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Golia / Kaiser / Moses / Smith / Walter: Astral Plane Crash (Balance Point Acoustics)

The West Coast Plane Crash trio of Henry Kaiser (guitar), Damon Smith (bass) and Weasel Walter (drums) is extended with Vinny Golia (reeds) and Ra-Kalam Bob Moses (drums) for two absolutely impressive improvisations that show forcefully restrained and coherent playing that follows an intuitive narrative only possible from such skilled and virtuosic musicians.
 

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product information:


Label: Balance Point Acoustics
Catalog ID: BPA 018
Squidco Product Code: 26229

Format: CD
Condition: New
Released: 2018
Country: USA
Packaging: Jewel Case
Recorded at Native Pulse, in Quincy, Massachusetts, on April 15th, 2018, by David J. Sullivan.


Personnel:

Vinny Golia-flute, sopranino, soprano, baritone saxophones, saxello, Bb clarinet, piccolo

Henry Kaiser-guitar

Bob Moses-drums, percussion

Damon Smith-amplified double bass

Weasel Walter-drums, percussion

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Fountain of Dreams 44:16

2. Mysterious Journey 35:30
Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
West Coast/Pacific US Jazz
Quintet Recordings
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers

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descriptions, reviews, &c.

"Astral Plane Crash features almost 80 full minutes of detailed, colorful and communicative free improvisation by a special quintet of veteran musicians including Vinny Golia (reeds), Ra-Kalam Bob Moses (drums), Henry Kaiser (guitar), Damon Smith (bass) and Weasel Walter (drums). The core Plane Crash trio of Kaiser, Smith and Walter is a long-running unit, having worked together extensively in numerous contexts on releases like Plane Crash (ugEXPLODE, 2009) and Plane Crash Two (New Atlantis, 2015).

Kaiser was amongst the first wave of 1970's US free improvisers and his diverse, endless discography is legendary. Since 2005, the versatile rhythm section of Smith and Walter has collaborated on almost 25 releases together. Los Angeles-based workhorse mult-reedist Vinny Golia and mythic journeyman drummer Ra-Kalam Bob Moses join the fray here in their first time musical meeting. Golia brings a virtuoso articulation to a wide range of woodwind instruments here, multiplying the timbral variety of the group sound greatly. Those more familiar with Moses as a first rate jazz drummer for icons like Gary Burton, Steve Swallow, Pat Metheny & Dave Leibman may surprised at his current advanced free improvisation concept documented here.

The results resound with clarity, as space opens up spontaneously for every combination of the players, all captured in a beautifully transparent studio mix. Although the momentum is constant, this isn't another blaring energy music blow-out - the density crackles with sensitivity, support and mutual respect. This quintet unleashes an orchestral arsenal of articulated abstraction and explores longer narrative lines, culminating in the two epic forms revealed here. The release comes with a 12 page color booklet featuring the stunning artwork of artist Jordan Belson as a mystical visual counterpart to the sonic mindscapes of the audio.

A NOTE ON THE ARTWORK BY HENRY KAISER

Interviewers usually ask me two particular questions about my guitar playing. However they almost never print my true answers. The reason for this has a lot to do with the almost total obscurity of one of America's greatest filmmakers: Jordan Belson.

Journalists typically begin by asking me about my influences. I'll go on for a while mentioning Derek Bailey, Gyorgy Ligeti, Hubert Sumlin, Conlon Nancarrow, Elliot Ingber, Terry Riley, World Musics, Country Blues, Free Jazz, etc. But then I tell them that my favorite artist in any medium and the most musically influential of my heroes is the filmmaker Jordan Belson. This is invariably met with a blank look; followed by my enthusiastic exposition on Belson's work and its effect upon me, that is without fail deleted from the interview by the time it gets into print.

When I first saw Jordan BelsonÕs films back in 1969, I was completely blown away, because his filmsÕ imagery was exactly like my dreams.I have no narrative dreams with humans in them - only clouds of light and patterns in space. Synesthetically, I see this same sort of imagery when I listen to and when I play music. I met Jordan in the early 70Õs and remained in-touch with until his final year on the planet in 2011. From the first time I picked up a guitar, Belson was my main influence in what I wanted to do with music.

