The Squid's Ear Magazine

  Rapid SSL

  PayPal

  Mastercard

  Visa

  Discover

  American Express



© 2002-2017, Squidco LLC

Labrosse, Diane

Musique Pour Objets en Voie de Disparition [Used Item]

Labrosse, Diane : Musique Pour Objets en Voie de Disparition <i>[Used Item]</i> (Ambiances Magnetiques)

"Blindfolded" manipulations by Labrosse of recordings from an amazing set of Montreal improvisers to create eight flashbacks to a bygone daily sonic life.
 

Price: $6.95


Quantity:

In Stock


Shipping Weight: 2.00 units

Quantity in Basket: None

Log In to use our Wish List
product information:


UPC: 771028117024

Label: Ambiances Magnetiques
Catalog ID: AM 170
Squidco Product Code: 23278

Format: CD
Condition: VG+
Released: 2007
Country: Canada
Packaging: Cardstock foldover
This is a USED (previously owned) item

Personnel:

Marie-Soleil Bˇlanger

Jean Derome

Bernard Falaise

Lori Freedman

Diane Labrosse

Jean Renˇ

Pierre Tanguay

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Le réveille-matin à tic-tac 5:35

2. Le moulin à café manuel 3:07

3. Le magnétophone à ruban 4:25

4. Le téléphone à cadran rotatif 4:19

5. La télé noir et blanc 4:00

6. L'imprimante 6:14

7. Le répondeur à cassettes 4:28

8. Le percolateur électrique 10:38




Related Categories of Interest:

Ambiances Magnetiques
December 2007
Used CDs
Improvised Music
Electro-Acoustic
Organized Sound and Sample Based Music
Free Improvisation
Septet recordings
Used CD Alphabetic List

descriptions, reviews, &c.
Sealed overstock copy, brand new.


"Eight pieces like eight flashbacks to a bygone daily sonic life. A nostalgia-prone stroll down obsolescence lane. Eight pieces like eight memories and stories, true or fictional, happy or sad, in Technicolor or smell-o-rama.

+ 1. Night, snores, tick-tock, peace, dreams, drrrring! + 2. Desert, wind, sand, blues, pulleys, windmill, sun + 3. Play, unwind, rewind, clack, fast-forward, tape, a reedy voice + 4. Mystery, tension, clock, action, drama, ring... nobody! + 5. The fall of black and white in a "natural" context + 6. The printer_. Nostalgia for the future. Soon, it will be only virtual + 7. Messages left on cassettes, found in flea markets and bazaars, stories by "real" people. (Thanks to Shirley and Ginette) + 8. The hum of percolators, the gargles of coffee going up and down, music in smell-o-rama for a rainy morning.

This CD was entirely assembled without the consent of the musicians playing on it. I thank them for agreeing to record "blindfolded" and let me manipulate them as I pleased."-Diane Labrosse


Artist Biographies:

"Marie-Neige Besner performs on voice, & saxophone.

Marie-Neige Besner, a native of Salluit, Nunavik, who grew up in Maniwaki, in the Outaouais, is a multidisciplinary, multi-instrumentalist, singer and saxophone artist who combines Inuit throat singing with other forms of sound, Including literature as well. Since her arrival in Bas-Saint-Laurent in 2011, she has been present on the Rimouski literary scene as a slammer, storyteller and poetess before investing in music and photography. She is currently a member of the GGRIL (Large regional group of improvised liberation) and the duo Brugir with the musician Robin Servant."

-Supermusique Website (translated by Google) (http://www.supermusique.qc.ca/en/artistes/besner_ma/)
6/5/2017

"Jean Derome. Born Montréal, Québec, 1955. esidence: Montréal, Québec. Composer, Performer (saxophones (alto, baritone, soprano), flutes (flute, bass flute, piccolo, alto flute, recorders), keyboards, small wind instruments (ocarinas, jew's harp, game calls, toys...), percussion, invented instruments, voice)

One of the most active and eclectic musicians on the Canadian creative music scene, Jean Derome has managed to earn the recognition of a larger public, a rare feat in that field. Thanks to his large-scale musique actuelle projects, his compositions, his work as an improviser, his jazz groups and his music for the screen and the stage, Derome ranks as a major creative force, in Québec and abroad. He is experienced and innovative on both saxophone and flute, and his unique writing style cannot be mistaken for anyone else's. Sensitive and powerful, his music often features a funny strike that makes its complex nature more inviting.

Ever since Nébu (one of Québec's first avant-garde jazz groups) in the early '70s, Derome has been consistently renewing and diversifying his approach of composition. He impressed audience and critics first with the flute, then with the saxophone, as a lead character in the musique actuelle underground. He took part to the various artists' collectives looking for new ways to express themselves freely, without esthetic or social constraints, including the Ensemble de musique improvisée de Montréal. Later, in the early '80s, he co-founded Ambiances Magnétiques, a collective and record label that raised his profile at home and introduced his name to the outside world. Among his numerous projects, let us mention the duos Les Granules, Nous perçons les oreilles and Plinc! Plonc!, the dynamic group Jean Derome et les Dangereux Zhoms, and the large-scale projects Confitures de gagaku, Je me souviens - Hommage à Georges Perec and Canot-camping. Most of these projects are based on a unique form of synergy between composition, structured improvisation and genuine creative madness, all this articulated with unmatched playfulness. In 1992, Derome became the second artist to be presented with the Freddie Stone Award (bassist Lisle Ellis was the first).

Besides improvising on a regular basis with Ambiances Magnétiques' members and appearing in their projects, Derome has also shared the stage with several musicians of international stature, among others Fred Frith, Lars Hollmer, Louis Sclavis and Han Bennink. He performs regularly all over Canada, in the US and in Europe. He received a Prix Opus in 2001 for his exposure abroad.

Lately, jazz circles have been praising his undisputable qualities as a jazzman, thanks to the Thelonious Monk tribute project Évidence, the Normand Guilbeault Ensemble (whose Mingus Erectus CD is devoted to Charles Mingus' music), and the much-lauded Derome Guilbeault Tanguay Trio.

Although Jean Derome writes tirelessly for his own projects, he is much in demand in the fields of film, theatre and dance. A short list of this side of his work would have to include his numerous scores for the National Film Board of Canada (NFB), especially for films by John Walker, Jacques Leduc, Fernand Bélanger and animated films by Pierre Hébert, Michèle Cournoyer and Jean Detheux; his incidental music for Théâtre UBU, Théâtre de Quat'Sous and Théâtre du Nouveau Monde; not forgetting his work with several top choreographers, including Louise Bédard, Andrew de Lotbinière Harwood, Daniel Soulières and Ginette Laurin. Other music ensembles have commissioned works from him, including Tuyo, Bradyworks, the Hard Rubber Orchestra from Vancouver and Fanfare Pourpour. Incidentally, Derome is the musical director of the latter.

Over thirty years of music and 70 record credits later, Jean Derome still has sleeves bursting with tricks."

-ActuelleCD (http://www.actuellecd.com/en/bio/derome_je/)
6/5/2017

"Bernard Falaise. Born Montréal, Québec, 1965. Residence: Montréal, Québec. Composer, Performer (guitar).

Bernard Falaise was born in Montréal, where he currently lives. He plays electric guitar, composes and improvises - all with evident joy - for Miriodor, Klaxon Gueule, les Projectionnistes, Diesel and other groups. He has written for the Ensemble contemporain de Montréal (ECM), Quartango and the Isis Quartet, and has created music for exhibitions, television, the theatre and dance. Allergic to labels, Falaise explores acid rock, twelve-tone waltzes and industrial tangos with equal enthusiasm."

-ActuelleCD (http://www.actuellecd.com/en/bio/falaise_be/)
6/5/2017

"Lori Freedman. Born Toronto, Ontario, Canada, 1958. Residence: Montréal, Québec. Composer, Performer (clarinet, bass clarinet)

Qualified as "a musical revolutionary in the front ranks of the avant-garde" by Alex Varty of the Georgia Straight (Vancouver), Lori Freedman (clarinets) is internationally recognized as one of the most creative and provocative performers. She is a member of a select group known as "renaissance musicians" as her artistic activities cover many fields: performer of written music (well over one hundred works have been written for or premiered by her), composer, improviser, teacher, and on occasion, writer. While managing a full performance schedule of more than 75 public appearances a year, Freedman has been receiving commissions to write music for ensembles such as Orkestra Futura, Arraymusic Ensemble, Ensemble Transmission, Continuum Contemporary Music Ensemble, Ensemble SuperMusique, Ensemble Paramirabo, Upstream Orchestra, Queen Mab Trio, Crowbar Trio, Lott Dance, Oberlander Films, Foresite Theatre, Cooke Productions and Autumn Leaf Productions. Her current discography comprises over 59 recordings, the most recent of which include Greffes (Empreintes digitales), On No (Mode Records), Bridge (Collection QB), Plumb (Barnyard Records), 3 and À un moment donné (Ambiances Magnétiques), Huskless! (Artifact), See Saw and Thin Air (Wig). Highlight collaborations include work with Rohan de Saram, Barre Phillips, Helmut Lachenmann, Frances-Marie Uitti, Monique Jean, Joëlle Léandre, Axel Dörner, George Lewis, the Jack Quartet and Richard Barrett."

-ActuelleCD (http://www.actuellecd.com/en/bio/freedman_lo/)
6/5/2017

"Diane Labrosse. Born Montréal, Québec, 1950. Residence: Montréal, Québec. Composer, Performer (sampler, accordion, voice).

Working mainly with electronic samplers, Diane Labrosse has a very personnal approach to sounds, exploring different textures and timbres and creating an abstract but evocative music. She is a regular on several different music scenes and has performed at internationally known festivals of musique actuelle, electronic, avant-garde and improvised music all over the world (Canada, USA, Europe, Japan, Australia).

