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© 2002-2017, Squidco LLC

Perry, Frank

Temple Of The Ancient Magical Presence

Perry, Frank: Temple Of The Ancient Magical Presence (FMR)


Composer Frank Perry presents some new and some old unreleased recordings of solos, duos and trios featuring world famous musicians such as Evan Parker, David Toop, Paul Lytton, Paul Lovens, Jin Hi Kim and Trevor Taylor.
 

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product information:


UPC: 649849981264

Label: FMR
Catalog ID: CD78
Squidco Product Code: 20654

Format: CD
Condition: New
Released: 2001
Country: Great Britain
Packaging: Jewel Case
1 - recorded in 2000.

2 - recorded in 1972 - Ovary Lodge out-take (solo).

3 - recorded in concert on 11 February 1972 at the Royal Commonwealth Society, London; full version later released on For The Love Of....

4 - recorded on 27 May 2000 at LMC Festival, London.

5 - recorded in Aachen on 31 October 1980.

6 - out-take from Ovary Lodge, 1972.

7 - recorded 1990.

8 - recorded in Westcliff-on-Sea, 1974.


Personnel:

Frank Perry-composer

Evan Parker-saxophone

David Toop-performer

Jin Hi Kim-performer

Paul Lovens-percussion

Paul Lytton-percussion

Roy Babbington-double bass

Ovary Lodge-ensemble

Keith Tippett-piano

Chas H. Dickie-cello

Cathy Stevens-violin, viola

Trevor Taylor-percussion

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Solo: Temple Of The Ancient Magical Presence 12:47

2. Wedged Into Release 3:26

3. For The Love Of... 17:53

4. Corner Shop Meeting 11:19

5. Vegetarian Please - Was It Them Or Was It Me? 13:18

6. Majestic 6:27

7. Mountain Mysteries 1:58

8. Time For Quick One (- You've Got The Date, I Guess? - If I've Got The Time...Right) 11:38





Related Categories of Interest:


Improvised Music
Free Improvisation
London & UK Free Improvisation Scene
Solo Artist Recordings
Duo Recordings
Trio Recordings
FMR Records

sample the album:








descriptions, reviews, &c.

"Although not seen often on the concert platform Frank Perry has been busy for 30 years building an enviable reputation for producing a totally original musical output based on his spiritual beliefs utilising his awesome all metallic percussion setup using gongs, temple bowls and a host of ancient percussion instruments, some over 600 years old! Here he presents some new and some old unreleased recordings of solos, duos and trios featuring world famous musicians such as Evan Parker, David Toop, Paul Lytton, Paul Lovens, Jin Hi Kim and Trevor Taylor."-FMR


Artist Biographies:

"Evan Parker was born in Bristol in 1944 and began to play the saxophone at the age of 14. Initially he played alto and was an admirer of Paul Desmond; by 1960 he had switched to tenor and soprano, following the example of John Coltrane, a major influence who, he would later say, determined "my choice of everything". In 1962 he went to Birmingham University to study botany but a trip to New York, where he heard the Cecil Taylor trio (with Jimmy Lyons and Sunny Murray), prompted a change of mind. What he heard was "music of a strength and intensity to mark me for life ... l came back with my academic ambitions in tatters and a desperate dream of a life playing that kind of music - 'free jazz' they called it then."

Parker stayed in Birmingham for a time, often playing with pianist Howard Riley. In 1966 he moved to London, became a frequent visitor to the Little Theatre Club, centre of the city's emerging free jazz scene, and was soon invited by drummer John Stevens to join the innovative Spontaneous Music Ensemble which was experimenting with new kinds of group improvisation. Parker's first issued recording was SME's 1968 Karyobin, with a line-up of Parker, Stevens, Derek Bailey, Dave Holland and Kenny Wheeler. Parker remained in SME through various fluctuating line-ups - at one point it comprised a duo of Stevens and himself - but the late 1960s also saw him involved in a number of other fruitful associations.

He began a long-standing partnership with guitarist Bailey, with whom he formed the Music Improvisation Company and, in 1970, co-founded Incus Records. (Tony Oxley, in whose sextet Parker was then playing, was a third co-founder; Parker left Incus in the mid-1980s.) Another important connection was with the bassist Peter Kowald who introduced Parker to the German free jazz scene. This led to him playing on Peter Brötzmann's 1968 Machine Gun, Manfred Schoof's 1969 European Echoes and, in 1970, joining pianist Alex von Schlippenbach and percussionist Paul Lovens in the former's trio, of which he is still a member: their recordings include Pakistani Pomade, Three Nails Left, Detto Fra Di Noi, Elf Bagatellen and Physics.