Belson, a long-time resident of San FranciscoÕs North Beach district, made more than 40 short, abstract and non-objective films since 1947. In the '60s and early '70s it was fairly common to see them in programs of experimental films the world over. He made these films in his tiny apartment on a specially constructed optical bench. The films are 100% special effects. Sometimes cosmic, sometimes sub-molecular, they are like abstract paintings come to gentle and furious life. Simultaneously windows into the depths of internal spiritual processes and mega-galactic interplay, the films resemble fantastic living creatures of light that briefly enter this dimension for each screening. Even Belson's early work surpasses what George Lucas' ILM team needs millions of dollars to accomplish. Belson's work was a crucial influence on the psychedelic ending sequence to Kubrick's, 2001, A SPACE ODYSSEY. Director Phil Kaufman hired him to do some effects used in THE RIGHT STUFF. Belson has been around for a long time, but he kept the lowest of profiles. He did not even place his own name on-screen in his films. Only the filmÕs title and the word END appears in them.

The second question that music journalists usually ask is, "What do you think about while you are improvising?" Playing music for me is largely an internally visual experience. Even though it may look like I'm smiling at the drummer or the piano player, inside my mind, and without the addition of recreational chemicals, I'm drifting thorough glowing clouds of light among coruscating fractal and geometric forms that shimmer in and out of existence. Rivers of light, like oceanic streams of phosphorescent plankton inflamed by the wakes of playful sea lions, dance in time to the music before it happens; giving me my silent cues, like the clouds a glider pilot watches to catch updrafts. It's pretty much like I have a Jordan Belson movie running inside my head all the time, but it's easiest to look at when I'm playing music and on the edge of some kind of natural trance state.

When you were a pre-school kid did you, like me, lay in your dark bedroom at night and press on the lids of your eyes to generate phosphene patterns of internal light that danced in your head before going to sleep each night? If you can remember those images - have you ever thought of the similarities that they bear to spiritual and psychedelic art through the ages? From a Tibetan mandala, to a Fillmore poster, to modern computer art, to a Rothko painting there is a not-so-hidden connection between the way our brains are wired and man's quest for spiritual understanding of the universe through visual art. When I saw my first Belson film during my second year of college, I immediately recognized this and was nonverbally transformed by his work to see all sorts of connections that I'd never seen before.

Belson is one of the most original artists I know of in any medium. He created a new art form and the techniques to realize it. But beyond that, the content of his films is deep, sublime and enlightening. The films mean something, they communicate profound knowledge in dynamic, moving, visual terms. Anyone can immediately access the beauty and surface content of his work. I think Jordan has somehow found a way to project his many years of meditative spiritual quest and research outward onto film stock. Words fail in describing the richness of Belson's fantastic imagery. See the films; they will illuminate you.

In addition to his filmic output Jordan created paintings and various other forms of graphic art. At the suggestion of Damon Smith, JordanÕs partner, Cathy Henrich and collector Raymond Foye allow us to reproduce a gallery of 10 of JordanÕs cosmic pastels for this release of cosmic music. "-Balance Point Acoustics


Artist Biographies:

"As a composer Vinny Golia (born March 1, 1946) fuses the rich heritage of Jazz, contemporary classical and world music into his own unique compositions. Also a bandleader, Golia has presented his music to concert audiences in Europe, Canada, Mexico, Japan, Australia, New Zealand and the United States in ensembles varying dramatically in size and instrumentation. Mr. Golia has won numerous awards as a composer, including grants from The National Endowment of the Arts, The Lila Wallace Commissioning Program, The California Arts Council, Meet the Composer,Clausen Foundation of the Arts, Funds for U.S. Artists and the American Composers Forum. In 1982 he created the on-going 50 piece Vinny Golia Large Ensemble to perform his compositions for chamber orchestra and jazz ensembles.

A multi-woodwind performer, Vinny's recordings have been consistently picked by critics and readers of music journals for their yearly "ten best" lists. In 1990 he was the winner of the Jazz Times TDWR award for Bass Saxophone. In 1998 he ranked 1st in the Cadence Magazine Writers & Readers Poll and has continually placed in the Downbeat Critic's Poll for Baritone & Soprano Saxophone. In 1999 Vinny won the LA Weekly's Award for "Best Jazz Musician". Jazziz Magazine has also named him as one of the 100 people who have influenced the course of Jazz in our Century. In 2006 The Jazz Journalists Association honored him with a Lifetime Achievement Award.

