The Squid's Ear Magazine


Chadbourne, Eugene : There'll Be No Tears Tonight (Corbett vs. Dempsey)

A much-needed reissue of Eugene Chadbourne's ground-breaking free country improv album recorded in NYC with a great Downtown NY lineup including Tom Cora, John Zorn, Scott Manring, and David Licht, performing twisted takes on classics by Paycheck, Haggard, Miller, &c.
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Eugene Chadbourne-acoustic, electric guitars, electric dobro, vocals

Scott Manring-lap steel, lap dobro

Robbie Link-acoustic bass

Tom Cora-cello

John Zorn-alto saxophone, soprano saxophone, baritone saxophone, clarinet, bird calls, backup vocals

David Licht-percussion, drums


Click an artist name above to see in-stock items for that artist.




UPC: B01MR1BK5G

Label: Corbett vs. Dempsey
Catalog ID: CvsDCD030
Squidco Product Code: 22703

Format: CD
Condition: New
Released: 2016
Country: USA
Packaging: Cardboard foldover
Tracks 1-7 and 12-13 recorded at Dick Charles Studio, in New York City, March, 1980.

Tracks 8-11 recorded at Ron Schrank Studios, in Greensboro, North Carolina, June, 1980.

Track 14 recorded live at Jot Em Down Cafe, in Greensboro, North Carolina.

Track 15 recorded live at the Richmond Artists' Workshop, Richmond, Virginia, June 1980.

Descriptions, Reviews, &c.

"One of the absolute essentials of Chadbourne's oeuvre, what he described as "free improvised country & western bebop," featuring his frantic, skewed interpretations of classic songs such as Merle Haggard's "Swingin' Doors," Roger Miller's "The Last Word in Lonesome is Me," and Willie Nelson's "Mr. Record Man," There'll Be No Tears Tonight was recorded in Spring of 1980. Its lineup includes Chadbourne on acoustic and electric guitar and voice, Tom Cora on cello, John Zorn on saxophones, clarinet, and birdcalls, David Licht on percussion, with another set of songs featuring Doctor Chad on electric dobro and singing, with Scott Manring on lap steel and lap dobro, Robbie Link on acoustic bass, Dennis Licht on percussion, and David Licht on drum set.

For the guitarist's solo Johnny Paycheck medley alone, this would be worth the price of admission, but the whole show is built on lightning fast juxtaposition and hilarious interjection. Though it was once released on CD, it's been out of print for years, and here is given the royal treatment, with facsimile repro cover, new photos from the sessions, remastered from original tapes, and an additional 26-minute track titled "Richmond Dobro Massacre." In this deluxe reissue, Tears remains one of the best free song outings ever made and is a must for every home."-Corbett Vs. Dempsey


Artist Biographies

"A seemingly endless -- and endlessly eclectic -- series of releases made the innovative guitarist Eugene Chadbourne one of the underground community's most well-known and well-regarded eccentrics. Born January 4, 1954 in Mount Vernon, NY, Chadbourne was raised in Boulder, CO, by his mother, a refugee of the Nazi death camps. At the age of 11, the Beatles inspired him to learn guitar; later exposure to Jimi Hendrix prompted him to begin experimenting with distortion pedals and fuzzboxes. Ultimately, however, he became dissatisfied with the conventions of rock and pop, and traded in his electric guitar for an acoustic one, on which he began to learn to play bottleneck blues.

Perhaps Chadbourne's most significant formative discovery was jazz; initially drawn to John Coltrane and Roland Kirk, he later became an acolyte of the avant excursions of Derek Bailey and Anthony Braxton. Despite the huge influence music exerted over his life, however, Chadbourne first studied to become a journalist, but his career was derailed when he fled to Canada rather than fight in Vietnam; only President Jimmy Carter's declaration of amnesty for conscientious objectors allowed the vociferously left-wing Chadbourne to return to the U.S. in 1976, at which time he plunged headlong into the New York downtown music scene. After releasing his 1976 debut, Solo Acoustic Guitar, he began collaborating on purely improvisational music with the visionary saxophonist John Zorn and the acclaimed guitarist Henry Kaiser.

