precedents for Perelman's own work). He left Berklee after a year or so and moved to Los Angeles, where he studied with vibraphonist Charlie Shoemake, at whose monthly jam sessions Perelman discovered his penchant for post-structure improvisation: "I would go berserk, just playing my own thing," he has stated.

Emboldened by this approach, Perelman began to research the free-jazz saxists who had come before him. In the early 90s he moved to New York, a far more inviting environment for free-jazz experimentation, where he lives to this day. His discography comprises more than 50 recordings, with a dozen of them appearing since 2010, when he entered a remarkable period of artistic growth - and "intense creative frenzy," in his words. Many of these trace his rewarding long-term relationships with such other new-jazz visionaries as pianist Matthew Shipp, bassists William Parker, guitarist Joe Morris, and drummer Gerald Cleaver.

Critics have lauded Perelman's no-holds-barred saxophone style, calling him "one of the great colorists of the tenor sax" (Ed Hazell in the Boston Globe); "tremendously lyrical" (Gary Giddins); and "a leather-lunged monster with an expressive rasp, who can rage and spit in violence, yet still leave you feeling heartbroken" (The Wire). Since 2011, he has undertaken an immersive study in the natural trumpet, an instrument popular in the 17th century, before the invention of the valve system used in modern brass instruments; his goal is to achieve even greater control of the tenor saxophone's altissimo range (of which he is already the world's most accomplished practitioner).

Perelman is also a prolific and noted visual artist, whose paintings and sketches have been displayed in numerous exhibitions while earning a place in collections around the world."

-Ivo Perelman Website (http://www.ivoperelman.com/bio/)
11/18/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.

Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.

Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".

In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.

Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."

-Nate Wooley Website (http://natewooley.com/about)
11/18/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Mat Maneri was born in 1969, and started studying violin at age five. He studied privately with Julliard String Quartet founder Robert Koff, and with bass virutuoso Miroslav Vitous. Mat received a full scholarship as the principal violinist at Walnut Hill High School, but left school to pursue a professional career in music. By 1990, Mat founded the critically acclaimed Joe Maneri Quartet with Randy Peterson. Mat started releasing records as a leader in 1996, and has developed four working ensembles. Pianists Paul Bley, Cecil Taylor, Matthew Shipp, and Borah Bergman have called upon Matt to perform with them in such venues as the Montreal Jazz Festival, the Library of Congress, and concert stages across Europe. Mat also enjoys a strong relationship with bassists Ed Schuller, Mark Dresser, William Parker, Michael Formanek, Barre Phillips, and John Lockwood. Never to be boxed in, Mat has also worked with Joe Morris, John Medeski, Tim Berne, Cecil McBee, T.K. Ramakrishnan, Franz Kogelman, Roy Campbell, Spring Heel Jack, Draze Hoops, and appears on an Illy B Eats remix CD. Mat presently teaches privately and through the New School / NYC, and performs and records worldwide."

-Aum Fidelity (http://www.aumfidelity.com/maneri.html)
11/18/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Pt. 1 7:45

2. Pt. 2 6:03

3. Pt. 3 5:44

4. Pt. 4 2:56

5. Pt. 5 3:52

6. Pt. 6 5:20

7. Pt. 7 4:28

8. Pt. 8 4:04

9. Pt. 9 5:12

10. Pt. 10 3:25

11. Pt. 11 3:24

sample the album:








descriptions, reviews, &c.

"In 2018, the prodigious and prolific tenor saxophonist Ivo Perelman undertook the most ambitious series of recordings in a career full of such projects. He had occasionally worked with freely improvising string players; he now wished to systematically explore an open-ended range of string-family collaborations, which would eventually come to include varying combinations of violins and cellos, bass and viola. The initial burst of releases would employ one violist in particular, Mat Maneri. This is the third CD in this series."-Leo



"Ivo PerelmanÕs Strings 3 finds the ever-adventurous sax man adding another musician to the mix with Nat Wooley on trumpet. Meanwhile, the established pairing of Ivo with violist Mat Maneri works its wonders. The question at the start is whether adding the trumpet is bonkers or completely wonderful.

The tracks are numbered 1-11, which is typical of Ivo PerelmanÕs output. Track 1 opens with viola soloing, before the tenor of Perelman enters, at once creating sounds completely at odds with the melodics of ManeriÕs viola, yet there is also a periodic coming together of keys, even notes and tonal emphasis. ThatÕs enough to create sounds where each musician is interacting with the other. This continues through the track, at one point both are searing up to notes, as if weeping in tandem. ItÕs a sound both poignant and engaging. The ending is chordal and beautiful.

Track 2 is breathy sax over which the viola adds constancies and sounds that evolve in spiraling upsurges, which the sax follows. Track 3 is wilder, as Ivo Perelman opens with breathy tones and short melodic riffs over which Mat ManeriÕs viola sputters and stutters before elongating the sounds to create arcs of sound. It all culminates in the middle section, with the viola adding scorching rhythmic interludes over PerelmanÕs sax bases.

This interaction continues over tracks 4, 5 and 6, but it is on track 6 where the gleeful intercepts provided by Nat WooleyÕs trumpet come into their own. If you ever wondered whether brass, strings and wood go together (given that two of the instruments comprise at least two of those elements), then Strings 3 is your answer: They work very well and the answer to the opening question is completely wonderful. The trumpetÕs lambastic overtones provide a sweetness and an elongation of sounds which the others donÕt, though they set the tones over which the trumpet flourishes. There are some clever drop offs from viola and sax where WooleyÕs trumpet solos and comes to the forefront of this musical onslaught.

Track 7 is heavy, bombastic and totally gorgeous, whilst number 8 is decorated with wonderful tenor flourishes and Ivo Perelman delights in exploring both ends of his horn. Track 9 is noisy, riotous and completely joyful in its exploration from all the musicians. From car horn-like sax notes to Mat ManeriÕs wonderfully trilling viola, pizzicato, stut and arches of wailing beauty, this track is the jigsaw of Strings 3 Š the box with all the pieces. Again, Nate WooleyÕs trumpet adds another dimension and the quality is outstanding.

Track 10 is atmospheric, eerie and ethereal to start, before ManeriÕs viola runs amok and settles the score (though there is no score) with some classically influenced techniques over the top of the slightly rambling sax. The final track opens with swingy-jazz riffs from the sax before the rhythm is taken and played with as the track develops; the viola and trumpet enjoy the taking immensely.

Strings 3 once again shows Ivo Perelman at his experimental best. His prolific output shows no diminishing of quality, and there is also a playfulness here which is missing in so much music. The players are enjoying this as much as the listener. Including the trumpet, especially when the player is a gifted improviser, was a stroke of genius. Strings 3 ends up filling the air and brain in so many good ways."-Sammy Stein, Something Else Reviews


Get additional information at Something Else!
Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Trio Recordings
Stringed Instruments
Leo Records
Nate Wooley
Collective Free Improvsation
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers
Friends of Squid


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