Golia has also contributed original compositions and scores to Ballet and Modern Dance works, video, theatrical productions, and film. As an educator Vinny has lectured on music & painting composition, improvisation, Jazz History, The History of Music in Film, CD & record manufacturing and self-production throughout the United States, Europe, Mexico, New Zealand and Canada. He currently teaches at California Institute of the Arts. In 1998 Golia was appointed Regent's Lecturer at the University of California at San Diego. In 2009 Vinny Golia was appointed the first holder of the Michel Colombier Performer Composer Chair at Cal Arts.

Vinny has been a featured performer with Anthony Braxton, Henry Grimes, John Carter, Bobby Bradford, Joelle Leandre, Leo Smith, Horace Tapscott, John Zorn, Tim Berne, Bertram Turetzky, George Lewis, Barre Phillips, The Rova Saxophone Quartet, Patti Smith, Harry "the Hipster" Gibson, Eugene Chadburne, Kevin Ayers, Peter Kowald, John Bergamo, George Gruntz Concert Jazz Band, Misha Mengelberg, Han Bennick, Lydia Lunch, Harry Sparrney and the Los Angeles Philharmonic Orchestra amongst many others."

-Vinny Golia Website (http://www.vinnygolia.com/bio.html)
8/15/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Henry Kaiser (born September 19, 1952) is an American guitarist and composer, known as an idiosyncratic soloist, a sideman, an ethnomusicologist, and a film score composer. Recording and performing prolifically in many styles of music, Kaiser is a fixture on the San Francisco Bay Area music scene. He is considered a member of the "second generation" of American free improvisers. He is married to Canadian artist Brandy Gale.

In 1977, Kaiser founded Metalanguage Records with Larry Ochs (Rova Saxophone Quartet) and Greg Goodman. In 1979 he recorded With Friends Like These with Fred Frith, a collaboration that lasted for over 20 years. In 1983 they recorded Who Needs Enemies, and in 1987 the compilation album With Enemies Like These, Who Needs Friends? They joined with fellow experimental musicians John French, and English folk-rocker Richard Thompson to form French Frith Kaiser Thompson for two eclectic albums, Live, Love, Larf & Loaf (1987) and Invisible Means (1990). In 1999 Frith and Kaiser released Friends and Enemies, a compilation of their two Metalanguage albums along with additional material from 1984 and 1999.

In 1991, Kaiser went to Madagascar with guitarist David Lindley. They recorded roots music with Malagasy musicians and discovered music that, he says, "changed us radically and permanently". Three volumes of this music were released by Shanachie under the title A World Out of Time. In 1994 he made a similar trip to Norway, again with Lindley, recording music that was released as Sweet Sunny North (2 volumes, 1994 and 1996).

Since 1998, Kaiser has been collaborating with trumpeter Wadada Leo Smith in the "Yo Miles!" project, releasing a series of tributes to Miles Davis's 1970s electric music. This shifting aggregation has included musicians from the worlds of rock (guitarists Nels Cline, Mike Keneally and Chris Muir, drummer Steve Smith), jazz (saxophonists Greg Osby and John Tchicai), avant-garde (keyboardist John Medeski, guitarist Elliott Sharp), and Indian classical music (tabla player Zakir Hussain).

Kaiser has appeared on more than 250 albums and scored dozens of TV shows and films, including Werner Herzog's Encounters at the End of the World (2007). He was given a Grammy Award for his work on the Beautiful Dreamer tribute to Stephen Foster.

In 2001, Kaiser spent two and a half months in Antarctica on a National Science Foundation Antarctic Artists and Writers Program grant. He has subsequently returned for nine more visits to work as a research diver. His underwater camera work was featured in two Herzog films, The Wild Blue Yonder (2005) and Encounters at the End of the World (2007), which he also produced, and for which he and Lindley composed the score. Kaiser served as music producer for Herzog's Grizzly Man (2005). He was nominated for an Academy Award for his work as a producer on Encounters at the End of the World."