Quickly, Chadbourne carved out a singular style, comprised of equal parts protest music, free improvisation, and avant-garde jazz, topped off with his absurd, squeaky vocals. A complete list of Chadbourne's countless subsequent collaborations and genre workouts is far too lengthy and detailed to exhaustively document, although in the early '80s he garnered some of his first significant attention as the frontman of Shockabilly, a demented rockabilly revisionist outfit which also featured the well-known producer Kramer. Following the group's breakup, Chadbourne turned to his own idiosyncratic brand of country and folk, accurately dubbed LSD C&W on a 1987 release, the same year he joined the members of Camper Van Beethoven for a one-off covers project. In addition, he recorded with artists ranging from Fred Frith and Elliott Sharp to Evan Johns and Jimmy Carl Black, the original drummer in the Mothers of Invention; in between, he continued exploring unique styles inspired by music from the four corners of the globe, all the while issuing a seemingly innumerable string of records, most of them on his own Parachute label."

-All Music (http://www.allmusic.com/artist/eugene-chadbourne-mn0000172925/biography)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Thomas Henry Corra (September 14, 1953 - April 9, 1998), better known as Tom Cora, was an American cellist and composer, best known for his improvisational performances in the field of experimental jazz and rock. He recorded with John Zorn, Butch Morris, and The Ex, and was a member of Curlew, Third Person and Skeleton Crew.

Tom Cora was born in Yancey Mills, Virginia, United States. He made his musical debut as drummer on a local television program and in the mid-1970s he played guitar for a Washington, D.C. jazz club house band. He took up the cello while an undergraduate at the University of Virginia and studied with cellist Pablo Casals' student Luis Garcia-Renart and later with vibraphonist Karl Berger. During this time he formed his own group, The Moose Skowron Tuned Metal Ensemble and began constructing instruments for it.

In 1979 Cora moved to New York City where he worked with Shockabilly guitarist Eugene Chadbourne, introducing the cello to the honky tonk circuits of North America. He performed at improvising clubs and venues in New York with John Zorn, Fred Frith, Andrea Centazzo, Butch Morris, Wayne Horvitz, David Moss, Toshinori Kondo and others. Cora also collaborated with George Cartwright and Bill Laswell which led to the formation of the art rock band Curlew in 1979 . Cora remained with Curlew for over ten years and appeared on five of their albums.

In 1982 Tom Cora and Fred Frith formed Skeleton Crew, an improvising rock and jazz band best known for their live performances where they played various instruments simultaneously. Cora and Frith were each one-man bands on stage and for their act, Cora constructed musical contraptions he could play with his feet. The band existed for five years during which time they toured Europe, North America and Japan extensively. They made two studio albums, Learn to Talk (1984) and The Country of Blinds (1986), the latter with Zeena Parkins who had joined the band in 1984. In October 1983 Skeleton Crew joined Duck and Cover, a commission from the Berlin Jazz Festival, for a performance in West Berlin, followed by another in February 1984 in East Berlin.

Cora was also a member of the improvising trio Third Person, formed in 1990 as a live collaboration with percussionist Samm Bennett and a "third person" who changed from concert to concert. Two CDs of some of their performances were released, The Bends in 1991 (with "third persons" Don Byron, George Cartwright, Chris Cochrane, Nic Collins, Catherine Jauniaux, Myra Melford, Zeena Parkins, and Marc Ribot) and Luck Water in 1995 (with "third person" Kazutoki Umezu).

Cora performed with a number of other bands, including Nimal with Momo Rossel and post-rock quartet Roof. In 1990, he played two concerts with Dutch anarcho-punk band, The Ex, and the success of this collaboration resulted in Cora performing hundreds of concerts with The Ex and appearing on two of their CDs. In 1995 in The Netherlands, Cora and Frith collaborated, as Skeleton Crew, on Etymology, a CD-ROM sound sample library of sonic sounds and wire manipulations.

Tom Cora died of malignant melanoma at the age of 44 in a hospital in the south of France, where he lived with his wife, singer Catherine Jauniaux, and their son, Elia Corra."

-Wikipedia (https://en.wikipedia.org/wiki/Tom_Cora)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".

Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.

Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the klezmer/free jazz-influenced quartet Masada, composed over 600 pieces as part of the Masada Songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.

