The Squid's Ear Magazine

  Rapid SSL

  PayPal

  Mastercard

  Visa

  Discover

  American Express



© 2002-2017, Squidco LLC


Brotzmann, Peter Group: Alarm [VINYL] (Cien Fuegos)


Peter Brotzmann's 9-piece ensemble for the 164th NDR-JAZZWORKSHOP with the South African rhythm team of Harry Miller (bass) and Louis Moholo (drums), plus Frank Wright & Willem Breuker(sax), Hannes Bauer & Alan Tomlinson (trombone) and Alexander Von Schlippenbach (piano).
 

Price: $28.95
In Stock


Quantity:

Shipping Weight: 16.00 units

Quantity in Basket: None

product information:


UPC: 9120036682122

Label: Cien Fuegos
Catalog ID: CF 014LP
Squidco Product Code: 21366

Format: LP
Condition: New
Released: 2015
Country: Austria
Packaging: LP
Recorded during the 164th NDR-JAZZWORKSHOP, November 12, 1981 at the Funkhaus Hamburg, grosser Sendesaal, by Werner Munchmeyer.


Personnel:

Toshinori Kondo-trumpet

Frank Wright-saxophone

Peter Brotzmann-saxophone

Willem Breuker-saxophone

Johannes Bauer-trombone

Alan Tomlinson-trombone

Alexander Von Schlippenbach-piano

Harry Miller-bass

Louis Moholo-drums

Highlight an artist name or instrument above
and click here to Search
track listing:


SIDE A



1. Alarm, Part 1 19:42

SIDE B



1. Alarm, Part 2 17:32

2. Jerry Sacem 3:38




Related Categories of Interest:

Vinyl Recordings

Improvised Music
European Improv, Free Jazz & Related
Jazz
Free Improvisation
Large Ensembles
Peter Brotzmann
New in Improvised Music
Recent Releases and Best Sellers
Staff Picks & Recommended Items

sample the album:
descriptions, reviews, &c.

"Any Brötzmann group utilising material based upon the graphic instructions for a reaction to a nuclear emergency is never going to lack visceral intensity, and this music proves that with megawatts to spare.

If the Brötzmann octet that put together the epochal Machine Gun (FMP, 1968) might be said to have been playing in response to the political and social times, the same is true of this music, cognisant as it is with the fractious state of Cold War relations in the late 1970s and early 1980s; the degree of continuity between this music, recorded in 1981, and that on Machine Gun is notable.

The discontinuities between the two sets are pronounced enough, however. In the case of Alarm, the kinetic rhythm section of Alexander Von Schlippenbach, Harry Miller and Louis Moholo arguably does the most to give the music a very different kind of lift, and the innate understanding between Miller and Moholo in particular lends the music a level of intensity in addition to that of the often squalling horns.

If assertiveness can be viewed as an expression of moral outrage, then this music ultimately might be viewed as such expression. As a musician, Brötzmann has always been iconoclastic in the best sense of the term, even though his roots lay in the big-toned tenor saxophones of the likes of Hawkins and Webster.

The resulting balance has made for the kind of multifaceted quality he hasn't been given due credit for. This disc is a case in point, not simply because the music it contains shows an engagement with its time that is all too often missing from improvised music."-Nic Jones, allaboutjazz.com


Get additional information at All About Jazz

Artist Biographies:

"Toshinori Kondo (December 15, 1948 in Ehime Prefecture) is an avant-garde jazz and jazz fusion trumpeter. Kondo attended Kyoto university in 1967, and became close friends with percussionist Tsuchitori Toshiyuki. In 1972 the pair left university, and Toshiyuki went on to work with Peter Brook, while Kondo joined Yosuke Yamashita. In 1978 he moved to New York, and began performing with Bill Laswell, John Zorn, Fred Frith, and Eraldo Bernocchi. A year later he released his first recording, toured Europe with Eugene Chadbourne, and collaborated with European musicians such as Peter Brotzman. Returning to Japan, he worked with Ryuichi Sakamoto, Kazumi Watanabe, and Herbie Hancock. In the mid-1980s he began focusing on his own career, blending his avant-garde origins with electronic music. In 2002, he worked on an international peace festival in Hiroshima after being approached by the Dalai Lama about organizing one. He is a former member of Praxis. Kondo cooperated with Bill Laswell to make the album Inamorata in 2007.