-Wikipedia (https://en.wikipedia.org/wiki/Henry_Kaiser_(musician))
8/15/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Bob Moses (born January 28, 1948) is an American jazz drummer.

Moses played with Roland Kirk in 1964-65 while he was still a teenager. In 1966 he and Larry Coryell formed The Free Spirits, a jazz fusion ensemble, and from 1967 to 1969 he played in Gary Burton's quartet. He also recorded with Burton in the 1970s, in addition to work with Dave Liebman/Open Sky, Pat Metheny, Mike Gibbs, Hal Galper, Gil Goldstein, Steve Swallow, Steve Kuhn/Sheila Jordan (from 1979 to 1982), George Gruntz, and Emily Remler (from 1983 to 1984). In the early 1970s he was a member of Compost with Harold Vick, Jumma Santos, Jack Gregg (fr) and Jack DeJohnette.

His first session as a leader was in 1968, released as the record Love Animal. His second session as a leader was in 1973 with the release of Bittersuite in the Ozone. his records for Gramavision in the 1980s were critically acclaimed.

He is also the author of the drum method book Drum Wisdom.

Moses currently performs alongside John Lockwood, Don Pate, and John Medeski with noted guitarist Tisziji Muñoz and teaches at New England Conservatory."

-Wikipedia (https://en.wikipedia.org/wiki/Bob_Moses_(musician))
8/15/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Damon Smith studied double bass with Lisle Ellis and has had lessons with Bertram Turezky, Joëlle Leandré, John Lindberg, Mark Dresser and others. Damon's explorations into the sonic palette of the double bass have resulted in a personal, flexible improvisational language based in the American jazz avant-garde movement and European non-idiomatic free improvisation. Visual art, film and dance heavily influence his music, as evidenced by his CAMH performance of Ben Patterson's Variations for Double Bass, collaborations with director Werner Herzog on soundtracks for Grizzly Man and Encounters at the End of the World, and an early performance with the Merce Cunningham Dance Company.

Damon has collaborated with a wide range of musicians, including: Cecil Taylor, Marshall Allen (of Sun Ra's Arkestra), Henry Kaiser, Roscoe Mitchell, Michael Pisaro, Wadada Leo Smith, Marco Eneidi, Wolfgang Fuchs, Peter Brötzmann and Peter Kowald. After many years in the San Francisco Bay Area, and five great years in Houston, Texas working regularly with Alvin Fielder, Sandy Ewen, David Dove & Chris Cogburn, Damon will move to the Boston area in the fall of 2016. Damon has run Balance Point Acoustics record label since 2001, releasing music focusing on transatlantic collaborations between US and European musicians."

-Balance Point Acoustic Website (https://www.balancepointacoustics.com/damon-smith/)
8/15/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Weasel Walter (real name Walter Wyzowski) is a composer and instrumentalist who founded the band The Flying Luttenbachers in Chicago in 1991 with a current member of Cellular Chaos and Behold...The Arctopus. Over the years, The Flying Luttenbachers included noted Dylan Posa, and Michael Colligan, while creating a body of music drawing equally from no wave, death metal, gamelan, noise music, hardcore punk and modern classical. Walter moved to the San Francisco Bay Area in 2003, where he formed the latest of many Luttenbachers lineups, remaining on percussion with the addition of bassist Mike Green (Burmese), and virtuoso guitarist Ed Rodriguez (ex-Colossamite, Gorge Trio). Singular guitar phenomenon Mick Barr (Krallice, Octis, Orthrelm) joined the group in 2005. The Flying Luttenbachers ceased to operate in late 2007. On November 25, 2009, Weasel Walter announced that he was moving to New York City to join the band Behold... The Arctopus on drums and will be writing "new, more extreme material from scratch." He also formed Cellular Chaos with Marc Edwards (drummer), Admiral Grey and Ceci Moss."