Parker pursued other European links, too, playing in the Pierre Favre Quartet (with Kowald and Swiss pianist Irene Schweizer) and in the Dutch Instant Composers Pool of Misha Mengelberg and Han Bennink. The different approaches to free jazz he encountered proved both a challenging and a rewarding experience. He later recalled that the German musicians favoured a "robust, energy-based thing, not to do with delicacy or detailed listening but to do with a kind of spirit-raising, a shamanistic intensity. And l had to find a way of surviving in the heat of that atmosphere ... But after a while those contexts became more interchangeable and more people were involved in the interactions, so all kinds of hybrid musics came out, all kinds of combinations of styles."

A vital catalyst for these interactions were the large ensembles in which Parker participated in the 1970s: Schlippenbach's Globe Unity Orchestra, Chris McGregor's Brotherhood of Breath, Barry Guy's London Jazz Composers Orchestra (LJCO) and occasional big bands led by Kenny Wheeler. In the late 70s Parker also worked for a time in Wheeler's small group, recording Around Six and, in 1980, he formed his own trio with Guy and LJCO percussionist Paul Lytton (with whom he had already been working in a duo for nearly a decade). This group, together with the Schlippenbach trio, remains one of Parker's top musical priorities: their recordings include Tracks, Atlanta, Imaginary Values, Breaths and Heartbeats, The Redwood Sessions and At the Vortex. In 1980, Parker directed an Improvisers Symposium in Pisa and, in 1981, he organised a special project at London's Actual Festival. By the end of the 1980s he had played in most European countries and had made various tours to the USA, Canada, Australia, New Zealand and Japan. ln 1990, following the death of Chris McGregor, he was instrumental in organising various tributes to the pianist and his fellow Blue Notes; these included two discs by the Dedication Orchestra, Spirits Rejoice and lxesa.

Though he has worked extensively in both large and small ensembles, Parker is perhaps best known for his solo soprano saxophone music, a singular body of work that in recent years has centred around his continuing exploration of techniques such as circular breathing, split tonguing, overblowing, multiphonics and cross-pattern fingering. These are technical devices, yet Parker's use of them is, he says, less analytical than intuitive; he has likened performing his solo work to entering a kind of trance-state. The resulting music is certainly hypnotic, an uninterrupted flow of snaky, densely-textured sound that Parker has described as "the illusion of polyphony". Many listeners have indeed found it hard to credit that one man can create such intricate, complex music in real time. Parker's first solo recordings, made in 1974, were reissued on the Saxophone Solos CD in 1995; more recent examples are Conic Sections and Process and Reality, on the latter of which he does, for the first time, experiment with multi-tracking. Heard alone on stage, few would disagree with writer Steve Lake that "There is, still, nothing else in music - jazz or otherwise - that remotely resembles an Evan Parker solo concert."

While free improvisation has been Parker's main area of activity over the last three decades, he has also found time for other musical pursuits: he has played in 'popular' contexts with Annette Peacock, Scott Walker and the Charlie Watts big band; he has performed notated pieces by Gavin Bryars, Michael Nyman and Frederic Rzewski; he has written knowledgeably about various ethnic musics in Resonance magazine. A relatively new field of interest for Parker is improvising with live electronics, a dialogue he first documented on the 1990 Hall of Mirrors CD with Walter Prati. Later experiments with electronics in the context of larger ensembles have included the Synergetics - Phonomanie III project at Ullrichsberg in 1993 and concerts by the new EP2 (Evan Parker Electronic Project) in Berlin, Nancy and at the 1995 Stockholm Electronic Music Festival where Parker's regular trio improvised with real-time electronics processed by Prati, Marco Vecchi and Phillip Wachsmann. "Each of the acoustic instrumentalists has an electronic 'shadow' who tracks him and feeds a modified version of his output back to the real-time flow of the music."