Zorn's compositions cross many genres and he has stated "All the various styles are organically connected to one another. I'm an additive person-the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there." For Zorn "Composing is more than just imagining music-it's knowing how to communicate it to musicians. And you don't give an improviser music that's completely written out, or ask a classical musician to improvise. I'm interested in speaking to musicians in their own languages, on their own terms, and in bringing out the best in what they do. To challenge them and excite them." "

-Wikipedia (https://en.wikipedia.org/wiki/John_Zorn)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"David Licht (born 20th century in Detroit, Michigan) is a drummer and a founding member of the Grammy Award-winning American Klezmer band The Klezmatics. He moved to New York City in 1985 to help manage a recording studio, joined the band Bongwater, and later met Frank London with whom he started The Klezmatics. He also played with When People Were Shorter and Lived Near the Water."

-Wikipedia (https://en.wikipedia.org/wiki/David_Licht)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Honey Don't (with John Zorn) 2:49

2. Dang Me (with John Zorn) 2:34

3. The Last Word In Lonsome Is Me (with John Zorn) 5:50

4. I'm The Only Hell Mama Raised 3:33

5. Take This Job And Shove It 2:14

6. Motel Time Again 2:46

7. Georgia In A Jug 2:12

8. Window Shopping 2:05

9. My HeartWould Know 3:49

10. Mr. Record May 1:53

11. Jealous Loving Heart 3:28

12. Swingin' Doors (with John Zorn) 7:13

13. There'll Be No Tears Tonight 3:24

14. Set Up Two Glasses, Joe 4:02

15. Richmond Dobro Massa 26:28

Related Categories of Interest:


Rock and Related
Improvised Music
Improvised Rock
NY Downtown & Jazz/Improv
Song Based Music
Chadbourne. Eugene
Zorn. John
Quartet Recordings
Solo Artist Recordings
Staff Picks & Recommended Items
Staff Picks & Recommended Items

Search for other titles on the label:
Corbett vs. Dempsey.


