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Amsterdam guitarist Raphael Vanoli in a solo record of discovery, hiper-amplifying his guitar so that slight motions create forceful statements, where gently blowing on the strings creates dynamics and harmonics rarely explored, effected to create complex sonic compositions with unique, unusual and fascinating properties.
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Catalog ID: SHH031CD
Squidco Product Code: 24460
Packaging: Cardboard Gatefold
Recorded live at the performing and arts forum, in Saint-Erme, France, by Carlos Dalla Fiore.
Recorded on location by Studio de Zwarte Molen.
Raphael Vanoli-electric guitar
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• Show Bio for Raphael Vanoli
"Amsterdam based guitarist, bassist, composer and improviser Raphael Vanoli has developed a musical voice of his own by being a versatile guitarist specialised in the usage of multiple electronic setups. By constantly experimenting with all possibilities of the guitar, he found and developed a technique that uses breath on the strings. Both in his solo music as well as in his many collaborations in the modern music world, his quest to blur the limit between electronic and acoustic sounds resolves into a singular language, sometimes with unheard colours. He performed all over Europe, Russia and Brazil.
Next to his solo work his main project is the critically acclaimed experimental post-rock duo KNALPOT with drummer Gerri Jäger and the (momentarily not very active) space-dub band STOLPERNOVA (with Omar Ka, Franz Hautzinger, Hilary Jeffery, Gerri Jäger).
Other bands and ensembles : Jameszoo, Zuco103, Krupa & The Genes, Lackritz, Regenorchester XV, Opositor, Tetzepi, Spinifex Orchestra, Slagwerk Groep Den Haag, Asko Schönberg Ensemble, Lunatree, David Kweksilber Bigband, amongst many others.
Musicians : Fred Frith, Louis Sclavis, Martin Brandlmayr, Manu Delago, Tony Buck, Franz Hautzinger, Hilary Jeffery, Teun Verbruggen, Jozef Dumoulin, Wolfert Brederode, Luc Ex, Mark Haanstra, Omar Ka, Frank Möbus, Achim Kaufmann, Michael Vatcher, Jorrit Dijkstra, Yuri Honing, Frank Rosaly, Guus Janssen, Peter van Bergen, Sanne van Hek, Ernst Glerum, Anton Goudsmit, Wolter Wierbos, Robert van Heumen, Eirikur Orri Olafsson, BC Manjunath, Wiek Hijmans, Seth Josel, Tatiana Koleva, Harry Spaarnay, Tony Malaby, Tomoko Mukayama,
He is also soloist and performer of contemporary classical music and has performed works by Louis Andriessen (Hout), Klaas de Vries, Steve Reich, Frederic Rzewski, Eivind Buene, Peter Adriaansz, Makoto Nomura.He creates music for film, wether live or in the studio and has collaborated with filmmakers such as Martha Colburn, Jochem de Vries, Sebastian Dias Morales.He studied jazz and classical guitar at the Conservatory of Amsterdam from 1999-2007, studying mainly with Maarten van der Grinten, Lydia Kennedy, Jack Pisters.
Labels include: Brainfeeder, Brilliant Classics, Clean Feed, Denovali, Eat Concrete, Karnatic Lab, Shhpuma."-Raphael Vanoli Website (http://raphaelvanoli.tumblr.com/bio)
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1. 99 5:38
2. Schicht 4:17
3. Lenz 4:06
4. Sandor 5:15
5. Perrine 5:23
6. Carlos 3:15
7. Eli 3:42
8. Enzo 5:03
9. Greg 7:10
sample the album:
"With the new Bibrax, guitarist Raphael Vanoli seems committed to subvert one of the most basic premises of our interpretation of reality, the proportional sequenciality of the relations between cause and effect. The sounds we hear are affirmative, composed, sometimes even inordinate, making us imagine a physical delivery and a gestuality with dramatic, theatrical, dimension.
Wrong: the modus operandi is another thing completely. The fingers only brush the strings, percuting it very slightly, with the weight of a feather (when it's not really a feather being used), due to the circumstance that the guitar is hiper-amplified. Everything done to it, even the most diminutive intervention, results in occurrences with huge volume and also in harmonics of intrincate complexity.
Considering that the music created with this procedure is often soft and dreamy, this implies a particularly careful administration of energy, the energy applied to produce sound and the energy of the produced sound, both different and both deceitful. But that's not all: on some of these pieces of short duration, Vanoli transforms the guitar into a... flute, by gently blowing the strings to vibrate them and explore the extreme sensivity of the instrument. This resource has wide meanings and consequences, mutating the nature of the music itself, making it breath as any real flute music would do.
Here is a recording that opens doors, discover possibilities and changes everything, destined to be a milestone of the innovations in process, in a time when it seemed that any musical plausibility was already fulfilled."-Shhpuma
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