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Scodanibbio, Stefano: Incontri & Reuniones (Angelica)

A memorial CD of unreleased material from the late contrabassist Stefano Scodanibbio, who was a student of Fernando Grillo's and a long-time associate of Luigi Nono and Terry Riley, performing with an ensemble that includes Riley, Tristan Honsinger, Bruce Ackley, &c.
 

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product information:


UPC: 752725035422

Label: Angelica
Catalog ID: IDA033
Squidco Product Code: 21467

Format: CD
Condition: New
Released: 2015
Country: Italy
Packaging: Jewel Case
Mastered at Studio Midi-Pyrenees, April 2015, by Bob Drake.


Personnel:

Stefano Scodanibbio-contrabass

Frances-Marie Uitti-cello

Rohan de Saram-cello

Tristan Honsinger-cello

Michael Kiedaisch-percussion

Bruce Ackley-soprano saxophone

Terry Riley-synthesizer

Mike Svoboda-trombone

Garth Knox-viola

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track listing:


1. Fantasia Farnese 11:29

2. Blu 3:45

3. Salvo 2:05

4. Helmut 3:14

5. Iannis 1:39

6. Julio 1:44

7. Franco 3:18

8. Pierre 1:55

9. Luciano 1:57

10. Brian 1:06

11. Giallo 4:54

12. Quasi un albero 12:30

13. Vermiglio 3:33

14. Emit Time 6:54

15. Homage to GS 4:35

16.Granada 7:51

17. Spiraglio 4:22

18. Pianissimi silenzi... Featuring Rohan de Saram 0:31

Related Categories of Interest:


Improvised Music
Free Improvisation
European Improv, Free Jazz & Related
London & UK Improv & Related Scenes
Large Ensembles
New in Improvised Music
Recent Releases and Best Sellers

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descriptions, reviews, &c.

"Stefano Scodanibbio (1956-2012) was one of the great contrabassists of recent times. A student of Fernando Grillo's and a long-time associate of Luigi Nono and Terry Riley he was active both as an interpreter - composers who wrote for him include Scelsi, Sciarrino, Bussotti, Xenakis, Ferneyhough and Grisey - and as an improviser.

This memorial CD brings together an extraordinary programme of previously unreleased pieces, co-initiated with a glowing cast of collaborators. It is a rich and tactile music with hyperreal attention to details of microtonality and timbre.The recordings are flawless. Exquisitely selected and edited by Massimo Simonini, and mastered by Bob Drake."-RER Megacorp


Artist Biographies:

"Deshamanya Rohan de Saram (born 9 March 1939) is a British-born Sri Lankan cellist. Until his thirties he made his name as a classical artist, but has since become renowned for his involvement in and advocacy of contemporary music. He travels widely and is much in demand for workshops and summer schools in addition to sustaining a schedule of adventurously programmed concerts.

Rohan de Saram was born to Ceylonese parents in Sheffield, Yorkshire, England. At age eleven he studied with Gaspar Cassad— in Siena and Florence. In 1955 at the age of 16 he was the first winner of the Guilhermina Suggia Award, enabling him to study in the UK with Sir John Barbirolli and in Puerto Rico with Pablo Casals. Casals said of him "There are few of his generation that have such gifts". In the following year he won a Harriet Cohen International Music Award.

At the invitation of Dimitri Mitropoulos, who described him in 1957 as "a rare genius...a born musician... an amazing...cellist", Rohan was invited to give his Carnegie Hall debut in 1960 with the New York Philharmonic, playing Khachaturian's Cello Concerto under the baton of Stanis aw Skrowaczewski. Gregor Piatigorsky presented him with a special bow. He has lived in London since 1972, first and foremost as a performer, although he has also taught at Trinity College of Music, London. From 1979 to 2005 de Saram was a member of the Arditti Quartet but now works with other artists to pursue his own artistic vision. He has also toured and recorded with Markus Stockhausen's "Possible Worlds" group. He worked personally with Zolt‡n Kod‡ly, Francis Poulenc, Sir William Walton and Dmitri Shostakovich. He has performed with the major orchestras of Europe, USA, Canada, Australia and the former Soviet Union with conductors such as Barbirolli, Sir Adrian Boult, Zubin Mehta, Seiji Ozawa and William Steinberg.

