A Downtown NY quartet of drummer percussionists--Carlos Costa, Flin van Hemmen, Max Jaffe, and David Grollman--all active in the NY improv scene, here merging for an album of unique approaches to their instruments, from thunderous drones to curious experiments.
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Label: Wee Space Tapes
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Squidco Product Code: 22977
Recorded at Firehouse Space in Brooklyn, New York, by Justin Frye.
Carlo Costa-drums, percussion
Flin van Hemmen-drums, percussion
Max Jaffe-drums, percussion
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A Downtown NY quartet of drummer percussionists--Carlo Costa, Flin van Hemmen, Max Jaffe, and David Grollman--all active in the NY improv scene, here merging for an album of unique approaches to their instruments, from thunderous drones to curious experiments.
• Show Bio for Carlo Costa
"Percussionist and composer Carlo Costa was born in Rome, Italy. In 2001 he moved to Boston to study music. Since 2005 he has been living in New York City where he regularly performs as a leader and co-leader of various projects, as well as a sideman. Carlo is currently primarily involved with experimental and improvised music and is an active composer for his ensembles and ad hoc projects. He has performed throughout Europe and the US in a wide variety of contexts.
Carlo currently leads or co-leads Natura Morta (a trio with violist Frantz Loriot and bassist Sean Ali), the Carlo Costa Quartet (with trombonist Steve Swell, saxophonist Jonathan Moritz and bassist Sean Ali), Earth Tongues (with trumpeter Joe Moffett and tubist Dan Peck), the large ensemble Acustica, the trio Ancient Enemies (with alto saxophonist Nathaniel Morgan and violist Joanna Mattrey), and a solo percussion project. In November 2014 Carlo launched the record label Neither/Nor Records which is dedicated to experimental and improvised music."-Carlo Costa Website (http://www.carlocostamusic.com/carlocostamusic/biography.html)
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• Show Bio for Flin van Hemmen
"Flin van Hemmen is widely regarded as a versatile drummer and composer with a keen ear and a commanding presence. Flin has reached beyond the modern jazz audience, inspiring listeners of all backgrounds by exploring the drums as a melodic instrument as much as a dynamic force. Since moving to NY in 2009 he has become an important presence in the 'downtown' jazz and improv scene, playing with such people as Tony malaby and Kris Davis, as well as being a part of the 'Promnight Records' scene. Flin has recently toured with Tony Malaby's Paloma Recio (w/ Drew Gress and Ben Monder) in Europe, Eivind Opsvik's Overseas (w/ Jacob Sacks, Brandon Seabrook, Tony Malaby), Harmen Fraanje's trio in Vietnam, Robin Verheyen's quartet in Switzerland, and Bram deLooze's 'Septych'.
Born in Nijmegen, the Netherlands, Flin played guitar before switching to drums and then moved to Amsterdam at age 18. There he forged many strong musical and personal relationships most notably with fellow young musicians Harmen Fraanje, Robin Verheyen, and Clemens van der Feen with whom he formed Narcissus. This band has released two records for 'de WERF' and continues to be an active presence in Europe. Today Flin remains active on both sides of the Atlantic, honing his skills as an improvisor and taking a serious interest into composing. Currently he is launching his debut CD 'Drums of Days' consisting of Eivind Opsvik and Todd Neufeld, in which he plays piano as well as drums. Here his body of compositions comes to life. Other projects co-lead projects include: LathanFlinAli (w/ Lathan Hardy and Sean Ali), Costa/vanHemmen duo, Narcissus, While We Still Have Bodies, Gestures (w/Eliot Cardinaux), and plays solo concerts. Flin has performed/recorded with: Todd Neufeld, Frantz Loriot, Mat Maneri, Thomas Morgan, Ben Gerstein, Michael Moore, Joe Moffett, Sean Ali, Harmen Fraanje, Kris Davis, Tony Malaby, Pascal Niggenkemper, JP Schlegelmilch, Eivind Opsvik, Lathan Hardy, Kenny Warren, Ralph Alessi, Robin Verheyen, Daniel Levin, Brandon Seabrook, Franz von Chossy, Carlo Costa, Yoni Kretzmer, Jesse Stacken, Patrick Breiner, Eliot Cardinaux, Roberto Pianca, Jacob Sacks and many others.-Flin van Hemmen Website (http://www.flinvanhemmen.com/bio)
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• Show Bio for Max Jaffe
"Max Jaffe is a drummer and composer based in Brooklyn, NY. He is a versatile musician with a particular dedication to the grey areas between established genres. Originally hailing from the San Francisco Bay Area, he began learning how to play drums from his father by the age of 6 and was performing in the Bay Area by the time he was an adolescent. Jaffe descended upon New York City in 2007 to attend the New School for Jazz and Contemporary Music, where he studied with Amir Ziv, Gerry Hemingway, John Hollenbeck, Jane Ira Bloom, Reggie Workman, and Tyshawn Sorey. After earning his B.F.A., he committed himself to engaging with the thriving and creative musical community in Brooklyn. He is a founding member of JOBS, with whom he composes and sings, as well as plays drums. He has also been fortunate to collaborate and tour with Normal Love, Leverage Models, Unnatural Ways, The Dreebs, Man Forever, Vape Drip, In One Wind, David Wax Museum, Chives, and Steven Lugerner. In addition, he has shared the stage with many talented and respected musicians including Shahzad Ismaily, Aaron Roche, Amir Ziv, Jessica Pavone, Brandon Seabrook, Tim Dahl, Ava Mendoza, Kid Millions, Brandon Lopez, Jordan McLean (Antibalas/FELA! The Musical), Kenny Wollesen, Greg Saunier (Deerhoof), Steve Marion (Delicate Steve), Seth Olinsky (Akron/Family, Cy Dune), and Doug Wieselman, to name but a few. The biggest compliment he's ever received was when some kid told him after a show "That was the most soulful noise music I've ever heard". That was nice."-Max Jaffe Tumblr Site (http://maxjhinjaffe.tumblr.com/about)
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• Show Bio for David Grollman
"David Grollman is a percussionist from NYC who performs freely improvised music. He performs in art galleries, tiki bars, and venues of curious ambience made more curious by his mongrel sounds. David bows, scrapes, blows, slaps, rubs, caresses, abuses, and generally tests the limits of his instrument. Anything is game. Anything may be a participant if the musical conversation calls for it. Artist, instrument, audience, and environment become ambiguous terms, conspiring in a theatrical exploration of chance dynamics and serendipitous exchanges."-David Grollman 5/19/2017
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