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Bromander, Vilhelm : Oh Lord Give Me Strange (Creative Sources)

"Determined to prove a point. Swedish double bass player Vilhelm Bromander, known from Jonas Kullhammar's The New Kids On The Rock quartet and the more experimental The Agg, as well as his collaborations with pianists Sten Sandell and K...
 

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product information:


UPC: 5609063403725

Label: Creative Sources
Catalog ID: cs372
Squidco Product Code: 23880

Format: CD
Condition: New
Released: 2016
Country: Portugal
Packaging: Cardboard Gatefold
Recorded at KMH Studios in Stockholm, Sweden, on December 17th, 2015, by Anders Kampe and Erik Metall.


Personnel:

Vilhelm Bromander-double bass

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track listing:


1. Ten Variations On D 22:34

2. Oaktree 14:04
Related Categories of Interest:

Back Catalog Additions

Improvised Music
Free Improvisation
European Improv, Free Jazz & Related
Stringed Instruments
Solo Artist Recordings
Creative Sources
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descriptions, reviews, &c.

"Determined to prove a point. Swedish double bass player Vilhelm Bromander, known from Jonas Kullhammar's The New Kids On The Rock quartet and the more experimental The Agg, as well as his collaborations with pianists Sten Sandell and Klas Nervin, wanted to stress that what may be considered as seemingly static soundscapes can spread out and gives an illusion of their own sonic materiality. Bromander debut solo album "Oh lord give me strange" offers two minimalistic pieces, almost static ones, but there is always a subtle development, a nuanced, new layer of tones and overtones that emerge or resonance of the disciplined, tranquil flow of sounds that gets richer, varied and deeper. Bromander not only explores his bull fiddle and its wide spectrum of sonorities with an impressive array of extended bowing techniques but also suggests a new way of listening to music. The two pieces progress patiently with small, often by-passed , aural and physical details like sub-harmonicinterference, vibration, multiphonics and noise. "Ten Variations of D" is more meditative and monolithic, exploring a single tone with minimal variations, while the shorter "Oaktree" is more dynamic and explores different and often noisy aspects of the bass strings timbral spectrum. Still, the accumulated effect of this arresting journey into these deep-tones sounds is enlightening. The sound of the double bass becomes tangible, almost like a elastic entity that the artist can mutate and manipulate without harming its beautiful essence. Time is of no essence here, as if the music is played in a new, untimely and a strange, dream-state dimension."-Eyal Hareuveni, Salt Peanuts


 
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