In ensemble or as a soloist, he has premiered works by Luciano Berio, Bose, Benjamin Britten, Sylvano Bussotti, John Cage, Sir Peter Maxwell Davies, Philip Glass, Sofia Gubaidulina, Paul Hindemith, Mauricio Kagel, Gyšrgy Ligeti (Racine 19), Conlon Nancarrow, Henri Pousseur, Wolfgang Rihm, Jeremy Dale Roberts (Deathwatch Cello Concerto, written for de Saram), Alfred Schnittke, Iannis Xenakis (Kottos ) and Toshio Hosokawa (the concerto Chant for cello and orchestra). Berio was so impressed by his performance of Il Ritorno degli Snovidenia that he wrote Sequenza XIV (2002) specially for de Saram, incorporating drumming on the body of the cello drawn from de Saram's skills with the Kandyan drum. The work was given its world and numerous national premieres by de Saram who then also made the premiere recording. He plays the standard classical cello works, including the great concerti, sonata cycles and Bach's six Solo Cello Suites.

He founded the De Saram Clarinet Trio and a duo with his brother Druvi de Saram. He is one of relatively few new music interpreters to have explored the world of improvisation.

He has made numerous recordings, both with the Arditti Quartet and as soloist, including Vivaldi's Sonatas, Edmund Rubbra's Soliloquy for cello and orchestra, Britten's Cello Suites No 1-3, John Mayer's Ragamalas and Prabhanda, Xenakis' Kottos and Elliott Carter's Figment I and II, and works by Bernd Alois Zimmermann, Peter Ruzicka, Gelhaar, Pršve and Steinke. 2011 releases include Harmonic Labyrinth with Preethi de Silva, and the first of two volumes of de Saram in Concert featuring magnificent Wigmore Hall performances of the Kodaly Sonata for Solo Cello (his score carries Kodaly's hand-written praise for his performance before the composer in May 1960), together with the Rachmaninoff Cello Sonata, in which he is accompanied by his brother Druvi."

-Wikipedia (https://en.wikipedia.org/wiki/Rohan_de_Saram)
7/25/2017

"Tristan Honsinger told Kevin Whitehead, 'I grew up in New England, took up cello at age nine in Springfield, Massachusetts... My first teacher was a Dutch Jew. Almost all my teachers were European immigrants. Later I went to the New England Conservatory. It was quite a good school, but I didn't feel very welcome, so I went to Peabody Conservatory in Baltimore from '68 to '69. By then I'd had it, really, with the whole classical music world. I changed teachers so many times, I suppose I was confused by their contradictory advice'.

It was after moving to Montreal in 1969 that Honsiner began improvising and, after meeting Dutch percussionist Peter van Ginkel and listening to his copy of Topography of the lungs, decided he could play this music and uprooted to Europe, moving to Amsterdam in 1974: 'They arrested me the first time I played my cello in the street... confiscated our instruments'. As a result, he moved to Paris, travelled around France, eventually finding his way back to Amsterdam where he began playing with Maarten van Regteren Altena, Han Bennink and Misha Mengelberg as well as being involved in Derek Bailey's Company Weeks and playing with Globe Unity.

The late '70s and early '80s were spent in Italy with Katie Duck, working with theatre - Duck had her group the Great Salt Lake Mime Troupe - and Italian and Sardinian musicians. During this time, Honsinger started his group This, That and the Other, the early version including Tiziana Simona, Sean Bergin, Toshinori Kondo, Jean-Jacques Avenel and Michael Vatcher which recorded Picnic in Amsterdam in 1985. 'Because of a promoter's brilliant organising, the group kind of fell apart', but there have been fairly regular and recent incarnations, including an appearance at the Italian Angelica Festival in 1996.

Since the memorable set of concerts in Berlin in 1988, released on the much sought-after FMP box set, Honsinger has been a fairly regular member of Cecil Taylor's groups. At those concerts, Honsinger performed in a trio with Taylor and Evan Parker as well as being a member of the large European Orchestra but since then he has been a member of various Taylor groups, including the now-disbanded European Quartet with Harri Sjöström and Paul Lovens, including an unusual combination that performed at the Total Music Meeting in November 1999: the Cecil Taylor Ensemble with Franky Douglas, Tristan Honsinger and Andrew Cyrille."

