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Zeitkratzer: Grand Orchestra (Tochnit Aleph)


The "Grand Orchestra" of Zeitkratzer and guests create a complex sound using an assembly of players with 40 winds, including bagpipes, developed by both Zeitkratzer and lay people, playing not only pure intensity but also dense and complex sound aggregates.
 

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product information:


UPC: 769791963115

Label: Tochnit Aleph
Catalog ID: TA 113CD
Squidco Product Code: 22319

Format: CD
Condition: New
Released: 2013
Country: Germany
Packaging: Jewel Case
Recorded at the Haus der Kulturen der Welt, in Berlin, Germany on August 21st, 2011, by Martin Wurmnest.


Personnel:

Celia Ilisch-alto saxophone

Diyar Elci-alto saxophone

Lucio Capese-alto saxophone

Bjorn Benduhn-bagpipes

Gunther Haussknecht-bagpipes, director

Hannes Pommer-bagpipes

Jens Roeser-bagpipes

Katrin Kossi-bagpipes

Bernd Pommer-bass drum

Anton Lukoszevieze-cello

Alicia Deckart-clarinet

Anna-Lena Lemke-clarinet

Ano Nymus-clarinet

Frank Gratkowski-clarinet

Karina Konigsmark-clarinet

Sara Kersten-clarinet

Reinhold Friedl-piano, composer, director

Klaus Kurvers-double bass

Ulrich Philipp-double bass

Aniko Mey-tenor drum

Nathalie Wendzinski-tenor drum

The Berline Pipe Company-ensemble

Joel Lima-Flugelhorn

Enes Pinar-flute

Gerda Klingenboeck-flute

Gianina Kartsch-flute

Jonas Richard-flute

Julia Heimerdinger-flute

Rebecca Jautzke-flute

Thai Tai Tran-flute

HildSofie Tafjord-French horn

Leyla Schlein-French horn

Martin Boo-French horn

k Niklas Henrik Tonnatt-French horn

Aki Ueda-guitar

Dirk Dresselhaus-guitar

Marc Weiser-guitar

Michael Kellner-guitar

Hansjurgen Bulkowski-harmonica

Henry Binte-tenor horn

Anton Heimerdinger-percussion

Maurice de Martin-percussion

Tomok Nakasato-percussion

Vanessa Gageos-percussion

Lola Toledo-recorder

Christoph Rienass-snare

Iris Wilsdorf-snare

Jorn Erdmann-snare

Michel Bolz-snare

Florian Wunsch-tenro saxophone

Alexandra Zahl-trombone

Hilary Jeffery-trombone

Michelle Bauer-trombone

Christopher Kampa-trumpet

Jasmin Joswiak-trumpet

Kevin Lemka-trumpet

Deborah Hollenbach-tuba

Robin Hayward-tuba

Stefanie Lodemann-tuba

Burkhard Schlothauer-violin

Ingrid Bulkowski-voice, bullhorn

Highlight an artist name or instrument above
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track listing:


1. Untitled 19:59

2. Untitled 24:09
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descriptions, reviews, &c.

"The score for Grand Orchestra has been developed for musicians, laymen, old people, children, adolescents, for anyone who likes to join in. Grand Orchestra is not for education. It's not about explaining, intellectual understanding or the training of cultural values; rather it's about having faith in the abilities and intuition of the players and their performance.

The musicians of Zeitkratzer and additional guests took over the voice-leading of the instrumental groups, distributed in the space and enabling their amplification. In this way it was possible to create not only pure intensity but also dense and complex sound aggregates, through the blurring of playing techniques inside the different instrumental groups.

Which orchestra is capable of playing such complex sounds as this group of forty wind players, chorally building a simultaneous crescendo of breaths? Who can play more ecstatically and wilder than a group of sixty musicians, playing against and doing their best to keep up with a Scottish bagpipe ensemble? It's precisely due to unclearly played single sounds, unfolding from an orchestra dominated by amateurs.

Unique sounds with a complex character that no professional orchestra could reproduce." -- Reinhold Friedl, from the liner notes.



"Zeitkratzer is sound made visible, tangible, bodily and a truly unforgettable corporal experience of live music. The physicality of sound is celebrated through extended instrumental techniques, mutual understanding and amplification of traditional instruments. A midpoint between instrumental and electronic music turns out to be more bizarre and surprising than either of these.