-Wikipedia (https://en.wikipedia.org/wiki/Weasel_Walter)
8/15/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Other Releases With These Artists:
Kaiser, Henry / Ed Pettersen
We Call All Times Soon
(Split Rock Records)
Noyes, Charles K. / Owen Maercks w/ Henry Kaiser / Greg Goodman
Free Mammals [VINYL]
(Feeding Tube Records)
Leap Of Faith
Domains
(Evil Clown)
Kaiser, Henry / Ed Pettersen
We Call All Times Soon
(Split Rock Records)
Hooker, William Trio (Feat. Ava Mendoza / Damon Smith)
Remembering [CASSETTE + DOWNLOAD]
(Astral Spirits)
Mezzacappa, Lisa
Glorious Ravage
(New World Records)
Golia, Vinny Wind Quartet
Live At The Century City Playhouse
(Dark Tree Records)
Smith, Wadada Leo
Najwa
(Tum)
Kamins / Smith / Fielder / Hertenstein
After Effects
(FMR)
Fielder / Dove / Jackson / Smith
From-To-From
(Balance Point Acoustics)
McPhee, Joe / Damon Smith / Alvin Fielder
Six Situations
(Not Two)
Rova / Bruckmann & Kaiser
Steve Lacy's Saxophone Special Revisited
(Clean Feed)
CP Unit (Pitsiokos / Seabrook / Dahl / Walter)
Before the Heat Death
(Clean Feed)
Fielder, Alvin / Frode Gjerstad / Damon Smith
The Shape Finds Its Own Space
(FMR)
Ewen / Smith / Walter
Live in Texas
(Balance Point Acoustics)
Fielder, Alvin / Damon Smith
Song For Chico
(Balance Point Acoustics)
Hinds, Killick & Henry Kaiser
Xenosynchronicity II
(Self Released)
Kaiser, Henry / Steve Parker / Damon Smith / Chris Cogburn
Nearly Extinct
(Balance Point Acoustics)
Ewen, Sandy / Damon Smith
Background Information [CASSETTE]
(Balance Point Acoustics)
Blonk, Jaap / Damon Smith
Hugo Ball: Sechs Laut- Und Klanggedichte 1916 (Six Sound Poems, 1916) [CASSETTE]
(Balance Point Acoustics)
Kowald, Peter / Damon Smith
Mirrors, Broken - But No Dust [CASSETTE + DOWNLOAD]
(Balance Point Acoustics)
Kaiser, Henry / Damon Smith / Weasel Walter
Plane Crash Two
(New Atlantis)
Ewen, Sandy & Henry Kaiser
Lake Monsters
(Balance Point Acoustics)
Ewen, Sandy / Damon Smith
Valle de Mexico
(Confront)
Kaiser, Henry / Damon Smith
Relations
(Balance Point Acoustics)
Blonk, Jaap / Damon Smith
Hugo Ball: Sechs Laut- Und Klanggedichte 1916 (Six Sound Poems, 1916)
(Balance Point Acoustics)
Mayas, Magda / Damon Smith / Tony Buck
Spill Plus
(Nuscope)
Kretzmer, Yoni / Pascal Niggenkemper / Weasel Walter
ProtestMusic
(OutNow Recordings)
Blonk, Jaap / Sandy Ewen / Damon Smith / Chris Cogburn
North of Blanco
(Balance Point Acoustics)
Golia, Vinny & Urs Leimgruber
Empiricism in the West
(Relative Pitch)
Gratkowski, Frank / Damon Smith / Jerome Bryerton
The Voice Imitator
(Balance Point Acoustics)
Fielder / Dove / Jackson / Smith
From-To-From
(Balance Point Acoustics)
Liebig / Vatcher / Golia
On The Cusp Of Fire And Water
(Red Toucan)
Various Artists
Amalgam(e): 10 Years of Red Toucan [2 CDs]
(Red Toucan)
Various Artists
To Live And Shave In L.A. - The Grief That Shrieked To Multiply [3 CDs + Download]
(Monotype)
Vinkeloe / Smith / Nordeson
Elegans
(Nuscope)
Golia, Vinny / Marco Eneidi / Lisa Mezzacappa / Vijay Anderson
Hell-Bent in the Pacific
(NoBusiness)
Scarcity Of Tanks
Vulgar Defender
(Total Life Society Records)
Josephson / Wachsmann / Lindsay / Smith / Blume
Zero Plus
(Balance Point Acoustics)