Recommended & Related Releases:
Awkward Geisha / Eugene Chadbourne
Awkward Geisha / Eugene Chadbourne [7'' VINYL]
(Love Earth Music)
A split 7" vinyl between UK collage artist Ade Rowe, also known as Awkward Geisha, in a country & western song of improvised guitar & sax titled "Psycho"; and somewhat appropriately backed with a quartet of guitar, harmonica, mandolin & trumpet from avant country eccentric Eugene Chadbourne, poking fun through a song titled "Up Against The Wall, Redneck Mother".
Zorn, John (Medeski / Marsella / Hollenberg / Grohowski)
Parrhesiastes
(Tzadik)
The fifth album from John Zorn's Chaos Magic Ensemble of Brian Marsella on Fender Rhodes Piano, John Medeski on organ, Kenny Grochowski on drums and Matt Hollenberg on guitar, in three free flowing works that display Zorn's perceptive merging and the band's enormous skill, contrasting lyrical electric jazz with turbulent rock forms and disciplined contemporary structure.
Cutler, Chris
Compositions And Collaborations 1972-2022: In A Box [10 CD / DVD / BOOKLET BOX SET]
(Recommended Records)
An amazing collection and reflection on the work of percussionist, composer and connector Chris Cutler of Henry Cow fame and founder of the highly influential Recommended Records label and distribution service, through 10 CDs, 1 DVD and two books of documentation, artwork, photographs, published and unpublished texts in a sturdy box, with over five hours of unreleased materials.
Zorn, John (Frisell / Riley / Lage)
Nothing Is As Real As Nothing
(Tzadik)
The completion of John Zorn's second trilogy of albums performed by the extraordinarily masterful acoustic guitar trio of Bill Frisell, Gyan Riley and Julian Lage, here performing six intricate and lyrically graceful compositions dedicated to literary visionary Samuel Beckett; uniquely packaged in a clear imprinted sleeve.
Zorn, John Incerto (Marsella / Smith / Lage / Roeder)
Full Fathom Five
(Tzadik)
Zorn expands the canon for his lyrical jazz quartet Incerto of Brian Marsella on piano, Ches Smith on drums & Haitian Tanbou, Julian Lage on guitar and Jorge Roeder on bass, composing a suite of seven subtle and passionate nocturnes inspired by the night imagery of Shakespeare, merging jazz and chamber forms with a Downtown NY sensibility; gorgeous.
Zorn, John (Julian Lage / Gyan Riley)
Quatrain
(Tzadik)
Based on the influential 1929 novel by Welsh writer Richard Hughes, A High Wind in Jamaica, about the disturbing ordeal of four children captured by pirates on the sea, realized through John Zorn's compositions for two guitarist--Julian Lage and Gyan Riley--and expressed through a spectrum of tranquil and portentous passages of virtuosic playing.
Zorn, John / Bill Laswell
Memoria
(Tzadik)
A heartfelt tribute to three significant jazz innovators associated with the 1960's free jazz scene--Pharoah Sanders, Wayne Shorter, and Milford Graves--in one improvisation each from the long-running collaboration of alto saxophonist John Zorn and bassist Bill Laswell, contrasting Laswell's fx-expanded bass underpinnings with Zorn's emphatic and expressive playing.
Zorn, John (Lage / Marsella / Roeder / Smith)
Multiplicities II
(Tzadik)
A collection of twenty musical aphorisms inspired by the writings and thought of French philosopher Gilles Deleuze (1925-1995), following Zorn's first Multiplicities volume performed by his electric jazz ensemble Chaos Magick, here in Volume 2 energetically performed by his acoustic Incerto ensemble of Brian Marsella on piano, Ches Smith on drums, Julian Lage on guitar & Jorge Roeder on bass.
Zorn, John (Marsella / Roeder / Smith)
The Fourth Way
(Tzadik)
Inspired by the writings of Russian philosopher, mystic and composer Georges Gurdjieff (1866-1949), John Zorn composes for his piano trio of Brian Marsella (piano), Ches Smith (drums) and Jorge Roeder (bass), their 3rd album after Suite for Piano and their quartet work with guitarist Julian Lage on Incerto; technically sophisticated and melodically compelling music; exceptional.
Zorn, John (Marsella / Medeski / Grohowski / Hollenberg)
444
(Tzadik)
The 4th release from the New York electric jazz quartet Chaos Magick of Brian Marsella on electric piano, John Medeski on organ, Kenny Grohowski on drums and Matt Hollenberg on electric guitar, playing the lyrical & passionate compositions of John Zorn, in eight tracks varying from rhythmically propulsive to contemplatively dream-like, with a little Chaos thrown in.
Zorn, John (w/ Lage / Roeder / Wollesen)
New Masada Quartet, Volume Two
(Tzadik)
LOWER PRICE! Taking on another set of compositions from John Zorn's Masada Songbook, the New and electrified Masada quartet of Kenny Wollesen on drums, Julian Lage on guitar, Jorge Roeder on bass and Zorn himself on alto saxophone releases their second volume, seven melodically rich and intricate works that lead to incredible, often burning soloing and group interchange.
Zorn, John / Eugene Chadbourne
John Zorn's Olympiad Vol. 3 - Pops Plays Pops - Eugene Chadbourne Plays The Book Of Heads
(Tzadik)
The third volume in John Zorn's "Olympiad" series is this solo performance in 2007 at the Kompo Cultural Center in Gyungee, Korea by Zorn associate and eccentrically eminent improviser Eugene Chadbourne, performing on electric and acoustic guitars as he interprets 15 compositions for improvisers from John Zorn's seminal 1976 series: The Book of Heads.
