Columbus, Ohio audio experimenter Ryan Jewell using percussive items to create two distinct works of amplified sound intended for radio broadcast, patiently developing each piece into compelling improvisations that transition through concentrative playing.
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Label: Notice Recordings
Catalog ID: NTR028
Squidco Product Code: 22150
Ryan Jewell-performer, composer
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1. O-O 18:56
1. OO 16:00
Related Categories of Interest:
Sound, Noise, &c.
Percussion & Drums
New in Experimental & Electronic Music
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sample the album:
"Upon seeing Ryan Jewell's patient, rigorous and riveting performance at Chicago's very first Neon Marshmallow festival, we were fascinated by his meticulous sonic explorations falling somewhere in-between percussion, minimalism and electronic composition. Several years on, Jewell, still based in Columbus, OH, has continued to build an impressive resume as a co-conspirator with all sorts of people. Populated by acoustic textures, percussion-based sonic events, and unconventionally performed sounds, the assuredly paced solo pieces in Radio: Vol. 2 reveal Jewell as the yin to the noisier side of the Ohio scene."-Notice Recordings
"A common complaint I've had over the years, especially, as it happens, with percussionists, is their reluctance to concentrate on one area or aspect of their instrument for extended periods. Jewell has no problems in this regard. Often a "regular" drummer as nearly as I can discern (I believe I've only previously encountered his work in a collaborative context), on this cassette release he engages in two lengthy explorations of "limited" territory with fine results. I'm not precisely sure what elements were used here but it seems to be some mix of electronics and percussion, or at least percussion-sourced recordings. On the first track, "O-O" (recorded in 2010), the world is one of acid sizzles and a rough, rubbed sound that occasionally grows into quasi-vocal moans that remind me very much of the nocturnal, unconscious murmurings of Robert Ashley in his "Automatic Writing" and is similarly disturbing. It's not that shifts of focus don't occur; they do, but feel absolutely appropriate, like moving smoothly to an adjacent, related space, here one where the rubbing becomes more vivid and stone-like, achieving a fine, near-chaotic state, ending with a couple minutes of soft, brushy sound and a punctuative clunk. The second side of the cassette, "OO" (2009), sounds more purely percussive to me and is even more concentrated, Jewell producing, through rubbing both smooth and rough, wonderful nests of sounds existing somewhere between tones and rapid rhythms, rising periodically to a frightening wail. He spends the entire cut right in almost the same spot, not generating anything new or spectacular but, better, letting the richness of what he's initially discovered sink in. That's something I greatly appreciate, wish it happened more often.
Excellent work, highly recommended."-Brian Olewnick, Just Outside
Get additional information at Brian Olewnick's Just Outside