Live recordings from the duo of frequent collaborators Ken Vandermark on sax & reeds and Fred Lonberg-Holm on cello and electronics performing at Chicago's Heaven Gallery in 2013, for a superb set with surprising twists and turns and a great range of dynamics and approaches.
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Catalog ID: bc - kf
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Recorded at Heaven Gallery in Chicago, Illinois, on September 21st, 2013 by Dave Zuchowski.
Fred Lonberg-Holm-cello, electronics
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1. Z = sL 4:42
2. E = pJ 13:54
1. I + V / R 7:07
2. J = OE 6:17
3. P = I2 R 4:35
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sample the album:
"When you consider all the musicians that have recorded duos with cellist Fred Lonberg-Holm, it sounds kind of like the SPAM Monty Python sketch comedy piece. "Yes, I'll have some Fred Lonberg-Holm and Ken Vandermark." What, you don't want Fred Lonberg-Holm and Axel Dörner, or Fred Lonberg-Holm and Mats Gustafsson, or Fred Lonberg-Holm and Peter Brotzmann, or Fred Lonberg-Holm and Paal Nilssen-Love, or Fred Lonberg-Holm and Frode Gjerstad or Fred Lonberg-Holm and Nick Stephans, or Fred Lonberg-Holm and David Stackenäs, or Fred Lonberg-Holm and Michael Zerang? SPAM, Fred, SPAM, Fred, SPAM, Fred, Fred Fred.
Lonberg-Holm is in such demand because he is both a resourceful accompanist and a versatile musician. He was the most natural replacement for Jeb Bishop in the Vandermark 5, recording with the quintet until it dissolved a few years ago. He has been a key ally to saxophonist Ken Vandermark in his various Territory Bands, The Frame Quartet, Pipeline, the Topology Nonet, and the Vandermark organized Peter Brotzmann Chicago Tentet.
As a duo, they are the definition of simpatico.
Resistance recorded live in 2013 is an expected performance of unforeseen music. That said, it boosts Vandermark's stock (not that he needs it) as a soloist. He has, of late, stepped out of his role as composer, arranger, and organizer of ensembles to perform solo and in improvising duos with Nate Wooley, Agustí Fernandez, Mats Gustafsson, and Tim Daisy. Freed from all the duties associated with large ensembles, he can focus on improvising.
Here his saxophone and various clarinets weave, bounce, and at times, collide with Lonberg-Holm's cello and electronics. "J = óE" pairs a drunken tenor saxophone with a skidding sawed cello that builds into a locomotive engine of sound. The pair develop a thunderhead of animation, saxophone pushing against the thrum of electric energy. "P = 12R" searches for poetry in the small bites of circulating thought. Lonberg-Holm's cello can muster Jimi Hendrix notes or play the tip-toeing soundtrack to a Warner Brothers' cartoon. He scrapes (literally) notes from the wood of his instrument on "I = V/R" while Vandermark's clarinet explores the quiet corners of their meeting. The music here, all improvised, fills a gap in both their discographies, and it was a long time coming."-Mark Corroto, All About JazzAlso available on CD.
Get additional information at All About Jazz
• Show Bio for Ken Vandermark
"Born in Warwick, Rhode Island on September 22nd, 1964, Ken Vandermark began studying the tenor saxophone at the age of 16. Since graduating with a degree in Film and Communications from McGill University during the spring of 1986, his primary creative emphasis has been the exploration of contemporary music that deals directly with advanced methods of improvisation. In 1989, he moved to Chicago from Boston, and has worked continuously from the early 1990's onward, both as a performer and organizer in North America and Europe, recording in a large array of contexts, with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Tim Daisy, Hamid Drake, Terrie Ex, Mats Gustafsson, Devin Hoff, Christof Kurzmann, Fred Lonberg-Holm, Joe McPhee, Paal Nilssen-Love, Paul Lytton, Andy Moor, Joe Morris, and Nate Wooley). His current activity includes work with Made To Break, The Resonance Ensemble, Side A, Lean Left, Fire Room, the DKV Trio, and duos with Paal Nilssen-Love and Tim Daisy; in addition, he is the music director of the experimental Pop band, The Margots. More than half of each year is spent touring in Europe, North America, and Japan, and his concerts and numerous recordings have been critically acclaimed both at home and abroad. In addition to the tenor sax, he also plays the bass and Bb clarinet, and baritone saxophone. In 1999 he was awarded the MacArthur prize for music."-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
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