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Roginski, Raphael (feat. Olga Myslowska / Sebstian Witkowski): plays Henry Purcell (Bolt)

Polish guitarist Raphael Roginski presents works from baroque English composer Henry Purcell (1659-1695), considered one of the greatest English composers, performed on solo guitar and with accompaniment by Sebastian Witkowski on synth and Olga Myslowska on voice, a beautiful and languorous album that pays homage to the profound lasting qualities of Purcell's music.

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product information:

Label: Bolt
Catalog ID: BR POP18
Squidco Product Code: 25252

Format: CD
Condition: New
Released: 2017
Country: Poland
Packaging: Cardboard Gatefold 3 Panels
Recorded by Sebstian Witkowski.


Raphael Roginski-guitar

Olga Myslowska-vocals, synth

Sebastian Witkowski-synths

Henry Purcell-compositions

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Artist Biographies:

Raphael Roginski, born 1977 in Frankfurt, Darmstadt Government Region, Hesse, Germany, currently residing in Poland. Composer and performer, cultural animator and student of musical folklore.

He started playing electric guitar at the age of thirteen. Educated in jazz and classical, he also studied musical theory and ethnomusicology.

Since the very beginning of his creative work he has been focusing primarily on improvisation rooted in blues and jazz, as well as on ethnic and folk music. It is the combination of those two paths that best defines his style both in terms of composing and performing. Deeply rooted in the Jewish culture, Rogiński always sought to accommodate it in his art and this search resulted in the conception of two projects which he leads: Shofar and Cukunft.

He also acts as art director of festivals showcasing new Jewish culture - like Tikkun, Varshe or Mizrach - and as consultant for projects featured at those festivals.

Another source of inspiration for Rogiński is the primitive music of America, blues and 1960s rock. Filtered and processed, it can be heard in both his solo and band performances. A deep analysis of techniques employed by classical blues guitarists and the knowledge of instruments of the 1950s and 1960s form the basis of Rogiński's sound.

Inspired, on the other hand, by American experimental music (Harry Patch, Henry Cowell and others), Rogiński formed the band Spinalonga. Research of European 'early music' resulted in the recent release of Rogiński gra Bacha (Rogiński Plays Bach), a collection of Bach's pieces played on prepared guitars.

Rogiński is also involved in projects stemming from the international new jazz scene. His compositions, improvisations and interpretations are often used as soundtrack for various artistic events - documentaries and animations (e.g. Man Ray, Viking Elling), performing acts (J. Kalina), traditional and multimedia theatre plays ( ), and literature readings (Tadeusz Różewicz, Mieczysław Myśliwski, Mieczysław Abramowicz, Andrzej Stasiuk).

Performing mainly on his own artistic terms, he gives solo concerts and leads various ensembles. Currently, his ongoing musical projects include the aforementioned Shofar, Cukunft and Spinalonga, as well as the trio with Macio Moretti and Marcin Masecki, the duo Sisters with DJ Lenar and solo concerts.

Rogiński played or collaborated with, among others, Kazuchisa Uchichashi, Le Quan Ninh, Noel Akchote, Frederic Blondy, Keith Rowe, Joe Giardullo, Axel Dorner, Thomas Lehn, Andrew Sharpley, John Edwards, John Tilbury, Brigit Ulher, Yale Strom , Tim Daisy, Dave Rempis, Mark Tokar, Mark Sanders, Clayton Thomas, Kris Wenders, Peter Jaquemyn, Wacław Zimpel, Emiter, Macio Moretti, DJ Lenar, Daniel Pigonski, Konstanty Usenko, Jarek Bester, Ireneusz Socha, Vadim O.Pavluk, Ryszard Latecki, Rafal Mazur, Piotr Bukowski, Arszyn, Mikolaj Trzaska, Maria Peszek.

Rogiński frequently participates in music workshops, competitions and festivals of contemporary music, including the Jewish Culture Festival in Cracow, Simcha in Wrocław, Four Cultures in Łódź, Ha Motiv Ha Jehudi in Warsaw, Rainbow Coalition Festival in Hanover (USA), Warsaw Autumn, Gaudeamus Music Week in Hague, Ars Electronica in Linz, G2 Music for creative chamber orchestra, NuFolk in Gdańsk, Fete de la Musique in Paris, and many others.

-Alchemia (

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"Henry Purcell c. 10 September 1659 - 21 November 1695) was an English composer. Although incorporating Italian and French stylistic elements into his compositions, Purcell's legacy was a uniquely English form of Baroque music. He is generally considered to be one of the greatest English composers; no later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, William Walton and Benjamin Britten in the 20th century."

-Wikipedia (

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track listing:

1. Pavan Intro 2:49

2. Saraband#1 3:18

3. Charon The Peaceful Shade Invites 2:55

4. Ground#1 3:07

5. What A Sad Fate 4:32

6. Menuet 3:00

7. Allemand 4:25

8. Music For A While 4:10

9. Pavan 4:47

10. Saraband#2 4:04

11. So When The Glitt'ring Queen Of NIght 3:51

12. Ground#2 4:33

13. Air 2:51

14. Dido's Lament 3:27

15. Pavan Outro 2:56
sample the album:

descriptions, reviews, &c.

"I feel a very intimate relation with English culture thanks to my admiration to the music of the 60s. But then there is also William Blake's Albion, Bennajmin Britten and the myths. I have been puzzled by why do I constantly hear the same thing in the music of Bert Jansch and Led Zeppelin, Joy Division and Dead Can Dance. And then in the music of PJ Harvey and Traffic. And in Henry Purcell too, and in John Dowland and William Byrd. I am sure there is a sense of strong continuity in English music. The sound of it is something like a call from moors, delicate and blurred by the wind. Perhaps it does not suit the contemporary English people, maybe it is more of a sound of King Arthur. If I am not mistaken, it was England where the custom of titling pieces originated from. "Dream" is something totally different from "Sarabande". Titles suggest something and this something sticks in your mind when you are playing the piece. Purcell fascinates me because he speaks of profound emotions that we only know as flattened today. Back then feelings were a magic maze. Purcell was a genius who wrote functional music but somewhere in its depths he managed to put his own mantras, as if woven of haze, full of longing and desire."-Bolt

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