The trio of NY free improvisers Yoni Kretzmer on tenor sax and Kevin Shea on drums (Talibam, Mostly Other People Do the Killing) with bassist Jason Ajemian in an intense album of "immaterial tangibility, the raw flesh, dirty concreteness, thoughtlessness and stuff called music."
Label: OutNow Recordings
Catalog ID: ONR026
Squidco Product Code: 22153
Packaging: Cardboard Gatefold
Recorded at Park West studios in Brooklyn, New York in July 2015 and February 2016 by Jim Clouse.
Yoni Kretzmer-tenorr sax
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1. A Walking Rant 11:39
2. Plains Lay Ahead 14:57
3. Torn Throughout 10:27
4. Repeated Routine Exception 14:09
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NY Downtown & Jazz/Improv
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sample the album:
"Trying to get as close as they can to the substance, the immaterial tangibility, the raw flesh, dirty concreteness, thoughtlessness and stuff called music. Sometimes, they also try and do the total opposite..."-OutNow
At The Squid's Ear!
• Show Bio for Kevin Shea
"Kevin Shea is valued as being a vital and original artist in the contemporary music scene. Shea's originality is manifested not only by his personal approach to his instrument, but also throughout his constant search for new musical horizons unifying all the bands he has been involved in despite the parameters set for musicians by genre definition, or by historical icons.
The plurality of rigorous artistic aspirations and creative engagement that distinguish the discography of Kevin Shea are not the product of chance or merely taking advantage of opportunities -- but the result of labor, strong convictions, and a strong conceptual support -- a deliberate search for transitional territories away from the dogmas of boring and unnecessary conventions.
Shea's artistic interests are rooted in reevaluating what a band/music, musician/performer, artist and audience can and should be. Splitting the difference between passion and song, Shea plays multi-dimensional utopian sound in which opposing musical forces integrate to form a new sustainable recipe for sound and social implication. Remaining devoted to his belief that the application of sonic diversity is paramount to the appreciation of human diversity, Shea's ultimate goal has been to wed disparate ideologies through proficiency, controversy, inquiry, and compassion -- an approach perpetuating audiences, listeners, and sometimes fellow band members, to face, question, define, and attempt to defend their own level of tolerance and compassion head-on, no-holds-barred.
Through this carefully planned direct method in the round, Shea's sonic investigations emphatically traverse the mobius strip highway of refurbished canticles, perpetually climaxing between Sadean semelparity and Platonic resurrection. At the heart of Shea's dialectical core, unabashed artifacts of rhythmic iconoclasm conjoin with anthemic melody gestures and modern memory loss to create a vital force that gives us bittersweet contemplation and empathy.
As a youth, Shea moved throughout the States many times, transforming any of his formal expectations into a joyous foundation of constant flux. He learned that intuition and customs had to be constantly re-evaluated and negotiated rather than held as sacred. This process of questioning is central to Shea's music. To him, sound is a result of a broader process rather than formulas tied to notions of predictable emotional response. Shea sees sound and music, not as a prize, but a simple aspect of banal daily life.
Kevin Shea has over 25 years of experience as a professional drummer, composer and performer. He has recorded on over 120 albums in a mish-mash of contexts and has performed in over 40 countries. His training started in public elementary school and continued steadily through his college years at Berklee College of Music."-Kevin Shea website (http://www.kevinshea.info/)
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