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Lisbon String Trio with Carlo Mascolo : Intonarumori (Creative Sources)

One of six Lisbon String Trio albums, each joining the core trio of Ernesto Rodrigues on viola, Alvaro Rosso on double bass, and Miguel Mira on cello with a 4th improviser, here with trombonist Carlo Mascolo, performing live at Mira's Palace in Lisbon, Portugal for one of the most harmonically unique albums of the set as the trombone weaves in and out of the strings.
 

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product information:


UPC: 5609063404562

Label: Creative Sources
Catalog ID: cs456
Squidco Product Code: 24750

Format: CD
Condition: New
Released: 2017
Country: Portugal
Packaging: Cardboard Gatefold
Recorded live at Mira's Palace, in Lisbon, Portugal, on May 17th, 2017, by Carlos Santos.


Personnel:

Ernesto Rodrigues-viola

Miguel Mira-cello

Alvaro Rosso-double bass

Carlo Mascolo-trombone

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track listing:


1. Untitled 5:06

2. Untitled 6:57

3. Untitled 10:19

4. Untitled 9:43

5. Untitled 8:29

6. Untitled 6:11
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Creative Sources
Improvised Music
Free Improvisation
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descriptions, reviews, &c.

"As introduced in an extended entry a couple of weeks ago, on Intonarumori (recorded in Lisbon in May, nine days after Akuanduba), the Lisbon String Trio is joined by Carlo Mascolo on trombone. As also noted, Mascolo has a recent solo album on Creative Sources, My Tubes, featuring a growling trombone & preparations, including splitting the instrument into its different components.

Intonarumori likewise suggests more of a technical, exploratory orientation than other albums in the series, as well as marks a change in register for the wind joining the trio: Although harmonics ramify the sense of pitch hierarchy, the previous three albums feature winds that are (most commonly) in the soprano range, so recalling that the string trio has the alto (viola) as its highest-pitched instrument, here the trombone occupies the middle of the texture. The result involves less sense of space, due to more crossing of lines (as typical of so many other, recent Rodrigues string-majority albums), and consequently some closer interactions absent the same sort of layering.

It begins in percussive mode for the strings, lending a kind of forcefulness to what are otherwise some fairly understated sounds moving into harmonics. The opening track is rather contrapuntal (as is the fifth), and one of the more appealing in the series. The second track opens with what might be described as an extended "raspberry" from the trombone that almost seems percussive itself, yielding to mimicking string accents. The next track emphasizes more harmonics, at least in part to occupy the higher pitches, while the trombone growls below. The interactions are tantalizing, but the latter part of the albums seems to struggle a bit to recapture some of the opening energy, and especially to forge a contrapuntal style, as a sort of wheezing grooving chordal structure sometimes emerges while emphasizing particular pitches (& their displacement).

Basically, the polyphonic implications are rather different for this ensemble, and the single (I guess?) performance date yields an album with a more exploratory feel than the previous releases. It does retain a sense of force (at least until it simply ends, not quite with a whimper), however, which is difficult to describe, as the trombone often lurks "behind" the strings, and "changes" can arise anywhere. There are also fewer environmental sounds invoked by this performance than previously in the series. The trombone itself allows for pitch glissandi much like the strings, which is part of what brings a heightened sense of overlapping resources, and indeed trombone was an instrument that particularly interested me in the early days of this project — since I knew that jazz meant horns. (Matched glissando contours are one of the more intriguing technical aspects here.) [...] "-Todd McComb's Jazz Thoughts


Get additional information at Todd McComb's Jazz Thoughts

Artist Biographies:

"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
5/21/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in 1958, studying guitar at the Academy of Music Amateurs, in the 70s, with Prof. Nagy. In the late 70 studying bass at the Hot Club, in the early '80s, with Prof. Zé Eduardo.

"Intrigue and permanent and persistent unease with stringed instruments, jazz and improvisation itself. During the last forty years, in concert, in private or in the studio, I had the honor of having played and learned (chronologically) Nuno Grande, Armindo Neves, Emilio Robalo, Celso Carvalho, António Ferro, Arthur Costa, Ze Bitch John Vinegar, John Lucas, Francisco Medina, Abdul moimeme, Rashiim Ausar Sahu, Patrick Brennan, Rodrigo Amado, Scott Fields, Francisco Trindade, Ernesto Rodrigues, Harvey Sorgen and Joe Giardullo.

Today, honor me play (and perpetuate my restlessness) with Rodrigo Amado, Abdul moimeme, John Lucas, Joseph Bruno Parrinha, John Parrinha, João Pedro Viegas, Alipio Carvalho Neto, Gabriel Ferrandini, Ernesto Rodrigues, Armando Gonçalves Pereira, Hernani Faustino, Rodrigo Pinheiro, Zé Lencastre, Louis Desirat, Peter Castello Lopes, Luís Lopes, Luís Vicente, Philip Sousa, Pedro Roxo, Johannes Krieger, George Lamprey, Marcello Maggi, Paulo Curado, Diogo Leal, D' Incise, Virginia and Eduardo Chagas. With some of my friends. I share my musical day in broader bands or ensembles, with other I highlight specific musical encounters and they are my entire curriculum." "

-JACC Records (http://www.jacc-records.com/en/musicians/miguel-mira)
5/21/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Alvaro Rosso is a Portuguese double bassist, a member of Variable Geometry Orchestra, ZMVR 4tet, Orgonite, Croniques 3, and String Theory.

-Squidco 5/21/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Carlo Mascolo is an improviser musician with different skills and versatile languages. He plays jazz, world music, computer music and the creative music in the direction of research of new sound textures, from solo to the ensemble. Carlo Mascolo is the founder of the "Kerlox Dynamic Band - transcultural music" and he has been playing with the collective Embryo since 2006. He is the art director of the Free Flow Festival in Italy since 2012. As educator, he was teacher of Jazz Trombone at the Conservatory of music "Nino Rota" in Monopoli (Italy) and teacher of Brass at the ESNCM in Jerusalem, at the AlKamandjati music center and in the refugee camp of Al-Amari, Qalandia, Jenin and Nablus (Palestine) . He played in several festivals and many clubs in Europe and worldwide (Italy, Germany, Spain, Czech Republic, Belgium, Holland, Turkey, Palestine, Morocco, Colombia, Argentina, U.S.A., Portugal) with Embryo, Christian Burchard, Michele Lomuto, Gianni Lenoci, Steve Potts, Antonello Salis, Marcello Magliocchi, Mik Quantius, Lothar Stahl, Jens Pollheide, Lori Goldston, Nicola Guazzaloca, Suricato, Pacho Davila, Moktar Ghania, Allen Blairman, Yuri Parvenov, Abdul Moimeme, Yedo Gibson, Vasco Trilla, Jean- Marc Foussat, Luiz Rocha, Nicolas Chientaroli, Dirar Kalash, Mia Zabelka, Carlos Zingaro, Ada Rave, Renato Ferreira, George Hadow, Paulo Chagas, Okay Temiz, Hakan Ali Tocker, Marshall Allen, Charles Gayle and many others."

-Music Plus (https://www.muzicplus.it/en/productions/discography/my-tubes-carlo-mascolo.html)
5/21/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

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