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© 2002-2017, Squidco LLC


Laubrock, Ingrid (w/ Peter Evans, Peter / Dan Peck / Miya Masaoka / Miya / Tyshawn Sorey / Craig Tab (Intakt)

An all-star lineup and an exciting and unpredictable septet with a fascinating orchestration from saxophonist Ingrid Laubrock, also on glockenspiel, recording in the studio with a band presented at the 2015 Vision Festival in NY, with Peter Evans on trumpet, Miya Masaoka on koto, Craig Taborn on piano, Sam Pluta on electronics, Dan Peck on tuba, and Tyshawn Sorey on drums.
 

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product information:


UPC: 7640120192723

Label: Intakt
Catalog ID: Intakt 272
Squidco Product Code: 24119

Format: CD
Condition: New
Released: 2016
Country: Switzerland
Packaging: Jewel Case
Recorded at Systems Two, in Brooklyn, New York, on May 24th, 2016, by Joe Marciano.


Personnel:

Ingrid Laubrock-tenor saxophone, soprano saxophone, glockenspiel

Peter Evans-piccolo trumpet, trumpet

Miya Masaoka-koto

Craig Taborn-piano

Sam Pluta-electronics

Dan Peck-tuba

Tyshawn Sorey-drums

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Pothole Analytics Pt. 1 4:44

2. Pothole Analytics Pt. 2 5:42

3. Chip In Brain 12:31

4. Squirrels 15:15

5. Serpentines 15:20
Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
NY Downtown & Jazz/Improv
Septet recordings
Intakt
New in Improvised Music
Recent Releases and Best Sellers

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descriptions, reviews, &c.

"After relocating to Brooklyn in 2008 Ingrid Laubrock soon became a creative epicentre in the New York jazz scene, and is now one of the most significant voices in contemporary jazz. The new album Serpentines fits in Laubrock's musical cosmos, in which improvisational furore and compositional rigour, calculation and freedom, are intermingled. Laubrock grounded this formation with the unusual line-up having been given a carte blanche for the 2015 Vision Festival.

Florian Keller writes in the liner notes: "If we take the title's suggestion and use snake paths as graphs for the movement of this music, various distinctive characteristics can be determined. Via the crafty compositional and improvisational about-turns, the music spirals upwards, peaking in airy flights. Changes of direction, and rhythmic, melodic turning points drive the music on, and release dramatic potential." "-Intakt Records



"Another year, another upheaval in Ingrid Laubrock's music. Laubrock has always assembled impressive bands, each-despite some overlapping membership-standing as distinct sonic entities. They've also served as blazes along an increasingly challenging trail of development as a composer and band leader, with each new group Laubrock convenes digesting and incorporating the lessons and strategies of those before. The septet behind Serpentines is the latest blaze, a mix of past collaborators and new faces that has affinities with Laubrock's recent projects, but nevertheless bushwhacks into yet new territory.

Serpentines is a record of contrasts, shifting between spaciousness and density, concision and elaboration, restraint and virtuosity. These tensions are not the means to some cathartic resolution, but rather deliberate friction points that might spark novel musical ideas. Two unusual additions exemplify these contrasts well: Miya Masaoka's koto, a delicate Japanese instrument with hundreds of years of history, and Sam Pluta's electronics, which can feel as though they're beamed in from some time in the future. Those familiar with Pluta's ability to reshape Peter Evans's entire quintet will find him to be relatively discreet here, excepting a bizarre, fourth wall-breaking solo spot in "Squirrels" that will make you think your audio system is fried.

As with last year's Ubatuba, Laubrock's compositions roam between controlled atmospherics and loose schemes designed to provoke her cast of improvisers into bouts of jaunty, knotted counterpoint. "Pothole Analytics Pt. 2" spins simple canonical motifs into a whorl of complexity by allowing each musician to choose their own tempo, while stretches of "Squirrels" and "Serpentines" are dizzying accretions of strange timbres and spirited interplay. Florian Keller rightly focuses on the significance of the album's title in the liner notes: a writhing pile of snakes, Serpentines questions clean, linear approaches, favoring instead the unpredictable and the unexpected. In each of Serpentine'sfive pieces, no single moment betrays what will happen in the next.

At the other end of the spectrum, centerpiece "Chip in the Brain" has the ominous feel of a synth-heavy 80s horror soundtrack. Much like her octet's music, the number of musicians involved is misleading: Taborn, Masaoka, Sorey, and Laubrock on glockenspiel form a tight-knit pattern, feeling more like one element than four. Beneath, Peck and Pluta merge into a snoring, gurgling drone, while Evans's mournful trumpet drifts above it all. It's unlike anything else on Serpentines, or that we've heard from Laubrock before.

