Thick, noisy, complex, interweaving and stunningly cathartic music from the trio of French prog legend Richard Pinhas on guitar, Ruins/Magaibutsu drummer Tatsuya Yoshida, and pioneer of noise music Masami Akita, AKA Merzbow, recording in the studio in Tokyo.
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Catalog ID: CUN-CD-432
Squidco Product Code: 22659
Packaging: Jewel Case
Recorded at Gok Sound studio, in Tokyo, Japan.
Guitar overdubs at Heldon studio, Paris, France.
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1. TVJ 00 (Intro) 3:17
2. TVJ 66 (Non-Sens) 12:12
3. TVJ 77 (Quiet Final) 10:35
4. TVJ 33 (Core Track) 36:32
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sample the album:
"Three founding fathers of experimental music join forces to conjure an unholy serenade for a society on the verge of collapse on Process and Reality, an hourlong whirlwind of pessimistic prophecy transformed into a heady monolith of sound.
Boundary-stretching guitarist Richard Pinhas, founder of the influential French electronic-rock band Heldon, teams with two icons of the Japanese avant-garde - drummer Tatsuya Yoshida, mastermind of warped-prog legends Ruins, Koenjihyakkei and Korekyojinn, and Masami Akita, a.k.a. noise guru Merzbow - to summon a brutally honest, politically potent, sonically tumultuous reflection of the last gasps of the industrial age.
Process and Reality marks the first recorded convergence of these three avant-rock giants, though Pinhas has recorded with both Yoshida and Merzbow in the past and all three have toured extensively together in Japan. The album, recorded in Tokyo during a recent high-profile tour, captures the fevered intensity and violently textured depth of the trio's collaborative improvisations.
Pinhas' aggressive, combustible music has always been honed to a keen edge by its philosophical bent. Process and Reality takes its name from an influential 1929 book by English mathematician and philosopher Alfred North Whitehead, which posits reality as a continual process of becoming. That's an apt summation of the music made by Pinhas, Yoshida and Akita, which seethes and roils in a constant state of both turbulent flux and visceral realization. The guitarist says of his collaborators, "They explore 100% of their possibility. We have the same kind of spirit."
The bleak outlook embodied by the music on Process and Reality is stunningly pictured in cover art worthy of a cyberpunk novel, rendering an oil tanker as a surrogate for the decaying post-industrial future. It was created by Patrick Jelin, the gifted designer also responsible for the covers for classic Heldon albums Interface (1977) and Stand By (1979), as well as Pinhas' 1979 solo effort Iceland.
If that's all too downbeat for an evening's listening, Pinhas also sees the album as a celebration of his cherished friendship with these Japanese artists. "Japan is the best scene in the world," he asserts, and while he foresees a radical change in his sound approaching in 2017, he continues that, "Always I will work with my forever friends." "-Cuneiform Records
• Show Bio for Richard Pinhas
"Composer, guitarist and electronics innovator Richard Pinhas is recognized as one of France's major experimental musicians. A pivotal figure in the international development of electronic rock music, Pinhas' stature in France is analogous to Tangerine Dream's in Germany: the father figure of an entire musical movement. The pioneering, aggressive music produced by his band Heldon during the 1970s, fusing electronics, guitar and rock, heralded the industrial and techno to come and remains today vital and unsurpassed. The 'Father' of electronic music in France is also recognized as a world-class guitarist whose "diabolical guitar work" (Progression) earns comparisons with Robert Fripp.
Pinhas received a degree in guitar at 17, and a PhD in philosophy from the Sorbonne, studying under philosopher Gilles Deleuze and writing on time and science fiction. He taught philosophy before abandoning an academic career for Heldon, his 3rd band, whose name derived from Normal Spinrad's writing. Over the course of his subsequent musical career, Pinhas' ongoing philosophical studies and interest in science fiction have fired, infused, and continually renewed his music."-Richard Pinhas Website (https://www.richard-pinhas.com/biography.php)
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• Show Bio for Tatsuya Yoshida
"Tatsuya Yoshida, born in Kitakami, Iwate is a Japanese musician; drummer and composer who is the only consistent member of the renowned progressive rock duo Ruins, as well as Koenji Hyakkei. He is also a member of the progressive rock trios Korekyojinn and Daimonji. Outside his own groups, Yoshida is renowned for his tenure as drummer in the indie progressive group YBO2, a band also featuring guitarist KK Null, whom he also joins in the current line up of Zeni Geva and he has played drums in a late edition of Samla Mammas Manna. He has been cited as "[the] indisputable master drummer of the Japanese underground". Along with his participation in bands, he has also released several solo recordings."-Wikipedia (https://en.wikipedia.org/wiki/Tatsuya_Yoshida)
^ Hide Bio for Tatsuya Yoshida
• Show Bio for Masami Akita
"Masami Akita, born December 19, 1956, better known by his stage name Merzbow, is a Japanese noise musician. Since 1980, he has released over 400 recordings. The name Merzbow comes from the German dada artist Kurt Schwitters' artwork Merzbau (German pronunciation: [ˈmɛʁtsˌbaʊ̯]), in which Schwitters transformed the interior of his house using found objects. The name was chosen to reflect Akita's dada influence and junk art aesthetic. In addition to this, Akita has cited a wide range of musical influences from progressive rock, heavy metal, free jazz, and early electronic music to non-musical influences like dadaism, surrealism, and fetish culture. Since the early 2000s, he has been inspired by animal rights and environmentalism, and has become a vegan.
As well as being a prolific musician, he has been a writer and editor for several books and magazines in Japan, and has written several books of his own. He has written about a variety of subjects, mostly about music, modern art, and underground culture. His more renowned works were on the topics of BDSM and Japanese bondage. Other art forms Akita has been interested in include painting, photography, filmmaking, and Butoh dance. In 2000, Extreme Records released the 50 CD box set known as the Merzbox. Akita's work has been the subject of several remix albums and at least one tribute album. This, among other achievements, has helped Merzbow to be regarded by some as the "most important artist in noise"."-Wikipedia (https://en.wikipedia.org/wiki/Merzbow)
^ Hide Bio for Masami Akita
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