Search for other titles on the Ambiances Magnetiques label.
Beautiful, mysterious improvised compositions with spoken interludes, recorded live in March 2003 at the first Montréal/Nouvelles Musiques (MNM) festival.
Shipping Weight: 2.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Ambiances Magnetiques
Catalog ID: AM 162
Squidco Product Code: 23194
Packaging: Cardstock foldover
This is a USED (previously owned) item
Jean Derome-flutes, objects, soundtrack
Guillame Dostaler-piano, synthesizer
Joane Hetu-direction, voice, alto saxophone
Diane Labrosse-sampler, accordion
Pierre Tanquay-drums, objects
Gilles Derome-recorded narration
Click an artist name above to see in-stock items for that artist.
Highlight an instrument above
and click here to Search for albums with that instrument.
• Show Bio for Jean Derome
"Jean Derome. Born Montréal, Québec, 1955. esidence: Montréal, Québec. Composer, Performer (saxophones (alto, baritone, soprano), flutes (flute, bass flute, piccolo, alto flute, recorders), keyboards, small wind instruments (ocarinas, jew's harp, game calls, toys...), percussion, invented instruments, voice)
One of the most active and eclectic musicians on the Canadian creative music scene, Jean Derome has managed to earn the recognition of a larger public, a rare feat in that field. Thanks to his large-scale musique actuelle projects, his compositions, his work as an improviser, his jazz groups and his music for the screen and the stage, Derome ranks as a major creative force, in Québec and abroad. He is experienced and innovative on both saxophone and flute, and his unique writing style cannot be mistaken for anyone else's. Sensitive and powerful, his music often features a funny strike that makes its complex nature more inviting.
Ever since Nébu (one of Québec's first avant-garde jazz groups) in the early '70s, Derome has been consistently renewing and diversifying his approach of composition. He impressed audience and critics first with the flute, then with the saxophone, as a lead character in the musique actuelle underground. He took part to the various artists' collectives looking for new ways to express themselves freely, without esthetic or social constraints, including the Ensemble de musique improvisée de Montréal. Later, in the early '80s, he co-founded Ambiances Magnétiques, a collective and record label that raised his profile at home and introduced his name to the outside world. Among his numerous projects, let us mention the duos Les Granules, Nous perçons les oreilles and Plinc! Plonc!, the dynamic group Jean Derome et les Dangereux Zhoms, and the large-scale projects Confitures de gagaku, Je me souviens - Hommage à Georges Perec and Canot-camping. Most of these projects are based on a unique form of synergy between composition, structured improvisation and genuine creative madness, all this articulated with unmatched playfulness. In 1992, Derome became the second artist to be presented with the Freddie Stone Award (bassist Lisle Ellis was the first).
Besides improvising on a regular basis with Ambiances Magnétiques' members and appearing in their projects, Derome has also shared the stage with several musicians of international stature, among others Fred Frith, Lars Hollmer, Louis Sclavis and Han Bennink. He performs regularly all over Canada, in the US and in Europe. He received a Prix Opus in 2001 for his exposure abroad.
Lately, jazz circles have been praising his undisputable qualities as a jazzman, thanks to the Thelonious Monk tribute project Évidence, the Normand Guilbeault Ensemble (whose Mingus Erectus CD is devoted to Charles Mingus' music), and the much-lauded Derome Guilbeault Tanguay Trio.
Although Jean Derome writes tirelessly for his own projects, he is much in demand in the fields of film, theatre and dance. A short list of this side of his work would have to include his numerous scores for the National Film Board of Canada (NFB), especially for films by John Walker, Jacques Leduc, Fernand Bélanger and animated films by Pierre Hébert, Michèle Cournoyer and Jean Detheux; his incidental music for Théâtre UBU, Théâtre de Quat'Sous and Théâtre du Nouveau Monde; not forgetting his work with several top choreographers, including Louise Bédard, Andrew de Lotbinière Harwood, Daniel Soulières and Ginette Laurin. Other music ensembles have commissioned works from him, including Tuyo, Bradyworks, the Hard Rubber Orchestra from Vancouver and Fanfare Pourpour. Incidentally, Derome is the musical director of the latter.