Closing on a beautiful duet of piano and koto, Serpentines is a record that demands to be played again; it's music that can be appreciated, but perhaps not fully understood after only one listen. It's a fitting and absorbing continuation of Laubrock's ongoing project: writing music that both excites and challenges some of the world's best improvisers. Happily, we listeners can be excited and challenged by it, too."-Dan Sorrells, The Free Jazz Collective


Get additional information at The Free Jazz Collective

Artist Biographies:

"Originally from Germany, Ingrid Laubrock resides in Brooklyn, NY. Between 1989 and 2009 she was active as a saxophonist and composer in London/UK. She performed and/or recorded with: Anthony Braxton, Dave Douglas, Kenny Wheeler, Jason Moran, Tim Berne, William Parker, Tom Rainey, Mary Halvorson, Kris Davis, Tyshawn Sorey, Craig Taborn, Luc Ex, Django Bates' Human Chain, The Continuum Ensemble and many others.

Ingrid's current projects as a leader are Anti-House, Sleepthief, Ingrid Laubrock Orchestra, Ingrid Laubrock Sextet and Ubatuba. Collaborations include LARK,Haste,Paradoxical Frog and Ingrid Laubrock/Tom Rainey Duo.She is a member of Anthony Braxton's Falling River Music Quartet, Nonet and 12+1tet, Tom Rainey Trio and Obbligato, Andrew Drury's Content Provider, Mary Halvorson Septet, Kris' Davis Quintet, Nate Wooley's Battle Pieces and Luc Ex' Assemblée. Ingrid was one of the featured soloists in Anthony Braxton's opera Trillium J.

Awards include the BBC Jazz Award for Innovation in 2004, a Fellowship in Jazz Composition by the Arts Foundation in 2006, the 2009 SWR German Radio Jazz Prize and the 2014 German Record Critics Quarterly Award. Commissions include Jammy Dodgers for jazz quintet and dancers (2006), Nonet music for Cheltenham Jazz Festival 2007, SWR New Jazz Meeting 2011 and "Vogelfrei", a piece for chamber orchestra (ACO/Tricentric Foundation). She won Rising Star/soprano saxophone in the 2015 in the 'Downbeat Annual Critics Poll and won the 'El Intruso Critics Poll for tenor saxophone in 2013. Ingrid was Improviser in Residence 2012 in the German city Moers. The post is created to introduce creative music into the city throughout the year. As part of this she led a regular improvisation ensemble and taught sound workshops in elementary schools. Other teaching experiences include improvisation workshops at Towson University, Guildhall School of Music and Drama, Baruch College, University of Michigan, University of Newcastle and many others."

-Ingrid Laubrock Website (http://ingridlaubrock.com/about.html)
10/11/2017

"Peter Evans is a trumpet player, and improvisor/composer based in New York City since 2003. Evans is part of a broad, hybridized scene of musical experimentation and his work cuts across a wide range of modern musical practices and traditions. Peter is committed to the simultaneously self-determining and collaborative nature of musical improvisation as a compositional tool, and works with an ever-expanding group of musicians and composers in the creation of new music. His primary groups as a leader are the Peter Evans Quintet and the Zebulon trio. In addition, Evans has been performing and recording solo trumpet music since 2002 and is widely recognized as a leading voice in the field, having released several recordings over the past decade. He is a member of the cooperative groups Pulverize the Sound (with Mike Pride and Tim Dahl) and Rocket Science (with Evan Parker, Craig Taborn and Sam Pluta) and is constantly experimenting and forming new configurations with like minded players. As a composer, he has been commissioned by the International Contemporary Ensemble (ICE), Yarn/Wire, the Donaueschingen Musiktage Festival, the Jerome Foundation's Emerging Artist Program, and the Doris Duke Foundation for the 2015 Newport Jazz Festival. Evans has presented and/or performed his works at major festivals worldwide and tours his own groups extensively. He has worked with some of the leading figures in new music: John Zorn, Kassa Overall, Jim Black, Weasel Walter, Levy Lorenzo, Nate Wooley, Steve Schick, Mary Halvorson, Joe McPhee, George Lewis, and performs with both ICE and the Wet Ink Ensemble. He has been releasing recordings on his own label, More is More, since 2011."

-Peter Evans Website (http://pevans.squarespace.com/about/)
10/11/2017

"Miya Masaoka, musician, composer, performance artist, has created works for koto, laser interfaces, laptop and video and written scores for ensembles, chamber orchestras and mixed choirs. In her performance pieces she has investigated the sound and movement of insects, as well as the physiological responses of plants, the human brain, and her own body. Within these varied contexts of sound, music and nature, her performance work emphasizes the interactive, live nature of improvisation, and reflects an individual, contemporary expression of Japanese gagaku aural gesturalism.

