"Music for Three Rivers presents four improvisations (totaling 45 minutes) from British pianist Chris Burn's performance at the Festival International de Musique Actuelle de Victoriaville in May 1996, as well as five studio recordings f...
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Label: Les Disques Victo
Catalog ID: CD 050
Squidco Product Code: 24007
Packaging: Jewel Case
Tracks 1 and 4 recorded live at the 13th Festival International de Musique Actuelle de Victoriaville on 19 May 1996.
Tracks 5 to 9 recorded at the studio at Friends Meeting House studio, Welwyn Garden City, England, in February 1997.
Tracks 10/11 recorded live at the Conway Hall, London, in May 1995.
Chris Burn-piano, percussion, composer
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1. Storyfall 19:24
2. Music For Three Rivers 17:35
3. Winter Was Here 5:26
4. Helmut's Bag 2:14
5. Meditation Upon Fountain 2:57
6. Second Meditation Upon Fountain 4:24
7. Third Meditation Upon Fountain 1:31
8. The December Light 2:02
9. Tall Wind Dragging 1:13
10. Stinging 5:54
11. Touching Delta 5:54
descriptions, reviews, &c.
"Music for Three Rivers presents four improvisations (totaling 45 minutes) from British pianist Chris Burn's performance at the Festival International de Musique Actuelle de Victoriaville in May 1996, as well as five studio recordings from February 1997 and two pieces in concert at Conway Hall in London, May 1995. The previous solo piano CD released by the Victo label was by another British musician, Keith Tippett -- and Burn and Tippett are two opposite musicians, really. In comparison to the dramatic and intense Mujician pianist, Burn sounds a little dry and uninvolved. If his playing is not downright cold, it surely remains at a more cerebral than emotional level. The album starts with two long-range improvisations (19 and 18 minutes respectively). They sustain the listener's interest through the rich creativity and sound palette, as the pianist moves objects around the instrument's insides. The title track is one of the improviser's best recorded efforts, a captivating journey inside the piano, full of surprising sounds. Next there is a set of shorter pieces (one to six minutes) more closely exploring specific piano preparations. The longer cuts are more engaging, the shorter get a bit clinical, and the three "Meditation Upon Fountain" tracks are simply tiresome with their endlessly repeated tone clusters. It is hard to understand how these and the cinematic "Music for Three Rivers" could have come out of the same hands."-Francois Couture, All Music
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