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Lipchitz: Lipchitz [CASSETTE] (Wee Space Tapes)


An unusual duo of voice and percussion from New York City percussionist David Grollman (Prom Night, Wee Tapes) and vocalist Ryan Krause, using space, dynamics and acoustic to create improvised works that range from atmospherically tonal to bizarrely interactive.
 

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product information:


Label: Wee Space Tapes
Catalog ID: none
Squidco Product Code: 22976

Format: CASSETTE
Condition: New
Released: 2016
Country: USA
Packaging: Cassette
Recorded at Orchard street, New York City in October, 2014, by the artists.


Personnel:

Ryan Krause-voice

David Grollman-snare drum, objects

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track listing:


SIDE A



1. Blimp Shtick

2. Eclipses_Polyps

SIDE B



1. Copper Squirter

2. Push It




Related Categories of Interest:


Cassette
Improvised Music
Free Improvisation
European Improv, Free Jazz & Related
Duo Recordings
Percussion & Drums
Unusual Vocal Forms
New in Improvised Music
Recent Releases and Best Sellers

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descriptions, reviews, &c.

An unusual duo of voice and percussion from New York City percussionist David Grollman (Prom Night, Wee Tapes) and vocalist Ryan Krause, using space, dynamics and acoustic to create improvised works that range from atmospherically tonal to bizarrely interactive.


Artist Biographies:

"Ryan Krause is a musician based in Ridgewood, New York, where he works as a performer, composer, MC, and bandleader. His work largely focuses on the human voice, with contexts ranging from performance art and experimental opera to rapping and stand up comedy, conceptual karaoke and improvised dance music. Krause studied Composition at the New England Conservatory and Literature at CUNY-Hunter. He's currently one half of the duo Lipchitz and frontperson of the big band Dear Leader."

-Alt_Break (http://altbreakartfair.org/our-artists/)
3/23/2017

"David Grollman is a percussionist from NYC who performs freely improvised music. He performs in art galleries, tiki bars, and venues of curious ambience made more curious by his mongrel sounds. David bows, scrapes, blows, slaps, rubs, caresses, abuses, and generally tests the limits of his instrument. Anything is game. Anything may be a participant if the musical conversation calls for it. Artist, instrument, audience, and environment become ambiguous terms, conspiring in a theatrical exploration of chance dynamics and serendipitous exchanges."

-David Grollman 3/23/2017

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