Masaoka's work has been presented in Japan, Canada, Europe, Eastern Europe and she has toured to India six times. Venues include V2 in Rotterdam, Cybertheater in Brussels, Elektronisch Festival in Groningen, the Cleveland Performance Art Festival, The Electronik Body Festival in Bratislava, Slovakia, Radio Bremen, Germany, Festival of Lights, Hyberadad, India, and the London Musicians Collective.

Since forming and directing the San Francisco Gagaku Society, Masaoka has been creating new ways of thinking about and performing on the Japanese koto. She has developed a virtuosic and innovative approach, including improvisation and expanding the instrument into a virtual space using computer, lasers, live sampling, and real time processing.

Masaoka has been developing koto interfaces with midi controllers since the 1980's originally with Tom Zimmerman, co-inventor of the Body Glove. Since then, she has she has worked at STEIM, Amsterdam, CNMAT, and with Donald Swearingen to build interfaces with the computer and koto, at times using pedals, light sensors, motion sensors and ultrasound. With the koto connected directly to her laptop, she records her playing live, and processes the samples in real time. This new koto is able to respond dynamically and interactively in a variety of musical environments, and improvise with the processed sounds."

-Miya Masaoka Website (http://www.miyamasaoka.com/about/bio/)
10/11/2017

"Craig Marvin Taborn (/ˈteɪˌbɔːrn/; born February 20, 1970) is an American pianist, organist, keyboardist and composer. He works solo and in bands, mostly playing various forms of jazz. He started playing piano and Moog synthesizer as an adolescent and was influenced at an early stage by a wide range of music, including by the freedom expressed in recordings of free jazz and contemporary classical music.

While at university, Taborn toured and recorded with jazz saxophonist James Carter. Taborn went on to play with numerous other musicians in electronic and acoustic settings, while also building a reputation as a solo pianist. He has a range of styles, and often adapts his playing to the nature of the instrument and the sounds that he can make it produce. His improvising, particularly for solo piano, often adopts a modular approach, in which he begins with small units of melody and rhythm and then develops them into larger forms and structures.

In 2011, Down Beat magazine chose Taborn as winner of the electric keyboard category, as well as rising star in both the piano and organ categories. By May 2016, Taborn had released six albums under his own name and appeared on more than eighty as a sideman."

-Wikipedia (https://en.wikipedia.org/wiki/Craig_Taborn)
10/11/2017

"Sam Pluta is a New York City-based composer, laptop improviser, electronics performer, and sound artist. Though his work has a wide breadth, his central focus is on the laptop as a performance instrument capable of sharing the stage with groups ranging from new music ensembles to world-class instrumental improvisers. By creating unique interactions of electronics, instruments, and sonic spaces, Pluta's vibrant musical universe fuses the traditionally separate sound worlds of acoustic instruments and electronics, creating sonic spaces which envelop the audience and resulting in a music focused on visceral interaction of instrumental performers with reactive computerized sound worlds. As a composer of instrumental music, Sam has written works for Wet Ink Ensemble, International Contemporary Ensemble, Yarn/Wire, Timetable Percussion, Mivos Quartet, RIOT Trio, Ensemble Dal Niente, Jessie Marino, Mantra Percussion, TAK, Dave Eggar, and Prism Saxophone Quartet. His compositions range from solo instrumental works to pieces for ensemble with electronics to compositions for large ensemble and orchestra. In addition to acoustic and electro-acoustic works, Pluta has written extensive solo electronic repertoire ranging from multi-channel acousmatic compositions to solo laptop works with video to laptop ensemble compositions for up to 15 players.

As an improviser, Sam has collaborated with some of the finest creative musicians in the world, including Peter Evans, Evan Parker, Ikue Mori, Craig Taborn, Jim Black, Anne La Berge, and George Lewis. Sam is a member of multiple improvisation-based ensembles, the jazz influenced Peter Evans Quintet, the free improvisation-based Rocket Science (with Evan Parker, Craig Taborn and Peter Evans), the analog synth and laptop duo exclusiveOr (with Jeff Snyder), his longstanding duo with Peter Evans, and the New York City-based power group Sonic Overload (with Jim Altieri, Dan Peck, Tom Blancarte, Peter Evans, and Jeff Snyder). Sam has also performed with the Evan Parker Electro-Acoustic Ensemble. With these various groups he has toured Europe and America and performed at major festivals and venues, such as the Lucerne Festival in Switzerland, the Moers and Donaueshingen Festivals in Germany, Bimhuis in Amsterdam, and The Vortex in London. Sam is the Technical Director for the Wet Ink Ensemble, a group for whom he is a member composer as well as principal electronics performer. As a performer of chamber music with Wet Ink and other groups, in addition to his own works, Sam has performed and premiered works by Peter Ablinger, Karlheinz Stockhausen, Katharina Rosenberger, George Lewis, Ben Hackbarth, Alvin Lucier, Chiyoko Szlavnics, Alex Mincek, Kate Soper, and Eric Wubbels among others.

