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Desprez, Julien / Luis Lopes: Boa Tarde [VINYL] (Shhpuma)

Two guitarists with unique approaches to their instruments -- Paris-based Julen Depsrez and Lisbon-based Luis Lopes -- in an experimental album of evolving sound through extreme modification of guitar sound and sustain, mysteriously building their interactions from whispering sonics to growling harmonics, tightly controlled but bristling with complex energy.
 

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product information:


UPC: 5609063800418

Label: Shhpuma
Catalog ID: SHH041LP
Squidco Product Code: 26509

Format: LP
Condition: New
Released: 2018
Country: Portugal
Packaging: LP
Recorded at Namouche Studios, in Lisbon, Portugal, on August 8th, 2016, by Joaquim Monte.


Personnel:

Julien Desprez-electric guitar

Luis Lopes-electric guitar

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Artist Biographies:

"Julien Desprez is a musician and performer based in Paris. Jazz and rock were his early musical loves, but they evolved rapidly to free forms where body and space find their places through sound. As his practice progressed as well as his conception and approach to his instrument, the music and space changed. He is now considering the guitar more like a battery, an organ, a modifiable instrument deployable at will. Through a mix of actions on the instrument and a play of foot on effect pedals, taking inspiration from the technique of Tap Dance, it completely opened the possibilities, sound and physical environment of the instrument. This results in a practice where body is engaged to its fullest.

Now evolving between sound art, performance and contemporary improvisational music, his work today is centred around all the questions that exist within a stage space, through body, space, sight and light, but where the sound remains the central pillar. Julien is also a co-founder of the Collectif Coax, a music cooperative based in Paris and created in 2008, which was recently labelled "Compagnie Nationale" by the French Ministry of Culture and Communication. He's also played with Charlie Haden, Mats Gustafson, Jeanne Added, Edward Perraud, Thomas Depourquery, François Jeanneau, Louis Sclavis, Stephane Payen, Guillaume Orti, Benoit Delbecq, Tortoise, Han Bennink, Hubert Dupont, Rob Mazurek, Jef Parker, Frank Vaillant, Gilles Coronado, Beniat Achary, Noël Ackchoté, David Grubbs, Doug Wamble, Marc Ducret, Sylvain Darrifourcq, Eve Risser, Mederic Collignon, Magic Malik, Emmanuel Bex et Hasse Poulsen."

-Julien Desprez Website (http://shapeplatform.eu/artist/julien-desprez/)
11/14/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Averse to any linearity, the idiosyncratic Luís Lopes, a musician connected to Jazz, improvised and experimental music, has been building his career, a simple and singular story, characterised by a unique voice, free of corsets, formal ties or constraints and mannerisms regarding strict stilistical implications. He is an unfollower... experiments himself through paradoxes. Invokes teachings by following standards of subversion to any possibility of pre-established idea. Eminent self-subversion... Introspective timeless trance.

Running Multi-international groups, especially his Humanization 4tet (with Portuguese Rodrigo Amado and Texan's Aaron and Stefan Gonzalez), Lisbon Berlin Trio (with Germans Christian Lillinger, Robert Landfermann), and his "Noise" or "Love Song(s)" Solos, plus his highly recommended records he is growing as an international artist, playing at important Festivals and venues not just in Portugal but in Europe and U.S.

Coming from a rock/punk and blues background, while studying at local classic and rock schools, he began studying Jazz at Hot Club Portugal School and then was finalist at Escola de Jazz do Barreiro/Lisbon. Then did studies with Saxophonist Joe Giardullo who opened for him the doors of modern jazz harmony complexity through the George Russell's "Lydian Chromatic Concept of Tonal Organization", plunging Lopes into the world of improvised and experimental music, without disregard for his fascination with distorion and guitar feedbacks, expressed in different incursions into noise music, while also canalizes energys towards projects where he can develop his composing abilities.

In more recent times, Lopes has played and / or recorded with different artists connected to jazz and improvised music, such as Noel Akchoté, Christian Lillinger, Robert Landfermann, Marco Von Orelly, Marc Unternahrer, Adam Lane, Igal Foni, Floros Floridis, Joe Giardulo, Harvey Sorgen, Benjamin Duboc, Phill Niblock, Ernesto Rodrigues, Paulo Curado, Sei Miguel, Rodrigo Amado, Hernâni Faustino, Gabriel Ferrandini, Rodrigo Pinheiro, Miguel Mira, Aaron Gonzalez, Stefan Gonzalez, Dennis Gonzalez, Elliot Levin, Alfred Hart, Daniel Levin, Reuben Radding, Daniel Carter, Jeb Bishop, Josh Abrams, Jean-Luc Guionnet, Samuel Blaser, Boris Hauf, Evan Parker, Olivier Benoit, Fred Lomberg-holm, Valentin Ceccaldi, Gonçalo Almeida, among many others."

-Luis Lopes Website (http://www.luislopes.pt/?page_id=972)
11/14/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


SIDE A



1. Iris 16:20

2. Adelaide 4:36

SIDE B



1. Gracinda 15:29

2. Constanaa 6:30
sample the album:








descriptions, reviews, &c.

"French and Portuguese guitarists Julien Desprez and Luis Lopes manage to surpass the usual divider when electric guitars are the main tools of experimentation: either you explore the specific guitar / effect pedal sounds or use the instrument and its gadgets as electronic non-recognizable interfaces. They do both things, playing electronic music with an organic feeling.

Both of them have creative jazz, alternative rock and free improvised music as common backgrounds, but what they usually do on their separate paths go beyond those categories. Desprez is a performative artist with sound as focus, but engaging the entire body on what he does, through the development of feet techniques derived from tap dance, in order to connect and disconnect his processing pedals in new ways. Lopes practices a very clinical form of noise music, preferring a methodic use of feedback lines to the sonic blasts of the computer-driven acts.

Sooner or later they would have to meet, and here is the consequence of that meeting of free spirits. Boa Tarde, the title of the album, is the Portuguese expression for "good afternoon", but it's a joke: the afternoon they tell us about isn't very pleasant. It may be contemplative, but containing a kind of existential anguish. Highly recommended."-Shhpuma

Related Categories of Interest:


Vinyl Recordings
Clean Feed
Improvised Music
Electro-Acoustic
Electro-Acoustic Improv
European Improv, Free Jazz & Related
Duo Recordings
Guitarists, &c.
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New in Experimental & Electronic Music
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