The 5th album for Sao Paulo Underground with Rob Mazurek, bringing Brazilian drummer/percussionist Mauricio Takata and keyboardist Guilherem Granado together with the Chicago cornetist, also on keys, and here with Swiss/Brazilian transplant Thomas Rohrer on winds.
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Catalog ID: CUN-CD-423
Squidco Product Code: 22660
Packaging: Jewel Case
Rob Mazurek-cornet, Mellotron, modular synthesizer, synthesizer, percussion, voice
Mauricio Takara-drums, cavaquinho, electronics, synthesizer, percussion, voice
Guilherme Granado-keyboards, synthesizers, sampler, percussion, voice)
Thomas Rohrer-rabeca, flutes, soprano saxophone, electronics, percussion, voice
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1. Estrada Para o Oeste 13:45
2. Violent Orchid Parade 1:52
3. Cambodian Street Carnival 6:46
4. Lost Corners Boogie 6:03
5. Desisto II 3:37
6. Fire and Chime 2:39
7. Olhaluai 5:22
8. Of Golden Summer 4:15
9. Falling Down From the Sky Like Some Damned Ghost 16:11
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sample the album:
"With their breathtaking fifth album Cantos Invisiveis, the multi-national, multi-ethnic, multi-everything Sao Paulo Underground sounds more confident and intrepid than ever, with a glorious program of music evoking lost haunts, enduring love, and the sheer delirious joy of making music together.
In many ways the music on Cantos Invisiveis is a celebration of camaraderie and the spaces that allow love and friendship to unfurl. Alchemical aural conspirators for some 10 years, the group has developed its own approach to structure, with slippery forms, unabashedly beautiful melodies and lapidary textures laced with disquieting electronica beats and stutter-stepping improvisation. Rather than evoke a particular time and place, the music inhabits multiple planes simultaneously as "a projection of sound that celebrates as well as mourns past, present and future times," Mazurek says. "The vocal quality of this particular music shouts and hollers for love and compassion, the joy andsorrows of life. It's a street parade for everybody."
The experience of listening to Cantos Invisiveis often feels like stepping through the fourth wall, as if you're in the room with the guys, watching the instrumental conversations unfold in real time. The production enhances the intimacy, creating space to enter the music rather than building a protective shell. It's a communion that can only develop "as a result of a lot of beautiful time spent together working on music and ideas and then travelling together playing throughout the world," Takara says. "I think there's a certain atmosphere that only living and spending time together bring, and the record captures that beautifully.
These singular players create music unlike any other ensemble in Sao Paulo Underground, which expands into realms seen and unseen on Cantos Invisiveis. The title translates from Portuguese as "invisible corners" or "invisible songs" or "disappearing corners or songs." This music evokes the elusive nature of these songs, "the way we make our music, always masking it in some kind of way, a disappearing through layering and sound manipulation," Mazurek says. "The songs kind of disappear in a way like a cloud of pink in the sky. We create atmospheres that cause form and melody to disappear, and to reappear", so that savvy sound explorers can join Sao Paulo Underground on an unforgettable journey."-Cunneifrom
• Show Bio for Rob Mazurek
"Rob Mazurek is an American electro-acoustic composer, cornetist, improviser and visual artist living in Chicago, Illinois. As a composer, Rob Mazurek has written over 300 original compositions over the past 30 years, and has released 55 recordings on various labels. He currently leads a number of ensembles, including Exploding Star Orchestra, Pharoah and the Underground (featuring Pharoah Sanders), Chicago Underground, Pulsar Quartet, São Paulo Underground, Skull Sessions, Sound Is Quintet, Starlicker, Mandarin Movie and Throne of the House of Good and Evil, each of which possesses its own distinct musical personality.
He has collaborated with a wide variety of artists, such as Bill Dixon, Pharoah Sanders, Mike Ladd, Roscoe Mitchell, Yusef Lateef, Fred Anderson, Naná Vasconcelos, Mamelo Sound System, Kassin and Marcelo Camelo and others. Additionally, Rob Mazurek works as a visual artist (incorporating sound, painting and video) with numerous international performances, exhibitions and artist residencies."-Rob Mazurek Website (http://robmazurek.com/)
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• Show Bio for Mauricio Takara
"Sao Paulo native Mauricio Takara, born in 1982, started playing the acoustic guitar at the age of seven. Two years later, he started playing drums. Takara played with local hard core punk bands throughout the '90s and started Hurtmold in 1998, releasing five records on the Submarine label. He put out his first solo album on Desmonta Discos in 2003 and has since released three more solo recordings on the same label, the latest bein g 2010's Sobre Todas e Qualquer Coisa . Takara has recorded with many Brazilian artists, including Nacao Zumbi, Vanessa Da Mata, Sabotage, Naná Vasconcelos and Marcelo Camelo, as well as such renowned international artists as Pharoah Sanders, Archie Shepp, Yusef Lateef, and Prefuse 73 . Besides Rob Mazurek's São Paulo Underground, Takara has also worked with such other Chicago - connected projects and artists as Exploding Star Orchestra, Jason Adasiewicz, and John Herndon . Takara has toured Europe (Sonar festi val/Barcelona, Roskilde/Denmark, Womex/Seville & Club Transmediale/Berlin), the U.S., India (World Socials Forum) and Brazil (Nublu Jazz Festival, SESC Pinheiros, and opening for Lo Borges & Milton Nascimento at Coquetel Molotov Festival). Takara is consid ered one of the leading voices in the new post - Tropicalia wave of Brazilian music."-Cuneiform Records 7/10/2017
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• Show Bio for Guilherme Granado
"Guilherme Granado, a Sao Paulo native, has played and recorded with Takara in Hurtm old (4 albums and a split disc with The Eternals on Submarine Records) as well as working with the Assembleia Ritmica de Pinheiros . Additionally, Granado performs, produces, and records under the name Bodes & Elefantes, which has released 3 albums on Subma rine Records & Catune. He has toured with Prefuse 73 and Marcelo Camelo, and collaborated with a global array of artists including Pharoah Sanders, Naná Vasconcelos, Bill Dixon, Roscoe Mitchell, High Priest (Antipop Consortium), Mamelo Sound System, Explod ing Star Orchestra, Paulo Santos (Uakti), Mike Ladd, and many others. Granado has appeared on recordings released by Universal, YB Music, Submarine. Granado is in the vanguard of Brazil's Electronic Spiritualism Sound Makers, devoted to promoting music, b eats and ideas in Brazil."-Cuneiform Records 7/10/2017
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• Show Bio for Thomas Rohrer
"Thomas Rohrer is Swiss, living in Brazil since 1995. He began his musical studies as a violinist and studied saxophone in the jazz school of Lucerne. His work with the violin and sax has a primary focus on free improvisation, but can also be found in dialogue with traditional Brazilian music. He is a part of the Brazilian collective improvisation Abaetetuba and participates in work with cornetist Rob Mazurek, plays in duo with the singer Saadet Türköz Kazakhstan and participates in the trio with clarinetis Hans Koch and Panda Gianfratti. He worked with musicians such as Celio Barros, Zé Gomes, Nelson's Fiddle, Marcio Mattos, Mauricio Takara, John Russell, Alexandra Montano and Yusef Lateef. He toured on tour several times by Brazil, the United States and Europe. When residing in London he joined the London Improvisers Orchestra, and performed with several local improvisers. He also performs for cinema, theater, dance, performance and installation."-Collective Abaetetuba (translatre by Google and Squidco) (https://coletivoabaetetuba.wordpress.com/thomas-rohrer/)
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