He founded the band Kondo IMA in 1984. Kondo IMA achieved commercial success but moved to Amsterdam to be alone and to start "Blow the Earth" in 1993. They started "Blow the Earth in Japan" in the summer of 2007 and ended in the autumn of 2011. The film Blow the Earth in Japan is his first experience as a film director."

-Wikipedia (https://en.wikipedia.org/wiki/Toshinori_Kondo)
3/23/2017

"Born Remscheid, Germany on 6 March 1941; soprano, alto, tenor, baritone and bass saxophones, a-clarinet, e-flat clarinet; bass clarinet, tarogato.

Peter Brötzmann's early interest was in painting and he attended the art academy in Wuppertal. Being very dissatisfied with the gallery/exhibition situation in art he found greater satisfaction playing with semi-professional musicians, though continued to paint (as well as retaining a level of control over his own records, particularly in record sleeve/CD booklet design). In late 2005 he had a major retrospective exhibition jointly with Han Bennink - two separate buildings separated by an inter-connecting glass corridor - in Brötzmann's home town of Remscheid.

Self-taught on clarinets, he soon moved to saxophones and began playing swing/bebop, before meeting Peter Kowald. During 1962/63 Brötzmann, Kowald and various drummers played regularly - Mingus, Ornette Coleman, etc. - while experiencing freedoms from a different perspective via Stockhausen, Nam June Paik, David Tudor and John Cage. In the mid 1960s, he played with American musicians such as Don Cherry and Steve Lacy and, following a sojourn in Paris with Don Cherry, returned to Germany for his unorthodox approach to be accepted by local musicians like Alex von Schlippenbach and Manfred Schoof.

The trio of Peter Brötzmann, Peter Kowald and Sven-Ake Johansson began playing in 1965/66 and it was a combination of this and the Schoof/Schlippenbach Quintet that gave rise to the first Globe Unity Orchestra. Following the self-production of his first two LPs, For Adolphe Sax and Machine gun for his private label, BRÖ, a recording for Manfred Eicher's 'Jazz by Post' (JAPO) [Nipples], and a number of concert recordings with different sized groups, Brötzmann worked with Jost Gebers and started the FMP label. He also began to work more regularly with Dutch musicians, forming a trio briefly with Willem Breuker and Han Bennink before the long-lasting group with Han Bennink and Fred Van Hove. As a trio, and augmented with other musicians who could stand the pace (e.g. Albert Mangelsdorff on, for example, The Berlin concert), this lasted until the mid-1970s though Brötzmann and Bennink continued to play and record as a duo, and in other combinations, after this time. A group with Harry Miller and Louis Moholo continued the trio format though was cut short by Miller's early death.

The thirty-plus years of playing and recording free jazz and improvised music have produced, even on just recorded evidence, a list of associates and one-off combinations that include just about all the major figures in this genre: Derek Bailey (including performances with Company (e.g. Incus 51), Cecil Taylor, Fred Hopkins, Rashied Ali, Evan Parker, Keiji Haino, Misha Mengelberg, Anthony Braxton, Marilyn Crispell, Andrew Cyrille, Phil Minton, Alfred 23 Harth, Tony Oxley. Always characterised as an energy player - and the power-rock setting of Last Exit with Ronald Shannon Jackson, Sonny Sharock and Bill Laswell, or his duo performances with his son, Casper, did little to disperse this conviction - his sound is one of the most distinctive, life-affirming and joyous in all music. But the variety of Brötzmann's playing and projects is less recognised: his range of solo performances; his medium-to-large groups and, in spite of much ad hoc work, a stability brought about from a corpus of like- minded musicians: the group Ruf der Heimat; pianist Borah Bergman; percussionist Hamid Drake; and Die like a dog, his continuing tribute to Albert Ayler, with Drake, William Parker and Toshinori Kondo. Peter Brötzmann continues a heavy touring schedule which, since 1996 has seen annual visits to Japan and semi-annual visits to the thriving Chicago scene where he has played in various combinations from solo through duo (including one, in 1997, with Mats Gustafsson) to large groups such as the Chicago Octet/Tentet, described below. He has also released a number of CDs on the Chicago-based Okka Disk label, including the excellent trio with Hamid Drake and the Moroccan Mahmoud Gania, at times sounding like some distant muezzin calling the faithful to become lost in the rhythm and power of the music.