Zeitkratzer, founded in 1999, gathers nine musicians, light and sound engineers living in different European cities from Amsterdam to London to Oslo meeting for working phases in Berlin. They have performed critically acclaimed versions of classical music by composers such as Karlheinz Stockhausen, Helmut Lachenmann and James Tenney, aswell as orchestral versions of electronic/noise music by Whitehouse, Merzbow, John Duncan, Dror Feiler and Lou Reed's Metal Machine Music."-Tochnit Aleph

The "Grand Orchestra" of Zeitkratzer and guests create a complex sound using an assembly of players with 40 winds, including bagpipes, developed by both Zeitkratzer and lay people, playing not only pure intensity but also dense and complex sound aggregates.

Artist Biographies:

"Frank Gratkowski, saxophone. Born in Hamburg, 1963.

Started playing the saxophone at 16 and, following a period at the Hamburg Conservatory (Hamburger Musikhochschule), moved in 1985 to study at the Cologne Conservatory of Music with Heiner Wiberny, graduating in 1990.

Further studies with Charlie Mariano, Sal Nistico and Steve Lacy.

Frank Gratkowski has been working as a soloist in various international formations (Grubenklang Orchester, Klaus Koenig Orchester, Musikfabrik NRW, Tony Oxley Celebration Orchestra, Bentje Braam, BikBentBraam, All Ears, Zeitkratzer, WDR Big band, etc.). Since 1990 he has been giving solo performances throughout Europe, Canada and USA. With his first solo program, he was a 1991 prizewinner in the Musik Kreativ contest. The release of the solo CD "Artikulationen" followed the same year and a new one "Artikulationen II" in 2002.

Since 1992 he has been working in a duo with the pianist Georg Graewe (CD "VicissEtudes"). The duo is often extended through the participation of different additional musicians, such as drummer Paul Lovens (CD "Quicksand") and bassist John Lindberg (CD "Arrears").

In 1995 he founded the "Frank Gratkowski Trio" with Dieter Manderscheid (Germany), bass, and Gerry Hemingway (USA), drums, (CDs "Gestalten" and "The Flume Factor" ). In 2000 the trio has been extended to a quartet by Dutch trombonist Wolter Wierbos (CDs "Kollaps", "Spectral Reflections", "Facio" and "Le Vent et la Gorge"). Since 2003 also appearing as a Double Quartet plus Tobias Delius, Herb Robertson, Wilbert DeJoode and Michael Vatcher. In 2005 he got the SWR Jazzprize.

In 1999 the duo with the Italian trombonist Sebastiano Tramontana has been formed and since 2001 Frank Gratkowski has been performing with a trio including Wilbert De Jode (NL) on bass and Achim Kaufmann (D) on piano (CDs "Kwast" and "Unearth"). Since 2006 he's working with the Trio Gratkowski / Brown / Winant (CDs "Wake" and "Vermilion Traces/Donaueschingen 2009"). He is also a co-leader / composer of the Multiple Joy[ce] Orchestra and got a commission to compose for the ensemble Apartment House by "November Music " (Den Bosch NL) and the "Huddersfield Comtemporary Music Fesitival" (England) in 2009. Further actual projects are Fo[u]r Alto, a saxophone ensemble dedicated to microtonal music and "Artikulationen E" a solo program for saxophone with 8 channel live electronic.

Frank Gratkowski played on nearly every German and on numerous international Jazz and contemporary music Festivals including Vancouver, Toronto, Chicago, New York, Seattle, Quebec, Les Mans, Muelhuus, Groeningen, Nickelsdorf, Barcelona, Lithuania, Warsaw, Zagreb, Prague, Bratislava, Sofia, Bucharest, Odessa and Roma, Huddersfield, London.

He has been teaching saxophone and ensembles at the Cologne, Berlin and Arnhem Conservatory of Music and is giving workshops all around the world.

Furthermore he has performed with Robert Dick, Phil Wachsmann, Radu Malfatti, Herb Robertson, Marcio Mattos, Eugenio Colombo, Peter Kowald, Ray Anderson, Michael Moore, Ken Vandermark, Greg Osby, Kenny Wheeler, Louis Sclavis, John Betsch, Jane Ira Bloom, Connie and Hannes Bauer, Xu Fengxia, James Newton, Muhal Richard Abrams, John Lindberg, Michael Formaneck, Ernst Reijseger, Fred van Hove, Theo Jörgensmann, Phil Minton, Peter Brötzmann, Mark Dresser, Mark Feldman, Hamid Drake, Michiel Braam, Han Bennink, Mal Waldron, Misha Mengelberg a.m.o."

