Live recordings and Derome's first release under his own name, inspired by Japanese magic squares and haikus, and performed in a group including Actuelle collective members Pierre Tanguay and Pierre Cartier.
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Catalog ID: cd 05
Squidco Product Code: 23127
Packaging: Jewel Tray
This is a USED (previously owned) item
Jean Derome-alto sax, flute, bass flute, voice
Catherine Dostaler-alto sax, DX 100, flute
Guillaume Dostaler-piano, JX 3P
Allan Laforest-flute, piccolo
Robert Lepage-clarinet, bass clarinet
Jean-Denis Levasseur-alto sax, clarinet, bass clarinet
Pierre Olivier-sound technician
Pierre Tanguay-drums, percussion
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"Confitures de Gagaku ("Gagaku Jam" or "Gagaku Preserves") was Jean Derome's first album under his own name. The idea for this project, inspired by Japanese gagaku, magic squares, and haïkus, dates back to 1983. Over the next five years, Derome composed the 11 pieces that would come together on this album. Some, such as "Saturne" and "Oiseaux," were first recorded for his duo albums with René Lussier. Derome recorded Confitures de Gagaku in Winter 1988 with an 11-piece ensemble made of flutes, clarinets, saxophones, keyboards (piano and synthesizers), double bass, percussion, and vocals. Some names are regulars of the Ambiances Magnétiques stables: Pierre Cartier, Guillaume Dostaler, Robert M. Lepage, Jean-Denis Levasseur, Pierre Tanguay. Others are less usual contributors and one must point out the presence of jazz singer Karen Young who plays a central role in the project, delicately giving life to the haïkus. Confitures de Gagaku is not Japanese music and does not sound the least exotic for that matter. This is musique actuelle of the purest Montreal brand, only it is less frenetic than usual: slower pace, bigger place for silence, more meditative. But "Nouveaux Oiseaux" is a typical angular-bouncy Derome melody. Somewhere between jazz, contemporary classical, and Fred Frith's softer projects, Confitures de Gagaku, albeit occasional lengths ("Lonely Eye Can't See," for example), was a very strong debut, inhabited by a calm atmosphere one will rarely find again in Derome's works. The album was recorded direct to two digital tracks with one stereo microphone. Surprisingly, sound quality is very good."-François Couture, All Music
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