The "Chicago Tentet" was first organized by Brötzmann with the assistance of writer/presenter John Corbett in January 1997 as an idea for a one-time octet performance that included Hamid Drake and Michael Zerang (drums), Kent Kessler (bass) and Fred Lomberg-Holm (cello), Ken Vandermark and Mars Williams (reeds), and Jeb Bishop (trombone). The first meeting was extremely strong and warranted making the group an ongoing concern and in September of that same year the band was expanded to include Mats Gustafsson (reeds) and Joe McPhee (brass) as permanent members (with guest appearances by William Parker (bass), Toshinori Kondo (trumpet/electronics), and Roy Campbell (trumpet) during its tenure) - all in all a veritable who's who of the contemporary improvising scene's cutting edge. Though the Tentet is clearly led by Brötzmann and guided by his aesthetics, he has been committed to utilizing the compositions of other members in the ensemble since the beginning. This has allowed the band to explore an large range of structural and improvising tactics: from the conductions of Mats Gustafsson and Fred Lonberg-Holm, to the vamp pieces of Michael Zerang and Hamid Drake, to compositions using conventional notation by Ken Vandermark and Mars Williams, to Brötzmann's graphic scores - the group employs almost every contemporary approach to composing for an improvising unit. This diversity in compositional style, plus the variety in individualistic approaches to improvisation, allows the Tentet to play extremely multifaceted music. As the band moves from piece to piece, it explores intensities that range from spare introspection to all out walls of sound, and rhythms that are open or free from a steady pulse to those of a heavy hitting groove. It is clear that the difficult economics of running a large band hasn't prevented the group from continuing to work together since its first meeting. Through their effort they've been able to develop an ensemble sound and depth of communication hard to find in a band of any size or style currently playing on the contemporary music scene."

-EFI (European Free Improvisation Pages) (http://www.efi.group.shef.ac.uk/mbrotzm.html)
3/23/2017

"Willem Breuker (4 November 1944, Amsterdam 23 July 2010 Amsterdam) was a Dutch jazz bandleader, composer, arranger, saxophonist, and (bass) clarinetist.

During the mid 1960s he played with percussionist Han Bennink and pianist Misha Mengelberg, co-founding the Instant Composers Pool (ICP), with which he regularly performed until 1973. He was a member of the Globe Unity Orchestra and the Gunter Hampel Group.

In 1974, he began leading the 10-piece Willem Breuker Kollektief, which performed jazz in a theatrical and often unconventional manner, drawing elements from theater and vaudeville. With the group, he toured Western Europe, Russia, Australia, India, China, Japan, the United States, and Canada.

He was also known as an authority on the music of Kurt Weill. In 1997, he produced, with Carrie de Swaan, a 48-hour, 12-part radio documentary on the life of Weill entitled Componist Kurt Weill.

In 1974, he founded the record label BVHaast. Beginning in 1977, he organized the annual Klap op de Vuurpijl (Top It All) festival in Amsterdam. Haast Music Publishers, which he also operated, published his scores.

In 1992, Editions de Limon published the book Willem Breuker by J. and F. Buzelin in France. Uitgeverij Walburg Pers published a Dutch translation in 1994. BVHaast published the book Willem Breuker Kollektief: Celebrating 25 Years on the Road, which includes two CDs, in 1999.

In 1998, Breuker was knighted with the Order of the Netherlands Lion.

Willem Breuker died on 23 July, 2010 in Amsterdam. He suffered from lung cancer and had been ill for some time."

-Wikipedia (https://en.wikipedia.org/wiki/Willem_Breuker)
3/23/2017

"Johannes "Hannes" Bauer (22 July 1954 - 6 May 2016) was a German trombonist of improvised music and free jazz. He was the brother of the trombonist Conny Bauer.

He was born in Halle. From 1979 onwards, he worked as a freelance musician in Berlin.

Among others, he worked with the following groups: the Manfred Schulze Wind Quintet, Doppelmoppel (with Conny Bauer, Uwe Kropinski, and Helmut "Joe" Sachse), Slawterhaus (with Jon Rose, Peter Hollinger, and Dietmar Diesner), Futch (with Thomas Lehn and Jon Rose), Ken Vandermark Territory Band, and the Peter Brötzmann Tentet.

