SNIK IS led by trombonist Kristoffer Kompen and bassist Ole Morten Vagan, who provide the compositions for their quartet with saxophonist Kristoffer Berre Alberts and drummer Erik Nylander, in an album that ranges from meditative free playing to hard swinging bop oriented jazz.
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Label: Clean Feed
Catalog ID: CF 343LP
Squidco Product Code: 21243
Packaging: Vinyl LP
Recorded at Wolf Valley Studios February 11th and 12th, 2014 by Eyolf Dale.
Ole Morten Vagan-double bass
Kristoffer Berre Alberts-saxophone
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1. Niks 6:42
2. Haestaett 4:50
3. Skog 3:53
4. Durham 4:31
1. Pausefisk 7:40
2. Knis 3:22
3. Sneakpeak 4:09
4. Lonely Vagan 6:54
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European Improv, Free Jazz & Related
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sample the album:
"The Norwegian jazz scene is like the hat of a magician: when you think nothing more can get out from its mysterious hole, there's something else emerging to amaze us. SNIK is such a case. The compositions are from two of the members of this quartet, trombonist Kristoffer Kompen and double bassist Ole Morten Vagan. Vagan is one of the most respected names of the Scandinavian jazz, with his membership of Joshua Redman Trio and his quintet Motif, writing scores for the Trondheim Jazz Orchestra or playing with the likes of Axel Dorner, Fredrik Ljungkvist, Bugge Wesseltoft and Rudi Mahall. Kompen became a member of the big band Jazzin' Babies when he was only 15 years old and since then it seems that the sky is the only limit for him. He's the founding leader of the bands Union Rhythm Kings and Kompen Quintet and the author of "Tribute to Jack Teagarden", maybe the most important link between the trombone practices of today and the times of the so-called "father of jazz trombone". What a combination! Together with Kristoffer Berre Alberts and Erik Nylander they show us that it's not possible to play cold jazz, even when surrounded by snow and ice. "Metasediment Rock" is to the sensible hearts what volcanos are to close-by villages: dangerous."-Clean Feed Records
• Show Bio for Ole Morten Vagan
"Based in Oslo, Norwegian bass player Ole Morten Vågan has been a central part of the scandinavian jazz and impro community for the last decade, performing with among others Motif, The Deciders, Håvard Wiik Trio, The Trondheim Jazz Orchestra, Maria Kannegaard Trio, Andratx, Bugge Wesseltofts NCOJ, Maciej Obara Int. Quartet, Audun Kleive´s Generator X and more recently also Joshua Redman Trio with Jorge Rossy and Ole Morten Vagan . After discovering jazz as a youngster in the Northern town of Brønnøysund (just below the polar circle), he went on to study with amongst others the fantastic bassist Mats Eilertsen, and attending the very influential Jazz Conservatory in Trondheim, Norway.
Also active as a composer, he has written commisions for a.o. the Grammy Nominated norwegian string orchestra The Trondheim Soloists, and more recently for the well renowned Trondheim Jazz Orchestra, of which he is now Artistic Director for 2017-2019 - In addition to steadily writing for bands like Motif and The Deciders for the last ten years. Folk music of different kinds has also been at the core of Vågans interests, and through collaborations with a.o. Jovan Pavlovic, Ola Kvernberg and Stian Carstensen, he has immersed himself in the gipsy music of eastern Europe, Indian Classical Music and also norwegian folk music. He has also had the pleasure of performing with artists from an array of different countries and cultures, including some of the premier Eastern European folk musicians, among them Giani Linca, Filip Simoneov, Ivo Papasov and Petar Ralchev (after a rehearsal with the latter two, Ole Morten experienced his first and probably also last odd meter-induced fever.)
A curious interest in folk music and also classical music is the main focus in the group Gammalgrass, where he plays alongside Carstensen and Kvernberg, two of the most talented musicians coming out of Norway in recent years. Vågan was also the recipient of the Dnb Nor/Kongsberg Jazz Festival Award in 2009, following in the footsteps of people like Sidsel Endresen, Bugge Wesseltoft, Christian Wallumrød, Audun Kleive, Nils Petter Molvaer and many more.