Over thirty years of music and 70 record credits later, Jean Derome still has sleeves bursting with tricks."-ActuelleCD (http://www.actuellecd.com/en/bio/derome_je/)
^ Hide Bio for Jean Derome
• Show Bio for Joane Hetu
"Joane Hétu. Born Montréal, Québec, 1958. Residence: Montréal, Québec. Composer, Performer (alto saxophone, voice), Author/
It has been more than 30 years now since self-taught composer, vocalist and saxophonist Joane Hétu has been following her own highly distinctive path through the vast territory of creative, contemporary music. From her beginnings with song-based new-rock bands such as Wondeur Brass, Justine and Les Poules, Hétu turned to composition (the evocative triptych comprising Musique d'hiver, Filature and La femme territoire ou 21 fragments d'humus) and improvisation, more often than not combining both within her general approach to music. She has co-directed the Ensemble SuperMusique since its founding in 1998, as well as the weekly series Mercredimusics since 2002. More recently she gave birth to La chorale bruitiste Joker (2012). Joane Hétu was awarded the prestigious Freddie Stone Award in 2006."-ActuelleCD (http://www.actuellecd.com/en/bio/hetu_jo/)
^ Hide Bio for Joane Hetu
• Show Bio for Lori Freedman
"Lori Freedman. Born Toronto, Ontario, Canada, 1958. Residence: Montréal, Québec. Composer, Performer (clarinet, bass clarinet)
Qualified as "a musical revolutionary in the front ranks of the avant-garde" by Alex Varty of the Georgia Straight (Vancouver), Lori Freedman (clarinets) is internationally recognized as one of the most creative and provocative performers. She is a member of a select group known as "renaissance musicians" as her artistic activities cover many fields: performer of written music (well over one hundred works have been written for or premiered by her), composer, improviser, teacher, and on occasion, writer. While managing a full performance schedule of more than 75 public appearances a year, Freedman has been receiving commissions to write music for ensembles such as Orkestra Futura, Arraymusic Ensemble, Ensemble Transmission, Continuum Contemporary Music Ensemble, Ensemble SuperMusique, Ensemble Paramirabo, Upstream Orchestra, Queen Mab Trio, Crowbar Trio, Lott Dance, Oberlander Films, Foresite Theatre, Cooke Productions and Autumn Leaf Productions. Her current discography comprises over 59 recordings, the most recent of which include Greffes (Empreintes digitales), On No (Mode Records), Bridge (Collection QB), Plumb (Barnyard Records), 3 and À un moment donné (Ambiances Magnétiques), Huskless! (Artifact), See Saw and Thin Air (Wig). Highlight collaborations include work with Rohan de Saram, Barre Phillips, Helmut Lachenmann, Frances-Marie Uitti, Monique Jean, Joëlle Léandre, Axel Dörner, George Lewis, the Jack Quartet and Richard Barrett."-ActuelleCD (http://www.actuellecd.com/en/bio/freedman_lo/)
^ Hide Bio for Lori Freedman
• Show Bio for Diane Labrosse
"Diane Labrosse. Born Montréal, Québec, 1950. Residence: Montréal, Québec. Composer, Performer (sampler, accordion, voice).
Working mainly with electronic samplers, Diane Labrosse has a very personnal approach to sounds, exploring different textures and timbres and creating an abstract but evocative music. She is a regular on several different music scenes and has performed at internationally known festivals of musique actuelle, electronic, avant-garde and improvised music all over the world (Canada, USA, Europe, Japan, Australia).
Her most recent projects take different forms: Endangered Species, a sound and visual installation/performance based on obsolete objects such as rotary dial phones and ticking alarmclocks; Dactylotactiles, performance for 3 typewriters and live video (Sébastien Cliche); Petit Bestiaire, naïve songs for a quintet (texts by Guy Marchamps); Sagesse pratique, a series of miniature pieces based on proverbs and O.V.N.I., a sign language for an improvising orchestra of variable sizes.
As a composer, using conventionnal or graphic scores, she wrote for many different ensembles: Array Music and The Burdocks (Toronto), L'Ensemble SuperMusique and Espaces Sonores Illimités (Montréal), NOW Orchestra and 999 years of Music, (Vancouver). She also wrote for less conventionnal instruments, such as ship horns (Harbour Symphonies), train whistles, air bottles and toy pianos. She worked with director Robert Lepage and co-signed (with percussionist Michel F Côté) the music for two of his plays: La Géométrie des miracles and Zulu Time.
