A collection of materials for solo guitarist, written by Michael Pisaro and here performed by Christian Alvear, presenting the performer with up to 12 fragments which can be played in any order and which allow for various transformations, cuts, extensions and silences.
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Catalog ID: P115
Squidco Product Code: 20282
Packaging: Cardboard Gatefold
Recorded at Estudios Madreselva, in Santiago, chile, on July 1st, 2014 by Alfonso Perez.
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1. Melody, Silence 46:00
Related Categories of Interest:
lowercase, micro-improv, sound improv
Solo Artist Recordings
New in Compositional Music
sample the album:
"A stunning recording though what to say, how to describe beyond the piece's basic structure...difficult. Pisaro writes, "There are up to 12 fragments (or pieces) which can be played in any order and which allow for various transformations, cuts, extensions and silences. Each guitarist makes their own version." So clearly, the credit for the work's success is pretty evenly distributed and, of course, I'd love to hear other versions. But from what I've heard previously from Alvear, my guess is that his realization (on acoustic guitar, by the way) will be one of the strongest.
The twelve sections seem to fall into one of three types: quiet, melodic, "traditional" playing, drones and silences. As I chart it, the sequence here is M-D-D-M-S-M-S-D-S-M-D-M, with each section lasting between three and five minutes. The melodic sequences vary slightly from each other though all are quiet. They also have a certain rhythm, though very slow. The "melodies" range from slightly sour near the beginning to a very tonal, almost processional feel in the final episode--each one is crystalline and beautiful on its own, clearly and profoundly played by Alvear. The drones, achieved I assume via ebow or similar device, are also fascinating, varying both inherently (though super-subtly) and in one's listening environment when shifting one's head. The three silences last about three, two and four minutes and, as ever in fine realizations of Pisaro's music, are superbly placed, pools of contemplation.
Everything is laid bare, even stripped, the disrobing revealing a pure, taut and sensual skeleton. Like some object, maybe an old pine cone, simple and complex, examined from three angles, each opening a different history of the cone though each, of necessity, connected to and part of the other. Very hard to describe except to say we're fortunate to have yet another fantastic example of Pisaro's conception, exceptionally realized by Alvear. An absolute must for anyone interested in this area of music, truly beautiful."-Brian Olewnick, Just Outside
• Show Bio for Michael Pisaro
"Michael Pisaro was born in Buffalo in 1961. He is a composer and guitarist, a member of the Wandelweiser Composers Ensemble and founder and director of the Experimental Music Workshop, Calarts. His work is frequently performed in the U.S. and in Europe, in music festivals and in many smaller venues. It has been selected twice by the ISCM jury for performance at World Music Days festivals (Copenhagen,1996; Manchester, 1998) and has also been part of festivals in Hong Kong (ICMC, 1998), Vienna (Wien Modern,1997), Aspen (1991), London (Cutting Edge, 2007), Glasgow (INSTAL 2009), Huddersfield (2009), Chicago (New Music Chicago, 1990, 1991) and elsewhere.
He has had extended composer residencies in Germany (Künstlerhof Schreyahn, Dortmund University), Switzerland (Forumclaque/Baden), Israel (Miskenot Sha'ananmim), Greece (EarTalk) and in the U.S. (Birch Creek Music Festival, Wisconsin). Concert length portraits of his music have been given in Munich, Jerusalem, Los Angeles, Vienna, Merano (Italy), Brussels, New York, Curitiba (Brazil), Amsterdam, London, Tokyo, Austin, Berlin, Chicago, Düsseldorf, Zürich, Cologne, Aarau (Switzerland), and elsewhere.
He is a Foundation for Contemporary Arts, 2005 and 2006 Grant Recipient. Much of his music of the last several years is published by Edition Wandelweiser (Germany). Several CDs of his work have been released by such labels as Edition Wandelweiser Records, Compost and Height, confront, Another Timbre, Cathnor, Nine Winds and others, including most recently "transparent city, volumes 1-4", "an unrhymed chord", "hearing metal 1", "A Wave and Waves" and "harmony series (11-16)".
His translation of poetry by Oswald Egger ("Room of Rumor") was published in 2004 by Green Integer. He is Co-Chair of Music Composition at the California Institute of the Arts near Los Angeles. He has performed many of his own works and those of close associates Antoine Beuger, Kunsu Shim, Jürg Frey and Manfred Werder, and works from the experimental tradition, especially John Cage, Christian Wolff, James Tenney and George Brecht."-Edition Wandelweiser (http://www.wandelweiser.de/michael-pisaro.html)
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• Show Bio for Cristian Alvear
Chilean musician dedicated to the performance, premiere and recording of new music. He serves as co-curator of the Experimental Music Festival Relincha, in Valdivia, Chile.
Since the beginning of his career he has been constantly performing in the main auditoriums and concert halls of his country, as well as international festivals and concert venues. In recent years he has concentrated its efforts in performing educational concerts in rural areas of the Los Lagos region, in Southern Chile.
His work has been published by edition wandelweiser records (germany), irritable hedgehog (usa), cathnor (uk), rhizome.S (france), potlatch (france), 1000fssler (germany), lengua de lava (mexico), caduc (canada), melange editions (japan), b-boim records (austria) and erstclass (usa)."-Cristian Alvear Website (http://www.cristianalvear.com/p/bioeng.html)
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