Over the years, Vågan has worked in a wide array of ensembles and settings, which have included some of the most central musicians and bands on the norwegian and international jazz scene. Among these are: Bugge Wesseltoft´s NCOJ, Maria Kannegaard, Thomas Strønen, John Scofield, The Joshua Redman Trio, Erlend Skomsvoll, Eirik Hegdal, Jason Moran, Jorge Rossy, Maciej Obara, Dominik Wania, Iain Bellamy, Ståle Storløkken, Nils Petter Molvær, Dhaffer Youssef, Ivo Papasov, Terje Rypdal, Audun Kleive, Perico Sambeat, Gard Nilssen, Jarle Vespestad, Stian Carstensen, Ola Kvernberg, Paal Nilssen Love, Håkon Kornstad, Tore Brunborg, Bobo Stenson, Jon Christensen, Axel Dörner, Rudi Mahall, Fredrik Ljungkvist, Tobias Delius, Kresten Osgood, Jon Fält, Christian Wallumrød, Eivind Lønning, Håvard Wiik, Jonas Kullhammar, Atle Nymo, , Håkon Mjåset Johansen, Michael Thieke, Arve Henriksen, Aaron Parks, Ambrose Akinmusire, Marcus Strickland and many others."-Ole Morten Vagan Website (http://olemortenvagan.com/biography)
^ Hide Bio for Ole Morten Vagan
• Show Bio for Erik Nylander
"Johan Erik Nylander (born 3 April 1981 in Norberg, Sweden) is a Swedish jazz musician (drums), improviser and composer, working in Norway since 2002. He plays in several bands, among them Ola Kvernberg Trio, "Kobert", Kirsti Huke Quartet, Tore Brunborg Trio, "Liarbird", Bjørn Alterhaug Quintet, "Peloton", Juxtaposed, Magic Pocket, "Monoswezi", and his own Erik Nylanders Orkester.
After completing high school at Domarhagsskolan, Nylander studied on the Jazz program at Trondheim Musikkonservatorium (2002-04). He fold recognition on the Norwegian and Nordic jazz scenes within various projects and contributed on a number of releases, among them the album Corrupted Mirror (2009), in a meeting with Karl Stømme (trumpet) and Steinar Nickelsen (keyboard). The album took shape in the studio where the musicians met without any specific intention to record an album. The idea was to use the three instruments in interaction playing all kinds of music, coming naturally in the moment. The recordings were made in three different sessions. Most of the tracks are improvised on the spot, but also includes compositions written by Strømme and Nickelsen. The Oberheim OB-X synthesizer from 1980 was crucial for the album soundscape.
In 2005 he performed at the international Jazz festival Nattjazz in Bergen, Norway, with Marita Røstad & "Velvet City". The album A festa Vale Tudo (2009) within his Erik Nylanders Orchestra (including Eivind Lønning, Espen Reinertsen, Hanna Gjermundrød, Ole Morten Vågan and Petter Vågan) marked Nylander's debut as a record producer and band leader. He has also collaboratively initiated several other band projects."-Wikipedia (https://en.wikipedia.org/wiki/Erik_Nylander)
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• Show Bio for Kristoffer Berre Alberts
"Bachelor of performing jazz from Jazz Academy, Trondheim, NTNU, 2008.
Master of performing jazz/improvised music from Norwegian Academy of Music, finish 2016.
Written about Kristoffer Berre Alberts
"Alberts' hearty saxophone is a center piece of the music. Both brash and agile, he switches from post-bop lines to caterwauls in a moment's notice." av Paul Ascquaro. Freejazzblog
"Saxophonist Kristoffer Berre Alberts has mastered a personal tonal language" - Eyrel Hareuveni, All about jazz"-Kristoffer Alberts Website (https://kristofferalberts.com/about/)
^ Hide Bio for Kristoffer Berre Alberts
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