Rodolphe Alexis composed these works from a diverse set of recordings of trains, factories and other potent sounds, pairing them with recordings from saxophonist Stephane Rives using extended and unusual techniques, yielding these inventive and irrepressible sound works.
Squidco Memorial Day 2017 Sale!
Buy 1 or more item(s) from the sale, Take 8.00% Off
(checkout price: $12.83)
Buy 3 or more item(s) from the sale, Take 15.00% Off
(checkout price: $11.86)
Shipping Weight: 2.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Herbal International
Catalog ID: 1401
Squidco Product Code: 20810
Packaging: Cardboard Gatefold 3 Panels
Saxophone recorded at Tunefork Studio
Rodolphe Alexis-field recordings, editing
Stephane Rives-soprano saxophone
Highlight an artist name or instrument above
and click here to Search
1. I Warehouse Doors 7:08
2. II Autorail 8:40
3. III The Poet House 7:15
4. IV Solid Steel Sculpture 6:27
5. V Poplars 10:58
Related Categories of Interest:
Recordings by or featuring Reed & Wind Players
Organized Sound and Sample Based Music
New in Experimental & Electronic Music
Recent Releases and Best Sellers
sample the album:
"Similar to the Gauguet only in the sense that the strategy involved has been done before yet the results are striking and very well conceived. Alexis, for these five pieces, made field recordings in various situations including train lines and factories, concentrating on different sound areas within each while Rives created his soprano saxophone improvisations at another time and place without reference to Alexis' recordings, the two grafted atop each other leaving the listener to make connections and patterns.
I'm guessing some amount of choice was made, perhaps by Alexis, in determining which of Rives' recordings to use with which of his own (simply because they seem to "fit" pretty well), but otherwise, chance is allowed to rule vis a vis the interaction of the elements. Rives spends substantial time in his "comfort zone" of the high-pitched, two- or three-ply tone (pairs well with wind) but also engages in deep buzzes and low clucks while Alexis' choice of venuesecording sites is also imaginative, from the fine, heavy openings and closings of squeaking factory doors to exterior, rainy environs.
The one scenario that stands apart here is "Solid Steel Sculpture" where I'm fairly sure some large metal element is being "played", possibly by gloved hands, resulting in a sound (and even rhythms) not so dissimilar from Partch's larger percussion instruments like the Marimba Eroica. As said, the listener creates his/her own correspondences and, thanks to the wealth of material and the imagination which which it's deployed, there's no problem doing so. A very enjoyable, thoughtful exercise."-Brian Olewnick, Just Outside