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© 2002-2017, Squidco LLC

Seen, The

Archive: Volumes I - V (2005 - 2009) [5-CD BOX SET]

Seen, The: Archive: Volumes I - V (2005 - 2009)  [5-CD BOX SET] (Confront)

Since 2005 bassist and percussionist Mark Wastell has been organizing concerts of ever-changing groups of improvising musicians under the collective name The Seen, using predominantly improvised material with occasional instructions or themes, here presented in 5 CDs, each a complete concert recorded at venues including Cafe Oto, Red Rose Theatre, &c.
 

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product information:


Label: Confront
Catalog ID: ccs 78
Squidco Product Code: 24786

Format: BOX SET
Condition: New
Released: 2017
Country: UK
Packaging: Box Set w/ 5 CDrs
CD 1 recorded at Jacksons Lane, in London, England on June 4th, 2005.

CD 2 recorded at Teaterhuset Avant Garden, in Trondheim, Norway, on May 05th, 2006.

CD 3 recorded at Red Rose Theatre, in London, England, on November 15th, 2007.

CD 4 recorded at Cafe Oto, in London, England, on February 19th, 2009.

CD 5 recorded at Cafe Oto, in London, England, on June 26th, 2009.


Personnel:

Mark Wastell-double bass, tam tam, shrutti box

Rhodri Davies-harp

Matthew Davis-laptop

David Toop-laptop

Lee Gamble-laptop

Benedict Drew-laptop

Phil Durrant-laptop, maschine

Wolfgang Fuchs-record players

Bertrand Denzler-saxophones

Angharad Davies-violin

Burkhard Beins-percussion

Graham Halliwell-feedback saxophone

Tomas Korber-electronics

Benedict Drew-electronics

Dominic Lash-double bass

Joe Williamson-double bass

Matthew Lovett-double bass

Ashley John Long-double bass

Phil Julian-analogue electronics

Paul Abbott-electronics

John Butcher-acoustic saxophone, feedback saxophone

Jane Dickson-piano, electronics

Jonathan McHugh-analogue synthesiser

Paul Abbott-electronics

Ben Owen-shortwave radio

Highlight an artist name or instrument above
and click here to Search
track listing:


CD1



1. Jacksons Lane, London 04.06.2005 52:40

CD2



1. Teaterhuset Avant Garden, Trondheim, Norway 12.05.2006 59:03

CD3



1. Red Rose Theatre, London 15.11.2007 36:27

CD4



1. Cafe Oto, London 19.02.2009 31:12

CD5



1. Cafe Oto, London 26.06.2009 48:50
Related Categories of Interest:


Box Sets
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
London & UK Improv & Related Scenes
Sextet Recordings
Septet recordings
Large Ensembles
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descriptions, reviews, &c.

"Mark Wastell has been organising larger formations of musicians, collectively known as THE SEEN, for over 10 years. Using predominantly improvised material with occasional instructions or themes distributed to individual musicians just prior to performance. No formation has ever been repeated, THE SEEN never stays static. Each disc contains an entire concert given by THE SEEN spanning the years 2005 to 2009."-Confront





CD 1: Red Rose Theatre, London 15.11.2007: Mark Wastell / Dominic Lash / Joe Williamson / Matthew Lovett / Ashley John Long / Matt Davis / David Toop / Lee Gamble / Benedict Drew / Phil Durrant





CD 2: Cafe Oto, London 26.06.2009: Mark Wastell / John Butcher / Dominic Lash / Matt Davis / Jane Dickson / Phil Durrant / Phil Julian / Jonathan McHugh / Paul Abbott / Benedict Drew / Ben Owe





CD 3: Cafe Oto, London 19.02.2009: Mark Wastell / Matt Davis / Phil Durrant / Dominic Lash / Phil Julian / Paul Abbott





CD 4: Jacksons Lane, London 04.06.2005: Mark Wastell / Rhodri Davies / Matt Davis / David Toop / Lee Gamble / Benedict Drew / Phil Durrant





CD 5: Teaterhuset Avant Garden, Trondheim, Norway 12.05.2006: Mark Wastell / Wolfgang Fuchs / Bertrand Denzler / Angharad Davies / Burkhard Beins / Graham Halliwell / Tomas Korber / Benedict Drew / Dominic Lash

Artist Biographies:

"Mark Wastell Born 1968; cello.

Much of Mark Wastell's relationship with his chosen instrument is concentrated on the tactile, textural and sonic possibilities of both violoncello and bow. He is increasingly interested in working with extreme elements drawn from frequency, timbre and pitch.

His early activity was consciously and subconsciously influenced by a variety of improvising musicians including John Stevens, Barry Guy, Phil Durrant and John Russell. Subsequent exposure to contemporary composers lead to a greater understanding and appreciation of the works written for strings by Feldman, Cage, Nono, Lachenmann and Sciarrino. The use of live electronics and music concrete by Tudor, Parmegiani, Xenakis and others was another important early influence.

Wastell's current instrumental material primarily focuses on using abstract principles of space and texture - encompassing elements of new London silence, pro-instrument minimalism, new complexity and electro-acoustics. Because of the very nature of his chosen instrument, he tends to favour 'chamber' style ensembles and is a member of a number of regular groups:

• Chris Burn's Ensemble, with John Butcher, Rhodri Davies, John Russell, Matt Hutchinson

• Derek Bailey's Company - with, for example, Will Gaines, Simon H. Fell and Rhodri Davies

• Evan Parker's String Project, with Peter Cusack, Hugh Davies, Rhodri Davies, Phil Durrant, John Edwards, Kaffe Matthews, Marcio Mattos, John Russell

• Assumed possibilities, with Chris Burn, Rhodri Davies and Phil Durrant

• The Sealed Knot, with Burkhard Beins and Rhodri Davies

• Necessaire with Alessandro Bosetti, Ignaz Schick and Burkhard Beins

• IST with Simon Fell and Rhodri Davies

• Quatuor Accorde with Tony Wren, Phil Durrant and Charlotte Hug

• Broken Concort, a duo with Rhodri Davies

Mark Wastell has also performed with many other leading musicians including John Zorn, Keith Rowe, Peter Kowald, Hugh Davies, Roger Turner, Veryan Weston, Lol Coxhill, Mark Sanders, Axel Dorner, Hans Koch, Phil Minton, Max Eastley and Steve Beresford.