The late 80s and 90s brought Parker the chance to play with some of his early heroes. He worked with Cecil Taylor in small and large groups, played with Coltrane percussionist Rashied Ali, recorded with Paul Bley: he also played a solo set as support to Ornette Coleman when Skies of America received its UK premiere in 1988. The same period found Parker renewing his acquaintance with American colleagues such as Anthony Braxton, Steve Lacy and George Lewis, with all of whom he had played in the 1970s (often in the context of London's Company festivals). His 1993 duo concert with Braxton moved John Fordham in The Guardian to raptures over "saxophone improvisation of an intensity, virtuosity, drama and balance to tax the memory for comparison".

Parker's 50th birthday in 1994 brought celebratory concerts in several cities, including London, New York and Chicago. The London performance, featuring the Parker and Schlippenbach trios, was issued on a highly-acclaimed two-CD set, while participants at the American concerts included various old friends as well as more recent collaborators in Borah Bergman and Joe Lovano. The NYC radio station WKCR marked the occasion by playing five days of Parker recordings. 1994 also saw the publication of the Evan Parker Discography, compiled by ltalian writer Francesco Martinelli, plus chapters on Parker in books on contemporary musics by John Corbett and Graham Lock.

Parker's future plans involve exploring further possibilities in electronics and the development of his solo music. They also depend to a large degree on continuity of the trios, of the large ensembles, of his more occasional yet still long-standing associations with that pool of musicians to whose work he remains attracted. This attraction, he explained to Coda's Laurence Svirchev, is attributable to "the personal quality of an individual voice". The players to whom he is drawn "have a language which is coherent, that is, you know who the participants are. At the same time, their language is flexible enough that they can make sense of playing with each other ... l like people who can do that, who have an intensity of purpose." "

-Evan Parker Website (http://evanparker.com/biography.php)
3/27/2017

"Born in Aachen, Germany, 6 June 1949; Drums, percussion, musical saw, etc.

Paul Lovens played the drums as a child. Self-taught, from the age of 14 he played in groups of various jazz styles and popular musics and from 1969 has worked almost exclusively as an improvisor on individually selected instruments. He has worked internationally with most of the leading musicians in free jazz and free improvisation, among whom have included the Globe Unity Orchestra, the Berlin Contemporary Jazz Orchestra, the Schlippenbach trio, Quintet Moderne, Company, and a duo with Paul Lytton. He has undertaken concert tours in more than 40 countries, is a founder member of a musician's cooperative and has produced recordings for his own label, Po Torch Records since 1976. He has worked with painter Herbert Bardenheuer. Despite very rare solo performances, and although giving occasional concerts with ad-hoc groups and an involvement in projects with film, dance and actors, Paul Lovens' main interest and work is musical improvisation in fixed small groups. In the mid-1990s these small groups numbered around 16, of which a few were part of a special selection, called 'vermögen'.

Paul Lovens somehow epitomises the free drummer/percussionist who is not there to lay down the beat and kick everyone else into action but to listen, colour, contribute, guide, and occasionally direct, the overall cooperative sound. In concert one cannot fail to be moved by his intensity and concentration and there is an overiding feeling that even the most random events are somehow planned in time. In this respect, there is a nice irony that on the Nothing to read CD with Mats Gustafsson, Lovens describes his kit as consisting of 'selected and unselected drums and cymbals'. Miking seems to be a problem at times with some recordings giving him undue prominence and others insufficient. Good recordings are Elf bagatellen, Nothing to read, Pakistani pomade, and ,stranger than love."

-European Free Improv (http://www.efi.group.shef.ac.uk/mlovens.html)
3/27/2017

"Keith Tippett (born Keith Graham Tippetts; 25 August 1947) is a British jazz pianist and composer.

Tippett was born in Southmead, Bristol. The son of an English father who was a policeman and an Irish mother name of Kitty. Keith wrote music dedicated to her after she died. Keith was the oldest of three siblings and had Clive and Thomas as brothers. Tippett went to Greenway Secondary Modern school in Southmead, Bristol. He formed his first band when he was fourteen with school friends, such as Richard Murch, Mike Milton, Terry Pratt and Bob Chard. They were called the KT Trad Lads performing Traditional jazz. Later Keith formed a modern jazz trio in Bristol and played regularly at the Dugout Club in Park Row, Bristol. He studied Piano and Church Organ, was a chorister and played with the school and Bristol youth brass bands. He moved to London in 1967, to pursue a musical life.

In the late 1960s, Tippett led a sextet featuring Elton Dean on saxophone, Mark Charig on trumpet and Nick Evans on trombone. Tippett married singer Julie Driscoll and wrote scores for TV.

