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Meinz, Ralf / Karolina Ossowska / Mikoelaj Paelosz

play Giuseppe Tartini "La sonata il sol minore al terzo suono"

Meinz, Ralf / Karolina Ossowska / Mikoelaj Paelosz: play Giuseppe Tartini

In 1754 violinist and theorist Giuseppe Tartini laid out a mathematical proof of a third tone's pitch as either the sum or difference of the other two articulated pitches, as investigated by Karolina Ossowska (violin), Mikolaj Palosz (cello) and Ralf Meinz (recording).
 

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product information:


Label: Bolt
Catalog ID: BR POP10
Squidco Product Code: 21115

Format: CD
Condition: New
Released: 2015
Country: Poland
Packaging: Cardboard Gatefold 3 Panels
Acoustic instruments recorded live in Krolikarnia - Xavery Dunikowski Museum of Sculpture, Warsaw, on April 13th and 14th, 2014, by Ralf Meinz.


Personnel:

Mikolaj Palosz-cello

Giuseppe Tartini-composer

Karolina Ossowska-violin

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track listing:


1. La Sonata In Sol Al Terzo Suono, bars 1-3 8:29

2. La Sonata In Sol Al Terzo Suono, bars 3-10 12:37

3. La Sonata In Sol Al Terzo Suono, bars 38-41 13:50

Related Categories of Interest:


Compositional Forms
Avant-Garde
Trio Recordings
Stringed Instruments
New in Compositional Music

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descriptions, reviews, &c.

"In his 'Trattato di musica secondo la vera scienza dell'armonia' published in 1754 Giuseppe Tartini laid out a mathematical proof of third tone's pitch as either sum or difference of the other two articulated pitches. The idea behind the performance of Karolina Ossowska (violin), Mikolaj Palosz (cello) and Ralf Meinz (recording) was to search for the combination tones in Tartini's own music."-Bolt



"Apart from being a prolific Italian composer, Giuseppe Tartini was also a violin teacher and a theorist. Out of close analysis of intonation, he became interested in a long known phenomena of mysterious third tones which sometimes appear when only two sounds are articulated. He called them "il terzo suono" and was the first one to develop a written down theory of what we now know as combination tones. In his 'Trattato di musica secondo la vera scienza dell'armonia' published in 1754 he laid out a mathematical proof of third tone's pitch as either sum or difference of the other two articulated pitches. The idea behind the performance of Karolina Ossowska (violin), Mikołaj Pałosz (cello) and Ralf Meinz (recording) was to search for the combination tones in Tartini's own music. In order to make it audible, we decided to follow the path of a never-mention-his-name-because-you-will-be-in-debts composer, also interested in combination tones, who famously stretched durations of each note in a serial music piece which resulted in one of the milestones of minimal music."-Bolt


Artist Biographies:

"MIKOŁAJ PAŁOSZ, freelance cellist, improviser and composer, specializing in contemporary and avant-garde music performance. Mikołaj studied at the Chopin Academy of Music in Warsaw. He won prizes at international music competitions including the Penderecki International Contemporary Chamber Music Competition in Cracow and the Lutosławski International Cello Competition in Warsaw. He appears regularly at the Warsaw Autumn, the Wrocław Musica Polonica Nova festivals, and the Composer's Portraits series in Warsaw. As a member of Netherlands-based Cello Octet Conjunto Iberico he has toured throughout Europe, USA, Mexico and South America. Mikołaj Pałosz is permanent member of the Warsaw Cellonet Group directed by Andrzej Bauer. His solo album Cellovator sponsored by the Polish Minister of Culture Young Poland scholarship program featuring contemporary compositions and improvisation was released in 2008 by DUX label. A recording of Mikołaj is included on a CD featuring the most inspiring music recorded recently in Poland described in the 7/2010 issue of the WIRE magazine. Together with saxophonist Ray Dickaty and drummer Paweł Szpura he forms the improvising trio Osaka Vacuum."

-Mikolaj Palosz Website (http://www.en.mikolajpalosz.com/bio.html)
9/24/2018

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