As a soloist he has played at the Micro-classical Festival (London 1996), LMC Festival (London 2000) and the Huddersfield Contemporary Music Festival (2000). He has travelled extensively with various groups, performing on tour and at festivals in the USA, France, Spain, Italy, Germany, Sweden, Denmark and Greece. Other work includes the launch in 1996 of his own record label, Confront Recordings. Wastell is also joint co-ordinator of the concert venue All Angels, together with Rhodri Davies."

-European Free Improv (EFI) (http://www.efi.group.shef.ac.uk/musician/mwastell.html)
11/21/2017

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"Rhodri Davies was born in 1971 in Aberystwyth, Wales and now lives in Gateshead in the northeast of England.

He plays harp, electric harp, live-electronics and builds wind, water, ice and fire harp installations. He has released four solo albums: Trem, Over Shadows, Wound Response and An Air Swept Clean of All Distance.

His regular groups include: a duo with John Butcher, Common Objects, HEN OGLEDD: Dawson - Davies, a trio with David Toop and Lee Patterson, Cranc, The Sealed Knot and a trio with John Tilbury and Michael Duch.

In 2008 he collaborated with the visual artist Gustav Metzger on 'Self-cancellation', a large-scale audio-visual collaboration in London and Glasgow.

New pieces for solo harp have been composed for him by: Eliane Radigue, Phill Niblock, Christian Wolff, Ben Patterson, Alison Knowles, Mieko Shiomi and Yasunao Tone.

In 2012 he was the recipient of the Foundation for Contemporary Arts, Grants to Artists Award."

-Rhodri Davies Website (http://www.rhodridavies.com/words/)
11/21/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Matt Davis (born in London in 1970) is an artist working in sound, music and performance living in Bristol.

In studying visual art an interest in strategic photography and process based work led Matt to the world of improvised and experimental music and sound art. Attending Community Music in 1995 and completing John Steven's Search and Reflect course, amongst others, he made several connections in the improvised music scene such as with Mark Wastell, Angharad Davies and Rhodri Davies.

In 1999 he relocated to Barcelona, joined the IBA collective and 'L'Orquestra IBA' as well as working with the dance company La Sospechosa - a collaboration which lasted many years.

On returning to London in 2002 he curated a series of events entitled FIELD designed to unite improvised music and dance. These events, with the support of the Chisenhale Dance Space Artist's Program, eventually became a live-art project investigating notions of space and performance, and were particularly influenced by the work of geographer Doreen Massey who collaborated on the project.

He has performed extensively throughout the UK and Europe, as well as touring Japan with Broken Consort in 2003.

From 2008-2012 he joined the ensemble Zeitkratzer, and in 2009 moved to Cornwall, where he was a member of the SoN collective and the trio Emlow.

He now lives in Bristol."

-Matt Davis Website (http://f-i-e-l-d.co.uk/biog-contact.html)
11/21/2017

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"David Toop (born 5 May 1949) is an English musician, author, and professor and chair of audio culture and improvisation at the London College of Communication. He was a member of the Flying Lizards and a contributor to the British magazine The Face. He is a regular contributor to The Wire, a British music magazine.

Soon after his birth, his parents moved to Waltham Cross, Hertfordshire, where he grew up. He was educated at Broxbourne Grammar School, which he left in 1967 to study at Hornsey College of Art.

Toop published his pioneering book on hip hop, Rap Attack, in 1984. Eleven years later, Ocean of Sound appeared, described as Toop's "poetic survey of contemporary musical life from Debussy through Ambient, Techno, and drum 'n' bass." Since the 1970s, Toop has also been a significant presence on the British experimental and improvised music scene, collaborating with Max Eastley, Brian Eno, Scanner, and others. He is a member of the improvising, genre-hopping quartet Alterations, active from 1977 to 1986 and reforming in 2015. In 2001, Toop curated the sound art exhibition Sonic Boom, and the following year, he curated a 2-CD collection entitled Not Necessarily Enough English Music: A Collection of Experimental Music from Great Britain, 19601977. More experimentally, Toop has also actively engaged with 'sounding objects' from a range of museums."

-Wikipedia (https://en.wikipedia.org/wiki/David_Toop)
11/21/2017

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"Birmingham-raised, London-based Lee Gamble is a producer and DJ of exploratory electronic/dance music, and owner of the UIQ label. From roots as a teenage DJ rinsing state-of-the-art jungle on pirate radio, Lee explored the mechanics and dimensions of computer music and noise in the '00s with a series of abstract, sculptural releases for the Entr'acte label - "80mm O!I!O" (2006), and the "Join Extensions" (2009) album, amongst collaborations with artists Yutaka Makino and John Wall, respectively.

Subsequently, he tracked back to the 'floor from an oblique angle with the ambient-techno / jungle deconstructions of two defining releases for the PAN label - "Diversions 1994-1996" (2012) and "Dutch Tvashar Plumes" (2012), the latter of which was hailed as FACT Magazine's "Best British Album" in the "Alternative Brit Awards 2013". In the following year Lee issued his most expansive records to date with the "Kuang EP" (2014) and "KOCH" (2014) album, which both pursued a more nuanced perspective on dancefloor states and conventions - also found in Lee's remixes and work for Mount Kimbie, Special Request, Amon Tobin and Hyperdub."

-Last.FM (https://www.last.fm/music/Lee+Gamble/+wiki)
11/21/2017

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"Benedict Drew lives and works in Whitstable and Margate, in 2011 he graduated from the Slade School of Art. He has frequently collaborated with a diverse mix of artists and musicians including Nathan Budzinski & Auto Italia, Otomo Yoshihide, Rhodri Davies, Greg Pope, Emily Richardson, 'The Work In Progress', Sachiko M and Emma Hart. Performing often in the UK and internationally including Tate Modern, London; Yamaguchi Centre for Art, Japan; Rotterdam Film Festival; Kill Your Timid Notion, Dundee; ICA, London; Performa 09, New York; and The Museum of Contemporary Canadian Art. Drew has made many radio works for Resonance FM, most recently Concrete Decent Transmission for Writtle Calling. He was lead-artist for Chisenhale Gallery's Propeller Project (2012) and a LUX Associate Artist (2011/12). In 2012 he was shortlisted for the Jarman award."

