A very open album of improvisation, using an intensely responsive section of three drums and one bass, with Wooley in amazing form playing above the fray, from introspective reserve to seething runs, supported by a wicked undercurrent of astounding, criss-crossing rhythm.
Shipping Weight: 16.00 units
Quantity in Basket: None
Log In to use our Wish List
Limited edition of 300 copies.
Catalog ID: NBLP 95
Squidco Product Code: 22183
Recorded at Sa Da Bandeira Studio, in Portugal on May 12th, 2012, by Danas Mikailionis.
Highlight an artist name or instrument above
and click here to Search
NY Downtown & Jazz/Improv
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers
New in Improvised Music
Recent Releases and Best Sellers
sample the album:
A very open album of improvisation, using an intensely responsive section of three drums and one bass, with Wooley in amazing form playing about the fray, from introspective reserve to seething runs, supported by a wicked undercurrent of astounding, criss-crossing rhythm. The session took place in Portgual in 2012, recorded by NoBusiness label leader Danas Mikailionis. It's hard to pinpoint what is most prominent in these recordings, the incredible interactive drumming of Mario Costa, Chris Corsano, and Jorge Queijo, the rock solid bass work of Hugo Antunes, or Wooley's tour-de-force of modern trumpet technique and authoritative playing. A remarkable configuration and on-point playing make this an exception album!
Limited edition of 300 copies.
• Show Bio for Nate Wooley
"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.
Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.
Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".
In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.
Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."-Nate Wooley Website (http://natewooley.com/about)
^ Hide Bio for Nate Wooley
• Show Bio for Hugo Antunes
"Hugo Antunes was born in 1974 in Portugal. In 2011 released "The future of the past" VELKRO album on Pling records. In 2010 released "Roll Call", for Clean Feed records. In 2009 was awarded with an INOV ART scholarship (Did a research over improvised music in Brussels Belgium.); In 2009 enrolled as a bachelor student in the Royal Belgium Conservatory in Brussels, studying with Christophe Walleme; In 2008 during the Coimbra Jazz Festival, he was invited to participate in Jazz Orchestra Workshop conducted and oriented by the alto saxophone player Michael Attias, which ended with a live performance in the Festival; In 2006 attended a Berklee summer workshop, in Perugia, Italy, oriented by Dave Clark; In 2005 enrolled as a full-time bachelor student in the Amsterdam's Conservatorium of Music. His major was Double Bass Jazz with Prof. Franz Van der Hooven; In 2004, during the Coimbra Jazz Festival, was invited to participate in Jazz Orchestra Workshop conducted and oriented by the double bass player Adam Lane, which ended with a live performance in the Festival; In 2003, during the Estoril Jazz Festival, attended a workshop with Rufus Reid; In 2002 attended a Jazz workshop taking place in Valencia, Spain, with Mário Rossy; In 2000(/2002) initiated his musical and double bass studies at "Luís Villas Boas" (Hot Club) in Lisbon.
Bands and musicians he worked with: Gerry Smullian USA; Michael Attias (USA); Nate Wooley (USA); Alexandra Samsonova Trio and Quartet with Jesus Santandreu; Carlo Magni Trio; Michel Charenc (France); Benny Lackner Trio with Mathieu Chazarenc; Carlos Carli Trio with German Kucich; Harmonics player Olivier Ker Orio; Phil Abraham (Belgium); Albert Bover (Spain); Christian Brewer (England); Quentin Collins (England); Michel Joussin (France); Loopless; VELKRO; Alexi Tuomarila (Finland); Robin Verheyen (Belgium); Winchovski (Belgium). Music and performence with: Nastio Mosquito, Trienal S. Paulo (Brasil), "Africalls", Casa de África, Spain, Las Palmas in 2008; "Evento", Bordeaux, France in 2009; Nastio e Kalaf, "Festival Mistura" 2008, at S. Luiz, Lisbon. "VOUS", International collective on improvised music, tap-toe, poetry, video. Lisbon, Portugal 2008, Apt, France 2009; "Deus.Pátria.Revolução.", play by Luis Bragança Gil e Luisa Costa Gomes, at CCB in Lisbon , Portugal 2008; S. João do Porto, Porto, Portugal 2009. Music and improvised dance: Ana Borges, Portugal; Luis Marrafa, Portugal/Belgium.
Taught Double bass at Escola das Artes de Sines, and others, in Portugal. Workshops over Improvised music in Portugal and Norway.-Jazz In Belgium Website (http://www.jazzinbelgium.com/person/hugo.antunes)
^ Hide Bio for Hugo Antunes
• Show Bio for Chris Corsano
"First spellbound by freely improvised music in the mid-1990s after witnessing performances by TEST, William Parker, Cecil Taylor, and others, Chris Corsano began a long-standing, high-energy partnership with Paul Flaherty in 1998. A move from western Massachusetts to the UK in 2005 led Corsano to develop an expanded solo music of his own, incorporating sax reeds, violin strings and bows, pot lids, and other everyday household items into his drum kit. In February 2006 he released his first solo recording, The Young Cricketer, and toured extensively throughout Europe, USA, and Japan. He spent 2007 and '08 as the drummer on Björk's Volta world tour, all the while weaving in shows and recordings on his days off with the likes of Evan Parker, Virginia Genta, and C. Spencer Yeh. Moving back to the U.S. in 2009, Corsano returned focus to his own projects, most notably a duo with Michael Flower, Rangda (with Sir Richard Bishop and Ben Chasny) and solo work, now revamped to include synthesizers and contact microphones in addition to his drum set and home-made acoustic instruments.
In addition to the those mentioned above, he's also worked with, among others: John Edwards (released by: Clean Feed/Dancing Wayang), Jim O'Rourke & Akira Sakata (Drag City/Family Vineyard), Paul Dunmall (ESP-Disk), Nels Cline (Strange Attractors), Jessica Rylan (Load Records), Jandek (Corwood), Sunburned Hand Of Man (Manhand), MV&EE (Eclipse/Time-Lag), Vampire Belt (Open Mouth), Joe McPhee (Roaratorio), and Wally Shoup (Leo/Columbia Japan)."-Chris Corsano Website (http://www.cor-sano.com/bio.html)
^ Hide Bio for Chris Corsano
Search for other titles on the NoBusiness label.