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Zorn, John

The True Discoveries Of Witches And Demons

Zorn, John: The True Discoveries Of Witches And Demons (Tzadik)

The second release by Zorn's heavy new organ trio Simulacrum of John Medeski, Matt Hollenberg and Kenny Grohowski with guests Mark Ribot on guitar and Trevor Dunn on bass, three generations of musical explorers coming together to rip your mind to shreds.
 

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product information:


UPC: 702397833529

Label: Tzadik
Catalog ID: TZA-CD-8335
Squidco Product Code: 21126

Format: CD
Condition: New
Released: 2015
Country: USA
Packaging: Digipack - 3 panel
Recorded at Eastside sound in New York City in January 2015 by Marc Urselli.


Personnel:

John Zorn-composer

Trevor Dunn-bass

John Medeski-organ

Marc Ribot-guitar

Kenny Grohowski-drums

Matt Hollenberg-guitar

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track listing:


1. Strategies 4:05

2. Psychosoma 2:52

3. Imaginary Stations 3:21

4. The Power Of The Runic Symbols 3:07

5. Dark Sacrifice 4:51

6. Sorcerer 3:42

7. Eccleiastes 2:19

8. The Gordian Knot 3:33

9. Phantasms 7:31

10. Mirrors Of Being 7:27




Related Categories of Interest:

Tzadik

Improvised Music
NY Downtown & Jazz/Improv
Zorn. John
Ribot, Marc
New in Improvised Music
Recent Releases and Best Sellers
Improvised Rock
New in Improvised Music
Recent Releases and Best Sellers

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descriptions, reviews, &c.

"The True Discoveries of Witches and Demons is the second release by Zorn's heavy new organ trio of John Medeski, Matt Hollenberg and Kenny Grohowski. Described as Tony Williams' Lifetime on steroids, here they are joined by special guests Marc Ribot and Trevor Dunn to make the music even heavier and more intense. This is white hot, mind bending music filled with heavy riffs, fiery solos and improvisational madness. Three generations of musical explorers come together to rip your mind to shreds in the second installment from Zorn's heaviest new ensemble Simulacrum."-Tzadik


Artist Biographies:

"John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".

Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.

Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the klezmer/free jazz-influenced quartet Masada, composed over 600 pieces as part of the Masada Songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.

Zorn's compositions cross many genres and he has stated "All the various styles are organically connected to one another. I'm an additive person-the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there." For Zorn "Composing is more than just imagining music-it's knowing how to communicate it to musicians. And you don't give an improviser music that's completely written out, or ask a classical musician to improvise. I'm interested in speaking to musicians in their own languages, on their own terms, and in bringing out the best in what they do. To challenge them and excite them." "

-Wikipedia (https://en.wikipedia.org/wiki/John_Zorn)
8/18/2017

"About Trevor Dunn

1968: born traversing a fine line between hippies and rednecks behind the redwood curtain. first musical affinities: the beach boys, blondie, cheap trick, kiss. first television: ultraman, speedracer, bugs bunny. first films: over the edge, the mouse and his child, snoopy come home, bedknobs & broomsticks. first books: zylpha keatly snyder's witches of worm, the velvet room and the headless cupid.

1977: began studies on clarinet

1981: began studies on electric bass and subsequently quit the clarinet as i realized that girls would now talk to me.

1986: the same year that Lynch's blue velvet and Slayer's reign in blood were released, graduated from EHS. the school's motto: "pigs live in litter, loggers live in pride". started a band called Mr. Bungle. then i got a job at shakey's pizza. began classical technique studies on the contrabass.

1990: graduated from humboldt state university after studying the likes of harry partch, iannis xenakis, alban berg, igor stravinksy, gustav mahler, js bach, you know, all the cats. Also performed Koussevitsky's Concerto for Double Bass with the HSO.

1992: first Mr. Bungle record released on Warner Bros. Moved to SF and two months later embarked on the first MB tour of the US. At the age of 24 I was one of the oldest people in the van. For the next eight years played lots of weddings and restaurants between tours with MB. Learned a lot about music playing with Connah, Goldberg, Schott, Kavee, Amendola, Greenlief, et al.