-AV Festival Website (http://www.avfestival.co.uk/programme/2012/events-and-exhibitions/benedict-drew)
11/21/2017

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"Phil Durrant. Born 1957; software synth/sampler, live electronics and acoustic violin.

Phil Durrant studied classical violin and piano at the London College Of Music. Since 1977 he has been a freelance musician, improviser and composer. He has performed at festivals all over Europe, U.S.A and Canada and has had his music broadcast on radio and television in many countries.

Current electronic projects include Ticklish, Secret Measures (with John Butcher), Lunge (with Gail Brand, Pat Thomas and Mark Sanders) and the international electronic orchestra, Mimeo. He also plays violin in Assumed Possibilities (with Chris Burn, Rhodri Davies and Mark Wastell), "Beinhaltung", a trio with Radu Malfatti and Thomas Lehn another trio with Berlin musicians, Burkhard Beins and Ignaz Schick, and the string quartet Quatuor Accorde, with Tony Wren, Charlotte Hug and Mark Wastell. Durrant has also played in the very influential trio with John Butcher and John Russell, as well as the Chris Burn Ensemble.

During his career he has played with many creative and important musicians, including: Derek Bailey, Evan Parker, Grooverider, Shut up and Dance, John Zorn, Phil Minton, and Tom Cora. He has also been awarded various Arts Council grants to research and develop his use of electronics. Two current duo projects - at early 2001 - were: Durrant, violin and software synth/sampler with Wade Matthews, bass clarinet, alto flute; and Durrant software synth/sampler with Mark Sanders drums and sequenced samples.

Phil Durrant has also been collaborating and composing music for a wide variety of choreographers. These include PLastic chill, In the face of a stranger and Deja deux with Maxine Doyle; Salome, Concrete and On stage with Susanne Thomas; Partial site, near view and Delay for five with Gill Clarke; Future perfekt with Ana Sanchez-Colberg; and Borderlander and Home zone with Sophia Lycouris. Salome, Concrete and Partial site, near view were site-specific and involved speaker systems in a number of different rooms. He recently wrote the music for a new play by Nick Sutton called Home movies."

-European Free Improv (EFI) (http://www.efi.group.shef.ac.uk/musician/mdurrant.html)
11/21/2017

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"Wolfgang Fuchs. Born on 21 February 1949 in Landau/Palatine, died of a heart attack in Berlin 3 February 2016; contrabass clarinet, bass clarinet, sopranino saxophone.

Wolfgang Fuchs' first musical instruments, at the age of nine, were violin and mandolin but, during his studies at the Music Academy of Karlsruhe between 1969 and 1974 he studied saxophone and clarinet. Moving to Berlin in 1974 he has, since 1976, worked as freelance musician primarily in the area of freely-improvised music but also in a wide range of mixed-media projects featuring music and other arts. Over the years, he has played with a large number and variety of musicians including Fred van Hove and Peter Hollinger or Paul Lytton in Berliner Begegnung (1983-1987), Paul Lytton and Mats Gustafsson (toured Sweden as a trio in 1994), Philipp Wachsmann and Paul Lytton (toured England as a trio in 1995), and Lingua (with Thomas Lehn and Fabrizio Spera, 2000). He has been a member of Butch Morris' Berlin Skyscrapers large group conduction (1995 and 1999) and a member of various Cecil Taylor projects including the 1986 European American Group, the 1990 Orchestra that appeared at Total Taylor Total, a 1991 Scandinavian tour featuring Taylor with Tony Oxley, Barry Guy and Harri Sjöström, and the 1999 Workshop Ensemble. In 1996 he was founder and leader of berlin factory, a workshop ensemble with young Berlin-based musicians which has since performed at Soundworkshop 97: Contemporary Music in Kreuzberg and performed Fuchs' composition Aqua libre at the festival Kryptonale IV in Berlin in 1998.

Perhaps the most well-known, long-standing large group with which Fuchs has been associated is King Übü Örchestrü. He was founder of the tentet in 1983 and has been leader ever since with changes in personnel and size, regrouping periodically for concerts and recordings: a tour in Germany in 1989; a recorded performance in 1992 at the Akademie der Kunste, Berlin; appearance at Nickelsdorf Festival, Austria in 1995; a recording made at the Total Music Meeting in Berlin in 1998; and an extended performance with guest vocalists and narrators to mark the group's 20th anniversary at Total Music Meeting 2003. A spontaneous octet of some members of King Übü Örchestrü with other European improvisers and US musicians - Mount Washington from 2003 - works in a similar soundworld.

Fuchs has also worked extensively over a long period with George Katzer, Hans Koch and Peter van Bergen. His first encounter and collaboration with Katzer occured in 1988 to be followed over the next few years with participation at the Electron-Music-Festival at Skinnskatteberg, Stockholm, in Innergerman Encounters at Rostock, Potsdam and in Katzer's multimedia project, Rooms, in Berlin, (all 1990); a trio performance with Hannes Bauer at Festival Syntèse in Bourges, France (1991); concerts at Villa Massimo, Rome in trio with Helmut Zapf (1996); a trio concert with Hannes Bauer at Festival Brandendburgische Kunsttage (1998); and a duo in Löbau, Scharoun-Villa in 2001. Katzer has also been a member of King Übü Örchestrü.

The contrabass clarinet trio with Hans Koch and Peter van Bergen was formed in 1993 under the name Holz für Europa and has made almost two-yearly appearances since then. In the mid-1990s, Alexander von Schlippenbach was commissioned to provide new arrangements of eleven Eric Dolphy compositions, performed in 1997 by the trio as the Eric Dolphy Project. The trio undertook a concert tour of the Netherlands in 1999, played concerts in Switzerland and Germany in 2000, and toured the US, including a performance at the Empty Bottle Festival in Chicago, in 2001.

