Commissioned by Anthony Braxton's Tri-Centric Foundation, trumpeter Nate Wooley developed a modular compositional structure of small melodic, rhythmic, harmonic, conceptual, textural, and timbral fragments, allowing Ingrid Laubrock (sax), Sylvie Courvoisier (piano), and Matt Moran (Vibes) exceptional freedom in improvisation, here in their 2nd recording live at Koeln's Loft.
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Label: Relative Pitch
Catalog ID: RPR 1058
Squidco Product Code: 24870
Recorded live at The Loft, Koln Germany, on January 27th, 2016.
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1. Battles Pieces 4 13:10
2. Battles Pieces 5 17:45
3. Battles Pieces 6 9:24
4. Battles Pieces 7 20:32
NY Downtown & Jazz/Improv
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"In 2014, trumpeter and composer Nate Wooley received a commission by none other than Anthony Braxton and the Tri-Centric Foundation to create a new music. His response was to rethink the way composition could inform improvisationĐa practice he continues with his new group, knknighgh and in the duo with Ken Vandermark. The result was Battle Pieces.
Building a modular structure of small melodic, rhythmic, harmonic, conceptual, textural, and timbral fragments, which now number over 100, he built a net of musical choice that allowed musicians to push themselves far out of their comfort zones and, in turn, create exciting new music.
This concept only works with the right musicians, however, and Wooley picked some of New York's finest: Ingrid Laubrock on saxophones, Sylvie Courvoisier on piano, and Matt Moran on Vibes.
The initial concert at the Tri-Centric Foundation Festival was released on Relative Pitch Records as Battle Pieces. The group then went on a snowy tour of Europe at the end of 2015, which allowed the quartet to expand and refine their approach to the ever expanded musical material. Battle Pieces 2 is documentation of that process, recorded live at The Loft in Koeln and featuring some of the most daring constructions of the Battle Pieces system to date."-Nate Wooley
"Not unlike its predecessor, this album is based on a musical system. Notably, over 100 snippets that exercise the textural and timbral aspects of each instrument and groups thereof. The result is something that is not free improv, but a spontaneous composition formed according to a set of rules. The arrangements focus on one or two lead instruments, with the others filling in the gaps and providing accents. There certainly are melodies and harmonies on these four pieces, but they are short and fleeting. The lead instrumentalist is given room to express him or herself, and it should be no surprise that these four do so in an "outside" fashion. Still, the pieces tend to move slowly and in an atmospheric manner, even when the playing gets frenetic.
After a few listens to Battle Pieces II, one cannot help but think that Wooley is not so much a composer, but an architect of musical language. Similar to Anthony Braxton (one of his mentors and a clear inspiration), Wooley designs meta-musical constructs that set forth particular constraints within which a group can explore and experiment. Wooley and company could exercise these elements every day for a year and never repeat themselves. Let's hope this journey continues regardless of where it ends up."-Mike, Avant Music News
• Show Bio for Nate Wooley
"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.
Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.
Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".
In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.
Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."-Nate Wooley Website (http://natewooley.com/about)
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• Show Bio for Sylvie Courvoisier
"Sylvie Courvoisier is a pianist, composer and improviser. Born in Lausanne, Switzerland, Courvoisier moved to New York in 1998 and has lived in Brooklyn since that time.
Courvoisier has led several groups over the years and has recorded over 25 records as a leader or co-leader for different labels, notably ECM , Tzadik and Intakt Records and 30 cds as a sideperson. She has performed and recorded with John Zorn, Mark Feldman, Yusef Lateef, Ikue Mori, Tony Oxley, Tim Berne, Joey Baron, Joëlle Léandre, Herb Robertson, Butch Morris, Evan Parker, Mark Dresser, Ellery Eskelin, Lotte Anker, Fred Frith, Michel Godard, Tomazs Stanko among others. She has been commissioned to write music for concerts, radio, dance and theater. Since 1996, she has been touring widely with her own groups and as a side person in USA, Canada, Japan, Australia and Europe.
Currently, Courvoisier is the leader of her TRIO with Kenny Wollesen and Drew Gress. She performs regularly Solo and since 1997, in Duo with violinist Mark Feldman. She co-leads the Sylvie Courvoisier/Mark Feldman Quartet with Scott Colley and Billy Mintz. Since 2000, she has been a member of Mephista, an improvising collective trio with Ikue Mori and Susie Ibarra. She is currently playing and touring in different projects of John Zorn including Cobra and Masada Marathon. She is also playing in Erik Friedlander's Trio, Herb Robertson's Quintet and Nate Wooley's Quartet. Since 2010, she has been working as a pianist and composer for flamenco dancer Israel Galvan's project "la Curva" with more than 150 performances around the world.