Zorn, John (w/ Marsella / Roeder / Smith / Lage)
Incerto
(Tzadik)
Bringing together John Zorn's trio from Suite for Piano (Brian Marsella, Jorge Roeder, Ches Smith) with guitarist Julian Lage, this new jazz quartet is a versatile and flexible unit capable of instantaneous changes in direction of genre or mood with virtuosic finesse and sensitivity, as Zorn's compositions explore concepts from Freud, Sartre, and the Uncertainty Principle.
Zorn, John
The Hermetic Organ Vol. 9 - Liber VII
(Tzadik)
John Zorn's extended solo organ improvisation at the 2022 Big Ears Festival in Knoxville, TN performing on the Goulding & Wood seventy-rank organ at St. John's Cathedral, Zorn's performance inspired by Aleister Crowley's Liber Liberi vel Lapidis Lazuli and performed in a kind of trance state, as he traversed moods and mystery in a 44 minute journey of massive sound.
Zorn, John (Marsella / Roeder / Smith)
Suite for Piano
(Tzadik)
Blurring the lines between composed and improvised music, John Zorn's ten-part composition in his "Suite for Piano" was inspired in part by the Goldberg Variations and Schoenberg's solo piano music, set in the classic piano trio format and performed by extraordinary New York musicians and improvisers, Brian Marsella on piano, Jorge Roeder on bass, and Ches Smith on drums.
Zorn / Chadbourrne / Bradfield / Baker / Hutton
John Zorn's OIympiad - Vol. 2 Fencing 1978
(Tzadik)
Two exceptional live performances of John Zorn's interactive "Fencing" concept leading free improv into unusual directions, from the early Downtown NY scene in 1978, first at Zorn's own loft in the trio of guitarists Eugene Chadbourne, Duck Baker and Randy Hutton; then at Bard College, in Kingston, NY with Zorn on multiple reeds, Chadbourne on guitar and Polly Bradfield on violin.
Skeleton Crew (Frith / Cora / Parkins)
Free Dirt (Live) [2 CDs]
(Klanggalerie)
One of the most intense and unusual of the 80s Downtown NY groups merging rock and improvisation with strong attitudes and incredible musical concepts, these live recordings, including songs never before released, are taken from American and European concerts by the trio of guitarist Fred Frith, cellist Tom Cora, and either electric harpist Zeena Parkins or reedist Dave Newhouse.
Zorn / Centazzo / Chadbourne / Cora / Kondo / Bradfield
Environment for Sextet [VINYL]
(Ictus)
Hailing from the Downtown NY scene's early years, the incredibly forward-thinking sextet of Polly Bradfield on violin, Andrea Centazzo on percussion, Eugene Chadbourne on guitars, Tom Cora on cello, Toshinori Kondo on trumpet and John Zorn on reeds are heard in a live performance for WKCR Radio in New York City during Ictus label leader Centazzo's US tour.
Zorn, John (Frisell / Riley / Lage)
Teresa de Avila
(Tzadik)
The third and final CD in composer John Zorn's trilogy inspired by historic figures of Christian mysticism, following works for Francesco d'Assisi and Julian of Norwich, these 10 pieces are conducted by Zorn and written specifically for the acoustic guitar trio of Bill Frisell, Julian Lage and Gyan Riley; an album of breathtaking character and inspired playing.
Chadbourne, Eugene / Duck Baker / Randy Hutton
The Guitar Trio In Calgary 1977
(Emanem)
A concert recording from 1977 in Calgary, CA captured during Eugene Chadbourne's time in Canada prior to his move to NYC, from the guitar trio of Duck Baker, Randy Hutton & Eugene Chadbourne, performing on acoustic guitars, using a variety of approaches to improvising in trio, duo and solo configurations, with original work, an Ornette Coleman mashup, and a piece by Charlie Haden.
Chadbourne, Eugene / Henry Kaiser
Wind Crystals: Guitar Duets By Wadada Leo Smith
(Relative Pitch)
Long-time collaborators, guitarists Henry Kaiser and Eugene Chadbourne perform the compositions of trumpeter Wadada Leo Smith, starting with their recording from 1977 of his "Wind Crystals", then improvising over 5 other Smith compositions, ending the album with an updated, 2017 version of "Wind Crystals"; an excellent refresh and retrospective from two incredible improvisers.
Smith, Wadada Leo / Lewis, George / Zorn, John
Sonic Rivers
(Tzadik)
Tzadik's new Spectrum series begins with the collaboration of 3 legendary NY performers--Wadada Leo Smith (trumpet); George Lewis (trombone); John Zorn (alto sax)--in 8 technically superb and joyfully unique compositions and collective improvisations.
Chadbourne / Blechdom
The Chaddom Blechbourne Experience
(Les Disques Victo)
Eugene Chadbourne and Kevin Blechdom (aka Kristin Erickson) performing songs from their 2007 Victo performance, warped banjo rock instrumentals and songs.
Various Artists (Zorn / Johansson / Johnson / de Vroe / Schleirmacher)
Enfants Terribles
(Hat [now] ART)
Skeleton Crew
Learn to Talk and Country of Blinds [2 CDs]
(Recommended Records)
Other Recommended Releases:
Zorn, John
The Hermetic Organ Volume 11 - For Terry Riley
(Tzadik)
Performing on the 7,466 pipe Æolian-Skinner organ at Grace Cathedral in San Francisco, one of the first American classic-style organs and among the largest church organs in the West, John Zorn continues his solo organ series with this tribute to Terry Riley in two extended improvisations, part of his 70th birthday celebration as part of Fred Barnes's concert series.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC