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Ambarchi, Oren / Kassel Jaeger / James Rushford: Face Time [VINYL] (Black Truffle)

The 2nd release from the trio of Oren Ambarchi, Kassel Jaeger, and James Rushford in two side-long pieces, simmering stews of electronic smears, pitched-down animal moans, and mysteriously emotive microtonal organ chords, crossed with elements twisted from dub and techno alongside unusually treated percussive elements; chilling and disturbed music.
 

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product information:


UPC: 880319911316

Label: Black Truffle
Catalog ID: BT 038LP
Squidco Product Code: 26035

Format: LP
Condition: New
Released: 2018
Country: Australia
Packaging: LP
Recorded at GRM in Paris, France, in June, 2017.


Personnel:

Oren Ambarchi

Kassel Jaeger

James Rushford

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track listing:


SIDE A



1. Face 19:51

SIDE B



1. Face Time 19:09
Related Categories of Interest:


Vinyl Recordings
Electro-Acoustic
Electro-Acoustic Improv
Sound, Noise, &c.
Trio Recordings
Australian Improvisers, Composers and Experimenters
New in Experimental & Electronic Music
Recent Releases and Best Sellers

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descriptions, reviews, &c.

"Face Time is the second release from the trio of Oren Ambarchi, Kassel Jaeger, and James Rushford, following on from their 2016 debut Pale Calling (BT020LP). Recorded at the GRM studios in Paris in June 2017, the record immediately returns to the idiosyncratic sound-world of the trio's first release, a simmering stew of electronic smears, pitched-down animal moans, and mysteriously emotive microtonal organ chords. But before long the record takes an unexpected turn, as sounds that initially enter as occasional percussive pitter-patter build to a halting rhythm. Equally reminiscent of Basic Channel-style dub techno and the sound of a microphone loose in a pocket, these stumbling rhythmic figures provide the framework for the remainder of the record's two sides, occasionally receding into the background to allow squelching electronics, chiming bells, distorted autoharp, inchoate grunts, and the sound of a Cristal Baschet to take center stage, but each time returning with the inevitability of an idée fixe.

Eschewing any clear sense of form, the two side-long pieces move seamlessly through episodes with the organic flow of improvisation, embracing the happy accidents of events conjoined by chance and lingering on liminal moments. Gradually washing out into a cavernous roar, the record's final moments are suddenly enlivened by shimmering metallic percussion and a sequence of woozy synth chords, combining with the muted rhythms and a distant thunderstorm to become a sort of oneiric tribute to the work of Wally Badarou.

Bringing together three of contemporary experimental music's most individual voices, Face Time is an essential slice of outsider electro-acoustics."-Black Truffle


Artist Biographies:

"Oren Ambarchi is a composer and multi-instrumentalist with longstanding interests in transcending conventional instrumental approaches. His work focuses mainly on the exploration of the guitar, "re-routing the instrument into a zone of alien abstraction where it's no longer easily identifiable as itself. Instead, it's a laboratory for extended sonic investigation". (The Wire, UK).

Oren Ambarchi's works are hesitant and tense extended songforms located in the cracks between several schools: modern electronics and processing; laminal improvisation and minimalism; hushed, pensive songwriting; the deceptive simplicity and temporal suspensions of composers such as Morton Feldman and Alvin Lucier; and the physicality of rock music, slowed down and stripped back to its bare bones, abstracted and replaced with pure signal.

From the late 90's his experiments in guitar abstraction and extended technique have led to a more personal and unique sound-world incorporating a broader palette of instruments and sensibilities. On recent releases such as Grapes From The Estate and In The Pendulum's Embrace Ambarchi has employed glass harmonica, strings, bells, piano, drums and percussion, creating fragile textures as light as air which tenuously coexist with the deep, wall-shaking bass tones derived from his guitar.