-Frank Gratkowski Website (http://gratkowski.com/biography/)
3/23/2017

"Reinhold Friedl, born 1964, lives in Berlin since 1987. He studied piano with Renate Werner, Alan Marks and Alexander von Schlippenbach, mathematics and musicology in Stuttgart and Berlin. As a performer, interpreter and composer, he has received various fellowships - Eurocréation Paris, the Rome Fellowship (Villa Serpentara) of the Berlin Academy of Arts, STEIM Amsterdam-, as well as various composition commissions. Reinhold Friedl has published articles in newpapers and professional journals and conducted a seminar on "Music and Mathematics" in the department of Mathematics at the Berlin Free University together with Prof. Behrends. He founded and directs the ensembles Piano-Inside-Out and ZEITKRATZER. Friedl has worked as a curator for the Podewil center for contemporary arts Berlin and directed the Off-ICMC (International Computer Music Conference) Berlin 2000. He has been invited to take part in the Jury of the Ars Electronica and Gulbenkian Foundation, Lisboa. As pianist and composer, he has worked with musicians and composers such as Lee Ranaldo (Sonic Youth), Phill Niblock, Helmut Oehring, Nicolas Collins, Lou Reed, MERZBOW a.k.a., Masami Akita, Radu Malfatti, Bernhard Guenter, Mario Bertoncini (nuova consonanza), Keiji Haino, and has made countless radio and CD recordings. Lately he realized the "spazialisation piano-project" at ZKM Karlsruhe and Asphodel Studios in San Francisco. The main focus of Reinhold Friedl's work is the inside-piano. He played all respective literature using inside-piano techniques and released several articles in this field."

-Reinhold Friedl Website (http://www.reinhold-friedl.de/)
3/23/2017

"The tuba player and composer Robin Hayward was born in Brighton, England in 1969. He studied classical music at the University of Manchester and tuba at the Royal Northern College of Music, where he graduated in 1991. In following years he was active in the improvised and experimental music scenes in Manchester and London. Since 1998 he has been based in Berlin.

He has introduced revolutionary playing techniques to brass instruments, initially through the discovery of the 'noise-valve' in 1996, and later through the development of the first fully microtonal tuba in 2009. In 2012 he invented the Hayward Tuning Vine, partly out of a desire to visualise the harmonic space implicit within the microtonal tuba. In 2005 he founded the ensemble Zinc & Copper to explore brass chamber music from an experimental music perspective.

Robin Hayward has toured extensively both solo and in collaboration, and been featured in such festivals as Maerzmusik, Fri Resonans, Donaueschingen, TRANSIT festival, Ghent Festival of Flanders, Ostrava New Music Days, Sound Symposium, Kieler Tage für Neue Musik and Wien Modern. Collaborations include such musicians as Charles Curtis and Roberto Fabbriciani, along with composers such as Christian Wolff, Alvin Lucier and Eliane Radigue. His approach to the tuba has been documented in the solo releases Valve Division, States of Rushing, Nouveau Saxhorn Nouveau Basse and Rubble Master, along with numerous collaborative releases, such as with the microtonal tuba trio Microtub and the tuba and double bass duo Reidemeister Move. He has lectured at such institutions as Stuttgart Musikhochschule, the Sibelius Academy in Helsinki, UDK Berlin, Dartmouth College and Wesleyan University. He has also worked regularly with such orchestras as the Rundfunk-Sinfonieorchester Berlin and the Konzerthausorchester Berlin, and from 2002 to 2012 was a member of the new music ensemble KNM Berlin.

In 2012 the International Tuba and Euphonium Association (ITEA) presented him with the Clifford Bevan Award for Excellence in Research for his 2011 article on the history and development of the microtonal tuba. In 2016 he received the ITEA's Jim and Jamie Self Creative Award for his work with the microtonal tuba and Hayward Tuning Vine."