In the early 1970s, his big band Centipede brought together much of a generation of young British jazz and rock musicians. As well as performing some concerts (limited economically by the size of the band), they recorded one double-album, Septober Energy.

He formed, with Harry Miller and Louis Moholo a formidable rhythm section at the centre of some the most exciting combinations in the country, including the Elton Dean quartet, and Elton Dean's Ninesense. Around the same time, he was also in the vicinity of King Crimson, contributing piano to several of their records including "Cat Food" (and even appearing with them on Top of the Pops). His own groups, such as Ovary Lodge tended towards a more contemplative form of European free improvisation. He continues to perform with the improvising ensemble Mujician and more recently (2006) Work in Progress.

Tippett has appeared and recorded in a wide variety of settings, including a duet with Stan Tracey, duets with his wife Julie Tippetts, solo performances, and appeared on three King Crimson albums."

-Wikipedia (https://en.wikipedia.org/wiki/Keith_Tippett)
3/27/2017

Other Releases With These Artists:
Tippett, Keith Octet
The Nine Dances Of Patrick O'Gonogon
(Discus)
Parker, Evan / Daunik Lazro / Joe McPhee
Seven Pieces. Live At Willisau 1995
(Clean Feed)
Escreet, John (w/ Evan Parker / John Hebert / Tyshawn Sorey)
The Unknown (Live in Concert)
(Sunnyside Records)
Kowald, Peter Quintet
Peter Kowald Quintet [VINYL]
(Cien Fuegos)
Parker, Evan / Pat Thomas / John Russell / John Edwards / Alex Ward / Alison Blunt / Benedict Taylor / David Leahy / Kay Grant
Mopomoso Tour 2013 | Making Rooms [4 CD BOX SET]
(Weekertoft)
Spontaneous Music Orchestra
Search & Reflect (1973-81) [2 CDs]
(Emanem)
Parker, Evan / Mark Nauseef / Toma Gouband
As The Wind
(psi)
Spontaneous Music Ensemble
Withdrawal (1966/7)[REISSUE]
(Emanem)
Keune, Stefan / Lovens, Paul
Live 2013
(FMR)
PaPaJo (Hubweber / Lovens / Edwards)
Spiela [2 CDs]
(Creative Sources)
Parker, Evan / Seymour Wright
Tie the Stone to the Wheel
(Fataka)
LOK 03+1 (Schlippenbach / Takase / DJ Illvibe / Lovens)
Signals [VINYL]
(Trost Records)
LOK 03+1 (Schlippenbach / Takase / DJ Illvibe / Lovens)
Signals
(Trost Records)
Foussat, Jean-Marc / Les Autres
Alternative Oblique [4 CD Box Set]
(Improvising Beings)
Brotzmann, Peter Sextet/ Quartet
Nipples [VINYL]
(Cien Fuegos)
Guy, Barry / Eddie Prevost / Evan Parker / Keith Rowe
Supersession [REMASTERED, REPACKAGED, ADDITIONAL TEXT]
(Matchless)
Parker, Evan / Joe Morris / Nate Wooley
Ninth Square
(Clean Feed)
Russell, John (with Phil Minton, Thurston Moore, Evan Parker, &c.)
With...
(Emanem)
Frith, Fred / Evan Parker
Hello, I Must Be Going
(Victo)
Parker, Evan
Monoceros
(psi)
Schlippenbach Trio
First Recordings [VINYL]
(Trost Records)
Schlippenbach Trio
First Recordings
(Trost Records)
Spontaneous Music Ensemble
Oliv & Familie (1968-9)
(Emanem)
Yoshihide, Otomo / Sachiko M / Evan Parker / John Edwards / Tony Marsh / John Butcher
Quintet/Sextet/Duos
(Otoroku)
Rajesh, Mehta
Orka
(Hatology)
Parker, Evan / John Edwards / Mark Sanders
The Two Seasons
(Emanem)
Parker, Evan
The Ayes Have It
(Emanem)