Bauer died on 6 May 2016 at the age of 61."

-Wikipedia (https://en.wikipedia.org/wiki/Hannes_Bauer)
3/23/2017

"One of Europe's premier free jazz bandleaders, pianist Alexander von Schlippenbach's music mixes free and contemporary classical elements, with his slashing solos often the link between the two in his compositions. Schlippenbach formed The Globe Unity Orchestra in 1966 to perform the piece"Globe Unity, which had been commissioned by the Berliner Jazztage.

He remained involved with the orchestra into the '80s. Schlippenbach began taking lessons at eight, and studied at the Staatliche Hochschule for Musik in Cologne with composers Bernd Alois Zimmermann and Rudolf Petzold. He played with Gunther Hampel in 1963, and was in Manfred Schoof's quintet from 1964 to 1967.Schlippenbach began heading various bands after 1967, among them 1970 trio with Evan Parker and Paul Lovens and a duo with Sven-Ake Johansson which they co-formed in 1976. Schlippenbach has also given many solos performances. In the late '80s, he formed the Berlin Contemporary Jazz Orchestra,which has featured a number ofesteemed European avant-garde jazz musicians including Evan Parker, Paul Lovens, KennyWheeler, Misha Mengelberg and Aki Takase. During the 90`s Duo work with Tony Oxley, Sam Rivers and Aki Takase. 1999 started performance and radiorecording of Thelonius Monks complete works, (all the compositions) with Rudi Mahall and his group "Die Enttäuschung"."

-Alexander von Schlippenbach Website (http://www.avschlippenbach.com/)
3/23/2017

Other Releases With These Artists:


Bauer, Johannes / Peter Brotzmann
Blue City (Live At Blue City Osaka / Japan 16. October 1997)
(Trost Records)



Neukollner (Denzler / von Schleppenbach / Grip / Johansson)
Sektion 3-7 [2 CDs]
(Umlaut Records)



Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff)
The End [VINYL]
(Cien Fuegos)



Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff)
Couscouss de la Mauresque [VINYL]
(Cien Fuegos)



Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff)
Elements [VINYL]
(Cien Fuegos)



Breuker, Willem Kollektief
Angouleme, 18 Mai 1980 [2 CDs]
(Fou Records)



Black Bombaim & Peter Brotzmann
Black Bombaim & Peter Brotzmann [VINYL]
(Shhpuma)



Picnic (Honsinger / Kondo / Bergen / Jacques Avenel / Vatcher / Vigni)
Picnic
(Corbett vs. Dempsey)



Black Bombaim & Peter Brotzmann
Black Bombaim & Peter Brotzmann
(Shhpuma)



Brotzmann, Peter / Steve Noble / John Edwards
The Worse The Better
(Otoroku)



Konstrukt / Peter Brotzmann / Huseyin Ertunc / Dogan Dogusel / Barlas Tan Ozemek
Eklisia Sunday [VINYL]
(Holidays Records)



Williams, Arthur (w/ Peter Kuhn / Toshinori Kondo / William Parker / Denis Charles)
Forgiveness Suite [VINYL]
(NoBusiness)



Kuhn, Peter (w/ Toshinori Kondo / Arthur Williams / William Parker / Denis Charles)
No Coming, No Going. The Music of Peter Kuhn, 1978-1979 [2 CDs]
(NoBusiness)



Full Blast (Brotzmann / Pliakas / Wertmuller)
Risc [VINYL 2 LPs]
(Trost Records)



Full Blast (Brotzmann / Pliakas / Wertmuller)
Risc
(Trost Records)



Peter, Brotzmann / Fred Hopkins / Rashied Ali
Songlines [VINYL 2 LPs]
(Trost Records)



LOK 03+1 (Schlippenbach / Takase / DJ Illvibe / Lovens)
Signals [VINYL]
(Trost Records)



LOK 03+1 (Schlippenbach / Takase / DJ Illvibe / Lovens)
Signals
(Trost Records)



Brotzmann, Peter Sextet/ Quartet
Nipples [VINYL]
(Cien Fuegos)



Last Exit
Iron Path [VINYL]
(ESP)



Last Exit
Iron Path
(ESP)