-Robin Hayward Website (http://www.robinhayward.de/eng/biography.php)
3/23/2017

Other Releases With These Artists:
P.O.P. [Psychology Of Perception]
Ikebana
(FMR)
Gratkowski, Frank / Sebi Tramontana
Live At Spanski Borci
(Leo)
Lewis, George & Splitter Ochester
Creative Construction Set
(Mikroton Recordings)
Gratkowski / Brown / Winant
Wake
(Red Toucan)
Fields, Scott Multiple Joyce Orchestra
Moersbow Ozzo
(Clean Feed)
Cage, John
Complete Song Books [VINYL 2 LPs]
(KARLRECORDS)
Zeitkratzer
Grand Orchestra
(Tochnit Aleph)
Hayward, Robin
Rubble Master [CASSETTE]
(Cassauna)
Hayward, Robin
Stop Time
(Important Records)
Bik Bent Braam
Extremen
(BBB)
Zeitkratzer / Keiji Haino
Stockhausen: Aus Den Sieben Tagen
(Zeitkratzer)
Kaufmann, Achim / Frank Gratkowski /Wilbert de Joode
Oblengths
(Leo)
Skein (Gratkowski / Kaufmann / de Joode / Lee / Barrett / Buck)
Skein
(Leo)
Dijkstra, Jorrit
Music for Reeds and Electronics: Oakland
(Driff Records)
Dorner / Hayward / Krebs / Neumann
The Berlin Series No. 3
(Another Timbre)
Schubert, Matthias
9 Compositions for The Multiple Joy[ce] Ensemble
(Red Toucan)
Niggenkemper, Pascal Vision 7
Lucky Prime
(Clean Feed)
Gratkowski, Frank / Damon Smith / Jerome Bryerton
The Voice Imitator
(Balance Point Acoustics)
FPR (Gratkowski / Greenlief / Raskin)
All At Once
(Relative Pitch)
Various Artists
Amalgam(e): 10 Years of Red Toucan [2 CDs]
(Red Toucan)
Gratkowski / Van Hove / Oxley
GratHovOx
(Nuscope)
Gratkowski, Frank
Fo(u)r Alto; 4 Compositions
(Leo)
Various Artists
The Intelligent Dancer [DVD]
(Absinth Records)
Various Artists
Labor CD - Labor Sono / KuLe / Berlin [2 CDs]
(Charhizma)
Zeitkratzer
plays PRES
(Bolt)
Fields, Scott Multiple Joyce Orchestra
Moersbow Ozzo
(Clean Feed)
DuH (Gratkowski / Mezei / Markos / Blume)
in just
(Red Toucan)
Fabbriciani, Roberto / Robin Hayward
nella basilica
(Another Timbre)
Beins / Dorner / Hayward / Krebs
Phosphor 2
(Potlatch)
Gratkowski / Brown / Winant
Wake
(Red Toucan)
Bik Bent Braam
Extremen
(BBB)
Gratkowski / Nabatov / Robertson / Manderscheid
Celebrations
(Leo)
Hubsch's Primordial Soup, Carl Ludwig
Primordial Soup
(Red Toucan)
Bik Bent Braam
Growing Pains
(BBB)
Kaufmann / Gratkowski / de Joode
Unearth
(Nuscope)
Liederkreis (Judith Berkson)
Liederkreis [VINYL]
(B. Walter Recordings)
P.O.P. [Psychology Of Perception]
Ikebana
(FMR)
Lewis, George & Splitter Ochester
Creative Construction Set
(Mikroton Recordings)
Cage, John
Complete Song Books [VINYL 2 LPs]
(KARLRECORDS)
Wolff, Christian
Angelica Music
(Angelica)
Hayward, Robin
Rubble Master [CASSETTE]
(Cassauna)
Zeitkratzer / Keiji Haino
Stockhausen: Aus Den Sieben Tagen
(Zeitkratzer)
Kaufmann, Achim / Frank Gratkowski /Wilbert de Joode
Oblengths
(Leo)
Kudirka, Joseph
'Beauty and Industry' - ensemble works played by Apartment House
(Another Timbre)
Skein (Gratkowski / Kaufmann / de Joode / Lee / Barrett / Buck)
Skein
(Leo)
Schubert, Matthias
9 Compositions for The Multiple Joy[ce] Ensemble
(Red Toucan)
Gratkowski, Frank / Damon Smith / Jerome Bryerton
The Voice Imitator
(Balance Point Acoustics)
Hegenbart, Boris & 19 Artists (Frith / Ambarchi / Grubbs / Brandlmary / &c)
Instrumentarium
(Monotype)
Wire, The
#390 August 2016 [MAGAZINE + CD]
(The Wire)
Wire, The
#389 July 2016 [MAGAZINE]
(The Wire)
Huy (Junji / Kazuhisa / Yoshida)
Huy
(Magaibutsu Limited)
World Heritage, The (Yamamoto Seiichi / Katsui Yuji / Kido Natsuki / Nasuno Mitsuru / Yoshida Tatsuya)
The Land of Light
(Magaibutsu)
Shimizu, Kazuto / Yoshida Tatsuya / Nasyuno Mitsuru
SYN LIVE
(Magaibutsu Limited)
Braxton, Anthony
Live At The Rainbow Gallery '79
(Hi Hat)
Steve Swell Quintet (Swell / Moondoc / Burrell / W. Parker / Cleaver)
Soul Travelers [VINYL + DOWNLOAD]
(RogueArt)
Fire! Orchestra
Ritual [VINYL 2 LPs + CD]
(Rune Grammofon)
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