Dr Pluta studied composition and electronic music at Columbia University, where he received his DMA in 2012. He received Masters degrees from the University of Birmingham in the UK and the University of Texas at Austin, and completed his undergraduate work at Santa Clara University. His principal teachers include George Lewis, Brad Garton, Tristan Murail, Fabien Levy, Scott Wilson, Jonty Harrison, Russell Pinkston, Lynn Shurtleff, and Bruce Pennycook. A dedicated pedagogue, Sam teaches Composing with Sound and Technology and Improvisation at Bennington College. From 2011-15 he directed the Electronic Music Studio at Manhattan School of Music, and has taught Music Humanities and The History of Sound Art at Columbia University. For the past 15 years he has taught composition, musicianship, electronic music, and an assortment of specialty courses at the Walden School, where he also serves as Director of Electronic Music and Academic Dean."

-Sam Pluta Website (http://www.sampluta.com/)
10/11/2017

"Dan is a tubist currently living and working in New York City. Since his move there in 2005, he has been active as a soloist, improviser, and sideman in a wide variety of settings. Dan's current interests are in experimental music and improvisation, and he has performed at many of New York City's most respected venues for creative music including The Stone, Roulette, and Issue Project Room. Dan has collaborated with many New York artists, including Tony Malaby, Nate Wooley, Michael Attias, Ben Gerstein, Tom Rainey, Peter Evans, Kris Davis, Ingrid Laubrock, and Matthew Welch. Recent projects include recordings with Tony Malaby's Novela (Clean Feed), Harris Eisenstadt's Canada Day Octet (482 Music), and Jeff Newell's New Trad Band. Dan will also be on a forthcoming Anthony Braxton release, featuring music from the Falling River Series in small ensembles from Wesleyan University.

Dan currently leads a trio comprised of himself, Tom Blancarte (bass) and Brian Osborne (percussion). The group plays a mix of freely improvised music and his compositions, some of which are influenced by music of the Doom Metal genre. Their debut LP, "Acid Soil", is out on the Heat Retention Records label. In March of 2011, the Trio completed a 9 day tour of the midwest/east coast.

Equally at home in more traditional jazz settings, Dan plays in the old-timey jazz band Grandpa Musselman and His Syncopators. The Syncopators appear frequently at high society events in and around New York City, and in 2007 took part in the Jazz at Aspen Festival, directed by bassist Christian McBride.

Dan also plays a lot of contemporary music. He has premiered solo tuba works at St. Bartholomew's Church, Merkin Hall, and The Stone. In 2009, Dan was featured as part of Kagel Nacht, a celebration of the music of composer Mauricio Kagel, in which he performed two of Kagel's solo works, Atem and Mirum. As an orchestral performer, Dan has played under great conductors such as James Levine and Herbert Blomstedt, and has worked personally with composers such as Helmut Lachenmann and Alvin Lucier. Dan is a member of the International Contemporary Ensemble, and has also worked with the American Composers Orchestra, Signal Ensemble, New York City Ballet, New World Symphony, and the Tanglewood Festival Orchestra. Dan recently recorded a DVD of Iannis Xenakis' chamber music for Mode Records, with the International Contemporary Ensemble and percussionist Steven Schick conducting.

Currently, Dan plays on the Broadway musical Chicago, and is adjunct-faculty at New Jersey City University."

-Dan Peck Website (http://danpeckmusic.com/bio.html)
10/11/2017

"Tyshawn Sorey (born July 8, 1980 in Newark, New Jersey) is an American musician and composer who plays drum set, percussion, trombone and piano.

Since graduating from William Paterson University, Sorey has been a sought-after musician in many different musical idioms. He is both a performer and composer, and has had works reviewed in The Wire, The New York Times, The Village Voice, Modern Drummer and Down Beat. In August 2009, Sorey was given the opportunity to curate a month of performances at the Stone, a New York performance space owned by John Zorn. He was selected as an Other Minds 17 (2012).

Sorey recently completed a Master of Arts in composition at Wesleyan University in Middletown, Connecticut. In the fall of 2011, he began pursuing doctoral work in composition at Columbia University.

To date, Sorey has released four albums as a leader: That/Not (2007, Firehouse 12 Records), Koan (2009, 482 Music), Oblique (2011, Pi Recordings) and Alloy (2014, Pi Recordings). He has recorded or performed with musicians including Wadada Leo Smith, Steve Coleman, Anthony Braxton, John Zorn, Steve Lehman, Joey Baron, Muhal Richard Abrams, Pete Robbins, Vijay Iyer, Dave Douglas, Butch Morris and Sylvie Courvoisier, among many others."

-Wikipedia (https://en.wikipedia.org/wiki/Tyshawn_Sorey)
10/11/2017

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