Awards include Switzerland's 1996 Prix des jeunes créateurs; Zonta Club's 2000 Prix de la Création; Switzerland's 2010 Grand Prix de la Fondation Vaudoise de la Culture; 2013's NYFA (NewYork Foundation For the Art) Music/Sound Fellowship."-Sylvie Courvoisier Website (http://www.sylviecourvoisier.com/bio.htm)
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• Show Bio for Ingrid Laubrock
"Originally from Germany, Ingrid Laubrock resides in Brooklyn, NY. Between 1989 and 2009 she was active as a saxophonist and composer in London/UK. She performed and/or recorded with: Anthony Braxton, Dave Douglas, Kenny Wheeler, Jason Moran, Tim Berne, William Parker, Tom Rainey, Mary Halvorson, Kris Davis, Tyshawn Sorey, Craig Taborn, Luc Ex, Django Bates' Human Chain, The Continuum Ensemble and many others.
Ingrid's current projects as a leader are Anti-House, Sleepthief, Ingrid Laubrock Orchestra, Ingrid Laubrock Sextet and Ubatuba. Collaborations include LARK,Haste,Paradoxical Frog and Ingrid Laubrock/Tom Rainey Duo.She is a member of Anthony Braxton's Falling River Music Quartet, Nonet and 12+1tet, Tom Rainey Trio and Obbligato, Andrew Drury's Content Provider, Mary Halvorson Septet, Kris' Davis Quintet, Nate Wooley's Battle Pieces and Luc Ex' Assemblée. Ingrid was one of the featured soloists in Anthony Braxton's opera Trillium J.
Awards include the BBC Jazz Award for Innovation in 2004, a Fellowship in Jazz Composition by the Arts Foundation in 2006, the 2009 SWR German Radio Jazz Prize and the 2014 German Record Critics Quarterly Award. Commissions include Jammy Dodgers for jazz quintet and dancers (2006), Nonet music for Cheltenham Jazz Festival 2007, SWR New Jazz Meeting 2011 and "Vogelfrei", a piece for chamber orchestra (ACO/Tricentric Foundation). She won Rising Star/soprano saxophone in the 2015 in the 'Downbeat Annual Critics Poll and won the 'El Intruso Critics Poll for tenor saxophone in 2013. Ingrid was Improviser in Residence 2012 in the German city Moers. The post is created to introduce creative music into the city throughout the year. As part of this she led a regular improvisation ensemble and taught sound workshops in elementary schools. Other teaching experiences include improvisation workshops at Towson University, Guildhall School of Music and Drama, Baruch College, University of Michigan, University of Newcastle and many others."-Ingrid Laubrock Website (http://ingridlaubrock.com/about.html)
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• Show Bio for Matt Moran
"Matt Moran received a Master's degree in jazz composition from New England Conservatory in 1995. At NEC he studied with the visionary composer and multi-instrumentalist Joseph Maneri, and has continued to learn from Maneri through performances with him. Since moving to New York in 1995 he has performed both as leader and sideman, including billings for the Knitting Factory's What Is Jazz? Festival, the JVC Jazz Festival, the Panasonic Village Jazz Festival, Lincoln Center Out-of-Doors, and the Vision Festival, as well as leading tours in the U.S. and Europe.
Also active as a performer, teacher, and curator in the Balkan folk music scene, Moran plays traditional percussion with artists such as Lefteris Bournias, Raif Hyseni, Demetri Tashie, and other master musicians from the Balkans who have immigrated to New York. With Slavic Soul Party!, he sparked "Balkan Cabaret", a downtown music series for Balkan and Balkan-inspired music.
Moran currently leads the groups Sideshow and Slavic Soul Party! He is also active performing and recording with John Hollenbeck's Claudia Quintet, the Mat Maneri Quintet, Theo Bleckmann, Dan Levin, Nate Wooley, Kavala Brass Band, and Zlatne Uste Balkan Brass Band.
Vibraphonist and tunesmith Matt Moran "plays the vibraphone like a speed-chess master, always darting off into flurries of ingenious, unexpected activity" (Village Voice). He has performed and recorded with artists as diverse as Mat Maneri, Lionel Hampton, Combustible Edison, Ellery Eskelin, and Saban Bajramovic. Moran's sound is integral to an innovative group of New York musicians who blur the boundaries of composition, improvisation, and folk traditions."-Matt Moran Website (http://www.mattmoran.com/bio.html)
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