Composer Pisaro made a series 10 minute field recordings from different locations in Los Angels between 2004-2006, mixing them with sine tones and punctuating them with silence, mastered for home stereo playback to create a dynamic set of impressions of the city.
Label: Edition Wandelweiser Records
Catalog ID: EWR 0708/9
Squidco Product Code: 21818
Format: 2 CDs
Packaging: Cardstock 4 page foldover
Field recordings made in greater Los Angeles from December 2004 to August, 2006.
Michael Pisaro-composer, performer
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1. No. 13 12:02
2. No. 14 12:02
3. No. 15 12:02
4. No. 16 12:02
5. No. 17 12:02
6. No. 18 12:00
1. No. 19 12:02
2. No. 20 12:02
3. No. 21 12:02
4. No. 22 12:02
5. No. 23 12:02
6. No. 24 12:00
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Organized Sound and Sample Based Music
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sample the album:
"Field recordings made in greater Los Angeles from December, 2004 to August, 2006.Each recording is an unedited ten-minute take from a single location.
Sine tones and mixing completed in Michael Pisaro's home studio in Santa Clarita, California.
Each ten-minute piece is followed by two minutes of silence.
Recordings were mastered with home stereo playback in mind.
In general, it is best to set the volume control on your system to a normal level (that is, the level at which most of your other music is played) and to let it remain in that position.
Volume levels of the pieces vary intentionally over the course of the series."-Editions WandelweiserSee also Volumes 1 & 2
• Show Bio for Michael Pisaro
"Michael Pisaro was born in Buffalo in 1961. He is a composer and guitarist, a member of the Wandelweiser Composers Ensemble and founder and director of the Experimental Music Workshop, Calarts. His work is frequently performed in the U.S. and in Europe, in music festivals and in many smaller venues. It has been selected twice by the ISCM jury for performance at World Music Days festivals (Copenhagen,1996; Manchester, 1998) and has also been part of festivals in Hong Kong (ICMC, 1998), Vienna (Wien Modern,1997), Aspen (1991), London (Cutting Edge, 2007), Glasgow (INSTAL 2009), Huddersfield (2009), Chicago (New Music Chicago, 1990, 1991) and elsewhere.
He has had extended composer residencies in Germany (Künstlerhof Schreyahn, Dortmund University), Switzerland (Forumclaque/Baden), Israel (Miskenot Sha'ananmim), Greece (EarTalk) and in the U.S. (Birch Creek Music Festival, Wisconsin). Concert length portraits of his music have been given in Munich, Jerusalem, Los Angeles, Vienna, Merano (Italy), Brussels, New York, Curitiba (Brazil), Amsterdam, London, Tokyo, Austin, Berlin, Chicago, Düsseldorf, Zürich, Cologne, Aarau (Switzerland), and elsewhere.
He is a Foundation for Contemporary Arts, 2005 and 2006 Grant Recipient. Much of his music of the last several years is published by Edition Wandelweiser (Germany). Several CDs of his work have been released by such labels as Edition Wandelweiser Records, Compost and Height, confront, Another Timbre, Cathnor, Nine Winds and others, including most recently "transparent city, volumes 1-4", "an unrhymed chord", "hearing metal 1", "A Wave and Waves" and "harmony series (11-16)".
His translation of poetry by Oswald Egger ("Room of Rumor") was published in 2004 by Green Integer. He is Co-Chair of Music Composition at the California Institute of the Arts near Los Angeles. He has performed many of his own works and those of close associates Antoine Beuger, Kunsu Shim, Jürg Frey and Manfred Werder, and works from the experimental tradition, especially John Cage, Christian Wolff, James Tenney and George Brecht."-Wandelweiser (http://www.wandelweiser.de/michael-pisaro.html)
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