-European Free Improv Site (http://www.efi.group.shef.ac.uk/musician/mhonsing.html)
7/25/2017

"Bruce Ackley was born in Rochester, New York in 1948. Following in his father's footsteps, he began singing in choral groups at age 10. (His father performed in a vocal sextet as a young man in the 1930s.) Bruce sang throughout his school years and finally took up the saxophone in 1970. He formed his first improvising trio that year with friends from his art school days at Wayne State in Detroit, where he studied painting and drawing. In 1971 he relocated to the Bay Area. Largely self-taught, Bruce studied saxophone briefly with Lee Hester and Noel Jewkes, and clarinet with Beth Custer and Ben Goldberg. Throughout the 1970s he was involved with the emerging free improvisation scene in San Francisco, and formed Sound Clinic with Lewis Jordan and George Sams in 1975. He began playing with Larry Ochs in 1973 and Jon Raskin in 1975, which led to the formation of Rova in the fall of 1977.

Since that time Ackley has mainly devoted his musical life to his work with Rova, with some notable side projects. In 1977 he performed and recorded with the quartet Twins, featuring John Zorn on reeds, and Eugene Chadbourne and Henry Kaiser on guitars. During the 1980s he played regularly with trombone-electronics wizard, J.A. Deane and drummer Joseph Sabella. They formed Planet X in 1992, which performed extensively in the Bay Area and made a recording at that time. Bruce has also performed with the Italian bass virtuoso, Stefano Scodanibbio. In 1996 they performed together with koto-electronics player Miya Masaoko, and the brilliant cellist, Rohan de Seram, formerly of the Arditti String Quartet. That year Ackley formed a trio to perform his more jazz-oriented original compositions, Actual Size, with George Cremaschi on bass and Garth Powell on drums. This led to the recording The Hearing by the Bruce Ackley Trio, featuring Joey Baron on Drums and Greg Cohen on bass, and released on the John Zorn-curated Japanese label Avant. During the late 1990s Bruce formed Frankenstein, a jazz repertory band that played the music of many of the forward-looking artists of the early '60s, particularly Grachan Moncur III, Andrew Hill, Eric Dolphy, and Jackie McLean-providing him an opportunity to dig into material that significantly impacted Ackley during formative years."

-Rova:Arts (http://www.rova.org/about-us/bruce-ackley.html)
7/25/2017

"Garth Knox was born in Ireland and grew up in Scotland. Being the youngest of four children who all played string instruments, he was encouraged to take up the viola, and he quickly decided to make this his career. He studied at the Royal College of Music in London with Fredrick Riddle, where he won several prizes for viola and for chamber music. Thereafter he played with most of the leading groups in London in a mixture of all repertoires, from baroque to contemporary music.

In 1983 he was invited by Pierre Boulez to become a member of the Ensemble Intercontemporain in Paris, where he had the chance to do much solo playing (including concertos directed by Pierre Boulez) and chamber music, touring widely and playing in international festivals.

In 1990 Garth Knox joined the Arditti String Quartet, playing in all the major concert halls of the world, working closely with and giving first performances of pieces by most of today's leading composers including Ligeti, Kurtag, Berio, Xenakis, Lachenmann, Cage, Feldman and Stockhausen (the famous "Helicopter Quartet").

Since leaving the quartet in 1998, Garth Knox has given premieres by Henze (the Viola Sonata is dedicated to him), Ligeti, Schnittke, Ferneyhough, James Dillon, George Benjamin and many others. He also collaborates regularly in theatre and dance projects and has written and performed shows for children and young audiences. Improvisation is also an important part of his musical activity, and he has performed with George Lewis, Steve Lacy, Joel LŽandre, Dominique PifarŽly, Bruno Chevillon, Benat Achiary, Scanner and many others. He appears on the Frode Haltli CD Passing Images. In the past decade he has begun to write his own music, and is much in demand for theatre, dance and film scores as well as concert pieces and instrumental works.

Garth Knox has recently begun to explore the possibilities of the viola d'Őamore in new music, with and without electronics, and is in the process of creating a new repertoire for this instrument. His CD D'Amore (EMI New Series 1925) features old and new music for the viola d'amore.

Garth Knox now lives in Paris playing recitals, concertos and chamber music concerts all over Europe, the USA and Japan. His solo CD with works from Ligeti, Dusapin, Berio, Kurt‡g and others (MO 782082) won the coveted Deutsche Schallplaten Preis in Germany."

-Garth Knox Website (http://www.garthknox.org/biography.htm)
7/25/2017

Other Releases With These Artists:
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