Fuchs work in mixed media has included:

improvised music to experimental films by, among others, Vikking Eggeling, Ernie Gehr, Kurt Kren, Helmut Nickels, Junichi Okujama, Michael Proksch, Hans Richter, and Diter Rot
various work with Sven-Åke Johansson, including a film music concert tour in 1981, SAJ's operetta Der Spaten und die Harke in 1984 and participation in Über die Ursache der Meinungsverschiedenheiten beim Turmbau zu Babel an operetta by Alexander von Schlippenbach and SAJ, performed at the Staatstheater Stuttgart and Stadttheater Gütersloh (Germany)
other work with Alexander von Schlippenbach, including a tour of film and improvised music in 1984 and, in 1985, a live performance with improvised music to the newly reconstructed integral version of director Erich von Stroheim's film Queen Kelly, staged at the International Filmfestival of Berlin
collaborations, which began in 1997, with writer and poet Gerd-Peter Eigner and which includes Musica Lingu (Improvisation & declamation) a trio with Alexander von Schlippenbach
participant of the multi-media performance Large Area (music, dance, actors, acrobats) staged in Oberhausen in 1986
in 1996, participation in Fahrtenbuch, a scenic-musical collage by director Alexander Stillmark with texts by poet Durs Grünbein and others and compositions by Georg Katzer, first performed at the Hebbel-Theater, Berlin, subsequently on tour in Poland
in 1997 participation in And now - where to?, a homage to Heinrich Heine (Goethe-Institut Marseille)
his close interest in painting is indicated by his regular use of the work of Max Neumann on his LP and CD covers.

More recently, Wolfgang Fuchs has become involved in two new trios: Three October Meetings and The New Flags. Three October Meetings comprises Fuchs along with two young North American musicians: Damon Smith on double bass and Jerome Bryerton on percussion who first played together in 1997 during Fuchs solo tour of the US. They recorded the excellent CD which subsequently gave rise to their name in 2001 and have since toured the US west coast and Germany, playing important festivals in San Francsico, Berlin and Austria. The New Flags was formed in June 2002 with Xu Fengxia, guzheng, voice and Roger Turner, drumset; they appeared at Total Music Meeting in 2002.

Wolfgang Fuchs has received a number of awards and grants, including a 3-month grant in 1996 from the Academy of Fine Arts, Berlin to be artist in residence at Villa Serpentara, Olevano Romano, Italy. From 2001, he has been artistic director of the Total Music Meeting in Berlin."

-European Free Improv (EFI) (http://www.efi.group.shef.ac.uk/musician/mfuchs.html)
11/21/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.
"Bertrand Denzler is a tenor saxophone player. He has played in Europe and Latin America both as a solo act and with musicians such as Xavier Charles, Peter Frils Nielsen, Jean-Luc Guionnet, Barry Guy, Ninh Lê Quan, Urs Leimgruber, Günter Müller, Bob Ostertag, Norbert Pfammatter, Hasse Poulsen, Mark Sanders, Mathieu Werchowski, and Otomo Yoshihide. He is a member of the groups Hubbub, Nanocluster, Laps, Denzler-Mariage, A3/1, and Chamaeleo Vulgaris. He has put out a number of compact discs on various labels."-ActuelleCD.com (http://www.actuellecd.com/en/bio/denzler_be/)
11/21/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Angharad Davies is a violinist, one at ease in both improvising and composition, with a wide discography as part of varied range of ensembles and groups. She's a specialist in the art of 'preparing' her violin, adding objects or materials to it to extend its sound making properties. Her sensitivity to the sonic possibilities of musical situations and attentiveness to their shape and direction make her one of contemporary music's most fascinating figures. 2015 has seen her being commissioned for a new work at the Counterflows Festival, Glasgow and premiering Eliane Radigue's new solo for violin, Occam XXI at the El Nicho Festival, Mexico.

She's performed at, the Queen Elizabeth Hall, BBC Proms, Music We'd Like to Hear's concert series, is an associate artist at Cafe Oto, is a member of Apartment House, Cranc and Common Objects, been artist in residence at Q-02, and played live with Tony Conrad in the Turbine Room at the Tate Modern. Other collaborations have featured the likes of John Butcher, Daniela Cascella, Rhodri Davies, Julia Eckhardt , Kazuko Hohki, Roberta Jean, Lina Lapelyte, Dominic Lash, Tisha Mukarji, Andrea Neumann, Rie Nakajima, Tim Parkinson, J.G.Thirlwell, Stefan Thut, Paul Whitty, Manfred Werder, Birgit Ulher, Taku Unami and she's released records on Absinth Records, Another Timbre, Potlatch and Confrontrecords."

-Angharad Davies Website (http://www.angharaddavies.com/biog.html)
11/21/2017

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"Burkhard Beins, born 1964 in Lower Saxony, lives in Berlin since 1995. As a composer/performer working in the fields of experimental music and sound art he is known for his definitive use of percussion in combination with selected sound objects. Furthermore, he works with live-electronics/analog synthesizers and has conceived several sound installations.

Since the late 1980's he is performing at internationally renowned venues and festivals throughout Europe, America, Australia and Asia as diverse as the LMC Festival (London), Int. Ferienkurse (Darmstadt), SKIF (St. Petersburg), Musiktage (Donaueschingen), Musique Action (Nancy), Choppa Festival (Singapore), Cave 12 (Geneva), The Now now (Sydney), ZKM (Karlsruhe), Kaleidophon (Ulrichsberg), Kid Ailack Music Hall (Tokyo), Gaudeamus Festival (Amsterdam), Liquid Architecture (Australia), Meteo (Mulhouse), Taktlos (CH), Berghain (Berlin), Konfrontationen (Nickelsdorf), Serralves (Porto), Wien Modern (Vienna), MoMA (New York), New Music Festival (Hanoi), Irtijal (Beirut), or Maerzmusik (Berlin).

Alongside his solo work he is a member of the ensembles Polwechsel, Activity Center, The Sealed Knot, Perlonex, Sawt Out, Trio Sowari, Tree, Junk Orbit, Fracture Mechanics, and Splitter Orchester and also works with composers/musicans such as Sven-Åke Johansson, Andrea Neumann, Keith Rowe, Axel Dörner, Tarek Atoui, John Tilbury, or Charlemagne Palestine.

Burkhard Beins gives workshops based on his graphic score system Adapt/Oppose, has published several articles on music theory, and is a co-editor of the book "Echtzeitmusik Berlin - Self-Defining a Scene" as well as the curator of a follow-up 3CD compilation featuring the Berlin Echtzeitmusik scene. Meanwhile he has released more than 50 CDs and LPs on labels like Zarek, Erstwhile, 2:13 Music, Hat Hut, Potlatch, Absinth, alt.vinyl, God Records, Mikroton, or Confront."

-Burkhard Beins Website (http://www.burkhardbeins.de/cv.html)
11/21/2017

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"Graham Halliwell, born Liverpool, August 1959,, is a saxophonist, whose work has recently been exploring ideas of stillness and sparseness, to this end he has been supplementing its normal sound by utilising it as a device for shaping feedback. This has lead him to work with some of major names in the "reductionist" or "lower case" school. He plays in the brilliant trio +minus with Bernhard Gunter and Mark Wastell, and has recorded with Rhodri Davies and Steve Roden. Other groups include VHF (with Simon H Fell and Simon Vincent)."

-Bagrec Blogspot (https://bagrec.blogspot.com/2006/09/music-questionnaire-no-7-graham.html)
11/21/2017

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"Tomas Korber, born in 1979 , is a guitarist, composer and improviser from Zürich, Switzerland who has appeared on an impressive array of releases both solo and with playing partners including Toshimaru Nakamura, Günter Müller, Otomo Yoshihide, dieb13, eRikm, Jason Kahn, Keith Rowe, Dan Warburton and Mersault, his working trio with Christian Weber and Christian Wolfarth. I asked several of these collaborators what qualities stand out in making music with Korber. Kahn remarked on his listening acumen. Weber, the bassist for the past three years with Mersault, said he has "an uncompromising focus on the music," and remains committed to "taking risks and the use of very different forms." Korber's work indeed has an impressive range and scope, characterized by both a high degree of malleability and the clear presence of recurring sonic elements, very much his own sound."

-Paris Transatlantic (http://www.paristransatlantic.com/magazine/interviews/korber.html)
11/21/2017

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"Benedict Drew lives and works in Whitstable and Margate, in 2011 he graduated from the Slade School of Art. He has frequently collaborated with a diverse mix of artists and musicians including Nathan Budzinski & Auto Italia, Otomo Yoshihide, Rhodri Davies, Greg Pope, Emily Richardson, 'The Work In Progress', Sachiko M and Emma Hart. Performing often in the UK and internationally including Tate Modern, London; Yamaguchi Centre for Art, Japan; Rotterdam Film Festival; Kill Your Timid Notion, Dundee; ICA, London; Performa 09, New York; and The Museum of Contemporary Canadian Art. Drew has made many radio works for Resonance FM, most recently Concrete Decent Transmission for Writtle Calling. He was lead-artist for Chisenhale Gallery's Propeller Project (2012) and a LUX Associate Artist (2011/12). In 2012 he was shortlisted for the Jarman award."

-AV Festival Website (http://www.avfestival.co.uk/programme/2012/events-and-exhibitions/benedict-drew)
11/21/2017

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"Born Cambridge, England, in January 1980; played bass guitar since 1994; studied with Hugh Boyd and Pascha Milner and at Basstech (London) with Rob Burns, Terry Gregory and others. Played double bass since 2001; basically self taught, with grateful thanks to Simon H. Fell. First class BA in English Literature from Oxford University (2002). Received MA Composition from Oxford Brookes University in 2003, having studied with Paul Whitty, Ray Lee and others. Received PhD from Brunel University in 2010, having studied the work of Derek Bailey, Helmut Lachenmann and JH Prynne and been supervised by Richard Barrett and John Croft."

-Dominic Lash Website (http://dominiclash.blogspot.com/p/dominic-lash_5.html)
11/21/2017

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Born 1970 in Canada, Joe Williamson has toured the world as a bass player in various setting and He moved to Europe in 1992 and has lived in Amsterdam, Berlin and London, and Stockholm. Projects include The Inconvenience, Trapist, Alex Ward and The Dead Ends, Tobias Delius 4tet, Weird Weapons, the Duck Baker Trio, King of Herrings, The Green Valley Players, Booklet, The 7 Seas Orchestra,The Wardrobe Trio... Past and present collaborators include Duck Baker, Steve Beresford, &c.

-Squidco 11/21/2017

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"Matthew Lovett is a musician and lecturer based at the University of Wales Newport. Taking a pluralist and heterogenetic approach to music practice, recent performances include the Sounds New Contemporary Music Festival, Freedom of the City, Supernormal, Swn, Brecon Jazz and Experimentica. His soundtrack for the feature film 'Playing Burton' was premiered in 2011 and his work has been broadcast on Radio 3's Hear and Now contemporary music programme. Other projects include performances and commissions for the Welsh National Opera, National Museums and Libraries of Wales and Ffotogallery. Teaching interests include composition, performance, critical musicology, sonic vitalism and political economy."

-Discogs (https://www.discogs.com/artist/1069374-Matthew-Lovett)
11/21/2017

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"Ashley-John Long is a virtuoso bassist and composer active in a diverse range of musical idioms including Jazz and Improvisation, Session Music, Early and Contemporary Chamber Music, and as a Soloist. He graduated from the Royal Welsh College of Music and Drama with 1st Class Honors where he studied double bass with Dominic Seldis, Dudley Phillips, Nick Weldon and Paula Gardiner, and composition with Tim Raymond and Peter Reynolds.

Since graduation he has maintained a busy and varied freelance career which has taken in many strands. He has performed and recorded with some of the UK's leading Jazz musicians including Art Themen, Simon Spillett, Brandon Allen, Craig Millverton, Alan Barnes, Dave Newton, Geoff Eales, Damon Brown, Bobby Wellins, Osian Roberts, Steve Melling, as well as visiting artists including Scott Hamilton, Erin Dickens, Greg Abate and Daryl Sherman.

Ash has performed internationally as a soloist and has given premiers of numerous new works for solo bass, and toured in 2008 with French double bassist Louis-Michel Marion with a series of recitals featuring music by Xenakis, Bussotti, Scelsi and Barry Guy. Over 20 composers have written new works for him and has had performances broadcast on television and radio throughout the U.K and Europe..

A virtuoso improviser, Ash has developed a unique approach to the instrument creating innovative new performance techniques including methods of preparing the bass whilst performing and recording with some of the music's leading players, including Keith Tippett, Paul Dunmall, Phillip Gibbs, Eugene Chadbourne, Rhodri Davies, Mark Wastell, Patrick Farmer, Paul Dunmall, Dominic Lash, Alex Ward, Bruce Coates, Paul Hession and Christian Munthe.

His work in the orchestral world has taken in everything from Gabrielli to Stockhausen and he has performed as principal double bass with various ensembles, as well as playing a great deal of chamber music and co-founding Ensemble Wreckhead with Adam Bell.

From 2012-14 he toured the world with Nofit State Circus' critically acclaimed show Bianco out of which grew his collaboration with Gareth Jones, resulting in the 'A Place to Start' EP by Fireproof Giant.

As a composer, Ash has carved a niche as a creator of innovative scores that balance fine detail with freedom and flexibility whilst retaining a strong melodic sense. Recent commissions have been acclaimed for their original and inventive writing including; Flux (2006) and Hevelspending (2010) for the Lunar Saxophone Quartet, Songs of the Night (2007) for Joel Garthwaite, and XAS (2008) for himself and Louis-Michel Marion and Dance Miniatures (2013) for the Syzygy Saxophone Quartet and Shelter (2015), an opera for Asking4it productions. His works are published by Staunch Music, Recital Music and Alto Publications.

He also works as an educator and has taught at The University of Glamorgan, Royal Welsh College of Music and Drama, Cardiff University, County Wexford School of Music (Ireland) and MusicTime School (Milan, Italy) and also teaches Mini Bass projects for Gwent Music.

He was awarded a PhD scholarship by Cardiff University in 2015 where he is undertaking research into contemporary performance practice.

Ashley is a D'Addario Performing Artist and uses Zyex and Helicore bass strings."

-Ashley John Long Website (http://www.ashleyjohnlong.co.uk/about.html)
11/21/2017

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"Phil Julian is a UK based composer and improviser active since the late 1990's principally working with modular electronic devices and computers.

Audio works by Julian (and under the Cheapmachines alias) have been published on labels including Entr'acte, Banned Production, The Tapeworm, Harbinger Sound, Confront Recordings, Conditional, Staalplaat (Open Circuit imprint), con-v, Beartown Records as well as numerous compilation appearances.

He also runs the Authorised Version label.

Julian has collaborated on remixes, recordings and performances with Tomas Korber, Michael Renkel, Jason Kahn, Daniel Jones, Kostis Kilymis, Tom Mudd, Angharad Davies, John Macedo, Dominic Lash, Dimitra Lazaridou-Chatzigoga, Andie Brown, Dale Cornish, Ryan Jordan, Maurizio Bianchi, Nihilist Assault Group, The New Blockaders and GX Jupitter-Larsen of The Haters as well as being a member of the improvised drone ensemble Signals with Mark Beazley and Chris Gowers and perfroming as part of Mark Wastell's improvising group The Seen."

-Phil Julian Website (http://cmx.org.uk/biography/)
11/21/2017

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"Paul Abbott is an artist and musician based in London, working through questions and feelings connecting music, language and politics: using drums, performance, writing, and publishing. He is currently one of the Sound and Music "Embedded" resident artists at Cafe Oto and a co-editor of Cesura//Acceso journal.

His current collaborations include XT (with Seymour Wright), lll人 (with Daichi Yoshikawa and Seymour Wright) and ULAPAARC (with Cara Tolmie). A series of solo performances in Cafe OTO's project space are documented here. Recent releases include qno, Vagus, Pah', and vjerhanxsk."

-Cafe Oto (https://www.cafeoto.co.uk/events/paul-abbott-cara-tolmie-will-holder-seymour-wright/)
11/21/2017

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"John Butcher's work ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and extreme acoustics.Originally a physicist, he left academia in '82, and has since collaborated with hundreds of musicians - Derek Bailey, John Tilbury, John Stevens, The EX, Akio Suzuki, Gerry Hemingway, Polwechsel, Gino Robair, Rhodri Davies, Okkyung Lee, John Edwards, Toshi Nakamura, Paul Lovens, Eddie Prevost, Mark Sanders, Christian Marclay, Otomo Yoshihide, Phil Minton, and Andy Moor - to name a few.

He is well known as a solo performer who attempts to engage with the uniqueness of place. Resonant Spaces is a collection of site-specific performances collected during a tour of unusual locations in Scotland and the Orkney Islands.His first solo album, Thirteen Friendly Numbers, includes compositions for multitracked saxophones, whilst later solo CDs focus on live performance, composition, amplification and saxophone-controlled feedback.

HCMF has twice commissioned him to compose for his own large ensembles. Other commissions include for Elision (Australia), the Rova (USA) & Quasar (Canada) Saxophone Quartets, reconstructed Futurist Intonarumori (USA), "Tarab Cuts" (based on pre-WWII Arabic recordings, and shortlisted for the 2014 British Composer's Award) and "Good Liquor .." for the London Sinfonietta. In 2011 he received a Paul Hamlyn Foundation Award for Artists.

Recent groupings include The Apophonics with Robair and Edwards, Anemone with Peter Evans, Plume with Tony Buck & Magda Mayas and a trio with Okkyung Lee & Mark Sanders.Butcher values playing in occasional encounters - ranging from large groups such as Butch Morris' London Skyscraper and the EX Orkestra, to duo concerts with David Toop, Kevin Drumm, Claudia Binder, Paal Nilssen-Love, Thomas Lehn, Fred Frith, Keiji Haino, Ute Kangeisser, Matthew Shipp and Yuji Takahashi."

-John Butcher Website (http://www.johnbutcher.org.uk/Biog.html)
11/21/2017

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"Jane Dickson is a Glasgow based composer and pianist. Her background includes classical piano and conducting, live electronics performance and composition and free improvisation using extended techniques. Her interest in live electronics lies in the subtle augmentation of acoustic instruments and voice, playing with subverting and dislocating expectation and perception. She has completed commissions from members of the London Symphony Orchestra and BBC Radio 4 and performed and had her work performed across Europe including national radio and television broadcasts in Austria, Spain and the UK. Her recent collaborative releases include Wandelweiser und so weiter (another timbre) and Accidents of Matter or of Space (SUPPEDANEUM). Her current research explores virtuosity and gender in contemporary performance and alternative methods of notation, and heavily informs her creative practice. She is a member of international group n s m b l and has premiered two works by Jakob Ullmann: son imaginaire III (HCMF ʻ13) and solo V (Courtisane ʼ15). Recent awards include PRS Women Make Music (for How to Make Two Outfits Out of One, Battersea Arts Centre) and Creative Scotland Artists Bursary for Composition, both for the creation of new and experimental opera."

