An Anthology Of Noise and Electronic Music Volume 3 [3 VINYL LPs]
Reissuing the 3rd volume of Sub Rosa's Anthology Of Noise and Electronic Music as a 3-LP vinly set, presenting music by a wide range of artists from historical to contemporary, including avant compositional, improvised, rock, concrete, sound, noise, and electronic music.
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Label: Sub Rosa
Catalog ID: SR 220LP
Squidco Product Code: 22694
Format: 3 LPs
Packaging: 3 LPs in a sleeve
Hugh Le Caine
Keith Fullerton Whitman/Hrvatski
Michael J Schumacher
Herbert Eimert + Robert Beyer
Carlsten Nicolai/Alva Noto
Michael Rother (Neu!)
To Rococo Rot
Cm Von Hausswolff + Erik Pauser/Phauss
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1. Keith Fullerton Whitman/Hrvatski - Stereo Music For Serge Modular Prototype (5:30)
2. Hugh Le Caine - A Noisome Pestilence (3:25)
3. Ilhan Mimaroglu - The Last Largo (9:33)
4. Bernard Parmegiani - De Natura Sonorum: (3:44)
5. Michel Chion - Requiem: Dies Irae (6:00) SIDE B
1. Zbigniew Karkowski - Execution Of Intelligence (8:20)
2. Masami Akita/Merzbow - Birds And Warhorse (11:30)
1. Michael J Schumacher - Room Pieces: Excerpt (4:41)
2. Justin Bennett - Ovipool (3:25)
3. Scott Gibbons/Lilith - Reciprocal (3:30)
4. Fred Szymanski /Modular - Flume (6:41)
5. Francisco Lopez - Untitled #148 (10:03)
1. Erkki Kurenniemi - #4 + #1 (5:26)
2. Carsten Nicolai/Alva Noto - Time...Dot(3) (4:26)
3. To Rococo Rot - Contacte (4:30
4. Peter Rehberg/Pita - Early Work 6 (3:00)
5. Herbert Eimert and Robert Beyer - Klangstudies II (4:43)
1. Faust - The Faust Tapes: Untitled #16 + #17 (2:55)
2. Michael Rother - Feuerland (7:20)
3. Asmus Tietchens - Teilmenge 35 C (4:40)
4. Gunther Rabl - Eve (6:00)
1. Rune Lindblad - Till Zakynthos (Op. 205) (13:39)
2. Carl Michael Von Hausswolff and Erik Pauser/Phauss - Eternal Love #3 (13:07)
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sample the album:
"The third volume of Sub Rosa's Anthology Of Noise and Electronic Music available on vinyl for the first time. The third volume continues to show all the aspects of electronic music from the early beginning to the present - including two pieces of historical concrete music (of the '70s), several pieces of American tape music (Columbia University) with a special focus on all the electronic music from Germany - WDR early works, krautrock, electronic music of the '90s. Features recent work from the greatest noise artists and several unsung electronic pioneers. Includes a six page poster including extensive critical and biographical notes."-Sub Rosa
• Show Bio for Masami Akita (Merzbow)
"Masami Akita (秋田 昌美 Akita Masami?, born December 19, 1956), better known by his stage name Merzbow (メルツバウ Merutsubau?), is a Japanese noise musician. Since 1980, he has released over 400 recordings.
The name Merzbow comes from the German dada artist Kurt Schwitters' artwork Merzbau (German pronunciation: [ˈmɛʁtsˌbaʊ̯]), in which Schwitters transformed the interior of his house using found objects. The name was chosen to reflect Akita's dada influence and junk art aesthetic. In addition to this, Akita has cited a wide range of musical influences from progressive rock, heavy metal, free jazz, and early electronic music to non-musical influences like dadaism, surrealism, and fetish culture. Since the early 2000s, he has been inspired by animal rights and environmentalism, and has become a vegan.
As well as being a prolific musician, he has been a writer and editor for several books and magazines in Japan, and has written several books of his own. He has written about a variety of subjects, mostly about music, modern art, and underground culture. His more renowned works were on the topics of BDSM and Japanese bondage. Other art forms Akita has been interested in include painting, photography, filmmaking, and Butoh dance.
In 2000, Extreme Records released the 50 CD box set known as the Merzbox. Akita's work has been the subject of several remix albums and at least one tribute album. This, among other achievements, has helped Merzbow to be regarded by some as the "most important artist in noise"."-Wikipedia (https://en.wikipedia.org/wiki/Merzbow)
^ Hide Bio for Masami Akita (Merzbow)
• Show Bio for Hernani Faustino
"After establishing his name during the Eighties as an electric bass guitarist in alternative rock bands, like the now legendary K4 Quadrado Azul, Hernani Faustino turned to avant-jazz and free improvised music and chose the double bass as his self-taught instrument. Two decades later of multiple interactions with Portuguese and international musicians, he's now considered one of the most intense and solid bassists in the Portuguese scene. The association he maintains with drummer Gabriel Ferrandini (RED trio, Nobuyasu Furuya Trio & Quintet, Rodrigo Amado Wire Quartet) has been pointed as a dynamic and powerful rhythm section. His visceral playing is well showed by the contortions of his face during a performance: he goes to the limits of pleasure and pain.
Music is his life: besides being a musician, he was one of the members of the label Clean Feed, considered one of the five more important on the planet in what regards jazz, and the Trem Azul Jazz Store, located in Lisbon. He also composed for theatre, produced radio programs, and wrote about music in a couple of magazines. A good part of his activity in photography is also music oriented: Faustino is one of the most accomplished stage photographers around. This says all about his passion and commitment.
Hernani Faustino's numerous meetings and collaborations with other improvisors is astonishing: John Butcher, Lotte Anker, Nate Wooley, Carlos "Zíngaro", Agustí Fernández, Sei Miguel, Rafael Toral, Jason Stein, Nuno Rebelo, Rodrigo Pinheiro, Gabriel Ferrandini, Pedro Sousa, Rodrigo Amado, Albert Cirera, Manuel Mota, Luís Lopes, Jon Irabagon, Taylor Ho Bynum, Gerard Lebik, Piotr Damasiewicz, Harris Eisenstadt, Neil Davidson, Heddy Boubaker, Gerard Lebik, Elliott Levin, Katsura Yamauchi, Mats Gustafsson, Chris Corsano, Nikolaus Gerszewski, Rob Mazurek, Reinhold Friedl, Ernesto Rodrigues, José Oliveira, Helena Espvall, Nuno Torres, Ricardo Jacinto, Blaise Siwula, Virginia Genta, Elliott Levin, Daniel Carter, Federico Ughi, Floros Floridis, Matt Bauder, Dennis González, Vítor Rua, and many more, covering a wide range from free bop to extreme experimentation, going through electroacoustic improv, reductionism and noise."-Hernani Faustino Website, Rui Eduardo Paes (http://www.hernanifaustino.com/bio/)
^ Hide Bio for Hernani Faustino
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