Ulher / Shibolet / Snir / Brenner / Mayer / Smith / Bymel
yclept
(Balance Point Acoustics)
Lindsay / Mendoza / Smith / Walter
Jus
(Balance Point Acoustics)
Genetti / Smith / Lonberg-Holm
Sense of Hearing
(Balance Point Acoustics)
Fuchs / Lindsay / Smith / Baghdassarians / Baltschun
The Happymakers
(Balance Point Acoustics)
Hartshaw / Aspelin / Smith / Bryerton
Ausfegen (Dedicated To Joseph Beuys)
(Balance Point Acoustics)
Hooker, William
Earth's Orbit [VINYL 2 LPs]
(NoBusiness)
Shibolet, Ariel and Between the Strings Trio
Live at the Tel Aviv Museum
(Kadima)
Maksymenko, Michael
Businesscide
(Recommended Records)
Kaiser, Henry, Noyes, Charles K. & Park, Sang-Won
Invite The Spirit 1983
(Tzadik)
Bennet / Bryerton / Butcher / De Gruttola / Kaiser / Smith
Sextessense: A Tribute to John Stevens and the SME
(Balance Point Acoustics)
Golia, Vinny Quartet
Sfumato
(Clean Feed)
Various Artists
ReR Quarterly Selections from Volume 2
(Recommended Records)
Chadbourne / Kaiser
The Guitar Lesson
(Les Disques Victo)
Recommended & Related Releases:
Kaiser, Henry / Ed Pettersen
We Call All Times Soon
(Split Rock Records)
Hooker, William Trio (Feat. Ava Mendoza / Damon Smith)
Remembering [CASSETTE + DOWNLOAD]
(Astral Spirits)
Mezzacappa, Lisa
Glorious Ravage
(New World Records)
Smith, Wadada Leo
Najwa
(Tum)
Fielder / Dove / Jackson / Smith
From-To-From
(Balance Point Acoustics)
Rova / Bruckmann & Kaiser
Steve Lacy's Saxophone Special Revisited
(Clean Feed)
CP Unit (Pitsiokos / Seabrook / Dahl / Walter)
Before the Heat Death
(Clean Feed)
Hinds, Killick & Henry Kaiser
Xenosynchronicity II
(Self Released)
Ewen, Sandy / Damon Smith
Background Information [CASSETTE]
(Balance Point Acoustics)
Blonk, Jaap / Damon Smith
Hugo Ball: Sechs Laut- Und Klanggedichte 1916 (Six Sound Poems, 1916) [CASSETTE]
(Balance Point Acoustics)
Kowald, Peter / Damon Smith
Mirrors, Broken - But No Dust [CASSETTE + DOWNLOAD]
(Balance Point Acoustics)
Ewen, Sandy & Henry Kaiser
Lake Monsters
(Balance Point Acoustics)
Ewen, Sandy / Damon Smith
Valle de Mexico
(Confront)
Blonk, Jaap / Damon Smith
Hugo Ball: Sechs Laut- Und Klanggedichte 1916 (Six Sound Poems, 1916)
(Balance Point Acoustics)
Mayas, Magda / Damon Smith / Tony Buck
Spill Plus
(Nuscope)
Blonk, Jaap / Sandy Ewen / Damon Smith / Chris Cogburn
North of Blanco
(Balance Point Acoustics)
Golia, Vinny & Urs Leimgruber
Empiricism in the West
(Relative Pitch)
Gratkowski, Frank / Damon Smith / Jerome Bryerton
The Voice Imitator
(Balance Point Acoustics)
Fielder / Dove / Jackson / Smith
From-To-From
(Balance Point Acoustics)
Liebig / Vatcher / Golia
On The Cusp Of Fire And Water
(Red Toucan)
Various Artists
Amalgam(e): 10 Years of Red Toucan [2 CDs]
(Red Toucan)
Various Artists
To Live And Shave In L.A. - The Grief That Shrieked To Multiply [3 CDs + Download]
(Monotype)
Vinkeloe / Smith / Nordeson
Elegans
(Nuscope)
Golia, Vinny / Marco Eneidi / Lisa Mezzacappa / Vijay Anderson
Hell-Bent in the Pacific
(NoBusiness)
Scarcity Of Tanks
Vulgar Defender
(Total Life Society Records)
Ulher / Shibolet / Snir / Brenner / Mayer / Smith / Bymel
yclept
(Balance Point Acoustics)

Search for other titles on the Balance Point Acoustics label.