-Q-O2 (http://www.q-o2.be/en/artist/jane-dickson/)
11/21/2017

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Jonathan McHugh is a London based synth player and improviser known for his work with Mark Wastell, Angharad Davies, and The Seen.

-Squidco 11/21/2017

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"Paul Abbott is an artist and musician based in London, working through questions and feelings connecting music, language and politics: using drums, performance, writing, and publishing. He is currently one of the Sound and Music "Embedded" resident artists at Cafe Oto and a co-editor of Cesura//Acceso journal.

His current collaborations include XT (with Seymour Wright), lll人 (with Daichi Yoshikawa and Seymour Wright) and ULAPAARC (with Cara Tolmie). A series of solo performances in Cafe OTO's project space are documented here. Recent releases include qno, Vagus, Pah', and vjerhanxsk."

-Cafe Oto (https://www.cafeoto.co.uk/events/paul-abbott-cara-tolmie-will-holder-seymour-wright/)
11/21/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Ben Owen works with sound using various approaches including improvisation, recording, listening, and composition. His instruments are simple electronics - played, mixed, re-patched in their own trajectory of small sound, broken and accidental. Over the past few years he has been interested in presenting works, performing and recording in outdoor spaces. His focus is in the sustained, immersive, minimal soundscapes that interact within a defined space as well as an outside environment.

