The 8th release from John Hollenbeck's Claudia Quintet, a lyrical and inventive NY jazz band with Drew Gress on bass, Chris Speed on reeds, Matt Moran on vibes and Red Wierenga on accordion, in music exploring the dichotomy between brevity and complexity with innovation and wit.
Claudia Quintet, The
Released in: USA
"Formed by composer / drummer / arranger John Hollenbeck in 1997, this NYC ensemble's sound explores the edge without alienating the mainstream, proving that genre-defying music can be for everyone. Over the past decade, the group has released CDs that are critically acclaimed world wide and whose appeal extends well beyond, as well as including traditional jazz audiences. The Claudia Quintet has amazed audiences from Alabama to the Amazon. Their unique sound has inspired dancing hippie girls at a New Mexico noise festival, the avant-garde cognoscenti in the concert halls of Vienna and Sao Paolo, and a generation of young musicians worldwide. In the course of the thousands of miles they have traveled together and hundreds of concerts they've played, the Claudia Quintet has evolved and grown, developing a dynamic live sound based on trust and spontaneity. They bring this powerful energy into the studio, where they record the old-fashioned way, live, playing as a band.
On Super Petite:
Short doesn't necessarily mean simple. Drummer-composer John Hollenbeck acrobatically explores the dichotomy between brevity and complexity on Super Petite, the eighth release by the critically-acclaimed, proudly eccentric Claudia Quintet. The oxymoronic title of the new album, captures the essence of its ten new compositions, which pack all of the wit and virtuosity that listeners have come to expect from the Claudia Quintet into a shorter time-frame.
Hollenbeck's uncategorizable music - which bridges the worlds of modern jazz and new music in surprising and inventive ways - is realized by Claudia's longstanding line-up. Over the course of 19 years and 8 albums, the band has forged an astounding chemistry and become expert at juggling mind-boggling dexterity with inviting emotion and spirit.
The concept of shorter works was both a personal challenge for Hollenbeck as a composer always dealing with a wealth of ideas, but also a reaction to a tendency in modern music toward the epic. "I'm feeling things in the opposite direction," the composer explains. "When tunes are longer, there tend to be moments when not a whole lot is happening. If you have a really short tune, the whole thing has to be compelling."
Equally compelling, the release comes with a fat, 20 page color booklet, designed by KarlssonWilker, who have done all of the artwork for Claudia's releases, which is filled with unusual and attractive art."-Cuneiform Records
• Show Bio for John Hollenbeck
"John Hollenbeck is a composer of music uncategorizable beyond the fact of being always identifiably his. A conceptualist able to translate the traditions of jazz and new music into a fresh, eclectic, forward-looking language of his own invention, intellectually rewarding yet ever accessibly vibrant. A drummer and percussionist possessed of a playful versatility and a virtuosic wit. Most of all, a musical thinker - whether putting pen to paper or conjuring spontaneous sound - allergic to repetition, forever seeking to surprise himself and his audiences. [...]
Hollenbeck received degrees in percussion and jazz composition from the Eastman School of Music before moving to New York City in the early 1990s. He was profoundly shaped by the mentorship of two hugely influential artists: trombonist/arranger/composer Bob Brookmeyer and composer/choreographer Meredith Monk. His relationship with Brookmeyer reached back to the age of 14, when he attended the SUNY Binghamton Summer Jazz Workshop, and continued at Eastman, through NEA-funded composition study, and finally on the bandstand with Brookmeyer's New Art Orchestra and in the studio with Brookmeyer and trumpet great Kenny Wheeler. For Monk, Hollenbeck composed and performed the percussion scores for five of her works: "Magic Frequencies," "Mercy," "The Impermanence Project," "Songs of Ascension" and "On Behalf of Nature."
Hollenbeck's awards and honors include four Grammy nominations; the 2012 Doris Duke Performing Artist Award, the 2010 ASCAP Jazz Vanguard Award and a 2007 Guggenheim Fellowship; winning the Jazz Composers Alliance Composition Contest in 1995 and 2002; Meet the Composer's Grants in 1995 and 2001; and a Rising Star Arranger win in the 2012 and 2013 DownBeat Critics' Polls as well as in 2011 for the JHLE as Rising Star Big Band. John was a professor of Jazz Drums and Improvisation at the Jazz Institute Berlin from 2005-2016 and in 2015 joined the faculty of McGill University's Schulich School of Music."-John Hollenbeck Website (http://johnhollenbeck.com/about/biography/)
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• Show Bio for Red Wierenga
"Red Wierenga is a pianist, accordionist, respectronicist, improviser, and composer based in New York City. His longest creative association is with the Respect Sextet, called "a group which has released one of the most compelling recordings of the year" by the Wall Street Journal, and "one of the best and most ambitious new ensembles in jazz" by Signal To Noise.
