Frequent collaborators Rutger Zyderveldt (Machinefabriek) and bass clarinetist Gareth Davis in their latest album, edited from a two day recording recidency at Studio Loos, The Hague, a beautifully structured album of subtle fragmentary sound, rich textures and melodic lines.
Davis, Gareth / Machinefabriek
Label: White Paddy Mountain
Released in: Japan
"Working together since 2009 with albums on Home Normal, Sonic Pieces, and Dekorder, the latest collaboration between Gareth Davis (bass clarinet) and Machinefabriek (electronics) is released on White Paddy Mountain. Their latest album, Shroud Lines, edited from a two day recording recidency at Studio Loos, The Hague, has grown into the duo's most fully formed album yet. Coming from improvised sessions, it negotiates the unpredictability of the organic and acoustic process as fragments of sound turn into rich textures and melodic lines. Perhaps more so than any of their previous work, the album is sequenced as a suite, chapters of new landscapes, saturated and intertwined with found sounds and field recordings which create the overall narrative whole."-White Paddy Mountain
• Show Bio for Gareth Davis
"Gareth Davis studied with Antony Pay and Roger Heaton in London and then with Dutch Bass Clarinet virtuoso, Harry Sparnaay in Amsterdam. He was invited by the French cellist Alain Meunier, to attend the prestigious Accademia Chigiana di Siena on a Scholarship and study chamber music with Yuri Bashmit, Katia Labeque, Tchaikovsky Prize winner Mario Brunello and the Italian composer, Luciano Berio.
Since his debut, at the age of 18, at London's Wigmore Hall, Gareth has gone on to play throughout Europe, North America and Asia. He has played under conductors including Riccardo Chailly, Sir Simon Rattle, Diego Masson, Gregory Rose and Roger Norington with orchestras and ensembles including the Philarmonia, Sinfonietta, ECO, Asko, Netherlands Radio Orchestra and Sinfonia 21. He also performed with the Neue Vocalsolisten, Sinfonietta and JACK Quartet, cellist Frances-Marie Uitti, guitarist Elliot Sharp, experimental noise band Nadja and electronic artists Scanner and Machinefabriek.
Gareth has been strongly involved in New Music having had pieces written for him by many composers such as, Salvatore Sciarrino, Jonathan Harvey, Toshio Hosokawa, Gavin Bryars, Peter Eotvos and Misato Mochizuki. He has worked extensively with the Hilliard Ensemble's countertenor David James, soprano Sarah Leonard, harpsichord virtuoso Jane Chapman, Heinz Holliger, Sine Nomine, Kreutzer Quartet the Rossetti Quartet and Xenakis Prize winning contra bassist, Corrado Canonnici.
Gareth has performed at many prestigious festivals including the Bienalle di Venezia, Prague Spring, Amsterdam, Ars, Vienna, Stockholm, Santa Fe, World Music Days and Salzburg. He has performed both contemporary and traditional repertoire on modern and period instruments and on folk instruments including the Romanian Taragota and Turkish Sol. In 2001 Gareth formed the duo 'muta' with accordian. In only a year nearly 40 works have been commissioned by composers including Magnus Lindburg, Rebecca Saunderds and Jo Kondo.
Gareth is currently exploring the potential of interactive visual media to expand the interpretation of existing twentieth century repertoire and open new theatrical possibilities for the performance of twenty-first century music."-Maze Festival 2016 Website (http://www.maze.nu/the-ensemble/gareth-davis/)
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• Show Bio for Rutger Zuydervelt
"Machinefabriek is the alias of Rutger Zuydervelt. Rutger's music combines elements of ambient, noise, minimalism, drone, field recordings and electro-acoustic experiments. His pieces can be heard as an attempt to create sonic environments for the listener to dwell in. Finding tension in texture, tone and timing, the result can be very minimalistic at first glance, but reveals itself upon closer listening. The devil is in the details.
Rutger was born in 1978 in Apeldoorn (The Netherlands) and now resides in Rotterdam. He started recording as Machinefabriek in 2004. After a series of self released cd-rs, his official debut Marijn was issued in 2006, with great critical acclaim. Since than, a solid stream of music was released on labels such as Type, Important, Home Normal, 12K, Entr'acte, Dekorder, Miasmah, Consouling Sounds, Experimedia and Staalplaat. He performed all over the globe, from Canada to Israel and from Russia to Japan.
Rutger collaborated (on record and/or live) with numerous artists, such as Steinbrüchel, Jaap Blonk, Aaron Martin, Peter Broderick, Frans de Waard, Mats Gustafsson, Steve Roden, Gareth Davis, Stephen Vitiello, Michel Banabila, Dirk Serries and Dead Neanderthals, amongst many others.
He frequently works with film makers, like Makino Takashi, Mike Hoolboom, John Price, Paul Clipson and Chris Teerink, for whom he composed a soundtrack for his documentary about Sol LeWitt. Rutger also recorded the music for the Canadian drama The Cold and the Quiet from 2014. Furthermore, his music was used in Edward Burtynsky's Watermark, the drama Stone (with Robert DeNiro and Edward Norton) and Josh Fox' influential Gasland and Gasland Part II documentaries. Besides films, Rutger also composes music for dance pieces, like Alix Eynaudi and Kris Verdonck's EXIT (premiéred at the Haus der Kulturen der Welt, Berlin), Alexander Whitley's The Measures Taken (for the Royal Opera in London) and Beheld (for Candoco Dance Company), and multiple pieces by Spanish/Dutch choreographer Iván Pérez. Then there's Rutgers installation work, in which the dialogue with the environment plays an important role. He did projects for Stedelijk Museum Amsterdam, NAi (Dutch Architecture Institute), the new Armando Museum MOA, Sounds Like Audio Art in Saskatoon (Canada), the Into the Great Wide Open Festival, Netwerk in Aalst (Belgium) and children's museum Villa Zebra in Rotterdam."-Machinefabriek Website (http://www.machinefabriek.nu/about/biography)
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Label: White Paddy Mountain
Catalog ID: WPMC034
Squidco Product Code: 22557
Packaging: Cardboard Gatefold
Recorded at Studio Loos, in The Hague Netherlands, on June 10th and 11th 2015, by Gareth Davis.
Gareth Davis-bass clarinet
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1. Opening 1:54
2. Prelude 7:48
3. Intermezzo 2:02
4. Development 12:15
5. Segue 2:20
6. Theme Part I 7:09
7. Recapitulation 4:53
8. Theme Part II 3:04
9. Closing 10:49
10. Epilogue 6:37