-Ben Owen 11/21/2017

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Other Releases With These Artists:
Suzuki, Akio / John Butcher
Immediate Landscapes
(Ftarri)
Butcher, John / Damon Smith / Weasel Walter
The Catastrophe of Minimalism
(Balance Point Acoustics)
Zeitkratzer + Elliott Sharp
Oneirika: Live at Berghain Berlin [VINYL]
(KARLRECORDS)
Butcher, John
Resonant Spaces [VINYL]
(Blume)
Skogen / Magnus Granberg
'Ist gefallen in den Schnee' (2010) and 'Despairs had Governed Me Too Long' (2012) [double CD reissue]
(Another Timbre)
Long, Ashley John
PSI
(FMR)
Davies, Rhodri / David Sylvian / Mark Wastell
There Is No Love
(Confront)
Beins, Burkhard / Lucio Capece / Martin Kuchen / Paul Vogel
Fracture Mechanics
(Mikroton Recordings)
Holy Quintet, The (Change / Drouin / Lash / Lazardiou / Ryan)
Borough
(Mikroton Recordings)
Chessex, Antoine / Apartment House / Jerome Noetinger
"Plastic Concrete" / "Accumulation"
(Bocian)
Anemone (John Butcher / Peter Evans / Frederic Blondy / Clayton Thomas / Paul Lovens)
A Wing Dissolved in Light [VINYL]
(NoBusiness)
Neukollner (Denzler / von Schlippenbach / Grip / Johansson)
Sektion 3-7 [2 CDs]
(Umlaut Records)
Owen, Ben
Birds And Water, 2&3 (For Cassette) [CASSETTE]
(Winds Measure)
Trio Kimmig (Kimmig / Studer / Zimmerline / John Butcher)
Raw
(Leo)
Veliotis, Nikos / Mark Wastell
Live at All Angels
(Confront)
Collusion Duo (Nick Smith / Mark Wastell)
Refraction
(Confront)
Lewis, George & Splitter Ochester
Creative Construction Set
(Mikroton Recordings)
Butcher, John / Thomas Lehn / Matthew Shipp
Tangle
(Fataka)
Davis / Milton / Saade
dun
(Another Timbre)
Jackson / Long / Taylor / Tippett
Four Quartets
(Confront)
Cundy, Chris
Gustav Lost
(FMR)
Butcher, John / Stale Liavik Solberg
So Beautiful, It Starts To Rain
(Clean Feed)
Denzler, Bertrand / Antonin Gerbal / Alex Dorner
Le Ring
(Confront)
XT (Seymour Wright / Paul Abbot)
Pah'
(Pleasure of the Text Records)
Davies, Angharad / Tisha Mukarji
Ffansion | Fancies
(Another Timbre)
Wastell, Mark
Vibra: Trent (3" CDr)
(Linear Obsessional Recordings)
Frey, Peter K. / Daniel Studer
Zurich Concerts: 15 Years of Kontrabassduo Studer-Frey [2 CDs]
(Leo)
Owen, Ben
Birds And Water, 1
(Notice Recordings)
Davies, Angharad / Rhodri Davies / Michael Duch / Lina Lapelyte / John Lely & John Tilbury
Goldsmiths
(Another Timbre)
RED Trio w/ John Butcher
Summer Skyshift
(Clean Feed)
Sealed Knot, The
Trembling Shade
(Confront)
Baghdassarians, Serge / Boris Baltschun / Burkhard Beins
Future Perfect
(Mikroton Recordings)
Butcher, John / Michael Duch
Fjordgata
(Confront)
Olive / Owen (Tim Olive / Ben Owen)
63-66
(845 Audio)
Beuger, Antoine
Two . Too (For Erwin-Josef Speckmann)
(Edition Wandelweiser Records)
Wastell, Mark
Quartet
(Confront)
Zoor
Volumes A + B
(Umlaut Records)
Denzler, Bertrand / Antonin Gerbal
Heretofore
(Umlaut Records)
Convergence Quartet (Taylor Ho Bynum / Alexander Hawkins / Dominic Lash / Harris Eisenstadt)
Owl Jacket [VINYL]
(NoBusiness)
Beins, Burkhard / Enrico Malatesta / Michael Vorfeld / Christian Wolfarth / Ingar Zach
Gluck
(Mikroton Recordings)
Perry, Frank
Temple Of The Ancient Magical Presence
(FMR)
Butcher, John / Andy Moor
Experiments With A Leaf
(Unsounds)
Davies, Rhodri
Pedwar [BOX SET, 4 LPs + INSERTS]
(Alt.Vinyl)
Horns (feat. Bertrand Denzler)
Horns 1.2
(Confront)
Denzler, Bertrand / ONCEIM
Morph
(Confront)
IST: New York (Davies / Fell / Wastell / Zorn)
Featuring John Zorn
(Confront)
Contest of (More) Pleasures, The (Dorner / Pallandre / Butcher / Sassi / Charles)
Ulrichsberg
(Confront)
Russell, John / Phil Durrant / John Butcher
Conceits (1987/1992)
(Emanem)
Chamaeleo Vulgaris
Ouverture Facile
(Leo Lab)
Butcher, John
Nigemizu
(Uchimizu Records)
Akama, Ryoko / Bruno Duplant / Dominic Lash
Next To Nothing
(Another Timbre)
Davies, Rhodri / John Butcher
Routing Lynn
(Ftarri)
Butcher, John / Burkhard Beins / Mark Wastell
Membrane
(Confront)
Kahn, Jason / Phil Julian
Valentines
(Confront)
IST
London: Conway Hall
(Confront)
Frith, Fred / John Butcher
The Natural Order
(Northern Spy)
Denzler, Bertrand / John Edwards / Eddie Prevost
"All-in-All [en tout en pour tout]" Meetings With Remarkable Saxophonists | Volume 4
(Matchless)
BEFOREHAND (Lazaridou / Wastell)
Live at Hundred Years Gallery
(Confront)
Yoshihide, Otomo / Sachiko M / Evan Parker / John Edwards / Tony Marsh / John Butcher
Quintet/Sextet/Duos
(Otoroku)
Broken Consort
done
(Quakebasket)
Mersault
Mersault
(Quakebasket)
Wastell, Mark
Caressed On The Brow By Unseen Hands
(Confront)
Sealed Knot, The
All Angels
(Confront)
Oceans of Silver & Blood
Oceans of Silver & Blood
(Confront)
Ist (Davies / Fell / Wastell)
Consequences (of Time and Place)
(Confront)
Davies, Angharad
Six Studies
(Confront)
Davis, Matt / Phil Durrant / Mark Wastell
Confront Collectors Series
(Confront)
Butcher, John / Phil Durrant / John Russell
The Scenic Route
(Emanem)
Glover, Richard
Logical Harmonies
(Another Timbre)
Chang / Davies / Drouin / Durrant / Patterson / Tilbury
Variable Formations
(Another Timbre)
Various Artists
The All Angels Concerts [2 CDs]
(Emanem)
Laddaga, Reinaldo
Things That A Mutant Needs To Know [BOOK + 2 CDs]
(Unsounds)
Various Artists
Freedom of the City 2001 - small groups [2 CDs]
(Emanem)
Polwechsel
Traces Of Wood
(Hatology)
Various Artists
Amalgam(e): 10 Years of Red Toucan [2 CDs]
(Red Toucan)
Thomas / Lash / Sanders
Skip
(FMR)
Common Objects: John Butcher / Rhodri Davies / Lee Patterson
Live In Morden Tower
(Mikroton Recordings)
Dahl, Anders & Skogen
Rows
(Another Timbre)
Beuger, Antoine
Cantor Quartets [2 CDs]
(Another Timbre)
Sealed Knot, The (Beins / Davies / Wastell)
Live At Cafe Oto
(Confront)
Ist (Davies / Fell / Wastell)
Berlin
(Confront)
Convergence Quartet, The
Slow and Steady
(NoBusiness)
Butcher / Buck / Mayas / Stangl
Plume
(Unsounds)
Fire! Orchestra
Exit!
(Rune Grammofon)
Davies, Angharad and Cremaster (Monteiro / Fages)
Pluie Fine
(Potlatch)
Various Artists
Wandelweiser und so weiter [6 CD Box]
(Another Timbre)
Butcher, John
Bell Trove Spools
(Northern Spy)
Butcher / Viltard / Prevost
"All But" - Meetings with Remarkable Saxophonists -- Volume 2
(Matchless)
Beuger, Antoine performed by Chabala / Lash / Owen
s'approcher s'eloigner s'absenter
(erstwhile)
Way Out Northwest
The White Spot - w/John Butcher, Tortsen Mueller and Dylan van der Shyff
(Relative Pitch)
Davies / Mukarji / Lazaridou-Chatzigoga
Outwash
(Another Timbre)
Platform 1
Takes Off
(Clean Feed)
Butcher, John & Mark Sanders
Daylight
(Emanem)
Beige Oscillator, The & DJ Attache
Waiting For Wood
(Charhizma)
Ward / Hill / Lash / Sanders
Predicate
(FMR)
Nakamura, Toshimaru / John Butcher
Dusted Machinery
(Monotype)
Various Artists
PRES Revisited. Jozef Patkowski In Memoriam
(Bolt)
Davis, Matt & Mark Wastell
Derby 11.05.2002 / Liverpool 10.05.2002
(Confront)
Fuchs / Lindsay / Smith / Baghdassarians / Baltschun
The Happymakers
(Balance Point Acoustics)
Lash / Farmer / Hughes
Droplets
(Another Timbre)
London Improvisers Orchestra
Lio Leo Leon
(psi)
Recommended & Related Releases:
Other Recommended Releases:
Suzuki, Akio / John Butcher
Immediate Landscapes
(Ftarri)
Butcher, John
Resonant Spaces [VINYL]
(Blume)
Butcher, John / John Edwards / Mark Sanders
Last Dream Of The Morning
(Relative Pitch)
Skogen / Magnus Granberg
'Ist gefallen in den Schnee' (2010) and 'Despairs had Governed Me Too Long' (2012) [double CD reissue]
(Another Timbre)
Long, Ashley John
PSI
(FMR)
Davies, Rhodri / David Sylvian / Mark Wastell
There Is No Love
(Confront)
Beins, Burkhard / Lucio Capece / Martin Kuchen / Paul Vogel
Fracture Mechanics
(Mikroton Recordings)
Holy Quintet, The (Change / Drouin / Lash / Lazardiou / Ryan)
Borough
(Mikroton Recordings)
Chessex, Antoine / Apartment House / Jerome Noetinger
"Plastic Concrete" / "Accumulation"
(Bocian)
Neukollner (Denzler / von Schlippenbach / Grip / Johansson)
Sektion 3-7 [2 CDs]
(Umlaut Records)
Owen, Ben
Birds And Water, 2&3 (For Cassette) [CASSETTE]
(Winds Measure)
Trio Kimmig (Kimmig / Studer / Zimmerline / John Butcher)
Raw
(Leo)
Veliotis, Nikos / Mark Wastell
Live at All Angels
(Confront)
Collusion Duo (Nick Smith / Mark Wastell)
Refraction
(Confront)
Jackson / Long / Taylor / Tippett
Four Quartets
(Confront)



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