Ambarchi works with simple constructs and parameters; exploring one idea over an extended duration and patiently teasing every nuance and implication from each texture; the phenomena of sum and difference tones; carefully tended arrangements that unravel gently; unprepossessing melodies that slowly work their way through various permutations; resulting in an otherworldly, cumulative impact of patiently unfolding compositions.

Ambarchi has performed and recorded with a diverse array of artists such as Fennesz, Otomo Yoshihide, Pimmon, Keiji Haino, John Zorn, Rizili, Voice Crack, Jim O'Rourke, Keith Rowe, Phill Niblock, Dave Grohl, Gunter Muller, Evan Parker, z'ev, Toshimaru Nakamura, Peter Rehberg, Merzbow and many more. Since 2004 Ambarchi has worked with American avant metal outfit Sunn 0))) contributing to many of their releases and side-projects including their Black One album from 2005 and the recent Monoliths & Dimensions release.

For 10 years together with Robbie Avenaim, Ambarchi was the co-organiser of the What Is Music? festival, Australia's premier annual showcase of local and international experimental music. The festival hosted over 200 local and international performers. Ambarchi now curates the Maximum Arousal series at The Toff In Town in Melbourne and has recently co-produced an Australian television series on experimental music called Subsonics. Ambarchi recently co-curated the sound program for the 2008 Yokohama Triennale."

-Oren Ambarchi Website (http://orenambarchi.com/category/biography/)
9/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Kassel Jaeger, real name François Bonnet is a Paris-based composer, sound engineer and radio producer (born in 1981 in Limoges, France). Artistic director at Groupe de Recherches Musicales."

-Discogs (https://www.discogs.com/artist/1037551-Kassel-Jaeger)
9/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"James Rushford is an Australian composer-performer. His work is drawn from a familiarity with specific concrète, improvised, avant-garde and collagist languages. Currently, his work deals with the aesthetic concept of musical shadow.

As a composer, James has been commissioned by the BBC Scottish Symphony Orchestra (Glasgow), Melbourne Symphony Orchestra, Ensemble Neon (Oslo), Speak Percussion, Synergy Percussion, Ensemble Vortex (Geneva), Ensemble Offspring, Soundstream, The Song Company, Decibel, Melbourne International Arts Festival (2006/2008), Norway Ultima Festival (2011), Unsound Festival (New York 2014) and Liquid Architecture Festival (2010).

As a performer, he has presented work at STEIM Institute (Amsterdam), Logos Foundation (Ghent), Issue Project Room (New York), Instants Chavirés (Montreuil), Constellation (Chicago), Café Oto (London), Super Deluxe (Tokyo), Monday Evening Concerts (Los Angeles), Cave12 (Geneva), Send & Receive Festival (Winnipeg), WORM (Rotterdam), Ausland (Berlin), Centre for Contemporary Art (Warsaw), Only Connect Festival (Oslo), Now Now (2011/2012), Adelaide Festival (2014), Bendigo International Festival of Exploratory Music (2013/2014), Melbourne International Jazz Festival (2011) and the Tectonics Festival (Adelaide 2014, New York 2015, Tel Aviv 2015). He has also performed live with the Krakow Sinfonietta, Australian Art Orchestra, Michel Pisaro, David Behrman and Jon Rose.

James has collaborative projects with Joe Talia, Golden Fur (with Samuel Dunscombe & Judith Hamann), Ora Clementi (with crys cole), Oren Ambarchi, Klaus Lang, Kassel Jaeger, Graham Lambkin, Francis Plagne, Tashi Wada, the visual artist Michael Salerno and the writer Dennis Cooper.

His music has been published by Pogus (US), Prisma (Norway), Bocian (Poland), Penultimate Press (UK), Black Truffle (AUS) and KYE (US).

James holds a Doctorate from the California Institute of the Arts, and is currently a fellow at Akademie Schloss Solitude in Stuttgart."

-James Rushford Website (http://www.james-rushford.com/biography/)
9/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

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