2000: relocated to Brooklyn, NYC.

Currently playing in various projects under the direction of John Zorn (Nova Quartet, Dreamers, Electric Masada, Aleph Trio). The Nels Cline Singers, Curtis Hasselbring's New Mellow Edwards, Melvins Lite, Endangered Blood, Tomahawk, The Darius Jones Quartet & Erik Friedlander's Bonebridge. I still have plans for my own bands: trio-convulsant, PROOF Readers and MadLove; and I continue to write music for independent films, practice long tones, pine over Daisy Lowe and drink shitty beer in heavy metal saloons."

-Trevor Dunn Website (http://www.trevordunn.net/biography.html)
8/18/2017

"Anthony John Medeski (born June 28, 1965) is an American jazz keyboards player and composer. Medeski is a veteran of New York's 1990s avant-garde jazz scene and is known popularly as a member of Medeski Martin & Wood. He plays the acoustic piano and an eclectic array of keyboards, including the Hammond B3 organ, melodica, mellotron, clavinet, ARP String Ensemble, Wurlitzer electric piano, Moog Voyager Synthesizer, Wurlitzer 7300 Combo Organ, Vox Continental Baroque organ, and Yamaha CS-1 Synthesizer (a "kids' toy"), among others. When playing acoustic piano, Medeski usually plays the Steinway piano and is listed as a Steinway Artist.

Medeski was born in Louisville, Kentucky, and grew up in Florida. After studying piano as a child (starting when he was five years old), he began as a teenager to perform with musicians such as Mark Murphy and Jaco Pastorius. He attended Pine Crest School. In 1983, after graduating from high school, he began studying piano at the New England Conservatory in Boston, where he performed as a sideman with Dewey Redman, Billy Higgins, Bob Mintzer, Alan Dawson and Mr. Jellybelly. Medeski attributes his early interest in playing improvised music and jazz to listening to Oscar Peterson."

-Wikipedia (https://en.wikipedia.org/wiki/John_Medeski)
8/18/2017

"Brought up in a musical household in Miami, 29-year-old drummer, Kenny Grohowski has been performing since the age of 14. His rich musical background is demonstrated through the growing list of his collaborators and guest artists, including Vernon Reid, Corey Unger (of Blood Has Been Shed), Emeline Michel, Peter Cincotti, Jorge Sylvester, Bobby Sanabria, Bill T. Jones, Rory Stuart, Cassandra Wilson, Richie Ray & Bobby Cruz, Giovanni Hidalgo, John Benitez, Francis Mbappe, Domingo Quinones, and Bobby Valentin.

Grohowski has been a member of bassist Lonnie Plaxico's band since 2003, and a member of Andy Milne's Dapp Theory since 2006, having come back from a successful US/Canada tour with Dapp Theory, with Highlight shows in Vancouver opening for Jazz and Bass legend, Stanley Clarke, and performed in the 2007 Latin Grammy Awards Live from Madison Square Garden with the award winning group RBD. He has appeared on several recordings, including Plaxico's hit "So Alive" [Sony, Japan]. As of 2009, Grohowski has become a new member of acclaimed Haitian singer/cultural figure Emeline Michel's Accoustic Quintet, and has also performed at the Museum of Modern Art with the Ze Luis Quartet as part of their Live Art performances. Grohowski has also toured across the United States, South America, and Europe, as well as in Australia and China with New Classical Composer Daniel Bernard Roumain (a.k.a. DBR). Kenny has also performed regularly with acclaimed bassist Felix Pastorius and his group since 2010, performing regularly at such New York City venues as Zinc Bar and The 55 Bar. Recently, Grohowski has written and recorded for Grammy Award winning Producer and Arranger Victor "Papo" Ortiz on the album "Eres Santo".

When not working with his various affiliated ensembles, Grohowski enjoys a steady and fast paced Free lancing schedule, working with many of New York City's top Jazz, Rock, and Brazilian artists, as well as a multitude of others, and has recorded on over 40 albums. [...]"

-Kenny Grohowski Website (http://kennygrohowski.com/about/)
8/18/2017

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