Hubweber / Schubert / Schlippenbach / Thomas / Wllers
Intricacies [2 CDs]
(NoBusiness)



Brotzmann / McPhee / Kessler / Zerang
Tales Out Of Time
(Hatology)



Schlippenbach Trio
First Recordings [VINYL]
(Trost Records)



Schlippenbach Trio
First Recordings
(Trost Records)



Brotzmann, Peter / Sonny Sharrock
Whatthefuckdoyouwant
(Trost Records)



Brotzmann, Peter / Harry Miller / Louis Moholo
Opened, But Hardly Touched [VINYL 2 LPs]
(Cien Fuegos)



Brotzmann Trio, Peter
For Adolphe Sax [VINYL]
(Cien Fuegos)



Red Dhal Sextet (Jeffery / Schubert / Dunmall / Schlippenbach / Majkowski / Dimitriadis)
Red Dhal Sextet
(FMR)



Grid Mesh
Live In Madrid
(Leo)



Yudanov / Brotzmann / Luoma
Fryed Fruit
(Red Toucan)



Schlippenbach, Alexander Von
The Living Music [VINYL]
(Cien Fuegos)



Schlippenbach, Alexander Von
Schlippenbach Plays Monk
(Intakt)



Brotzmann, Peter / Steve Noble / John Edwards
The Worse The Better: Live at Cafe OTO, January 2010 [VINYL REPRESS]
(Otoroku)



Sonore
OTO
(Trost Records)



Full Blast & Friends
Sketches & Ballads [VINYL]
(Trost Records)



Full Blast & Friends
Sketches & Ballads
(Trost Records)



Sonore (Gustafsson / Vandermark / Brotzmann)
Only The Devil Has No Dreams
(Jazzwerkstatt)



Goebbels, Heiner
The Italian Concerto
(I Dischi di Angelica)



Brotzmann / Kondo / Pupillo / Nilssen-Love
Hairy Bones
(Okka)



Full Blast
Black Hole
(Atavistic)



Bauer / Rose / Lehn
Futch
(Jazzwerkstatt)



Schlippenbach, Alexander Von
Friulian Sketches
(psi)



Brotzmann / Lonberg-Holm
The Brain Of The Dog In Section
(Atavistic)



Chadbourne, Eugene
Country Boobs
(Chadula)



Schlippenbach Trio
Winterreise
(psi)



Schlippenbach, Alexander Von
Twelve Tone Tales Volume 1
(Intakt)



Chadbourne, Eugene
The English Channel
(Chadula)



Brotzmann Chicago Tentet, Peter
Signs
(Okka)



Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff)
The End [VINYL]
(Cien Fuegos)



Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff)
Couscouss de la Mauresque [VINYL]
(Cien Fuegos)



Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff)
Elements [VINYL]
(Cien Fuegos)



Breuker, Willem Kollektief
Angouleme, 18 Mai 1980 [2 CDs]
(Fou Records)



Black Bombaim & Peter Brotzmann
Black Bombaim & Peter Brotzmann [VINYL]
(Shhpuma)



Picnic (Honsinger / Kondo / Bergen / Jacques Avenel / Vatcher / Vigni)
Picnic
(Corbett vs. Dempsey)



Black Bombaim & Peter Brotzmann
Black Bombaim & Peter Brotzmann
(Shhpuma)



Konstrukt / Peter Brotzmann / Huseyin Ertunc / Dogan Dogusel / Barlas Tan Ozemek
Eklisia Sunday [VINYL]
(Holidays Records)



Williams, Arthur (w/ Peter Kuhn / Toshinori Kondo / William Parker / Denis Charles)
Forgiveness Suite [VINYL]
(NoBusiness)



Kuhn, Peter (w/ Toshinori Kondo / Arthur Williams / William Parker / Denis Charles)
No Coming, No Going. The Music of Peter Kuhn, 1978-1979 [2 CDs]
(NoBusiness)



Full Blast (Brotzmann / Pliakas / Wertmuller)
Risc [VINYL 2 LPs]
(Trost Records)



Full Blast (Brotzmann / Pliakas / Wertmuller)
Risc
(Trost Records)



Peter, Brotzmann / Fred Hopkins / Rashied Ali
Songlines [VINYL 2 LPs]
(Trost Records)