He has performed and/or recorded with artists including The Claudia Quintet, Ensemble Signal, Salo, the Fireworks Ensemble, and David Crowell.
Wierenga builds and performs with new interfaces for electroacoustic improvisation, working with analog and digital synthesizers.
He received his bachelor's degree from the Eastman School of Music, studying with Harold Danko, Ralph Alessi, and Kevin Puts. After having studied at the Institute of Sonology in The Hague with Joel Ryan and Paul Berg, he received his Ph.D. from CUNY Graduate Center, where he was an Enhanced Chancellor's Fellow and where his teachers included Jason Eckardt, Douglas Geers., and David Grubbs He has taught at Baruch College and currently teaches at the Brooklyn College Center for Computer Music and works for the design-led music technology company ROLI."-Red Wierenga Website (http://redwierenga.com/?page_id=2)
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• Show Bio for Drew Gress
"Drew Gress (born November 20, 1959) is an American jazz double-bassist and composer born in Trenton, New Jersey, raised in the Philadelphia area, and currently based in New York City.
Gress became interested in jazz and the double bass while a teenager, joining the Pennsbury Concert Jazz Band, a nationally-prominent high school jazz ensemble, in 1975, spending two years as bassist and arranger for the group. His interest in composing original material for large ensembles, such as those of Johnny Richards, Billy May, and Pat Williams, led him to Baltimore's Towson State University in 1977, where he studied composition and counterpoint with Hank Levy, known for his work with Don Ellis and Stan Kenton. While at Towson, Gress established a playing relationship with saxophonist Ellery Eskelin, with whom he cofounded Joint Venture with Paul Smoker and Phil Haynes. They released three albums on Enja Records between 1987 and 1994.
During the 1980s in the Baltimore/Washington DC area, he played with Sonny Stitt, Clifford Jordan, Albert Dailey, Mose Allison, Zoot Sims, Cab Calloway, Buddy Hackett, Phyllis Diller, and pianist Marc Copland, with whom he still plays today. He also served on the faculties of the Peabody Conservatory, Towson State University, and the Baltimore School for the Arts. He formed a quartet, Tekke, in 1989 with David Kane, Glenn Cashman, and Michael Smith.
In 1997, he cofounded the cooperative improvising trio Paraphrase with saxophonist/composer Tim Berne and drummer Tom Rainey. Together, they pursued a compositional approach to free improvisational practice. They recorded three live albums together and toured extensively.
In 1998, he released his first album as leader, Heyday, with his band Jagged Sky (featuring David Binney, Ben Monder, and Kenny Wollesen). 2001 saw the release of Spin & Drift with Uri Caine, Berne, and Rainey, in which he played pedal steel guitar for the first time.
Earlier in the 1990s, he served tenures as artist in residence at University of Colorado-Boulder and at Russia's St. Petersburg Conservatory.
Since 1992, Gress has maintained an extensive touring schedule, traveling to Europe, Asia, and South America. Those with whom he has and continues to work include Tim Berne, Ravi Coltrane, Uri Caine, John Hollenbeck, Fred Hersch, Marc Copland, Don Byron, Steve Coleman, Dave Douglas, Jack DeJohnette, John Surman, Ray Anderson, Erik Friedlander, Kenny Werner, Bill Carrothers, Ralph Alessi, Tony Malaby, Steve Lehman, and Edsel Gomez. To date, he has appeared on over 140 recordings, 4 of which have received Grammy nominations.
Gress' own ensembles have toured Europe four times since 2002, in addition to isolated festival appearances in Italy and Portugal. In 2004, the UK's BBC Radio and London's Guardian selected his quartet's live radio broadcast as Jazz Concert of the Year.
