Guitarist Nick Millevoi leads an ensemble that includes Jamie Saft on Hammond Organ, Ches Smith on drums, Johnny Deblase on bass, Dan Blacksberg on trombone and June Bender on violin, for an album equally embracing and subverting a wealth of rock and jazz forms.
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Catalog ID: SHH024CD
Squidco Product Code: 22131
Packaging: Cardstock Gatefold Sleeve
Recorded by Jamie Saft at Potterville International Sound, Kerhonkson, NY, August 14, 2015. Overdubs and track 5 recorded by Eric Carbonara at Nada Sound Studio, Lansdowne, PA, August 28, 2015. Mixed and mastered by Colin Marston at Menegroth, The Thousand Caves, Queens, NY. Produced by Nick Millevoi.
Nick Millevoi electric guitar, acoustic guitar
Jamie Saft-hammond organ and piano
Johnny DeBlase-upright and electric bass
Dan Blacksberg-trombone and string arrangements
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1. Desertion And The Arsonist's Match 8:29
2. Just For A Moment, I Stood There In Silence 6:08
3. Where They Do Their Capers 7:59
4. Disneyland In Hamtramck 6:56
5. The Big Moment Is Always Out There Waiting 3:55
6. The Fire That Partially Damaged City Hall 8:31
Related Categories of Interest:
Rock and Related
New in Improvised Music
New in Rock Forms
Recent Releases and Best Sellers
NY Downtown & Jazz/Improv
sample the album:
"At the intersection of jazz and rock, guitarist and composer Nick Millevoi aligns himself with the aesthetics promoted by John Zorn's Tzadik label (the one behind his work with the band Many Arms), the psychedelic Chris Forsyth & the Solar Motel Band, as well as by a dozen or so other genre-leaping collaborations. Millevoi assembles musicians like Jamie Saft, Johnny DeBlase, Ches Smith, Dan Blacksberg and June Bender for a record that summons the folk, country, and blues roots of present day American music.
But, if in Desertion the music is presented with the positive affirmation of a statement, Millevoi arrives there in unpredictable ways, and that is what makes this release so compelling. Alternative tunings of the guitars, unusual manipulations of the effect pedals, (added a comma) and a careful management of feedback turn the six songs here into a musical journey that rewards listeners with the surprise of discovery. A flux of retro-futuristic situations and an ever-present Hammond organ create a patina on this music, referencing the past without being nostalgic.
Is this getting back to the basics? Without a doubt, but resulting in something very different from what was done before. It's almost like Neil Young brought Crazy Horse and all of his Downtown NY friends with him to do a new version of the Dead Man soundtrack in 2016. Unmissable."-Shhpuma
• Show Bio for Jamie Saft
"Jamie Saft (piano, organs, analog synthesis, bass and guitar, steel guitars) is a native of Queens, New York. Since returning to New York in 1993, Saft's stylistic versatility, multi-instrumentalist capabilities, and production skills have been featured with the Beastie Boys, Bad Brains, the B-52's, Laurie Anderson, Bobby Previte, John Zorn, Dave Douglas, Jerry Granelli, Holly Palmer, Marc Ribot's Los Cubanos Postisos, Elysian Fields, Black Beatle, Antony and the Johnsons, Chocolate Genius, JoJo Mayer's Nerve, E-Z Pour Spout, Cuong Vu, Chris Speed Trio Iffy, Jane Ira Bloom, and the Groove Collective.
Saft is a mainstay of the downtown scene and a member of bands such as The Beta Popes, Whoopie Pie, Swami LatePlate, The Shakers and Bakers, Kalashnikov, Pramrod Sexena, and John Zorn's Electric Masada.
Saft was the pianist for the New York and Paris premiers of John Adams' opera "I Was Looking at the Ceiling and then I Saw the Sky" at Lincoln Center and MC93 Bobingy.
Saft has recently composed a number of original film scores and music fortelevision. Recent films scored include the Oscar nominated film"Murderball", Sundance Grand Jury Prize winner "God Grew Tired Of Us",and currently airing HBO documentary "Dear Talula". Saft has alsocontributed score music for Nickelodeon, MTV, and A&E.."-Jamie Saft Website (http://www.jamiesaft.com/html/bio.html)
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• Show Bio for Johnny DeBlase
"Johnny DeBlase is a bassist and composer from New York City. He splits much of his musical time pushing the boundaries of avant-rock and free jazz as a member of the guitar trios Many Arms and Zevious. He also leads his own quartet and composes an eclectic mix of chamber and electronic music. Johnny has toured the US and Canada extensively and has released albums on Tzadik, Cuneiform Records, Engine-ESP, Majmua Music, and Abandon Ship Records."-Johnny DeBlase Website (http://johnnydeblase.blogspot.com/)
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• Show Bio for Ches Smith
"Born in San Diego, CA and raised in Sacramento, Ches Smith came up in a scene of punks and metal musicians who were listening to and experimenting with jazz and free improvisation. He studied philosophy at the University of Oregon before relocating to the San Francisco Bay area in 1995. After a few years of playing with obscure bands and intensive study with drummer / educator Peter Magadini, he enrolled in the graduate program at Mills College in Oakland at the suggestion of percussionist William Winant. There he studied percussion, improvisation, and composition with Winant, Fred Frith, Pauline Oliveros and Alvin Curran. One of Winant's first "assignments" for Ches was to sub in his touring gig at the time, Mr. Bungle (here he met bassist / composer Trevor Dunn who would later hire him for the second incarnation of his Trio-Convulsant). During his time at Mills, Ches co-founded two bands: Theory of Ruin (with Fudgetunnel / Nailbomb frontman Alex Newport), and Good for Cows (w/ Nels Cline Singers' Devin Hoff). He currently performs and records with Xiu Xiu, and Secret Chiefs 3. He has also performed with Ben Goldberg, Annie Gosfield, Wadada Leo Smith, John Tchicai, Fred Frith, and Trevor Dunn. In addition to Ceramic Dog, he also leads his two of his own projects, Congs for Brums and These Arches. He currently spends his time between Los Angeles, San Francisco and Brooklyn."-Ches Smith Website (http://www.chessmith.com/)
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