As sound designer, she created music for dance (Louise Bédard, Crystal Pite, Andrew Harwood, Marc Boivin, Deborah Dunn, Catherine Tardif, Harold Rhéaume, Richard Siegal), film (Montréal vu par..., Pendant que les arbres tombent, L'Entrevue, Plan de fuite) and radio (Le Navire Night, Les Décrocheurs d'étoiles) and theatre (Nuit d'orage, Je suis d'un would-be pays, Bliss, 38 Contes shakespiriens...).
She has created multimedia installations for Danish company Tura-ya-moya (in situ performances in an old chalk mine), and Scottish-based Theatre Cryptic (Wall of Secrets in situ installation for 20 speakers) as well as the Centre de Musique Canadienne (a sound garden playing ramdom sound tracks on surround speakers).
In 1980, she founded Productions SuperMémé/SuperMusique with Joane Hétu and Danielle P Roger. She remained Co-Artistic Director of this company presenting many concerts and events of innovative music from 1980 to 2008. With long-time colleagues Hétu and Roger she created the groups Wondeur Brass, Justine, and Les Poules. She collaborated with many musicians such as Jean Derome, Pierre Tanguay, Michel F Côté, Martin Tétreault, Ikue Mori, Philippe Lauzier.
Her discography comprises more than 50 recordings mostly recorded on Montreal based label Ambiances Magnétiques. She has received several grants from Canada Arts Council as well as Conseil des arts et des lettres du Québec."-ActuelleCD (http://www.actuellecd.com/en/bio/labrosse_di/)
^ Hide Bio for Diane Labrosse
• Show Bio for Martin Tetreault
"Martin Tétreault. Born Saint-Jean-Baptiste-de-Rouville, Québec, 1957. Residence: Montréal, Québec. Composer, Performer (turntable), Artist.
Martin Tétreault is an internationally-renowned sound artist based in Montréal. He is a leading figure in improvisation using turntables, unusual vinyl surfaces and objects. Tétreault's trajectory includes various productions on compact disc and live performances with a range of collaborators: Diane Labrosse, René Lussier, Érik M, Michel F Côté, i8u, Otomo Yoshihide, Xavier Charles, Kid Koala, and many more. He is the composer and director of a turntable quartet Quatuor de tourne-disques founded in 2006. His work has appeared under several labels including Ambiances magnétiques, Erstwhile, Japanimprov, Oral, Victo and Vand'œuvre. Commissioned for music, dance, theatre, poetry and installation, Tétreault has been the recipient of many grants and awards."-ActuelleCD (http://www.actuellecd.com/en/bio/tetreault_ma/)
^ Hide Bio for Martin Tetreault
1. Joyeux Temps 7:02
2. Joyeux Temps 2 5:14
3. Joyeux Temps 3 4:01
4. Etre Dans Le Vent 6:46
5. Etre Dans Le Vent 2 3:42
6. Etre Dans Le Vent 3 4:00
7. Etre Dans Le Vent 4 4:16
8. La Marmotte 10:38
9. La Marmotte 2 2:01
10. Calcium Sloche 6:40
11. Calcium Sloche 2 5:20
12. Calcium Sloche 3 3:46
13. Calcium Sloche 4 3:59
descriptions, reviews, &c.
Sealed overstock copy, brand new.
" "Nouvelle musique d'hiver" consists of four movements in which musicians improvise from a canvas and compositional design. - 1. Joyeux temps; evocation of the first snowfalls and the Holiday season - 2. Être dans le vent; a tribute to wind and fire - 3. La marmotte; hibernation, boredom and pleasure - 4. Calcium sloche; a blend of end-of-winter madness and springtime activity.
In "Nouvelle musique d'hiver," Hétu is amplifying the microscopic aspect of natural sounds and integrating them to the sporadic interventions from electronic and pre-recorded sounds, and the pre-recorded recitation. Abandoning the melodic and tonal nature of the first installment, Hétu has produced an evocation of winter sounds set in a stripped-down sonic amalgam - a real audio documentary about winter.
"Nouvelle musique d'hiver" was recorded live in March 2003 by Bernard Grenon at the Musée d'art contemporain de Montréal, during the first Montréal/Nouvelles Musiques (MNM) festival. The work was performed by Ensemble SuperMusique, consisting of Jean Derome, Guillaume Dostaler, Joane Hétu, Diane Labrosse, Pierre Tanguay (all featured on the first installment), and also Lori Freedman, Martin Tétreault and Gilles Derome."-Ambiances Magnetiques
Related Categories of Interest:
Objects and Home-made Instruments
Used CD Alphabetic List
Search for other titles on the Ambiances Magnetiques label.