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Solo bass from acoustic and electroacoustic artist JC Jones, a distillation of his language in free improvised music incorporating electronic sound and noise.
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Catalog ID: KCR 08
Squidco Product Code: 20745
Packaging: Jewel Tray
This is a USED (previously owned) item
Jean Claude Jones-electroacoustic bass, live electronics
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• Show Bio for Jean Claude Jones
"Jean Claude Jones was born in Sfax, Tunisia and moved to France as a young child. As a teen, he Jean Claude (JC) Jones was born in Sfax, Tunisia, and moved to France as a young child. As a teen, he taught himself simultaneously to play lead and bass guitar.
At the age of 17 he began working in professional pop and jazz bands. In 1978 he moved to the US to pursue formal music studies, graduating from the Berklee College of Music in Boston, where he majored in jazz guitar. He continued his studies at the Music Institute of Technology in Los Angeles. In 1983 he emigrated to Israel, where he became a key player on the newly developing jazz scene. Several years later he made a definitive switch from guitar to double bass, and became involved in free improvised music. In time, he added electronics and computer-manipulated sounds to his musical arsenal. In 2016 he returned the guitar as his main instrument.
The driving force behind his work is "finding my space."
JC Jones is an esteemed music educator, and served as chair of the Jazz Department at the Jerusalem Academy of Music and Dance between 1996 and 2000. He has performed and recorded with many leading international and Israeli musicians, dancers, poets, and vocal artists, including Stan Getz, Red Rodney, and Dave Liebman. Since the 1990s he has appeared with John Zorn, Anthony Coleman, Ned Rothenberg, Joey Baron, Marc Ribot, Ikue Mori, Mike Patton, Damon Smith, Joelle Leandre, Slava Ganelin, Steve Horenstein, Albert Beger, Arkady Gotesman, Avishai Cohen, Ariel Shibolet, Harold Rubin, Victoria Hanna, Josef Sprinzak, Amos Hetz, Anat Shamgar , Felix Ruckert, Dieter Hautkamp, Julyen Hamilton, Mark Dresser, Barre Phillips, Bert Turetzky, Irina Kalina Goudeva, Raymond Boni, Raphael Saint-Remy, and Denis Fournier.
Some of JC's major projects include Deep Tones for Peace performances, the Kadima Triptych Series (cds/dvds/texts featuring double-bass masters), Myelination (the myelin chemical sounds and improvised music), and The Temperamental Duo, a collaborative work on Lydian + Explorations with composer/reeds player Steve Horenstein.
Since 2016 he has been working with prepared acoustic guitar, in multiple collaborations and recordings with several eminent musicians. Ongoing works includes Keep on Dancing, duos recordings with percussionists Haim Peskoff, Haggai Fershtman, Omri Mor, Denis Fournier, and JC on prepared acoustic lap-style guitar, Sick Puppies In Love duos with vocalist Anat Pick, and guitars duo recordings with Raymond Boni."-Kadima Collective (http://www.kadimacollective.com/JCJones.htm)
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1. Coming Live Episodes 9:17
2. Cut and Paste 18 Studio Short Episodes Which Can Be Listened to at Random 33:13
3. Going Live Episodes 9:22
sample the album:
Previously played Squidco store copy, used for cataloging and samples, in excellent condition.
"This solo bass album is a distillation of my language, the articulation of my voice on my instrument. It is free improvised music, focused on energy and the moment. This project incorporates electro-acoustic sounds and noises, groovy rhythmical games and sporadic forays into melody. There are no overdubs. My Lexicon machine is an inseparable companion, allowing me to freely experiment with electronic delays ranging from 0.5 second to 30 seconds.
Track 1 and 3 were recorded live in Jerusalem on June 28 2006 with dancer Julyen Hamilton, friend and "artiste toutes categories". More attentive ears may notice Julyen's brief vocalizing at the beginning of the last episode of track 2.This 19 minute performance was later edited in the studio and divided into two nine minutes segments.
On track 1, my bass tuning (G, D, A and E flat) precipitates a spontaneous interaction with the 5 note theme from the Steven Spielberg's "Close Encounters of the Third Kind".
Track 2 is composed of 18 shorter episodes, ranging from 40 seconds to two and a half minutes, all selected excerpts from previously recorded projects (August 2005 to August 2006). These events were cut and paste in the studio .Track 3 begins with the identical episode we hear at the end of track 1."-JC Jones, Kadima
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