A superb example of contemporary collective improvisation crossing from acoustic improvisation into electroacoustic material from the quartet of Joachim Badenhorst on clarinets, Susana Santos Silva on trumpet, Goncalo Almeida on double bass, keyboards & effects, and Greg Smith on drums & laptop, performing live at Jazzcase series Dommelhof, 2016.
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Label: Clean Feed
Catalog ID: CF433CD
Squidco Product Code: 24454
Packaging: Cardboard Gatefold
Recorded by Piet Vermonden at Jazzcase series Dommelhof, Neerpelt on the 21st January 2016
Joachim Badenhorst-clarinet, bass clarinet
Susana Santos Silva-trumpet
Goncalo Almeida-double bass, keys, effects, loops
Greg Smith-drums, electronics
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1. Metamorphosis I 13:06
2. Metamorphosis II 14:22
3. Metamorphosis III 8:39
4. Comacina Dreaming 5:08
5. Dark Corner 4:32
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sample the album:
"No other title could be more certain to describe the music played by this transnational band lead by the Portuguese double bassist and composer Gonçalo Almeida and having Joachim Badenhorst (once again, like on the previous "The Elephant's Journey") as special guest. In fact, everything is in permanent inner mutation along the three parts of the suite-like piece "Metamorphosis", but also the other two, "Comacina Dream" and "Dark Corner".
When you feel that the trio-turned-quartet functions in chamber jazz domain, the music goes to electro-acoustic territories. Now more than ever before (Almeida's loops and effects are added by some keyboards work, and Greg Smith doubles his drumkit with a laptop), and with a particular kind of approach with a dirty, full of sediments, organic use of electricity and electronics. But all the coordinates are still in balance - and balance is the key word to understand what Lama proposes us since the start.
In this case, balance with what Susana Santos Silva and Badenhorst give us, exploring the combined timbres of the trumpet and the clarinet along with the tonal, acoustic, possibilities at their disposition. They became one of the most exhilarating horn frontline of the moment, and that's an achievement in itself. Equilibrium is also to find someone with the performative capacities of Gonçalo Almeida choosing to make his partners shine."-Clean Feed
• Show Bio for Joachim Badenhorst
"Joachim Badenhorst (°1981 Antwerp) has been active in the experimental and improvised music scene in Europe and abroad for the past 15 years. Following his master degree in jazz studies at the Royal Conservatory of the Hague, he has since divided his time between Belgium and cities in the US and Europe, collaborating and recording with jazz and experimental music ensembles and artists, such as Han Bennink, Tony Malaby and Noël Akchoté while incessantly exploring the visceral elements of sound. His output ranges from solo improvisation to leading large formations, such as his own Carate Urio Orchestra.
Badenhorst is artistically interested in integrating ideas from various different art medias into his musical compositions. He also takes deep interest in revealing the inherent relation between contemporary and traditional musics, having collaborated with traditional musicians from Turkey and Japan, and toured in China with reinterpreted traditional Chinese music.
In recent years, Badenhorst is contemplating the evanescent site specificity of sound as well as the relation between space and sound. In recent years, his work has taken a deeper focus on composition, namely that of computerbased composition and processing. Through continual research and experiment, he delves into a reimagination of the boundaries between improvisation and composition, of abstract sound explorations and harmonic passage, and continues to attempt at a personal aesthetic language that interact with spaces and engage with different audiences.
Badenhorst appears on over 50 cd's on over 10 record labels. In 2012, he launched his own label KLEIN, as a creative platform to initiate collaborations, experiment and play with unconventional design, and as an outlet for fringe musical projects.
Since 2010 Badenhorst has been developing his solo programme consisting of improvisations and compositions for solo acoustic and electroacoustic wind instruments."-Joachim Badenhorst Website (http://joachimbadenhorst.com/bio_photo.html)
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• Show Bio for Susana Santos Silva
"Susana Santos Silva is a trumpeter, improviser and composer from Porto, Portugal.