Parker, Evan / Paul Rutherford / Hans Schneider / Paul Lytton
Waterloo 1985
(Emanem)
Parker, Evan / Barry Guy / Paul Lytton
At The Vortex
(Emanem)
Lovens, Paul / Paul Hubweber / John Edwards
Papajo
(Emanem)
Various Artists
Freedom of the City 2002 - small groups [2 CDs]
(Emanem)
Parker, Evan & Joe Mcphee
What / If / They Both Could Fly [VINYL]
(Rune Grammofon)
Parker, Evan & Joe Mcphee
What / If / They Both Could Fly
(Rune Grammofon)
Rocket Science
Evan Parker / Peter Evans / Craig Taborn / Sam Pluta
(More Is More)
Spontaneous Music Ensemble
Challenge (1966-7)
(Emanem)
Parker, Evan / Barry Guy / Paul Lytton
Live at Maya Recordings Festival [VINYL 2 LPs]
(NoBusiness)
Tippett, Keith / Giovanni Maier
Two for Joyce - Live in Trieste
(Long Song Records)
Parker, Evan / Barry Guy / Paul Lytton
Live at Maya Recordings Festival
(NoBusiness)
Spontaneous Music Ensemble
Summer 1967
(Emanem)
Parker, Evan
Lines Burnt In Light
(psi)
Parker, Evan / Paul Lytton
Collective Calls (Urban)
(psi)
Bennink / Evan Parker, Han
The Grass Is Greener
(psi)
Stevens / Rutherford / Parker / Guy
One Four and Two Twos (1978/79/92)
(Emanem)
Parker / Schlippenbach / Guy / Lovens / Lytton
2X3=5
(Leo)
Various Artists
13 Miniatures For Albert Ayler
(RogueArt)
Parker, Evan & GGRIL (Grand Groupe Regional d'Improvisation Liberee)
Vivaces
(Tour de Bras)
Foxes Fox
Live at the Vortex
(psi)
Parker, Evan / Lee / Evans
The Bleeding Edge
(psi)
Mengelberg, Misha & Evan Parker
It won't be called Broken Chair
(psi)
Tippett, Keith Octet
From Granite To Wind
(Ogun)
Parker / Neal / Sorbara
At Somewhere There
(Barnyard)
Koller, Hans with Bill Frisell
Cry, Want
(psi)
Parker / Guy / Lytton + Peter Evans
Scenes in the House of Music
(Clean Feed)
Parker, Evan & Sten Sandell
Psalms
(psi)
Parker, Evan / Leimgruber, Urs
Twine
(Clean Feed)
Boeren, Eric 4tet
Song for Tracy the Turtle - Live in Brugge 2004
(Clean Feed)
Parker, Evan
Whitstable Solo
(psi)
Liebman / Evan Parker / Bianco
Relevance
(Red Toucan)
Charig / Tippett / Winter
Pipedream
(Ogun)
Lazro / Zingaro / Leandre / Loves
Madly You
(Potlatch)
Parker, Evan
Set
(psi)
Tippet, Keith Septet
A Loose Kite in a Gentle Wind Floating with Only My Will for an Anchor
(Ogun)
Tippett, Tippetts, Moholo & Canto General
Viva La Black Live At Ruvo
(Ogun)
Townhouse Orchestra (E.Parker/ Sandell / Flaten / Nilssen-Love)
Belle Ville
(Clean Feed)
Angeli / Parker / Rothenberg
Free Zone Appleby 2007
(psi)
London & Glasgow Improvisers Orchestras
Separately & Together (Freedom of the City 2007)
(Emanem)
Furt plus
Equals
(psi)
Parker, Evan
Conic Sections
(psi)
Eastley / Halliwell / Parker / Wastell
a life saved by a spider and two doves
(Another Timbre)
Parker, Evan / Ghost in the Machine
New Excursions
(Ninth World)
Parker, Evan / Rothenberg, Ned
Live at Roulette
(Animul)
Parker, Evan
Hook, Drift & Shuffle
(psi)
fORCH
Spin Networks
(psi)
Schlippenbach Trio
Winterreise
(psi)
Parker, Evan
The Topography of the Lungs
(psi)
Parker Octet, Evan
Crossing the River
(psi)
Butcher / Durrant / Lovens /Malfatti / Russell
News From the Shed
(Emanem)
Chadbourne, Eugene / Lovens, Paul
Young At Heart / Forgiven
(Leo)
Nilssen-Love, Paal
townorchestrahouse
(Clean Feed)
Various Artists
Free Zone Appleby 2004