Her most recent projects take different forms: Endangered Species, a sound and visual installation/performance based on obsolete objects such as rotary dial phones and ticking alarmclocks; Dactylotactiles, performance for 3 typewriters and live video (Sébastien Cliche); Petit Bestiaire, naïve songs for a quintet (texts by Guy Marchamps); Sagesse pratique, a series of miniature pieces based on proverbs and O.V.N.I., a sign language for an improvising orchestra of variable sizes.

As a composer, using conventionnal or graphic scores, she wrote for many different ensembles: Array Music and The Burdocks (Toronto), L'Ensemble SuperMusique and Espaces Sonores Illimités (Montréal), NOW Orchestra and 999 years of Music, (Vancouver). She also wrote for less conventionnal instruments, such as ship horns (Harbour Symphonies), train whistles, air bottles and toy pianos. She worked with director Robert Lepage and co-signed (with percussionist Michel F Côté) the music for two of his plays: La Géométrie des miracles and Zulu Time.

As sound designer, she created music for dance (Louise Bédard, Crystal Pite, Andrew Harwood, Marc Boivin, Deborah Dunn, Catherine Tardif, Harold Rhéaume, Richard Siegal), film (Montréal vu par..., Pendant que les arbres tombent, L'Entrevue, Plan de fuite) and radio (Le Navire Night, Les Décrocheurs d'étoiles) and theatre (Nuit d'orage, Je suis d'un would-be pays, Bliss, 38 Contes shakespiriens...).

She has created multimedia installations for Danish company Tura-ya-moya (in situ performances in an old chalk mine), and Scottish-based Theatre Cryptic (Wall of Secrets in situ installation for 20 speakers) as well as the Centre de Musique Canadienne (a sound garden playing ramdom sound tracks on surround speakers).

In 1980, she founded Productions SuperMémé/SuperMusique with Joane Hétu and Danielle P Roger. She remained Co-Artistic Director of this company presenting many concerts and events of innovative music from 1980 to 2008. With long-time colleagues Hétu and Roger she created the groups Wondeur Brass, Justine, and Les Poules. She collaborated with many musicians such as Jean Derome, Pierre Tanguay, Michel F Côté, Martin Tétreault, Ikue Mori, Philippe Lauzier.

Her discography comprises more than 50 recordings mostly recorded on Montreal based label Ambiances Magnétiques. She has received several grants from Canada Arts Council as well as Conseil des arts et des lettres du Québec."

-ActuelleCD (http://www.actuellecd.com/en/bio/labrosse_di/)
6/5/2017

 
Recommended & Related Releases:

Other Recommended Releases:
Funf (Babin, Cornell, Crispo, Jacques...)
La Regle
(Ambiances Magnetiques)
Klaxon Gueule (Cote, Falaise, St-Onge)
Pour en finir
(Ambiances Magnetiques)
Tilting
Holy Seven
(Barnyard)



Customers Who Bought This Item Also Bought:
Nozen: Nisenson / Tanguay / Falaise / Mailloux
Live au Upstairs
(Malasartes)
Horvey, Amy
Interview
(Malasartes)
Tabassian / Martel / Tabassian
Masafat
(Ambiances Magnetiques)
Derome, Jean & Joane Hetu
Shaman - Nous percons les oreilles
(Ambiances Magnetiques)
Wiens, Rainer
Shadows of Forgotten Ancestors
(Ambiances Jazz)
Honsinger, Tristan & Massimo Simonini
Call Me Us
(I Dischi di Angelica)
Lerner / Brubeck / Fraser
Ugly Beauties
(Ambiances Magnetiques)
Cote / Ceccarelli
Vulgarites
(Ambiances Magnetiques)
Falaise, Bernard
Clic
(Ambiances Magnetiques)
Anandan, Ganesh / Gzowski, John
Shruti Project
(Ambiances Magnetiques)
Derome et les Dangereux Zhoms, Jean
To Continue
(Ambiances Magnetiques)
Fenaison
Plat
(Ambiances Magnetiques)
Schick, Ignaz / Dawid Szczesny
The View Underneath
(Non Visual Objects (NVO))
R/S (Rehberg / Schmickler)
One (Snow Mud Rain)
(erstwhile)
Fabbro, Guido Del
Agregats
(Ambiances Magnetiques)
Grosse Abfahrt
Erstes Luftschiffe Zu Kalifornien
(Creative Sources)
Tammen / Harth / Dahlgren / Rosen
Expedition: Live at The Knitting Factory
(ESP)
Ceccarelli, Isaiah
Lieux-dits
(Ambiances Magnetiques)
NIMBY
Songs for Adults
(Ad Hoc Records)
Massacre
Killing Time
(Recommended Records)
Guilbeault, Normand Ensemble
Mingus Erectus
(Ambiances Magnetiques)
Dimuzio, Thomas
Slew
(Recommended Records)
Various Artists
Angelica '96
(Angelica)

Search for other titles on the Ambiances Magnetiques label.