Since 2007 NEXMAP has produced "Binary Cities", a performance series bringing together artists from different cities; in 2009 they brought guitarist Fred Frith and saxophonist Michel Doneda together in San Francisco for the first time for an incredible night of improvisation.
Catalog ID: 1440
Squidco Product Code: 21399
Packaging: Jewel Case
Recorded live at Swissnex, San Francisco, California, on February 12th, 2009, by Luis Maurette.
Fred Frith-electric guiatr
Michel Doneda-soprano saxophone, sopranino saxphone
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1. L'Eau Et Le Vent 3:05
2. Cut And Run 16:45
3. Allure Au Plus Pres 15:38
4. Going By The Board 3:23
5. Back And Fill 2:25
6. Boxing The Compass 2:04
7. Absolute Bearing 8:13
8. Point D'Amure 1:58
9. The Devil And The Deep Blue Sea 12:42
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"The collaboration between these two artists could have been produced in Vandoeuvre for the Musique Action festival...this may yet occur! Wherever it may be, it was important to us that this superb partnership is presented in the CCAM collection, as Michel Doneda and Fred Frith have been participants ever since the beginning of our fantastic adventure, which is now celebrating its 30th anniversary. They write with flair and momentum, and with each passage they add a new page to the vast tome of today's music."-centremalraux.com
• Show Bio for Fred Frith
"Though the point of reference for many remains the iconic band Henry Cow, which he co-founded in 1968 and which broke up more than 30 years ago, Fred Frith has never really stood still for an instant.
In bands such as Art Bears, Massacre, Skeleton Crew, Keep the Dog, Tense Serenity, the Fred Frith Guitar Quartet, Eye to Ear, and most recently Cosa Brava, he has always held true to his roots in rock and folk music, while exploring influences that range from the literary works of Eduardo Galeano to the art installations of Cornelia Parker.
The release of the seminal Guitar Solos in 1974 enabled him to simultaneously carve out a place for himself in the international improvised music scene, not only as an acclaimed solo performer but in the company of artists as diverse as Han Bennink, Chris Cutler, Jean-Pierre Drouet, Evelyn Glennie, Ikue Mori, Louis Sclavis, Stevie Wishart, Wu Fei, Camel Zekri, John Zorn, and scores of others.
He has also developed a personal compositional language in works written for Arditti Quartet, Asko Ensemble, Bang on a Can All-Stars, Ensemble Modern, Concerto Köln, and ROVA Sax Quartet, for example. Fred has been active as a composer for dance since the early 1980s, working with choreographers Bebe Miller, François Verret, and especially long-time collaborator and friend Amanda Miller, with whom he has created a compelling body of work over the last twenty years.
His film soundtracks (for award-winning films like Thomas Riedelsheimer's Rivers and Tides and Touch the Sound, Peter Mettler's Gambling, Gods, and LSD, and Deborah Kaufman and Alan Snitow's Thirst, to name a few) won him a lifetime achievement award from Prague's "Music on Film, Film on Music" Festival (MOFFOM) in 2007. The following year he received Italy's Demetrio Stratos Prize (previously given to Diamanda Galas and Meredith Monk) for his life's work in experimental music, and in 2010 was awarded an honorary doctorate from the University of Huddersfield in his home county of Yorkshire.
Fred currently teaches in the Music Department at Mills College in Oakland, California (renowned for over fifty years as the epicenter of the American experimental tradition), and in the Musik Akademie in Basel, Switzerland."-Fred Frith Website (http://www.fredfrith.com/biography.html)
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