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Cage, John: Cheap Imitation (Cramps)

A 1989 reissue of the 1977 Cramps release from their Nova Musicha series, this album is a piece for solo piano by John Cage, composed in 1969, an indeterminate piece created using the I Ching and based, rhythmically, on Socrate by Erik Satie.
 

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product information:


UPC: 4029758412923

Label: Cramps
Catalog ID: CRS 117CD
Squidco Product Code: 21951

Format: CD
Condition: New
Released: 1989
Country: Italy
Packaging: Jewel Case
Recorded at the Center for Contemporary Music, Mills College, Oakland, California.


Personnel:

John Cage-composer

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track listing:


1. I 7:14

2. II 8:27

3. III 20:30
Related Categories of Interest:


Compositional Forms
Avant-Garde
John Cage
Piano & Keyboards
Solo Artist Recordings
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descriptions, reviews, &c.

"1989 reissue; originally released in 1977 as number 17 in the Nova Musicha series. Recorded at the Center for Contemporary Music, Mills College, Oakland, California, Cheap Imitation is a piece for solo piano by John Cage, composed in 1969. It is an indeterminate piece created using the I Ching and based, rhythmically, on Socrate by Erik Satie; it consists almost exclusively of a single melodic line, with occasional doublings, as an "imitation" of original score."-Cramps


Artist Biographies:

"John Milton Cage Jr. (September 5, 1912 - August 12, 1992) was an American composer, music theorist, writer, philosopher, and artist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential American composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.

Cage is perhaps best known for his 1952 composition 4′33″, which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challenge to assumed definitions about musicianship and musical experience made it a popular and controversial topic both in musicology and the broader aesthetics of art and performance. Cage was also a pioneer of the prepared piano (a piano with its sound altered by objects placed between or on its strings or hammers), for which he wrote numerous dance-related works and a few concert pieces. The best known of these is Sonatas and Interludes (1946-48).

His teachers included Henry Cowell (1933) and Arnold Schoenberg (1933-35), both known for their radical innovations in music, but Cage's major influences lay in various East and South Asian cultures. Through his studies of Indian philosophy and Zen Buddhism in the late 1940s, Cage came to the idea of aleatoric or chance-controlled music, which he started composing in 1951. The I Ching, an ancient Chinese classic text on changing events, became Cage's standard composition tool for the rest of his life. In a 1957 lecture, Experimental Music, he described music as "a purposeless play" which is "an affirmation of life - not an attempt to bring order out of chaos nor to suggest improvements in creation, but simply a way of waking up to the very life we're living"."

-Wikipedia (https://en.wikipedia.org/wiki/John_Cage)
12/13/2017

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