She holds a Master Diploma in Jazz Performance '2010 from Codarts, Rotterdam, where she worked with Eric Vloeimans, Jarmo Hoogendijk and Wim Both.
She holds a Graduate Diploma in Jazz/Trumpet '2008 and in Trumpet '2004 from College of Music and Performing Arts in Porto, attending the last year of the course at the Staatliche Hochschule für Musik Karlsruhe in the class of Prof. Reinhold Friedrich, where she also had baroque trumpet lessons with Prof. Edward Tarr.
She is a member and co-founder of the Porto based jazz musicians association Porta-Jazz and it's label, Carimbo. With Coreto, an ensemble of musicians from this association led by João Pedro Brandão, she recorded in 2012 the first album of the label, 'Aljamia'. Two more were released after that, 'Mergulho' and 'Sem Chão'.
In 2011 she releases her first album as a leader of her own Quintet, 'Devil´s Dress' on Tone of a Pitch Records. With this band she played 12 Points Jazz Festival, Dublin in 2011. In 2015 she releases her second album as a leader, 'Impermanence' on Carimbo Porta-Jazz. Life and Other Transient Storms, her new project with Lotte Anker, Sten Sandell, Torbjörn Zetterberg and Jon Falt, premiered last year at Tampere jazz Happening and their new album is now out on Clean Feed Records.
Her other main projects include LAMA, a Rotterdam based trio with portuguese bassist Gonçalo Almeida and canadian drummer Greg Smith, 'Oneiros' (2011), 'Lamaçal' (2013) feat. Chris Speed and 'The Elephant's Journey' feat. Joachim Badenhorst (2015), all released on Clean Feed Records, a duo with swedish bassist Torbjörn Zetterberg, 'Almost Tomorrow' Clean Feed 2013, a duo with the slovenian pianist Kaja Draksler 'This Love' Clean Feed 2015, a duo with drummer Jorge Queijo 'Songs from my Backyard' Wasser Bassin 2013, a collaboration with the belgian trio De Beren Gieren, 'The Detour Fish' Clean Feed 2014, a trio with Torbjörn Zetterberg and the swedish organist Hampus Lindwall 'If Nothing Else' Clean Feed 2015 and a quartet with Christine Wodrascka, Christian Meaas Svendsen and Håkon Berre, 'Rasengan!' (Barefoot Records 2016).
She is also part of João Guimarães Octet, 'Zero' Toap 2014, Torbjörn Zetterberg 'Och Den Stora Frågan' Moserobie 2014, 'Om Liv & Död' Moserobie 2015, and Orquestra Jazz de Matosinhos, with whom she played and recorded with musicians as Lee Konitz, Kurt Rosenwinkel, Chris Cheek, Carla Bley, Steve Swallow, Maria Schneider, among many others.
She was a member of the European Movement Jazz Orchestra, with whom she played in Germany, Slovenia, Austria, Belgium, Portugal and Egipt. The orchestra recorded 'EMJO Live at Coimbra', released in 2011 on Clean Feed Records."-Susana Santos Silva Website (https://susanasantossilva.com/bio/)
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• Show Bio for Goncalo Almeida
"Gonçalo Almeida born in 1978 Lisbon, Portugal. Lives in Rotterdam, Netherlands, where he followed studies at Rotterdams Conservatorium, having studied with Heyn van Geyn, Stefan Lievestro, Marius Beets and Peter Leerdman, finishing his master degree in 2008.
Plays in a variety of projects that go from modern jazz, freejazz, jazzcore and free improvisation music, having shared the stage with improvisers such has Chris Speed, Carlos Zíngaro, Wilbert de Joode, Martin van Duynhoven, Fred Lonberg-Holm, Rodrigo Amado, Tobias Klein, Jasper Stadhouders among others.
Also has been working in collaboration with multi media such as video artists, modern dancers, poets, and theater makers.
In the main projects that he is involved as double bass player, he has a deep input as a composer."-Goncalo Almeida Website (http://gonzobass.wixsite.com/gonzoalmeida/biography)
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