(psi)
Tracey, Stan & Evan Parker
Crevulations
(psi)
Dunmall, Paul Octet
Bridging
(Clean Feed)
Sandell, Sten / David Stackenas with Parker / Guy / Lytton
Gubbrora
(psi)
Dunmall, Paul
I Wish You Peace
(Cuneiform)
Parker, Evan / Schlippenbach / Lytton
America 2003 [2 CDs] REPRESS
(psi)
Various Artists
Free Zone Appleby 2003
(psi)
Tracey, Stan / Evan Parker
Suspensions and Anticipations
(psi)
Brotherhood of Breath
Bremen to Bridgwater
(Cuneiform)
Parker, Evan
The Snake Decides [REPRESS]
(psi)
Parker, Evan / Sainkho Namtchylak
Mars Song
(Victo)
Chadbourne, Eugene / Paul Lovens
Patrizio
(Victo)
Tippett, Keith Octet
The Nine Dances Of Patrick O'Gonogon
(Discus)
Hein, Nicola L. / Mia Zabelka
The Honey Pump
(FMR)
Trilla, Vasco
The Rainbow Serpent
(FMR)
Schindler, Udo / Marco von Orelli
Luft.Spiele
(FMR)
Hall, Rob / Chick Lyall
Myth
(FMR)
Keune, Stefan / Lovens, Paul
Live 2013
(FMR)
Wire, The
#383 January 2016 [MAGAZINE]
(The Wire)
Schindler, Udo / Frank Paul Schubert
Parnassia Palustris
(FMR)
Lyall, Chick / David Garrett
Green Room
(FMR)
Jackson, Tom / Benedict Taylor / Daniel Thompson
Hunt At The Brook
(FMR)
Recommended & Related Releases:
Parker, Evan / Daunik Lazro / Joe McPhee
Seven Pieces. Live At Willisau 1995
(Clean Feed)
Escreet, John (w/ Evan Parker / John Hebert / Tyshawn Sorey)
The Unknown (Live in Concert)
(Sunnyside Records)
Kowald, Peter Quintet
Peter Kowald Quintet [VINYL]
(Cien Fuegos)
Parker, Evan / Pat Thomas / John Russell / John Edwards / Alex Ward / Alison Blunt / Benedict Taylor / David Leahy / Kay Grant
Mopomoso Tour 2013 | Making Rooms [4 CD BOX SET]
(Weekertoft)
Spontaneous Music Orchestra
Search & Reflect (1973-81) [2 CDs]
(Emanem)
Parker, Evan / Mark Nauseef / Toma Gouband
As The Wind
(psi)
Spontaneous Music Ensemble
Withdrawal (1966/7)[REISSUE]
(Emanem)
PaPaJo (Hubweber / Lovens / Edwards)
Spiela [2 CDs]
(Creative Sources)
Parker, Evan / Seymour Wright
Tie the Stone to the Wheel
(Fataka)
LOK 03+1 (Schlippenbach / Takase / DJ Illvibe / Lovens)
Signals [VINYL]
(Trost Records)
LOK 03+1 (Schlippenbach / Takase / DJ Illvibe / Lovens)
Signals
(Trost Records)
Foussat, Jean-Marc / Les Autres
Alternative Oblique [4 CD Box Set]
(Improvising Beings)
Brotzmann, Peter Sextet/ Quartet
Nipples [VINYL]
(Cien Fuegos)
Guy, Barry / Eddie Prevost / Evan Parker / Keith Rowe
Supersession [REMASTERED, REPACKAGED, ADDITIONAL TEXT]
(Matchless)
Parker, Evan / Joe Morris / Nate Wooley
Ninth Square
(Clean Feed)
Russell, John (with Phil Minton, Thurston Moore, Evan Parker, &c.)
With...
(Emanem)
Frith, Fred / Evan Parker
Hello, I Must Be Going
(Victo)
Parker, Evan
Monoceros
(psi)
Schlippenbach Trio
First Recordings [VINYL]
(Trost Records)
Schlippenbach Trio
First Recordings
(Trost Records)
Spontaneous Music Ensemble
Oliv & Familie (1968-9)
(Emanem)
Yoshihide, Otomo / Sachiko M / Evan Parker / John Edwards / Tony Marsh / John Butcher
Quintet/Sextet/Duos
(Otoroku)
Rajesh, Mehta
Orka
(Hatology)
Parker, Evan / John Edwards / Mark Sanders
The Two Seasons
(Emanem)
Parker, Evan
The Ayes Have It
(Emanem)
Parker, Evan / Paul Rutherford / Hans Schneider / Paul Lytton
Waterloo 1985
(Emanem)

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