One of 2 "love"/"hate" releases collecting creative improvisations, narrative & songs with guests including Charles Tyler, Waren Smith, Rogier Smal, Earl Poole Ball, Redd Volkaert, and Ernie Durawa, recorded in studio and live in Greensboro, New York City, Amsterdam & Austin.
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Catalog ID: CHAD
Squidco Product Code: 21161
Packaging: CDR in a cardboard sleeve with Dr. Chad's unique packaging
Recorded in studios and on stages in Greensboro, New York City, Amsterdam and Austin.
Eugene Chadbourne-vocals, guitars, banjos, baclamel, quatro, djumbus, turntable, percussion
Warren Smith-marimba, vibraphone
Earl Poole Ball-piano
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1. Eventually 13:15
2. Folks Song 13:32
3. The Red Telephone 9:47
4. The Same Old South 4:51
5. Compared To What 6:27
6. How Can you Re-Up? 5:13
7. BOTTOM 3:06
8. Sooner Or Later 3:35
9. The Mountain Men 4:25
10. Wishin' All These Old Things Were New 4:29
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Song Based Music
sample the album:
One of 2 "love"/"hate" releases collecting creative improvisations, narrative & songs with guests including Charles Tyler, Waren Smith, Rogier Smal, Earl Poole Ball, Redd Volkaert, and Ernie Durawa, recorded in studio and live in Greensboro, New York City, Amsterdam & Austin.See also DOCHADEMONIC "love"
• Show Bio for Eugene Chadbourne
"A seemingly endless -- and endlessly eclectic -- series of releases made the innovative guitarist Eugene Chadbourne one of the underground community's most well-known and well-regarded eccentrics. Born January 4, 1954 in Mount Vernon, NY, Chadbourne was raised in Boulder, CO, by his mother, a refugee of the Nazi death camps. At the age of 11, the Beatles inspired him to learn guitar; later exposure to Jimi Hendrix prompted him to begin experimenting with distortion pedals and fuzzboxes. Ultimately, however, he became dissatisfied with the conventions of rock and pop, and traded in his electric guitar for an acoustic one, on which he began to learn to play bottleneck blues.
Perhaps Chadbourne's most significant formative discovery was jazz; initially drawn to John Coltrane and Roland Kirk, he later became an acolyte of the avant excursions of Derek Bailey and Anthony Braxton. Despite the huge influence music exerted over his life, however, Chadbourne first studied to become a journalist, but his career was derailed when he fled to Canada rather than fight in Vietnam; only President Jimmy Carter's declaration of amnesty for conscientious objectors allowed the vociferously left-wing Chadbourne to return to the U.S. in 1976, at which time he plunged headlong into the New York downtown music scene. After releasing his 1976 debut, Solo Acoustic Guitar, he began collaborating on purely improvisational music with the visionary saxophonist John Zorn and the acclaimed guitarist Henry Kaiser.
Quickly, Chadbourne carved out a singular style, comprised of equal parts protest music, free improvisation, and avant-garde jazz, topped off with his absurd, squeaky vocals. A complete list of Chadbourne's countless subsequent collaborations and genre workouts is far too lengthy and detailed to exhaustively document, although in the early '80s he garnered some of his first significant attention as the frontman of Shockabilly, a demented rockabilly revisionist outfit which also featured the well-known producer Kramer. Following the group's breakup, Chadbourne turned to his own idiosyncratic brand of country and folk, accurately dubbed LSD C&W on a 1987 release, the same year he joined the members of Camper Van Beethoven for a one-off covers project. In addition, he recorded with artists ranging from Fred Frith and Elliott Sharp to Evan Johns and Jimmy Carl Black, the original drummer in the Mothers of Invention; in between, he continued exploring unique styles inspired by music from the four corners of the globe, all the while issuing a seemingly innumerable string of records, most of them on his own Parachute label."-All Music (http://www.allmusic.com/artist/eugene-chadbourne-mn0000172925/biography)
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• Show Bio for Charles Tyler
"Charles Lacy Tyler (July 20, 1941 - June 27, 1992) was an American jazz baritone saxophonist. He also played alto saxophone and clarinet.
Tyler was born in Cadiz, Kentucky, and spent his childhood years in Indianapolis. He played piano as a child and clarinet at 7, before switching to alto in his early teens, and finally baritone saxophone. During the summers, he visited Chicago, New York City and Cleveland, Ohio, where he met the young tenor saxophonist Albert Ayler at age 14. After sering in the army from 1957-1959, Tyler relocated to Cleveland in 1960 and began playing with Ayler, conmuting between New York and Cleveland. During that period played with Ornette Coleman and Sunny Murray.
In 1965 Tyler recorded Bells and Spirits Rejoice with Alyer's group. He recorded his first album as leader the following year for ESP-Disk. He returned to Indianapolis to study with David Baker at Indiana University between 1967 and 1968, recording a second album for ESP, Eastern Man Alone. In 1968, he transferred to the University of California, Berkeley to study and teach. In Los Angeles, he worked with Arthur Blythe, Bobby Bradford, and David Murray.
He moved back to New York in 1974, leading his own groups with Blythe, trumpeter Earl Cross, drummer Steve Reid and others, recording the album Voyage from Jericho on Tyler's own Akba label. In 1975, Tyler enrolled at Columbia University and made an extensive tour of Scandinavia, releasing his second Akba album Live in Europe. In 1976, he performed the piece "Saga of the Outlaws" at Sam Rivers's Studio Rivbea, released two years later on Nessa Records. During that period he played as a sideman or co-leader with Steve Reid, Cecil Taylor and Billy Bang.
In 1982, during a European tour with Sun Ra's Orchestra, he relocated to Denmark, and in 1985 he moved to France, recording with other expatriates like Khan Jamal in Copenhagen and Steve Lacy in Paris.
Tyler died in Toulon, France of heart failure in June 1992."-Wikipedia (https://en.wikipedia.org/wiki/Charles_Tyler_(musician))
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• Show Bio for Rogier Smal
"Rogier Smal is a drumming man from Amsterdam. Imagine the long lost son of Han Bennink raised on a steady diet of dutch marching band music and anarcho-punk going renegade by venturing to the free jazz fold. His performances can be intense, inspiring, proper funny and totally awkward. All at the same time. If I try to think of him playing it's all like super fast paradiddles bouncing harmonics off the walls doubleforming pyscho-acoustics inside your own head, then a drumstick sculpture asking for "a nice cup of tea", then wearing a bin bag to play drums, then playing more amazing drums, then staring the audience out for a really long time and telling them weird Netherlandish farmers jokes. A true gent of jazzpunk quality (there is no sign of any spang-a-lang here) he holds down the drum stool on occasions besides: Marshall Allen, Dylan Carlson, Eugene Chadbourne, Asuna Arashi, Colin Webster, Mik Quantius, Cathy Heyden, Ryoko Ono, Royal Improvisers Orchestra, Nora Mulder, Lori Goldston, Schimmbad Jazz Pool, Johannes Lunds, Maria Bertel, Don McGreevy and many more.."-David Birchall-Rogier Smal Website (http://rogiersmal.blogspot.com/)
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