A 2-CD release from Japanese percussionist Seijiro Murayama, performing solo on "objects" which combines clearly percussive objects and other electroacoustic items of obscure origin, creating active, rich and curious sonic environments that envelop the listener.
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Label: Herbal International
Catalog ID: 1303-2
Squidco Product Code: 20822
Format: 2 CDs
Packaging: Cardboard Gatefold 3 Panels
Recorded at Hotel Pupik, in St Lorenzen bei Scheifling, Austria, in 2011.
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• Show Bio for Seijiro Murayama
"Percussionist Seijiro Murayama was born in 1957 in Nagasaki, Japan. He started performing improvised music in 1972, under some influence of Vinko Globokar and musicologist Fumio Koizumi. After graduated from Tokyo University in 1982 in Urdu studies he toured the USA with Keiji Haino as part of the seminal psychedelic band Fushitsusha. Returning to Japan after a period in NYC he continued playing drums and electronics in K.K. Null's noise/rock band A.N.P. (Absolut Null Punkt), while further exploring free improvisation. A relocation to France in 1999 led to collaborations that extended into dance, theatre and performance as well as ongoing partnerships with musicians Jean-Luc Guionnet, Eric Cordier, Michel Doneda, Mattin, Lionel Marchetti, among many others. After over a decade in Europe he relocated back to Japan in 2013.
His artistic principal is to work with the idea of the plural or inter-disciplinary relationships between music and other disciplines of art: dance, video, paintings, photos, literature etc. In this way, he collaborates with musicians, composers, and sound artists. Improvisation is always the major concern for him, even if it is not his artistic goal. His approach is based on the attention to space and place, to the energy of the audience and to the quality and perception of silence on various levels."-Fort Process (http://fortprocess.co.uk/seijiro-murayama/)
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1. Rayn 20:10
2. Your Broken Tube 30:38
1. Gemination Brisee 32:10
2. Sonis Nisus 39:40
sample the album:
"Seijiro Murayama, the Japanese percussion player who lives in Europe. According to his website he has three fields of interest: "1, non-idiomatic improvisation (that includes idiomatic researches about it, or workshops on it), 2, electro acoustic composition, 3, plural disciplinary collaboration (with words, images, body movements etc)" and it would seem to me that these four pieces here are a combination of 1 and 2. It says recorded at Hotel Pupik, 2011, which may suggest a live recording, but for all I know (and I didn't investigate) it might also be a studio. Which brings the second subject on board: is this played live (in concert or in studio) or is this the work of over dubbing? That is a question that I find very hard to answer.
Murayama's playing is very minimal and we do recognize indeed the element of percussion instruments, and Murayama explores his instruments with great care. It has a fine meditative character this music and it explores in depth the textures of the instruments. Murayama doesn't use his drum parts as a drum kit, but plays one or two separate elements with brushes, sticks or objects and explores them. But over the course of a thirty minute piece, he picks up a new device to play and continues with that."-Frans De Waard, Vital Weekly
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