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Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
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Catalog ID: ALYCD-149
Squidco Product Code: 21592
Recorded May 2015 at Midilive and mixed Oct. 2015 at Studio Boxson by Philippe Teissier du Cros.
Sarah Murcia-doublebass, clavier, voice
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1. No Feelings 6:29
2. God Save The Queen 3:02
3. Bodies 2:41
4. Pretty Vacant 4:58
5. New York 7:05
6. Liar 2:44
7. E.M.I. 3:02
8. Holidays In The Sun 5:54
9. Problems 3:50
10. Seventeen 2:16
11. Submission 6:46
12. Anarchy In The U.K. 3:15
13. My Way 4:32
Rock and Related
Song Based Music
New in Rock Forms
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sample the album:
"Sarah Murcia presents "Never Mind the Future", a variation on the Sex Pistols' "Never Mind the Bollocks" album. In dissecting and reinterpreting each song, it is not a simple exercise in covering tunes but a will to actually feed on the music of the Sex Pistols in order to express hers. A music that blends jazz, rock and song, where Sarah Murcia is accompanied by her band 'Caroline', with the addition of pianist Benoît Delbecq and dancer/crooner Mark Tompkins. It is also a way to return to a mythical group and to a worship album that, as a listener, I myself started listening to when I was 8 years old... I guess it was just the right time for Sarah and I to meet one another and go forward with this project."-Ayler Records
• Show Bio for Benoit Delbecq
"Benoît Delbecq was born in St Germain en Laye (F), June 6, 1966. He lives in Bondy, near Paris. A dreamer and an adventurer in music, pianist/composer/producer Benoît Delbecq has been one of the activists of Hask (1992-2004) and Astrolab (1994-1999), two Paris-based cutting-edge jazz/improv collectives that have contributed to significantly revitalize the french creative music scene around the club Instants Chavirés in Montreuil/Paris. His music and projects include works for theater, dance, litterature, visual arts and motion pictures, that are being regularly invited by major festivals worldwide. He has released about 35 records as a leader or co-leader among a discography of more than a hundred discs.
Anchored in both jazz history as well as in aesthetical stakes of today's new musics, Delbecq's works are world-widely acclaimed since the early nineties. He is a renown specialist for a personal and polymetric approach of "prepared piano", and has also an regular activity in the electronic department. His works are experimenting a blend of improvisation and composition in which he reveals a rich pallet of sounds, enlightened by stratas of multiple momentums, articulations and seemingly floating harmonies. Inspired by alternative urban musical experiments and electronic music adventures, he also improvises a personal approach of drum'n bass and ambient.
Benoît was awarded 'Prix jeunes affiches de la SACEM' in 1995 with group KARTET, prix de la Villa Médicis Hors-les-murs 2001 for his first solo piano recording " Nu-Turn " (Songlines, 2003), was awarded with the fellowship of Civitella Fundation (New York, 2009), was awarded in 2010 a double Grand Prix International du Disque (Académie Charles Cros, the French Grammy Awards), and his trio CD "The Sixth Jump " (Songlines) was listed in the New York Times top ten jazz/pop records of 2010. His works for the Fred Hersch/Benoît Delbecq FUN HOUSE double trio (premiered and recorded in May 2012, to be released FEB 2013) have recently received the French Ministère de la Culture " Commande d'Etat " funding. Recently he was commissioned by JAZZTOPAD Festival in Wroclaw (Poland) for a new piece for the Lutoslawski String Quartet and two improvisers (Miles Perkin on bass and himself on piano)."-Benoit Delbecq Website (www.delbecq.net/bd/bd2biography.html)
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