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Meinz, Ralf / Karolina Ossowska / Mikoelaj Paelosz

play Giuseppe Tartini "La sonata il sol minore al terzo suono"

Meinz, Ralf / Karolina Ossowska / Mikoelaj Paelosz: play Giuseppe Tartini

In 1754 violinist and theorist Giuseppe Tartini laid out a mathematical proof of a third tone's pitch as either the sum or difference of the other two articulated pitches, as investigated by Karolina Ossowska (violin), Mikolaj Palosz (cello) and Ralf Meinz (recording).
 

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Label: Bolt
Catalog ID: BR POP10
Squidco Product Code: 21115

Format: CD
Condition: New
Released: 2015
Country: Poland
Packaging: Cardboard Gatefold 3 Panels
Acoustic instruments recorded live in Krolikarnia - Xavery Dunikowski Museum of Sculpture, Warsaw, on April 13th and 14th, 2014, by Ralf Meinz.


Personnel:

Mikolaj Palosz-cello

Giuseppe Tartini-composer

Karolina Ossowska-violin

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track listing:


1. La Sonata In Sol Al Terzo Suono, bars 1-3 8:29

2. La Sonata In Sol Al Terzo Suono, bars 3-10 12:37

3. La Sonata In Sol Al Terzo Suono, bars 38-41 13:50

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descriptions, reviews, &c.

"In his 'Trattato di musica secondo la vera scienza dell'armonia' published in 1754 Giuseppe Tartini laid out a mathematical proof of third tone's pitch as either sum or difference of the other two articulated pitches. The idea behind the performance of Karolina Ossowska (violin), Mikolaj Palosz (cello) and Ralf Meinz (recording) was to search for the combination tones in Tartini's own music."-Bolt



"Apart from being a prolific Italian composer, Giuseppe Tartini was also a violin teacher and a theorist. Out of close analysis of intonation, he became interested in a long known phenomena of mysterious third tones which sometimes appear when only two sounds are articulated. He called them "il terzo suono" and was the first one to develop a written down theory of what we now know as combination tones. In his 'Trattato di musica secondo la vera scienza dell'armonia' published in 1754 he laid out a mathematical proof of third tone's pitch as either sum or difference of the other two articulated pitches. The idea behind the performance of Karolina Ossowska (violin), Mikołaj Pałosz (cello) and Ralf Meinz (recording) was to search for the combination tones in Tartini's own music. In order to make it audible, we decided to follow the path of a never-mention-his-name-because-you-will-be-in-debts composer, also interested in combination tones, who famously stretched durations of each note in a serial music piece which resulted in one of the milestones of minimal music."-Bolt


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