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Oliveros, Pauline

Early Electronic Works 1959-66 [VINYL 2 LPs]

Oliveros, Pauline: Early Electronic Works 1959-66 [VINYL 2 LPs] (Sub Rosa)

Before her Deep Listening work and other noted output as an improviser, composer Pauline Oliveros made a systematic exploration of tape and electronic music from the late 1950s through the 1960s, recording these four fascinating and inventive pieces, which are collected in this strictly limited run of 400 copies on silver vinyl LP.
 

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product information:


Silver vinyl; Edition of 400

UPC: 5411867334606

Label: Sub Rosa
Catalog ID: SR 460LP
Squidco Product Code: 26325

Format: 2 LPs
Condition: New
Released: 2018
Country: Belgium
Packaging: Strictly limited edition of 400 copies silver vinyl.

Personnel:

Pauline Oliveros

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Artist Biographies:

"Pauline Oliveros was a senior figure in contemporary American music. Her career spans fifty years of boundary dissolving music making. In the '50s she was part of a circle of iconoclastic composers, artists, poets gathered together in San Francisco. Recently awarded the John Cage award for 2012 from the Foundation of Contemporary Arts, Oliveros was Distinguished Research Professor of Music at Rensselaer Polytechnic Institute, Troy, NY, and Darius Milhaud Artist-in-Residence at Mills College. Oliveros has been as interested in finding new sounds as in finding new uses for old ones --her primary instrument was the accordion, an unexpected visitor perhaps to musical cutting edge, but one which she approaches in much the same way that a Zen musician might approach the Japanese shakuhachi. Pauline Oliveros' life as a composer, performer and humanitarian was about opening her own and others' sensibilities to the universe and facets of sounds. Since the 1960's she has influenced American music profoundly through her work with improvisation, meditation, electronic music, myth and ritual. Pauline Oliveros was the founder of "Deep Listening," which comes from her childhood fascination with sounds and from her works in concert music with composition, improvisation and electro-acoustics. Pauline Oliveros describes Deep Listening as a way of listening in every possible way to everything possible to hear no matter what you are doing. Such intense listening includes the sounds of daily life, of nature, of one's own thoughts as well as musical sounds. Deep Listening was my life practice," she explains, simply. Oliveros was founder of Deep Listening Institute, formerly Pauline Oliveros Foundation, now the Center For Deep Listening at Rensselaer."

-Pauline Oliveros Website (http://paulineoliveros.us/about.html)
4/15/2019

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track listing:


Side A:



1. Mnemonics III



Side B:



1. V Of IV



Side C:



1. Time Perspectives



Side D:



1. Once Again/Buchla Piece
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descriptions, reviews, &c.

"A collection of Pauline Oliveros' early material, aptly titled Early Electronic Works 1959-66, released as a part of the label's Early Electronic series.

Oliveros was an important American composer, born in Houston, Texas on May 30, 1932; the music she produced in the latter part of her life is akin to the breath of life, notably, through her pieces for accordion (particularly those which she herself performed). In addition to her performances, she also made an impact in the world of contemporary composition through the creation of the Deep Listening Center, her approach to improvisation, and her numerous and varied collaborations including those with John Cage, Morton Subotnick, Terry Riley, Sonic Youth, Erold, and Andrew Deutsch.

The music presented here is her early and definitive contribution to the tape and electronic music of the late 1950s and 1960s through her systematic exploration of electronic sounds, which was fundamental during this period."-Sub Rosa

"My work with electronic music began in 1959. My first tape piece was an ambitious four channel work called "Time Perspectives" (1959). The piece was made by recording small sounds from objects resonated on a wooden wall and changing the tape speed. I used cardboard tubes as filters by inserting the microphone into the tube and recording sources through the tubes. I used my bath tub as a reverberation chamber." --Pauline Oliveros.


Silver vinyl; Edition of 400
Related Categories of Interest:


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Electro-Acoustic
Electronic Forms
Electroacoustic Composition
Organized Sound and Sample Based Music
Sound, Noise, &c.
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