LOK 03+1 (Schlippenbach / Takase / DJ Illvibe / Lovens)
Signals [VINYL]
(Trost Records)



Brotzmann, Peter Sextet/ Quartet
Nipples [VINYL]
(Cien Fuegos)



Last Exit
Iron Path [VINYL]
(ESP)



Brotzmann / McPhee / Kessler / Zerang
Tales Out Of Time
(Hatology)



Brotzmann / Edwards / Noble
Soulfood Available
(Clean Feed)



Brotzmann, Peter / Sonny Sharrock
Whatthefuckdoyouwant
(Trost Records)



Brotzmann / Adasiewicz / Edwards / Noble
Mental Shake [VINYL]
(Otoroku)



Brotzmann, Peter / Harry Miller / Louis Moholo
Opened, But Hardly Touched [VINYL 2 LPs]
(Cien Fuegos)



Brotzmann Trio, Peter
For Adolphe Sax [VINYL]
(Cien Fuegos)



Schlippenbach, Alexander Von
The Living Music [VINYL]
(Cien Fuegos)



Chicago Tentet
At Molde 2007
(Okka)



Parker, Evan Trio & Brotzmann, Peter Trio
The Bishop's Move
(Victo)



Lehman, Steve Camouflage Trio
Interface [VINYL 2 LPs]
(Clean Feed)



Starlite Motel (Alberts / Saft / Haker-Flaten / Nilssen)
Awosting Falls [VINYL]
(Clean Feed)



Perelman, Ivo / Matthew Shipp / Whit Dickey
Butterfly Whispers
(Leo)



Wooley, Nate Quintet (Wooley / Sinton / Moran / Opsvik / Eisenstadt)
(Dance to) The Early Music
(Clean Feed)



Cortex
Live! [VINYL 2 LPs]
(Clean Feed)



Recommended & Related Releases:
Bauer, Johannes / Peter Brotzmann
Blue City (Live At Blue City Osaka / Japan 16. October 1997)
(Trost Records)
Neukollner (Denzler / von Schleppenbach / Grip / Johansson)
Sektion 3-7 [2 CDs]
(Umlaut Records)
Brotzmann, Peter / Steve Noble / John Edwards
The Worse The Better
(Otoroku)
LOK 03+1 (Schlippenbach / Takase / DJ Illvibe / Lovens)
Signals
(Trost Records)
Last Exit
Iron Path
(ESP)
Hubweber / Schubert / Schlippenbach / Thomas / Wllers
Intricacies [2 CDs]
(NoBusiness)
Schlippenbach Trio
First Recordings [VINYL]
(Trost Records)
Schlippenbach Trio
First Recordings
(Trost Records)
Red Dhal Sextet (Jeffery / Schubert / Dunmall / Schlippenbach / Majkowski / Dimitriadis)
Red Dhal Sextet
(FMR)
Grid Mesh
Live In Madrid
(Leo)
Yudanov / Brotzmann / Luoma
Fryed Fruit
(Red Toucan)
Schlippenbach, Alexander Von
Schlippenbach Plays Monk
(Intakt)
Brotzmann, Peter / Steve Noble / John Edwards
The Worse The Better: Live at Cafe OTO, January 2010 [VINYL REPRESS]
(Otoroku)
Sonore
OTO
(Trost Records)
Full Blast & Friends
Sketches & Ballads [VINYL]
(Trost Records)
Full Blast & Friends
Sketches & Ballads
(Trost Records)
Sonore (Gustafsson / Vandermark / Brotzmann)
Only The Devil Has No Dreams
(Jazzwerkstatt)
Goebbels, Heiner
The Italian Concerto
(I Dischi di Angelica)
Brotzmann / Kondo / Pupillo / Nilssen-Love
Hairy Bones
(Okka)
Full Blast
Black Hole
(Atavistic)
Bauer / Rose / Lehn
Futch
(Jazzwerkstatt)
Brotzmann / Lonberg-Holm
The Brain Of The Dog In Section
(Atavistic)
Chadbourne, Eugene
Country Boobs
(Chadula)
Schlippenbach Trio
Winterreise
(psi)
Schlippenbach, Alexander Von
Twelve Tone Tales Volume 1
(Intakt)
Chadbourne, Eugene
The English Channel
(Chadula)

Search for other titles on the Cien Fuegos label.