Composition awards include an NEA grant (1990), funding from Meet the Composer (2003), a Chamber Music America New Works Grant (2005), a CMA French-American Exchange Grant (2007), and an Encore Grant from that same organization (2008). He continues to compose for larger groups and has begun experimenting with virtual synthesizers."-Wikipedia (https://en.wikipedia.org/wiki/Drew_Gress)
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• Show Bio for Chris Speed
"Chris Speed is a composer, clarinetist and saxophonist - and is "one of the principal figures in a dynamic left-of-center jazz/improv scene in the city" (NYTimes). His own bands include Endangered Blood, Human Feel, yeah NO, Trio Iffy, Pachora and The Clarinets. He is a founding member of Jim Black's Alas No Axis and John Hollenbeck's Claudia Quintet (two of the most influential working bands today), works with Uri Caine (deconstructing works by Mahler, Mozart, Bach, Schoenberg, Gershwin) and maintains a busy career of touring, recording, performing, composing, practicing and teaching. Current projects include work with Craig Taborn's Heroic Frenzies, Michael Formanek's Ensemble Kolossus, Dave King's Trucking Co., Matt Mitchell Quartet, Mary Halvorson's Reverse Blue, Banda de los Muertos (NYC's only Banda band), as well as touring his latest project, Endangered Blood (with Black, Trevor Dunn and Oscar Noriega) which was featured on NPR's Tiny Desk Concerts in 2012. (Endangered Blood 2010, Work Your Magic 2013 Skirl). "Speed's Endangered Blood originals stand out as his most melodically generous, accessible and warm batch of compositions he's yet to produce." -DownBeat ****Born in 1967, Speed grew up in the Seattle area where he met future colleagues Jim Black and Andrew D'Angelo, all of whom ended up in Boston in the late 80's where they formed Human Feel with guitarist Kurt Rosenwinkel. (Scatter 1992, Welcome to Malpesta 1994, Speak To It 1996, Galore 2007). While in Boston he studied at New England Conservatory and graduated in 1990. By 1992, after a short tour with the Artie Shaw Band (led by Dick Johnson), Speed moved to New York City where he started working with Tim Berne's (now legendary touring band) Bloodcount. (Unwound 1996, Discretion 1997, Saturation Point 1997, The Seconds 2006).In April 2006, he launched Skirl Records, a label dedicated to Brooklyn based creative music" -Chris Speed Website (http://chrisspeed.com/bio/)
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• Show Bio for Matt Moran
"Matt Moran received a Master's degree in jazz composition from New England Conservatory in 1995. At NEC he studied with the visionary composer and multi-instrumentalist Joseph Maneri, and has continued to learn from Maneri through performances with him. Since moving to New York in 1995 he has performed both as leader and sideman, including billings for the Knitting Factory's What Is Jazz? Festival, the JVC Jazz Festival, the Panasonic Village Jazz Festival, Lincoln Center Out-of-Doors, and the Vision Festival, as well as leading tours in the U.S. and Europe.
Also active as a performer, teacher, and curator in the Balkan folk music scene, Moran plays traditional percussion with artists such as Lefteris Bournias, Raif Hyseni, Demetri Tashie, and other master musicians from the Balkans who have immigrated to New York. With Slavic Soul Party!, he sparked "Balkan Cabaret", a downtown music series for Balkan and Balkan-inspired music.
Moran currently leads the groups Sideshow and Slavic Soul Party! He is also active performing and recording with John Hollenbeck's Claudia Quintet, the Mat Maneri Quintet, Theo Bleckmann, Dan Levin, Nate Wooley, Kavala Brass Band, and Zlatne Uste Balkan Brass Band.
Vibraphonist and tunesmith Matt Moran "plays the vibraphone like a speed-chess master, always darting off into flurries of ingenious, unexpected activity" (Village Voice). He has performed and recorded with artists as diverse as Mat Maneri, Lionel Hampton, Combustible Edison, Ellery Eskelin, and Saban Bajramovic. Moran's sound is integral to an innovative group of New York musicians who blur the boundaries of composition, improvisation, and folk traditions."-Matt Moran Website (http://www.mattmoran.com/bio.html)
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Catalog ID: CUN-CD-427
Squidco Product Code: 22176
Packaging: Jewel Case
Recorded at Brooklyn Recording in Brooklyn, New York, in 2015, by Andy Taub.
John Hollenbeck-drums, percussion, composer
Drew Gress-acoustic bass
Chris Speed-clarinet, tenor saxophone
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